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Summary:
From a Nation Torn provides a powerful critique of art history's understanding of French modernism and the historical circumstances that shaped its production and reception. Within art history, the aesthetic practices and theories that emerged in France from the late 1940s into the 1960s are demarcated as postwar.
$36.95
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Summary:
From a Nation Torn provides a powerful critique of art history's understanding of French modernism and the historical circumstances that shaped its production and reception. Within art history, the aesthetic practices and theories that emerged in France from the late 1940s into the 1960s are demarcated as postwar.
Title:
From a nation torn: decolonizing art and representation in France, 1945-1962
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From a Nation Torn provides a powerful critique of art history's understanding of French modernism and the historical circumstances that shaped its production and reception. Within art history, the aesthetic practices and theories that emerged in France from the late 1940s into the 1960s are demarcated as postwar.
From a nation torn: decolonizing art and representation in France, 1945-1962
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$36.95
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Summary:
From a Nation Torn provides a powerful critique of art history's understanding of French modernism and the historical circumstances that shaped its production and reception. Within art history, the aesthetic practices and theories that emerged in France from the late 1940s into the 1960s are demarcated as postwar.
Form:
books
books
Publication:
April 2014
April 2014
Subject:
Art Theory
Art Theory
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books
books
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Description:
ix, 447 pages : illustrations (some color), maps, plan, portraits ; 23 cm
Description:
ix, 447 pages : illustrations (some color), maps, plan, portraits ; 23 cm
Subject:
- Parks Canada History.,
- Parcs Canada Histoire.,
- Parks Canada,
- National parks and reserves Canada History.,
- Parcs nationaux Canada Histoire.,
- National parks and reserves,
- Nationalpark,
- 323 -- Politics, internal.,
- 502 -- Environmental issues.,
- 502.4 -- Nature reserves.,
- 502.7 -- Nature and wildlife protection.,
- 502.72 -- Wildlife reserves.,
- 502.8 -- Conservation, archaeological sites.,
- 574 -- Ecology.,
- 712.23 -- National parks.,
- 796.51.7 -- Tourism.,
- 93"19" -- Twentieth century.,
- 93"200" -- 2000-2009.,
- Canada,
- Kanada,
- (*3) -- Arctic regions.,
- (*41) -- Canada.,
- History
(See more)
Publication:
Calgary : University of Calgary Press, ©2011.
Calgary : University of Calgary Press, ©2011.
Title:
A century of Parks Canada, 1911-2011 / edited by Claire Elizabeth Campbell.
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Description:
ix, 447 pages : illustrations (some color), maps, plan, portraits ; 23 cm
A century of Parks Canada, 1911-2011 / edited by Claire Elizabeth Campbell.
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Description:
ix, 447 pages : illustrations (some color), maps, plan, portraits ; 23 cm
Form:
books
books
Publication:
Calgary : University of Calgary Press, ©2011.
Calgary : University of Calgary Press, ©2011.
Subject:
- Parks Canada History.,
- Parcs Canada Histoire.,
- Parks Canada,
- National parks and reserves Canada History.,
- Parcs nationaux Canada Histoire.,
- National parks and reserves,
- Nationalpark,
- 323 -- Politics, internal.,
- 502 -- Environmental issues.,
- 502.4 -- Nature reserves.,
- 502.7 -- Nature and wildlife protection.,
- 502.72 -- Wildlife reserves.,
- 502.8 -- Conservation, archaeological sites.,
- 574 -- Ecology.,
- 712.23 -- National parks.,
- 796.51.7 -- Tourism.,
- 93"19" -- Twentieth century.,
- 93"200" -- 2000-2009.,
- Canada,
- Kanada,
- (*3) -- Arctic regions.,
- (*41) -- Canada.,
- History
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books
books
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Description:
320 pages : illustrations (some color) ; 30 cm
Description:
320 pages : illustrations (some color) ; 30 cm
Subject:
- Barbican Art Gallery Exhibitions.,
- Barbican Art Gallery,
- Indians of North America Pictorial works Exhibitions.,
- Photography United States Exhibitions.,
- Indians of North America.,
- Indigenous peoples North America Portraits Exhibitions.,
- Photography, Artistic Exhibitions.,
- Indigenous peoples North America In art Exhibitions.,
- Indians, North American,
- Indians, North American history,
- Autochtones Amérique du Nord Portraits Expositions.,
- Autochtones Amérique du Nord Dans l'art Expositions.,
- Photographie dans ethnologie Expositions.,
- Photographie artistique Expositions.,
- Peuples autochtones Amérique du Nord.,
- Indigenous peoples,
- Photography, Artistic,
- Indians of North America Exhibitions,
- Photography,
- Fotografie.,
- Indianen.,
- Indiens Amérique du Nord Ouvrages illustrés.,
- Photographie États-Unis Catalogues d'exposition.,
- Iwi taketake.,
- North America,
- United States,
- Exhibition,
- Exhibition catalogs.,
- exhibition catalogs.,
- Illustrated works.,
- Catalogues d'exposition.
(See more)
Publication:
London : Barbican Art Gallery in association with Booth-Clibborn Editions, [1998], London : Distributed world-wide and by direct mail through Internos Books, ©1998
London : Barbican Art Gallery in association with Booth-Clibborn Editions, [1998], London : Distributed world-wide and by direct mail through Internos Books, ©1998
Title:
Native nations : journeys in American photography / edited and introduced by Jane Alison.
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Description:
320 pages : illustrations (some color) ; 30 cm
Native nations : journeys in American photography / edited and introduced by Jane Alison.
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Description:
320 pages : illustrations (some color) ; 30 cm
Form:
books
books
Publication:
London : Barbican Art Gallery in association with Booth-Clibborn Editions, [1998], London : Distributed world-wide and by direct mail through Internos Books, ©1998
London : Barbican Art Gallery in association with Booth-Clibborn Editions, [1998], London : Distributed world-wide and by direct mail through Internos Books, ©1998
Subject:
- Barbican Art Gallery Exhibitions.,
- Barbican Art Gallery,
- Indians of North America Pictorial works Exhibitions.,
- Photography United States Exhibitions.,
- Indians of North America.,
- Indigenous peoples North America Portraits Exhibitions.,
- Photography, Artistic Exhibitions.,
- Indigenous peoples North America In art Exhibitions.,
- Indians, North American,
- Indians, North American history,
- Autochtones Amérique du Nord Portraits Expositions.,
- Autochtones Amérique du Nord Dans l'art Expositions.,
- Photographie dans ethnologie Expositions.,
- Photographie artistique Expositions.,
- Peuples autochtones Amérique du Nord.,
- Indigenous peoples,
- Photography, Artistic,
- Indians of North America Exhibitions,
- Photography,
- Fotografie.,
- Indianen.,
- Indiens Amérique du Nord Ouvrages illustrés.,
- Photographie États-Unis Catalogues d'exposition.,
- Iwi taketake.,
- North America,
- United States,
- Exhibition,
- Exhibition catalogs.,
- exhibition catalogs.,
- Illustrated works.,
- Catalogues d'exposition.
(See more)
Form:
artefacts
artefacts
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Description:
1 model : plastic, metal ; 26 x 18 x 10 cm
Description:
1 model : plastic, metal ; 26 x 18 x 10 cm
Subject:
- Chernyshevsky, Nikolay Gavrilovich, 1828-1889 Models.,
- Chernyshevsky, Nikolay Gavrilovich, 1828-1889,
- Nikolai Gavrilovich Chernyshevskiĭ, 1828-1889 ; 50 let Okt︢ia︡br︢ia︡,
- Soviet Union History Revolution, 1917-1921 Models.,
- Soviet Union,
- Souvenir Models (representations),
- Calendars.,
- History
(See more)
Publication:
[between 1967 and 1990] ([Russia])
[between 1967 and 1990] ([Russia])
Title:
Николаи Гаврилович Чернышевский, 1828-1889 : 50 let Okt︢ia︡br︢ia︡. Nikolai Gavrilovich Chernyshevskiĭ, 1828-1889 : 50 let Okt︢ia︡br︢ia︡
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Description:
1 model : plastic, metal ; 26 x 18 x 10 cm
Николаи Гаврилович Чернышевский, 1828-1889 : 50 let Okt︢ia︡br︢ia︡. Nikolai Gavrilovich Chernyshevskiĭ, 1828-1889 : 50 let Okt︢ia︡br︢ia︡
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Description:
1 model : plastic, metal ; 26 x 18 x 10 cm
Form:
artefacts
artefacts
Publication:
[between 1967 and 1990] ([Russia])
[between 1967 and 1990] ([Russia])
Subject:
- Chernyshevsky, Nikolay Gavrilovich, 1828-1889 Models.,
- Chernyshevsky, Nikolay Gavrilovich, 1828-1889,
- Nikolai Gavrilovich Chernyshevskiĭ, 1828-1889 ; 50 let Okt︢ia︡br︢ia︡,
- Soviet Union History Revolution, 1917-1921 Models.,
- Soviet Union,
- Souvenir Models (representations),
- Calendars.,
- History
(See more)
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books
books
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Description:
416 pages : chiefly color illustrations, plans ; 34 cm
Description:
416 pages : chiefly color illustrations, plans ; 34 cm
Author:
Subject:
- Mural painting and decoration, Roman Italy Rome.,
- Interior decoration Rome.,
- Dwellings Rome.,
- Mural painting and decoration, Greco-Roman.,
- Mural painting and decoration, Ancient Italy Rome.,
- Mural painting and decoration, Ancient Italy Pompeii (Extinct city),
- Decoration and ornament, Architectural Italy Rome.,
- Architecture, Domestic Italy Rome.,
- Architecture, Domestic Italy Pompeii (Extinct city),
- Peinture et décoration murales gréco-romaines.,
- Peinture et décoration murales antiques Italie Rome.,
- Peinture et décoration murales antiques Italie Pompéi (Ville ancienne),
- Décoration et ornement architecturaux Italie Rome.,
- Architecture domestique Italie Rome.,
- Architecture domestique Italie Pompéi (Ville ancienne),
- Décoration intérieure Rome.,
- Habitations Rome.,
- Mural painting and decoration, Ancient,
- Decoration and ornament, Architectural,
- Architecture, Domestic,
- Dwellings,
- Interior decoration,
- Mural painting and decoration, Roman,
- Wandmalerei,
- Haus,
- Italy Pompeii (Extinct city),
- Italy Rome,
- Rome (Empire),
- Römisches Reich
(See more)
Publication:
Los Angeles : J. Paul Getty Museum, 2004.
Los Angeles : J. Paul Getty Museum, 2004.
Title:
Domus : wall painting in the Roman house / Donatella Mazzoleni ; essay and texts on the sites by Umberto Pappalardo ; photographs by Luciano Romano.
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Description:
416 pages : chiefly color illustrations, plans ; 34 cm
Domus : wall painting in the Roman house / Donatella Mazzoleni ; essay and texts on the sites by Umberto Pappalardo ; photographs by Luciano Romano.
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Description:
416 pages : chiefly color illustrations, plans ; 34 cm
Form:
books
books
Publication:
Los Angeles : J. Paul Getty Museum, 2004.
Los Angeles : J. Paul Getty Museum, 2004.
Subject:
- Mural painting and decoration, Roman Italy Rome.,
- Interior decoration Rome.,
- Dwellings Rome.,
- Mural painting and decoration, Greco-Roman.,
- Mural painting and decoration, Ancient Italy Rome.,
- Mural painting and decoration, Ancient Italy Pompeii (Extinct city),
- Decoration and ornament, Architectural Italy Rome.,
- Architecture, Domestic Italy Rome.,
- Architecture, Domestic Italy Pompeii (Extinct city),
- Peinture et décoration murales gréco-romaines.,
- Peinture et décoration murales antiques Italie Rome.,
- Peinture et décoration murales antiques Italie Pompéi (Ville ancienne),
- Décoration et ornement architecturaux Italie Rome.,
- Architecture domestique Italie Rome.,
- Architecture domestique Italie Pompéi (Ville ancienne),
- Décoration intérieure Rome.,
- Habitations Rome.,
- Mural painting and decoration, Ancient,
- Decoration and ornament, Architectural,
- Architecture, Domestic,
- Dwellings,
- Interior decoration,
- Mural painting and decoration, Roman,
- Wandmalerei,
- Haus,
- Italy Pompeii (Extinct city),
- Italy Rome,
- Rome (Empire),
- Römisches Reich
(See more)
Form:
books
books
Holdings:
Description:
340 pages : color illustrations ; 30 cm
Description:
340 pages : color illustrations ; 30 cm
Author:
Subject:
- Richter, Gerhard, 1932- Exhibitions.,
- Richter, Gerhard, 1932- Expositions.,
- Richter, Gerhard, 1932-,
- Richter, Gerhard, (1932- ...) Catalogues d'exposition.,
- Museum of Modern Art (New York, N.Y.),
- Schilderijen.,
- Exhibition catalogues.,
- Exhibition catalogs.,
- Interviews.,
- Quotations (texts),
- exhibition catalogs.,
- Catalogues d'exposition.
(See more)
Publication:
New York : Museum of Modern Art, 2002.
New York : Museum of Modern Art, 2002.
Title:
Gerhard Richter : forty years of painting / Robert Storr.
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Description:
340 pages : color illustrations ; 30 cm
Gerhard Richter : forty years of painting / Robert Storr.
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Description:
340 pages : color illustrations ; 30 cm
Form:
books
books
Publication:
New York : Museum of Modern Art, 2002.
New York : Museum of Modern Art, 2002.
Subject:
- Richter, Gerhard, 1932- Exhibitions.,
- Richter, Gerhard, 1932- Expositions.,
- Richter, Gerhard, 1932-,
- Richter, Gerhard, (1932- ...) Catalogues d'exposition.,
- Museum of Modern Art (New York, N.Y.),
- Schilderijen.,
- Exhibition catalogues.,
- Exhibition catalogs.,
- Interviews.,
- Quotations (texts),
- exhibition catalogs.,
- Catalogues d'exposition.
(See more)
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books
books
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Description:
viii, 222 pages, [6] pages folded panoramas : illustrations (some color), maps ; 27 cm
Description:
viii, 222 pages, [6] pages folded panoramas : illustrations (some color), maps ; 27 cm
Subject:
- Barker, Robert, 1739-1806 Criticism and interpretation.,
- Barker, Henry Aston, 1774-1856 Criticism and interpretation.,
- Barker, Henry Aston, 1774-1856.,
- Barker, Robert, 1739-1806.,
- Panoramas Social aspects Great Britain.,
- Art exhibition audiences Great Britain.,
- Panoramas (Art) Aspect social Grande-Bretagne.,
- Art Expositions Publics Grande-Bretagne.,
- ART History Romanticism.,
- HISTORY Europe Great Britain.,
- Art exhibition audiences.,
- Great Britain.,
- Criticism, interpretation, etc.,
- Panoramic views.,
- Illustrated works.
(See more)
Publication:
Minneapolis : University of Minnesota Press, 2011.
Minneapolis : University of Minnesota Press, 2011.
Title:
The first panoramas : visions of British imperialism / Denise Blake Oleksijczuk.
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Description:
viii, 222 pages, [6] pages folded panoramas : illustrations (some color), maps ; 27 cm
The first panoramas : visions of British imperialism / Denise Blake Oleksijczuk.
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Description:
viii, 222 pages, [6] pages folded panoramas : illustrations (some color), maps ; 27 cm
Form:
books
books
Publication:
Minneapolis : University of Minnesota Press, 2011.
Minneapolis : University of Minnesota Press, 2011.
Subject:
- Barker, Robert, 1739-1806 Criticism and interpretation.,
- Barker, Henry Aston, 1774-1856 Criticism and interpretation.,
- Barker, Henry Aston, 1774-1856.,
- Barker, Robert, 1739-1806.,
- Panoramas Social aspects Great Britain.,
- Art exhibition audiences Great Britain.,
- Panoramas (Art) Aspect social Grande-Bretagne.,
- Art Expositions Publics Grande-Bretagne.,
- ART History Romanticism.,
- HISTORY Europe Great Britain.,
- Art exhibition audiences.,
- Great Britain.,
- Criticism, interpretation, etc.,
- Panoramic views.,
- Illustrated works.
(See more)
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books
books
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Description:
2 volumes : color illustrations ; 29 cm
Description:
2 volumes : color illustrations ; 29 cm
Subject:
- Graham, Paul, 1956-,
- Photography, Artistic.,
- Photographie artistique.,
- art photography.,
- New Jersey Pictorial works.,
- Long Island (N.Y.) Pictorial works.,
- New Jersey Ouvrages illustrés.,
- Long Island (N.Y.) Ouvrages illustrés.,
- photobooks.,
- Photobooks.,
- Livres de photographies.
(See more)
Publication:
London : MACK, [2024], ©2024
London : MACK, [2024], ©2024
Title:
Verdigris : Ambergris / Paul Graham.
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Description:
2 volumes : color illustrations ; 29 cm
Verdigris : Ambergris / Paul Graham.
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Description:
2 volumes : color illustrations ; 29 cm
Form:
books
books
Publication:
London : MACK, [2024], ©2024
London : MACK, [2024], ©2024
Subject:
- Graham, Paul, 1956-,
- Photography, Artistic.,
- Photographie artistique.,
- art photography.,
- New Jersey Pictorial works.,
- Long Island (N.Y.) Pictorial works.,
- New Jersey Ouvrages illustrés.,
- Long Island (N.Y.) Ouvrages illustrés.,
- photobooks.,
- Photobooks.,
- Livres de photographies.
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books
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$31.50
(available to order)
Summary:
In this long-awaited work, Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history.(...)
$31.50
(available to order)
Summary:
In this long-awaited work, Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history.(...)
Subject:
Architectural Theory
Architectural Theory
Publication:
October 2006, Cambridge (MA), London
October 2006, Cambridge (MA), London
Title:
Architecture in the age of divided representation : the question of creativity in the shadow of production
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$31.50
(available to order)
Summary:
In this long-awaited work, Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history. Vesely's argument, structured as a critical dialogue, discovers the first plausible anticipation of modernity in the formation of Renaissance perspective. Understanding this notion of perspective against the background of the medieval philosophy of light, he argues, leads to an understanding of architectural space as formed by typical human situations and by light before it is structured geometrically. The central part of the book addresses the question of divided representation - the tension between the instrumental and the communicative roles of architecture - in the period of the baroque, when architectural thinking was seriously challenged by the emergence of modern science. Vesely argues that to resolve the dilemma of modernity - reconciling the inventions and achievements of modern technology with the human condition and the natural world - we can turn to architecture and its latent capacity to reconcile different levels of reality, its ability to relate abstract ideas and conceptual structures to the concrete situations of everyday life. Vesely sees the restoration of this communicative role of architecture as the key to the restoration of architecture as the topological and corporeal foundation of culture; what the book is to our literacy, he argues, architecture is to culture as a whole. He concludes by proposing a new poetics of architecture that will serve as a framework for the restoration of the humanistic role of architecture in the age of technology.
Architecture in the age of divided representation : the question of creativity in the shadow of production
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Price:
$31.50
(available to order)
Summary:
In this long-awaited work, Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history. Vesely's argument, structured as a critical dialogue, discovers the first plausible anticipation of modernity in the formation of Renaissance perspective. Understanding this notion of perspective against the background of the medieval philosophy of light, he argues, leads to an understanding of architectural space as formed by typical human situations and by light before it is structured geometrically. The central part of the book addresses the question of divided representation - the tension between the instrumental and the communicative roles of architecture - in the period of the baroque, when architectural thinking was seriously challenged by the emergence of modern science. Vesely argues that to resolve the dilemma of modernity - reconciling the inventions and achievements of modern technology with the human condition and the natural world - we can turn to architecture and its latent capacity to reconcile different levels of reality, its ability to relate abstract ideas and conceptual structures to the concrete situations of everyday life. Vesely sees the restoration of this communicative role of architecture as the key to the restoration of architecture as the topological and corporeal foundation of culture; what the book is to our literacy, he argues, architecture is to culture as a whole. He concludes by proposing a new poetics of architecture that will serve as a framework for the restoration of the humanistic role of architecture in the age of technology.
Form:
books
books
Publication:
October 2006, Cambridge (MA), London
October 2006, Cambridge (MA), London
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Actions:
Price:
$62.50
(available to order)
Summary:
Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers nothing less than an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history. Vesely's(...)
$62.50
(available to order)
Summary:
Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers nothing less than an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history. Vesely's(...)
Title:
Architecture in the age of divided representation : the question of creativity in the shadow of production
Actions:
Price:
$62.50
(available to order)
Summary:
Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers nothing less than an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history. Vesely's argument, structured as a critical dialogue, discovers the first plausible anticipation of modernity in the formation of Renaissance perspective. Understanding this notion of perspective against the background of the medieval philosophy of light, he argues, leads to an understanding of architectural space as formed by typical human situations and by light before it is structured geometrically. The central part of the book addresses the question of divided representation - the tension between the instrumental and the communicative roles of architecture - in the period of the baroque, when architectural thinking was seriously challenged by the emergence of modern science. Vesely argues that to resolve the dilemma of modernity - reconciling the inventions and achievements of modern technology with the human condition and the natural world - we can turn to architecture and its latent capacity to reconcile different levels of reality, its ability to relate abstract ideas and conceptual structures to the concrete situations of everyday life. Vesely sees the restoration of this communicative role of architecture as the key to the restoration of architecture as the topological and corporeal foundation of culture; what the book is to our literacy, he argues, architecture is to culture as a whole. He concludes by proposing a new poetics of architecture that will serve as a framework for the restoration of the humanistic role of architecture in the age of technology.
Architecture in the age of divided representation : the question of creativity in the shadow of production
Actions:
Price:
$62.50
(available to order)
Summary:
Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers nothing less than an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history. Vesely's argument, structured as a critical dialogue, discovers the first plausible anticipation of modernity in the formation of Renaissance perspective. Understanding this notion of perspective against the background of the medieval philosophy of light, he argues, leads to an understanding of architectural space as formed by typical human situations and by light before it is structured geometrically. The central part of the book addresses the question of divided representation - the tension between the instrumental and the communicative roles of architecture - in the period of the baroque, when architectural thinking was seriously challenged by the emergence of modern science. Vesely argues that to resolve the dilemma of modernity - reconciling the inventions and achievements of modern technology with the human condition and the natural world - we can turn to architecture and its latent capacity to reconcile different levels of reality, its ability to relate abstract ideas and conceptual structures to the concrete situations of everyday life. Vesely sees the restoration of this communicative role of architecture as the key to the restoration of architecture as the topological and corporeal foundation of culture; what the book is to our literacy, he argues, architecture is to culture as a whole. He concludes by proposing a new poetics of architecture that will serve as a framework for the restoration of the humanistic role of architecture in the age of technology.
Form:
books
books
Publication:
June 2004, Cambridge, Mass.
June 2004, Cambridge, Mass.
Subject:
Architectural Theory
Architectural Theory
