29901 Results
Form:
graphic materials
graphic materials
Reference number:
DR2012:0015:027
Description:
Portfolio containing ephemera and posters advertising the following conferences, events, and exhibitions: - mailout/poster for a Frank Stella exhibition at Leo Castelli Gallery, New York; - mailout/poster for an exhibition at the Hyde Park Art Centre, Chicago; - posters for the 7th Venice biennale of architeture; - poster for the 1. Kolloquium Funktionialismus, Hamburg; - poster for a Jean Rustin exhibition at Maison de la culture et des loisirs; - signed poster for a Ric Evans exhibition, at David Mirvish Books, Toronto; - poster for an Edward Keinholz exhibition, London; - poster for a Frank Auerbach exhibition at the 42nd Venice Biennale; - paper placemat of the Taj Mahal; - poster of Hindu deities; - poster for Perspecta, the Yale School of design journal, in which Melvin Charney's article, Experimental strategies: notes for environmental design, appeared in the 11th edition; - poster of Albrecht Dürer's Rhinoceros; - mailout/poster for a Roy Lichtenstein exhibition at Leo Castelli gallery; - poster for a Pierre Alechinsky exhibition, in Brussels; - poster for an exhibition on Pliny the Younger's La villa Laurentine, Paris; - poster for an exhibition, Places and monuments, in Paris; - poster for an event at George Gund Hall, Harvard; - posters for the exhibition, Rothmans salutes citysite sculpture, Visual Arts Ontario, Toronto (Melvin Charney participated); - poster for event, Coop Himmelblau: der Engel des Tons; - poster, "Seize the time"; - poster, "Meeting solidarité Chili"; - poster for Don Judd exhibition at Leo Castelli Gallery, New York; - posters for Aurora Borealis event at le Centre international d'art contemporain de Montréal (Melvin Charney participated); - poster for James Stirling exhibition at Riba Heinz Gallery, London; - untitled poster; - poster for political demonstration, UQAM; - poster for Joe Zucker exhibition, Combinations, at Holly Solomon Gallery, New York; - poster, "The drifting acropolis"; - poster for Lucas Samaras exhibition, Reconstructions, boxes, and photo-transformations, at Richard Grey Gallery, Chicago; - poster for Erica Lennard exhibition, Les femmes, les soeurs, at Agatha Gaillard Gallery, Paris.
DR2012:0015:027
Description:
Portfolio containing ephemera and posters advertising the following conferences, events, and exhibitions: - mailout/poster for a Frank Stella exhibition at Leo Castelli Gallery, New York; - mailout/poster for an exhibition at the Hyde Park Art Centre, Chicago; - posters for the 7th Venice biennale of architeture; - poster for the 1. Kolloquium Funktionialismus, Hamburg; - poster for a Jean Rustin exhibition at Maison de la culture et des loisirs; - signed poster for a Ric Evans exhibition, at David Mirvish Books, Toronto; - poster for an Edward Keinholz exhibition, London; - poster for a Frank Auerbach exhibition at the 42nd Venice Biennale; - paper placemat of the Taj Mahal; - poster of Hindu deities; - poster for Perspecta, the Yale School of design journal, in which Melvin Charney's article, Experimental strategies: notes for environmental design, appeared in the 11th edition; - poster of Albrecht Dürer's Rhinoceros; - mailout/poster for a Roy Lichtenstein exhibition at Leo Castelli gallery; - poster for a Pierre Alechinsky exhibition, in Brussels; - poster for an exhibition on Pliny the Younger's La villa Laurentine, Paris; - poster for an exhibition, Places and monuments, in Paris; - poster for an event at George Gund Hall, Harvard; - posters for the exhibition, Rothmans salutes citysite sculpture, Visual Arts Ontario, Toronto (Melvin Charney participated); - poster for event, Coop Himmelblau: der Engel des Tons; - poster, "Seize the time"; - poster, "Meeting solidarité Chili"; - poster for Don Judd exhibition at Leo Castelli Gallery, New York; - posters for Aurora Borealis event at le Centre international d'art contemporain de Montréal (Melvin Charney participated); - poster for James Stirling exhibition at Riba Heinz Gallery, London; - untitled poster; - poster for political demonstration, UQAM; - poster for Joe Zucker exhibition, Combinations, at Holly Solomon Gallery, New York; - poster, "The drifting acropolis"; - poster for Lucas Samaras exhibition, Reconstructions, boxes, and photo-transformations, at Richard Grey Gallery, Chicago; - poster for Erica Lennard exhibition, Les femmes, les soeurs, at Agatha Gaillard Gallery, Paris.
People:
Date:
1965-1985, 1994, 2000-2003
1965-1985, 1994, 2000-2003
Title:
Portfolio of assorted posters
Actions:
DR2012:0015:027
Description:
Portfolio containing ephemera and posters advertising the following conferences, events, and exhibitions: - mailout/poster for a Frank Stella exhibition at Leo Castelli Gallery, New York; - mailout/poster for an exhibition at the Hyde Park Art Centre, Chicago; - posters for the 7th Venice biennale of architeture; - poster for the 1. Kolloquium Funktionialismus, Hamburg; - poster for a Jean Rustin exhibition at Maison de la culture et des loisirs; - signed poster for a Ric Evans exhibition, at David Mirvish Books, Toronto; - poster for an Edward Keinholz exhibition, London; - poster for a Frank Auerbach exhibition at the 42nd Venice Biennale; - paper placemat of the Taj Mahal; - poster of Hindu deities; - poster for Perspecta, the Yale School of design journal, in which Melvin Charney's article, Experimental strategies: notes for environmental design, appeared in the 11th edition; - poster of Albrecht Dürer's Rhinoceros; - mailout/poster for a Roy Lichtenstein exhibition at Leo Castelli gallery; - poster for a Pierre Alechinsky exhibition, in Brussels; - poster for an exhibition on Pliny the Younger's La villa Laurentine, Paris; - poster for an exhibition, Places and monuments, in Paris; - poster for an event at George Gund Hall, Harvard; - posters for the exhibition, Rothmans salutes citysite sculpture, Visual Arts Ontario, Toronto (Melvin Charney participated); - poster for event, Coop Himmelblau: der Engel des Tons; - poster, "Seize the time"; - poster, "Meeting solidarité Chili"; - poster for Don Judd exhibition at Leo Castelli Gallery, New York; - posters for Aurora Borealis event at le Centre international d'art contemporain de Montréal (Melvin Charney participated); - poster for James Stirling exhibition at Riba Heinz Gallery, London; - untitled poster; - poster for political demonstration, UQAM; - poster for Joe Zucker exhibition, Combinations, at Holly Solomon Gallery, New York; - poster, "The drifting acropolis"; - poster for Lucas Samaras exhibition, Reconstructions, boxes, and photo-transformations, at Richard Grey Gallery, Chicago; - poster for Erica Lennard exhibition, Les femmes, les soeurs, at Agatha Gaillard Gallery, Paris.
Portfolio of assorted posters
Actions:
DR2012:0015:027
Description:
Portfolio containing ephemera and posters advertising the following conferences, events, and exhibitions: - mailout/poster for a Frank Stella exhibition at Leo Castelli Gallery, New York; - mailout/poster for an exhibition at the Hyde Park Art Centre, Chicago; - posters for the 7th Venice biennale of architeture; - poster for the 1. Kolloquium Funktionialismus, Hamburg; - poster for a Jean Rustin exhibition at Maison de la culture et des loisirs; - signed poster for a Ric Evans exhibition, at David Mirvish Books, Toronto; - poster for an Edward Keinholz exhibition, London; - poster for a Frank Auerbach exhibition at the 42nd Venice Biennale; - paper placemat of the Taj Mahal; - poster of Hindu deities; - poster for Perspecta, the Yale School of design journal, in which Melvin Charney's article, Experimental strategies: notes for environmental design, appeared in the 11th edition; - poster of Albrecht Dürer's Rhinoceros; - mailout/poster for a Roy Lichtenstein exhibition at Leo Castelli gallery; - poster for a Pierre Alechinsky exhibition, in Brussels; - poster for an exhibition on Pliny the Younger's La villa Laurentine, Paris; - poster for an exhibition, Places and monuments, in Paris; - poster for an event at George Gund Hall, Harvard; - posters for the exhibition, Rothmans salutes citysite sculpture, Visual Arts Ontario, Toronto (Melvin Charney participated); - poster for event, Coop Himmelblau: der Engel des Tons; - poster, "Seize the time"; - poster, "Meeting solidarité Chili"; - poster for Don Judd exhibition at Leo Castelli Gallery, New York; - posters for Aurora Borealis event at le Centre international d'art contemporain de Montréal (Melvin Charney participated); - poster for James Stirling exhibition at Riba Heinz Gallery, London; - untitled poster; - poster for political demonstration, UQAM; - poster for Joe Zucker exhibition, Combinations, at Holly Solomon Gallery, New York; - poster, "The drifting acropolis"; - poster for Lucas Samaras exhibition, Reconstructions, boxes, and photo-transformations, at Richard Grey Gallery, Chicago; - poster for Erica Lennard exhibition, Les femmes, les soeurs, at Agatha Gaillard Gallery, Paris.
Form:
graphic materials
graphic materials
Date:
1965-1985, 1994, 2000-2003
1965-1985, 1994, 2000-2003
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Ábalos & Herreros fonds
Ábalos & Herreros fonds
Reference number:
AP164
Synopsis:
The Ábalos&Herreros fonds documents the activities of the architectural firm Ábalos&Herreros, founded by architects Iñaki Ábalos and Juan Herreros. The archive primarily consists of drawings, photographic materials and textual documentation, and covers the existance of the firm from 1985 to 2008. The concentration of the firm's work was produced in the city of Madrid and the Community of Madrid where the firm maintained its head office. However, the archive also documents projects for other Spanish autonomous communities as well as for other countries such as Portugal, Germany, the United States, and Brazil.
AP164
Synopsis:
The Ábalos&Herreros fonds documents the activities of the architectural firm Ábalos&Herreros, founded by architects Iñaki Ábalos and Juan Herreros. The archive primarily consists of drawings, photographic materials and textual documentation, and covers the existance of the firm from 1985 to 2008. The concentration of the firm's work was produced in the city of Madrid and the Community of Madrid where the firm maintained its head office. However, the archive also documents projects for other Spanish autonomous communities as well as for other countries such as Portugal, Germany, the United States, and Brazil.
People:
Date:
1920-2009
1920-2009
Title:
Ábalos & Herreros fonds
Actions:
AP164
Synopsis:
The Ábalos&Herreros fonds documents the activities of the architectural firm Ábalos&Herreros, founded by architects Iñaki Ábalos and Juan Herreros. The archive primarily consists of drawings, photographic materials and textual documentation, and covers the existance of the firm from 1985 to 2008. The concentration of the firm's work was produced in the city of Madrid and the Community of Madrid where the firm maintained its head office. However, the archive also documents projects for other Spanish autonomous communities as well as for other countries such as Portugal, Germany, the United States, and Brazil.
Ábalos & Herreros fonds
Actions:
AP164
Synopsis:
The Ábalos&Herreros fonds documents the activities of the architectural firm Ábalos&Herreros, founded by architects Iñaki Ábalos and Juan Herreros. The archive primarily consists of drawings, photographic materials and textual documentation, and covers the existance of the firm from 1985 to 2008. The concentration of the firm's work was produced in the city of Madrid and the Community of Madrid where the firm maintained its head office. However, the archive also documents projects for other Spanish autonomous communities as well as for other countries such as Portugal, Germany, the United States, and Brazil.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1920-2009
1920-2009
People:
Level of archival description:
Project
Project
Title:
From Laugier to Popova
From Laugier to Popova
Actions:
Reference number:
AP041.S1.1985.D2
Description:
This project documents the project "From Laugier to Popova" an installation conceived for the exhibition Aurora Borealis at the Centre internationale d'art contemporain de Montréal, Montreal. The project was realized. The project series includes a presentation drawing and photographs of the completed installation.
AP041.S1.1985.D2
Description:
This project documents the project "From Laugier to Popova" an installation conceived for the exhibition Aurora Borealis at the Centre internationale d'art contemporain de Montréal, Montreal. The project was realized. The project series includes a presentation drawing and photographs of the completed installation.
People:
Date:
1985
1985
Title:
From Laugier to Popova
Actions:
AP041.S1.1985.D2
Description:
This project documents the project "From Laugier to Popova" an installation conceived for the exhibition Aurora Borealis at the Centre internationale d'art contemporain de Montréal, Montreal. The project was realized. The project series includes a presentation drawing and photographs of the completed installation.
From Laugier to Popova
Actions:
AP041.S1.1985.D2
Description:
This project documents the project "From Laugier to Popova" an installation conceived for the exhibition Aurora Borealis at the Centre internationale d'art contemporain de Montréal, Montreal. The project was realized. The project series includes a presentation drawing and photographs of the completed installation.
Level of archival description:
Project
Project
Date:
1985
1985
People:
Level of archival description:
Series
Series
Reference number:
AP041.S6
Description:
This series documents Melvin Charney's student years, travels and professional activities, artistic and architectural projects from 1947 to 2010. The series contains notebooks and sketchbooks related to Charney's studies, his travels in Europe, as well as notes and sketches related to his projects. It also contains travel photographs, photographic documentation of his projects and his artworks, collected ephemera of events of interest or events to which he participated, including exhibitions. The series includes also reference materials, such as publications and press clippings, used for his artistic and architectural work, and some awards and honours received by Melvin Charney during his career.
AP041.S6
Description:
This series documents Melvin Charney's student years, travels and professional activities, artistic and architectural projects from 1947 to 2010. The series contains notebooks and sketchbooks related to Charney's studies, his travels in Europe, as well as notes and sketches related to his projects. It also contains travel photographs, photographic documentation of his projects and his artworks, collected ephemera of events of interest or events to which he participated, including exhibitions. The series includes also reference materials, such as publications and press clippings, used for his artistic and architectural work, and some awards and honours received by Melvin Charney during his career.
People:
Date:
1902-2010
1902-2010
Title:
Professional papers and other materials
Actions:
AP041.S6
Description:
This series documents Melvin Charney's student years, travels and professional activities, artistic and architectural projects from 1947 to 2010. The series contains notebooks and sketchbooks related to Charney's studies, his travels in Europe, as well as notes and sketches related to his projects. It also contains travel photographs, photographic documentation of his projects and his artworks, collected ephemera of events of interest or events to which he participated, including exhibitions. The series includes also reference materials, such as publications and press clippings, used for his artistic and architectural work, and some awards and honours received by Melvin Charney during his career.
Professional papers and other materials
Actions:
AP041.S6
Description:
This series documents Melvin Charney's student years, travels and professional activities, artistic and architectural projects from 1947 to 2010. The series contains notebooks and sketchbooks related to Charney's studies, his travels in Europe, as well as notes and sketches related to his projects. It also contains travel photographs, photographic documentation of his projects and his artworks, collected ephemera of events of interest or events to which he participated, including exhibitions. The series includes also reference materials, such as publications and press clippings, used for his artistic and architectural work, and some awards and honours received by Melvin Charney during his career.
Level of archival description:
Series
Series
Date:
1902-2010
1902-2010
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP075.S1.1984.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Ontario Pavilion, at 1986 Exhibition in Vancouver, British Columbia, between 1984 and 1986. The project series contains specifications, concept notes, correspondence, photographs, design development drawings and working drawings.
AP075.S1.1984.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Ontario Pavilion, at 1986 Exhibition in Vancouver, British Columbia, between 1984 and 1986. The project series contains specifications, concept notes, correspondence, photographs, design development drawings and working drawings.
People:
Date:
1983-1986
1983-1986
Title:
Ontario Pavilion, Expo '86, Vancouver, British Columbia (1984-1986)
Actions:
AP075.S1.1984.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Ontario Pavilion, at 1986 Exhibition in Vancouver, British Columbia, between 1984 and 1986. The project series contains specifications, concept notes, correspondence, photographs, design development drawings and working drawings.
Ontario Pavilion, Expo '86, Vancouver, British Columbia (1984-1986)
Actions:
AP075.S1.1984.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Ontario Pavilion, at 1986 Exhibition in Vancouver, British Columbia, between 1984 and 1986. The project series contains specifications, concept notes, correspondence, photographs, design development drawings and working drawings.
Level of archival description:
Project
Project
Date:
1983-1986
1983-1986
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP057
Synopsis:
The Institute for Architecture and Urban Studies (IAUS) fonds is composed primarily of textual and photographic material which document the activities of the IAUS from its inception in 1967 until its dissolution in 1983. Those activities include the publication of three periodicals (Oppositions, October and Skyline), as well as numerous books, conferences, lectures, exhibitions and educational programming. In addition, the IAUS fonds documents the activities of the IAUS' director, architect Peter Eisenman.
AP057
Synopsis:
The Institute for Architecture and Urban Studies (IAUS) fonds is composed primarily of textual and photographic material which document the activities of the IAUS from its inception in 1967 until its dissolution in 1983. Those activities include the publication of three periodicals (Oppositions, October and Skyline), as well as numerous books, conferences, lectures, exhibitions and educational programming. In addition, the IAUS fonds documents the activities of the IAUS' director, architect Peter Eisenman.
People:
Date:
1965-1984
1965-1984
Title:
Institute for Architecture and Urban Studies fonds
Actions:
AP057
Synopsis:
The Institute for Architecture and Urban Studies (IAUS) fonds is composed primarily of textual and photographic material which document the activities of the IAUS from its inception in 1967 until its dissolution in 1983. Those activities include the publication of three periodicals (Oppositions, October and Skyline), as well as numerous books, conferences, lectures, exhibitions and educational programming. In addition, the IAUS fonds documents the activities of the IAUS' director, architect Peter Eisenman.
Institute for Architecture and Urban Studies fonds
Actions:
AP057
Synopsis:
The Institute for Architecture and Urban Studies (IAUS) fonds is composed primarily of textual and photographic material which document the activities of the IAUS from its inception in 1967 until its dissolution in 1983. Those activities include the publication of three periodicals (Oppositions, October and Skyline), as well as numerous books, conferences, lectures, exhibitions and educational programming. In addition, the IAUS fonds documents the activities of the IAUS' director, architect Peter Eisenman.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1965-1984
1965-1984
People:
Level of archival description:
Project
Project
Title:
Fari a Rotterdam
Fari a Rotterdam
Actions:
Reference number:
AP142.S1.D124
Description:
File documents an executed project for two lighthouses at the entrance of a temporary art exhibition in Rotterdam, Netherlands. Material in this file was produced 1987-1988. File contains textual records, including correspondence, a building program, a description of project, photomechanical prints and photographic material.
AP142.S1.D124
Description:
File documents an executed project for two lighthouses at the entrance of a temporary art exhibition in Rotterdam, Netherlands. Material in this file was produced 1987-1988. File contains textual records, including correspondence, a building program, a description of project, photomechanical prints and photographic material.
People:
Date:
1987-1988
1987-1988
Title:
Fari a Rotterdam
Actions:
AP142.S1.D124
Description:
File documents an executed project for two lighthouses at the entrance of a temporary art exhibition in Rotterdam, Netherlands. Material in this file was produced 1987-1988. File contains textual records, including correspondence, a building program, a description of project, photomechanical prints and photographic material.
Fari a Rotterdam
Actions:
AP142.S1.D124
Description:
File documents an executed project for two lighthouses at the entrance of a temporary art exhibition in Rotterdam, Netherlands. Material in this file was produced 1987-1988. File contains textual records, including correspondence, a building program, a description of project, photomechanical prints and photographic material.
Level of archival description:
File 124
File 124
Date:
1987-1988
1987-1988
People:
Reference number:
PHCON2002:0016:008
Description:
Binder documents exhibitions from 1991 to 1997 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, and articles. A number of reviews are for the major 1992-1993 exhibition "Gordon Matta-Clark", organized by IVAM Centre Julio Gonzalez in Valencia, Spain, which traveled to London, United Kingdom, and Marseilles, France as well as the 1997 exhibition "Reorganizing Structure by Drawings Through It: Zeichnung bei Gordon Matta-Clark" organized by the Generali Foundation in Vienna, Austria at P.S. 1 Contemporary Art Center in New York City, the Museum of Contemporary Art in Barcelona, Spain and the Westfälisches Landesmuseum für Kunst und Kulturgeschichte in Münster, Germany. Also contained in the binder is correspondence and information relating to the Gordon Matta-Clark Trust, which awarded fellowships to artists. Binder contains photographs and textual records.
PHCON2002:0016:008
Description:
Binder documents exhibitions from 1991 to 1997 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, and articles. A number of reviews are for the major 1992-1993 exhibition "Gordon Matta-Clark", organized by IVAM Centre Julio Gonzalez in Valencia, Spain, which traveled to London, United Kingdom, and Marseilles, France as well as the 1997 exhibition "Reorganizing Structure by Drawings Through It: Zeichnung bei Gordon Matta-Clark" organized by the Generali Foundation in Vienna, Austria at P.S. 1 Contemporary Art Center in New York City, the Museum of Contemporary Art in Barcelona, Spain and the Westfälisches Landesmuseum für Kunst und Kulturgeschichte in Münster, Germany. Also contained in the binder is correspondence and information relating to the Gordon Matta-Clark Trust, which awarded fellowships to artists. Binder contains photographs and textual records.
People:
Date:
1990-1997
1990-1997
Title:
Reviews, Announcements, Catalogues 1990-97
Actions:
PHCON2002:0016:008
Description:
Binder documents exhibitions from 1991 to 1997 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, and articles. A number of reviews are for the major 1992-1993 exhibition "Gordon Matta-Clark", organized by IVAM Centre Julio Gonzalez in Valencia, Spain, which traveled to London, United Kingdom, and Marseilles, France as well as the 1997 exhibition "Reorganizing Structure by Drawings Through It: Zeichnung bei Gordon Matta-Clark" organized by the Generali Foundation in Vienna, Austria at P.S. 1 Contemporary Art Center in New York City, the Museum of Contemporary Art in Barcelona, Spain and the Westfälisches Landesmuseum für Kunst und Kulturgeschichte in Münster, Germany. Also contained in the binder is correspondence and information relating to the Gordon Matta-Clark Trust, which awarded fellowships to artists. Binder contains photographs and textual records.
Reviews, Announcements, Catalogues 1990-97
Actions:
PHCON2002:0016:008
Description:
Binder documents exhibitions from 1991 to 1997 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, and articles. A number of reviews are for the major 1992-1993 exhibition "Gordon Matta-Clark", organized by IVAM Centre Julio Gonzalez in Valencia, Spain, which traveled to London, United Kingdom, and Marseilles, France as well as the 1997 exhibition "Reorganizing Structure by Drawings Through It: Zeichnung bei Gordon Matta-Clark" organized by the Generali Foundation in Vienna, Austria at P.S. 1 Contemporary Art Center in New York City, the Museum of Contemporary Art in Barcelona, Spain and the Westfälisches Landesmuseum für Kunst und Kulturgeschichte in Münster, Germany. Also contained in the binder is correspondence and information relating to the Gordon Matta-Clark Trust, which awarded fellowships to artists. Binder contains photographs and textual records.
Date:
1990-1997
1990-1997
People:
Level of archival description:
Project
Project
Reference number:
AP207.S1.1970.PR02
Description:
This project series documents Pettena's installation "Paper/Midwestern Ocean" initially presented in 1971 at the Minneapolis College of Art and Design. The installation consists of strips of paper hanging from strings that fill the entire room. Participants are invited to cut their way into the room with a pair of scissors and all join together in the centre of the room to create an open space. The participants then all gather in the central space where Pettena gives a lecture while the audience sits on the piles of cut paper covering the floor. This installation was also presented in seven other editions from 2009 to 2017, including in the exhibition "The Death of the Audience" in Vienna; Secession in 2009; in the exhibition "Erre. Variations Labyrinthiques" at the Centre Pompidou in Metz in 2011-2012; and in the exhibition "Architetture Naturali/Gianni Pettena" at Kunst Meran in 2017. The project series contains a drawing, photographs of the first edition of the installation at the Minneapolis College of Art and Design, and photographs of the five following editions from 2009 to 2013. Source: Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-paper-midwestern-1971-1/ (last accessed 4 November 2019)
AP207.S1.1970.PR02
Description:
This project series documents Pettena's installation "Paper/Midwestern Ocean" initially presented in 1971 at the Minneapolis College of Art and Design. The installation consists of strips of paper hanging from strings that fill the entire room. Participants are invited to cut their way into the room with a pair of scissors and all join together in the centre of the room to create an open space. The participants then all gather in the central space where Pettena gives a lecture while the audience sits on the piles of cut paper covering the floor. This installation was also presented in seven other editions from 2009 to 2017, including in the exhibition "The Death of the Audience" in Vienna; Secession in 2009; in the exhibition "Erre. Variations Labyrinthiques" at the Centre Pompidou in Metz in 2011-2012; and in the exhibition "Architetture Naturali/Gianni Pettena" at Kunst Meran in 2017. The project series contains a drawing, photographs of the first edition of the installation at the Minneapolis College of Art and Design, and photographs of the five following editions from 2009 to 2013. Source: Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-paper-midwestern-1971-1/ (last accessed 4 November 2019)
People:
Date:
circa 1970-2015
circa 1970-2015
Title:
Paper/Midwestern Ocean (1970)
Actions:
AP207.S1.1970.PR02
Description:
This project series documents Pettena's installation "Paper/Midwestern Ocean" initially presented in 1971 at the Minneapolis College of Art and Design. The installation consists of strips of paper hanging from strings that fill the entire room. Participants are invited to cut their way into the room with a pair of scissors and all join together in the centre of the room to create an open space. The participants then all gather in the central space where Pettena gives a lecture while the audience sits on the piles of cut paper covering the floor. This installation was also presented in seven other editions from 2009 to 2017, including in the exhibition "The Death of the Audience" in Vienna; Secession in 2009; in the exhibition "Erre. Variations Labyrinthiques" at the Centre Pompidou in Metz in 2011-2012; and in the exhibition "Architetture Naturali/Gianni Pettena" at Kunst Meran in 2017. The project series contains a drawing, photographs of the first edition of the installation at the Minneapolis College of Art and Design, and photographs of the five following editions from 2009 to 2013. Source: Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-paper-midwestern-1971-1/ (last accessed 4 November 2019)
Paper/Midwestern Ocean (1970)
Actions:
AP207.S1.1970.PR02
Description:
This project series documents Pettena's installation "Paper/Midwestern Ocean" initially presented in 1971 at the Minneapolis College of Art and Design. The installation consists of strips of paper hanging from strings that fill the entire room. Participants are invited to cut their way into the room with a pair of scissors and all join together in the centre of the room to create an open space. The participants then all gather in the central space where Pettena gives a lecture while the audience sits on the piles of cut paper covering the floor. This installation was also presented in seven other editions from 2009 to 2017, including in the exhibition "The Death of the Audience" in Vienna; Secession in 2009; in the exhibition "Erre. Variations Labyrinthiques" at the Centre Pompidou in Metz in 2011-2012; and in the exhibition "Architetture Naturali/Gianni Pettena" at Kunst Meran in 2017. The project series contains a drawing, photographs of the first edition of the installation at the Minneapolis College of Art and Design, and photographs of the five following editions from 2009 to 2013. Source: Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-paper-midwestern-1971-1/ (last accessed 4 November 2019)
Level of archival description:
Project
Project
Date:
circa 1970-2015
circa 1970-2015
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.2014.PR01
Description:
The project series documents the installation "Architettura "Correta"" designed by Pettena for the exhibition "Soleil Politique" at the Museion in Bolzano, in 2014. The project was a design for a new museum entrance. The installation was made of three glass walls on which were drawn facade details of three historical buildings of the city. The central glass wall represents the entrance from the Piacentini square in Bolzano, with, at its left, a ‘serlian’ arch, and, at its right, a detail of the portico of a ‘Piazza d’Italia’ by Giorgio de Chirico. The idea was to "connect the museum to the city’s history, an architectural element was chosen, one which, in addition to favoring the idea of ‘entrance’ to the exhibit also permitted a view both of the urban and the natural setting, the sky, the mountains, an environment typical of the area in which the city itself rises." [1] The project series contains a sketch and a spiral bound volume with correspondence between Pettena and Pierre Bal Blanc, curator of the exhibitions, and proposals for the installation. The project series also contains photographs of the installation, including printouts. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-revised-architecture-2014/ (last accessed 27 January 2020)
AP207.S1.2014.PR01
Description:
The project series documents the installation "Architettura "Correta"" designed by Pettena for the exhibition "Soleil Politique" at the Museion in Bolzano, in 2014. The project was a design for a new museum entrance. The installation was made of three glass walls on which were drawn facade details of three historical buildings of the city. The central glass wall represents the entrance from the Piacentini square in Bolzano, with, at its left, a ‘serlian’ arch, and, at its right, a detail of the portico of a ‘Piazza d’Italia’ by Giorgio de Chirico. The idea was to "connect the museum to the city’s history, an architectural element was chosen, one which, in addition to favoring the idea of ‘entrance’ to the exhibit also permitted a view both of the urban and the natural setting, the sky, the mountains, an environment typical of the area in which the city itself rises." [1] The project series contains a sketch and a spiral bound volume with correspondence between Pettena and Pierre Bal Blanc, curator of the exhibitions, and proposals for the installation. The project series also contains photographs of the installation, including printouts. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-revised-architecture-2014/ (last accessed 27 January 2020)
People:
Date:
2014-2015
2014-2015
Title:
Architettura "Correta" ["Revised" Architecture] (2014)
Actions:
AP207.S1.2014.PR01
Description:
The project series documents the installation "Architettura "Correta"" designed by Pettena for the exhibition "Soleil Politique" at the Museion in Bolzano, in 2014. The project was a design for a new museum entrance. The installation was made of three glass walls on which were drawn facade details of three historical buildings of the city. The central glass wall represents the entrance from the Piacentini square in Bolzano, with, at its left, a ‘serlian’ arch, and, at its right, a detail of the portico of a ‘Piazza d’Italia’ by Giorgio de Chirico. The idea was to "connect the museum to the city’s history, an architectural element was chosen, one which, in addition to favoring the idea of ‘entrance’ to the exhibit also permitted a view both of the urban and the natural setting, the sky, the mountains, an environment typical of the area in which the city itself rises." [1] The project series contains a sketch and a spiral bound volume with correspondence between Pettena and Pierre Bal Blanc, curator of the exhibitions, and proposals for the installation. The project series also contains photographs of the installation, including printouts. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-revised-architecture-2014/ (last accessed 27 January 2020)
Architettura "Correta" ["Revised" Architecture] (2014)
Actions:
AP207.S1.2014.PR01
Description:
The project series documents the installation "Architettura "Correta"" designed by Pettena for the exhibition "Soleil Politique" at the Museion in Bolzano, in 2014. The project was a design for a new museum entrance. The installation was made of three glass walls on which were drawn facade details of three historical buildings of the city. The central glass wall represents the entrance from the Piacentini square in Bolzano, with, at its left, a ‘serlian’ arch, and, at its right, a detail of the portico of a ‘Piazza d’Italia’ by Giorgio de Chirico. The idea was to "connect the museum to the city’s history, an architectural element was chosen, one which, in addition to favoring the idea of ‘entrance’ to the exhibit also permitted a view both of the urban and the natural setting, the sky, the mountains, an environment typical of the area in which the city itself rises." [1] The project series contains a sketch and a spiral bound volume with correspondence between Pettena and Pierre Bal Blanc, curator of the exhibitions, and proposals for the installation. The project series also contains photographs of the installation, including printouts. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-revised-architecture-2014/ (last accessed 27 January 2020)
Level of archival description:
Project
Project
Date:
2014-2015
2014-2015
People:
