43717 Results
Form:
photographs
photographs
Title:
Questioning Pictures: Photograph of West Wall of Smicoa, Gelatin silver print by Lewis Baltz, 1974
Questioning Pictures: Photograph of West Wall of Smicoa, Gelatin silver print by Lewis Baltz, 1974
Actions:
Reference number:
PH2018:0005:027
Description:
Photograph by Stefano Graziani of the following work: Lewis Baltz, West Wall, Semicoa, 333 McCormick, Cosa Mesa from The New Industrial Parks near Irving, California, 1974, gelatin silver print, 20.3 x 24.5 cm, PH2001:0177, Canadian Centre for Architecture, © Estate of Lewis Baltz Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:027
Description:
Photograph by Stefano Graziani of the following work: Lewis Baltz, West Wall, Semicoa, 333 McCormick, Cosa Mesa from The New Industrial Parks near Irving, California, 1974, gelatin silver print, 20.3 x 24.5 cm, PH2001:0177, Canadian Centre for Architecture, © Estate of Lewis Baltz Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
People:
Date:
2017
2017
Title:
Questioning Pictures: Photograph of West Wall of Smicoa, Gelatin silver print by Lewis Baltz, 1974
Actions:
PH2018:0005:027
Description:
Photograph by Stefano Graziani of the following work: Lewis Baltz, West Wall, Semicoa, 333 McCormick, Cosa Mesa from The New Industrial Parks near Irving, California, 1974, gelatin silver print, 20.3 x 24.5 cm, PH2001:0177, Canadian Centre for Architecture, © Estate of Lewis Baltz Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of West Wall of Smicoa, Gelatin silver print by Lewis Baltz, 1974
Actions:
PH2018:0005:027
Description:
Photograph by Stefano Graziani of the following work: Lewis Baltz, West Wall, Semicoa, 333 McCormick, Cosa Mesa from The New Industrial Parks near Irving, California, 1974, gelatin silver print, 20.3 x 24.5 cm, PH2001:0177, Canadian Centre for Architecture, © Estate of Lewis Baltz Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Form:
photographs
photographs
Date:
2017
2017
People:
Form:
photographs
photographs
Actions:
Reference number:
PH2018:0005:034
Description:
Photograph by Stefano Graziani of the following work: Aldo Rossi, study model for the entrance foyer of the Deutsches Historisches Museum, Berlin, 1987-1990, 12.0 x 25.0 x 25.0 cm, AP145.S1.D122.P18, Aldo Rossi fonds, Canadian Centre for Architecture, © Fondazione Aldo Rossi Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:034
Description:
Photograph by Stefano Graziani of the following work: Aldo Rossi, study model for the entrance foyer of the Deutsches Historisches Museum, Berlin, 1987-1990, 12.0 x 25.0 x 25.0 cm, AP145.S1.D122.P18, Aldo Rossi fonds, Canadian Centre for Architecture, © Fondazione Aldo Rossi Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
People:
Date:
2017
2017
Title:
Questioning Pictures: Photograph of study model for the entrance foyer of the Deutsches Historisches Museum by Aldo Rossi, 1987-1990
Actions:
PH2018:0005:034
Description:
Photograph by Stefano Graziani of the following work: Aldo Rossi, study model for the entrance foyer of the Deutsches Historisches Museum, Berlin, 1987-1990, 12.0 x 25.0 x 25.0 cm, AP145.S1.D122.P18, Aldo Rossi fonds, Canadian Centre for Architecture, © Fondazione Aldo Rossi Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of study model for the entrance foyer of the Deutsches Historisches Museum by Aldo Rossi, 1987-1990
Actions:
PH2018:0005:034
Description:
Photograph by Stefano Graziani of the following work: Aldo Rossi, study model for the entrance foyer of the Deutsches Historisches Museum, Berlin, 1987-1990, 12.0 x 25.0 x 25.0 cm, AP145.S1.D122.P18, Aldo Rossi fonds, Canadian Centre for Architecture, © Fondazione Aldo Rossi Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Form:
photographs
photographs
Date:
2017
2017
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP154.S1.1973.PR01.SS2
Description:
Sub-series AP154.S1.1973.PR01.SS2 Addition from Pasanella + Klein Stolzman + Berg (2007) contains records donated by Pasanella + Klein Stolzman + Berg in 2007. The sub-series documents interior design and renovation projects by Pasanella + Klein or Pasanella + Klein Stolzman + Berg dating from approximately 1978 to 2007. Some of the projects in this subseries have been identified by Tom Stetz as being related to Article 26 of the 1980 lease agreement between the landlord Teachers Insurance and Annuity Association of America and the tenant Joseph E. Seagram and Sons. A copy of the lease agreement is present among the textual records of this subseries. Renovation projects documented in this sub-series include interior design projects for the 5th and 6th floors, proposed modifications for the "Picasso Alley" area, and unrealized schemes for an elevator and wheelchair ramp for the plaza. There are also some original drawings for furniture designs. The sub-series also inlcudes digital files containing font typefaces for the building's display alphabet. A substantial part of the subseries is composed of documents from the 1950 and 1960s that are related to the original design and construction of the Seagram Building. These documents include twelve rolls containing approximately 500 copies of working drawings from the period 1955-1963. The original design is further documented by a 1955 outline of specifications for work and materials.
AP154.S1.1973.PR01.SS2
Description:
Sub-series AP154.S1.1973.PR01.SS2 Addition from Pasanella + Klein Stolzman + Berg (2007) contains records donated by Pasanella + Klein Stolzman + Berg in 2007. The sub-series documents interior design and renovation projects by Pasanella + Klein or Pasanella + Klein Stolzman + Berg dating from approximately 1978 to 2007. Some of the projects in this subseries have been identified by Tom Stetz as being related to Article 26 of the 1980 lease agreement between the landlord Teachers Insurance and Annuity Association of America and the tenant Joseph E. Seagram and Sons. A copy of the lease agreement is present among the textual records of this subseries. Renovation projects documented in this sub-series include interior design projects for the 5th and 6th floors, proposed modifications for the "Picasso Alley" area, and unrealized schemes for an elevator and wheelchair ramp for the plaza. There are also some original drawings for furniture designs. The sub-series also inlcudes digital files containing font typefaces for the building's display alphabet. A substantial part of the subseries is composed of documents from the 1950 and 1960s that are related to the original design and construction of the Seagram Building. These documents include twelve rolls containing approximately 500 copies of working drawings from the period 1955-1963. The original design is further documented by a 1955 outline of specifications for work and materials.
People:
Date:
1955-2007
1955-2007
Title:
Addition from Pasanella + Klein Stolzman + Berg (2007)
Actions:
AP154.S1.1973.PR01.SS2
Description:
Sub-series AP154.S1.1973.PR01.SS2 Addition from Pasanella + Klein Stolzman + Berg (2007) contains records donated by Pasanella + Klein Stolzman + Berg in 2007. The sub-series documents interior design and renovation projects by Pasanella + Klein or Pasanella + Klein Stolzman + Berg dating from approximately 1978 to 2007. Some of the projects in this subseries have been identified by Tom Stetz as being related to Article 26 of the 1980 lease agreement between the landlord Teachers Insurance and Annuity Association of America and the tenant Joseph E. Seagram and Sons. A copy of the lease agreement is present among the textual records of this subseries. Renovation projects documented in this sub-series include interior design projects for the 5th and 6th floors, proposed modifications for the "Picasso Alley" area, and unrealized schemes for an elevator and wheelchair ramp for the plaza. There are also some original drawings for furniture designs. The sub-series also inlcudes digital files containing font typefaces for the building's display alphabet. A substantial part of the subseries is composed of documents from the 1950 and 1960s that are related to the original design and construction of the Seagram Building. These documents include twelve rolls containing approximately 500 copies of working drawings from the period 1955-1963. The original design is further documented by a 1955 outline of specifications for work and materials.
Addition from Pasanella + Klein Stolzman + Berg (2007)
Actions:
AP154.S1.1973.PR01.SS2
Description:
Sub-series AP154.S1.1973.PR01.SS2 Addition from Pasanella + Klein Stolzman + Berg (2007) contains records donated by Pasanella + Klein Stolzman + Berg in 2007. The sub-series documents interior design and renovation projects by Pasanella + Klein or Pasanella + Klein Stolzman + Berg dating from approximately 1978 to 2007. Some of the projects in this subseries have been identified by Tom Stetz as being related to Article 26 of the 1980 lease agreement between the landlord Teachers Insurance and Annuity Association of America and the tenant Joseph E. Seagram and Sons. A copy of the lease agreement is present among the textual records of this subseries. Renovation projects documented in this sub-series include interior design projects for the 5th and 6th floors, proposed modifications for the "Picasso Alley" area, and unrealized schemes for an elevator and wheelchair ramp for the plaza. There are also some original drawings for furniture designs. The sub-series also inlcudes digital files containing font typefaces for the building's display alphabet. A substantial part of the subseries is composed of documents from the 1950 and 1960s that are related to the original design and construction of the Seagram Building. These documents include twelve rolls containing approximately 500 copies of working drawings from the period 1955-1963. The original design is further documented by a 1955 outline of specifications for work and materials.
Level of archival description:
Project
Project
Date:
1955-2007
1955-2007
People:
Level of archival description:
Series
Series
Title:
Audiovisual material
Audiovisual material
Actions:
Reference number:
AP165.S5
Description:
The Audiovisual material series, 1990 – 2002, consists of 175 video recordings that document various aspects of Hoberman’s work in transformable design, as well as the operations of his company Hoberman Associates, Inc. This includes broadcast footage featuring Hoberman, media coverage of installations and exhibitions, interviews with Hoberman, promotional material produced by Hoberman Associates Inc., documentary footage of toy and business-related activities, and home videos. Material consists of analog and digital recording techniques on a variety of formats including MiniDV cassettes, Betacam SP cassettes, DVCAM cassettes, U-matic cassettes, Hi-8 cassettes, Betacam cassettes and Digital Betacam cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this series are about Hoberman and/or were produced by his company, Hoberman Associates, Inc. It includes television programs featuring Hoberman, media coverage relating to specific projects such as the Iris Dome and other expanding geodesic spheres, promotional videos for toy products, documentary footage of international business operations, and media coverage of notable events such as the installation and inauguration of the Hoberman Arch at the 2002 Olympics in Salt Lake City and footage of Bill Clinton with the Hoberman sphere. While there are some completed broadcast productions in the series, the majority of the material is comprised of audio-visual production elements including raw footage, rushes, cuts, rough edits, masters, and compilations.
AP165.S5
Description:
The Audiovisual material series, 1990 – 2002, consists of 175 video recordings that document various aspects of Hoberman’s work in transformable design, as well as the operations of his company Hoberman Associates, Inc. This includes broadcast footage featuring Hoberman, media coverage of installations and exhibitions, interviews with Hoberman, promotional material produced by Hoberman Associates Inc., documentary footage of toy and business-related activities, and home videos. Material consists of analog and digital recording techniques on a variety of formats including MiniDV cassettes, Betacam SP cassettes, DVCAM cassettes, U-matic cassettes, Hi-8 cassettes, Betacam cassettes and Digital Betacam cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this series are about Hoberman and/or were produced by his company, Hoberman Associates, Inc. It includes television programs featuring Hoberman, media coverage relating to specific projects such as the Iris Dome and other expanding geodesic spheres, promotional videos for toy products, documentary footage of international business operations, and media coverage of notable events such as the installation and inauguration of the Hoberman Arch at the 2002 Olympics in Salt Lake City and footage of Bill Clinton with the Hoberman sphere. While there are some completed broadcast productions in the series, the majority of the material is comprised of audio-visual production elements including raw footage, rushes, cuts, rough edits, masters, and compilations.
People:
Date:
1990-2002
1990-2002
Title:
Audiovisual material
Actions:
AP165.S5
Description:
The Audiovisual material series, 1990 – 2002, consists of 175 video recordings that document various aspects of Hoberman’s work in transformable design, as well as the operations of his company Hoberman Associates, Inc. This includes broadcast footage featuring Hoberman, media coverage of installations and exhibitions, interviews with Hoberman, promotional material produced by Hoberman Associates Inc., documentary footage of toy and business-related activities, and home videos. Material consists of analog and digital recording techniques on a variety of formats including MiniDV cassettes, Betacam SP cassettes, DVCAM cassettes, U-matic cassettes, Hi-8 cassettes, Betacam cassettes and Digital Betacam cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this series are about Hoberman and/or were produced by his company, Hoberman Associates, Inc. It includes television programs featuring Hoberman, media coverage relating to specific projects such as the Iris Dome and other expanding geodesic spheres, promotional videos for toy products, documentary footage of international business operations, and media coverage of notable events such as the installation and inauguration of the Hoberman Arch at the 2002 Olympics in Salt Lake City and footage of Bill Clinton with the Hoberman sphere. While there are some completed broadcast productions in the series, the majority of the material is comprised of audio-visual production elements including raw footage, rushes, cuts, rough edits, masters, and compilations.
Audiovisual material
Actions:
AP165.S5
Description:
The Audiovisual material series, 1990 – 2002, consists of 175 video recordings that document various aspects of Hoberman’s work in transformable design, as well as the operations of his company Hoberman Associates, Inc. This includes broadcast footage featuring Hoberman, media coverage of installations and exhibitions, interviews with Hoberman, promotional material produced by Hoberman Associates Inc., documentary footage of toy and business-related activities, and home videos. Material consists of analog and digital recording techniques on a variety of formats including MiniDV cassettes, Betacam SP cassettes, DVCAM cassettes, U-matic cassettes, Hi-8 cassettes, Betacam cassettes and Digital Betacam cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this series are about Hoberman and/or were produced by his company, Hoberman Associates, Inc. It includes television programs featuring Hoberman, media coverage relating to specific projects such as the Iris Dome and other expanding geodesic spheres, promotional videos for toy products, documentary footage of international business operations, and media coverage of notable events such as the installation and inauguration of the Hoberman Arch at the 2002 Olympics in Salt Lake City and footage of Bill Clinton with the Hoberman sphere. While there are some completed broadcast productions in the series, the majority of the material is comprised of audio-visual production elements including raw footage, rushes, cuts, rough edits, masters, and compilations.
Level of archival description:
Series 5
Series 5
Date:
1990-2002
1990-2002
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.2000.PR06
Description:
This project series documents the design for McGill University and Génome Québec Innovation Centre in Montréal from 2000-2002. The office identified the project number as 2000-25. "This project was conceived to act as a networking site for research initiatives in the fields of genomics and proteomics. It accommodated five distinct research groups within a 92,000 square-foot facility: the Montreal Genome Centre, the Montreal Proteomics Centre, the Génome Québec Expertise Centre, the Montreal Bone Research Centre, and 5 bio-business incubators. The plan balanced specialized laboratory and office space with three key interactive spaces – the public passage through the building which linked the city to the campus, the atrium which provided an interactive social space for the facility, and the teleconference room. The laboratories, where raw data was gathered, were located on the east, while the bioinformatics offices for data analysis were located on the west. The intent was to create a building that acted as an instrument for knowledge, and to position the public spaces strategically and symbolically as reminders that the work of science was directly connected to humanity."[1] The project is recorded through drawings dating from around 2002. These are mostly original drawings and include sketches, plans, sections, elevations, perspectives, and details. [1]"McGill University and Génome Québec Innovation Centre." KPMB. Accessed July 2019. http://www.kpmb.com/project/mcgill-university-and-genome-quebec-innovation-centre/
AP056.S1.2000.PR06
Description:
This project series documents the design for McGill University and Génome Québec Innovation Centre in Montréal from 2000-2002. The office identified the project number as 2000-25. "This project was conceived to act as a networking site for research initiatives in the fields of genomics and proteomics. It accommodated five distinct research groups within a 92,000 square-foot facility: the Montreal Genome Centre, the Montreal Proteomics Centre, the Génome Québec Expertise Centre, the Montreal Bone Research Centre, and 5 bio-business incubators. The plan balanced specialized laboratory and office space with three key interactive spaces – the public passage through the building which linked the city to the campus, the atrium which provided an interactive social space for the facility, and the teleconference room. The laboratories, where raw data was gathered, were located on the east, while the bioinformatics offices for data analysis were located on the west. The intent was to create a building that acted as an instrument for knowledge, and to position the public spaces strategically and symbolically as reminders that the work of science was directly connected to humanity."[1] The project is recorded through drawings dating from around 2002. These are mostly original drawings and include sketches, plans, sections, elevations, perspectives, and details. [1]"McGill University and Génome Québec Innovation Centre." KPMB. Accessed July 2019. http://www.kpmb.com/project/mcgill-university-and-genome-quebec-innovation-centre/
People:
Date:
circa 2002
circa 2002
Title:
McGill University and Génome Québec Innovation Centre, Montréal (2000-2002)
Actions:
AP056.S1.2000.PR06
Description:
This project series documents the design for McGill University and Génome Québec Innovation Centre in Montréal from 2000-2002. The office identified the project number as 2000-25. "This project was conceived to act as a networking site for research initiatives in the fields of genomics and proteomics. It accommodated five distinct research groups within a 92,000 square-foot facility: the Montreal Genome Centre, the Montreal Proteomics Centre, the Génome Québec Expertise Centre, the Montreal Bone Research Centre, and 5 bio-business incubators. The plan balanced specialized laboratory and office space with three key interactive spaces – the public passage through the building which linked the city to the campus, the atrium which provided an interactive social space for the facility, and the teleconference room. The laboratories, where raw data was gathered, were located on the east, while the bioinformatics offices for data analysis were located on the west. The intent was to create a building that acted as an instrument for knowledge, and to position the public spaces strategically and symbolically as reminders that the work of science was directly connected to humanity."[1] The project is recorded through drawings dating from around 2002. These are mostly original drawings and include sketches, plans, sections, elevations, perspectives, and details. [1]"McGill University and Génome Québec Innovation Centre." KPMB. Accessed July 2019. http://www.kpmb.com/project/mcgill-university-and-genome-quebec-innovation-centre/
McGill University and Génome Québec Innovation Centre, Montréal (2000-2002)
Actions:
AP056.S1.2000.PR06
Description:
This project series documents the design for McGill University and Génome Québec Innovation Centre in Montréal from 2000-2002. The office identified the project number as 2000-25. "This project was conceived to act as a networking site for research initiatives in the fields of genomics and proteomics. It accommodated five distinct research groups within a 92,000 square-foot facility: the Montreal Genome Centre, the Montreal Proteomics Centre, the Génome Québec Expertise Centre, the Montreal Bone Research Centre, and 5 bio-business incubators. The plan balanced specialized laboratory and office space with three key interactive spaces – the public passage through the building which linked the city to the campus, the atrium which provided an interactive social space for the facility, and the teleconference room. The laboratories, where raw data was gathered, were located on the east, while the bioinformatics offices for data analysis were located on the west. The intent was to create a building that acted as an instrument for knowledge, and to position the public spaces strategically and symbolically as reminders that the work of science was directly connected to humanity."[1] The project is recorded through drawings dating from around 2002. These are mostly original drawings and include sketches, plans, sections, elevations, perspectives, and details. [1]"McGill University and Génome Québec Innovation Centre." KPMB. Accessed July 2019. http://www.kpmb.com/project/mcgill-university-and-genome-quebec-innovation-centre/
Level of archival description:
Project
Project
Date:
circa 2002
circa 2002
People:
Reference number:
PHCON2002:0016:008
Description:
Binder documents exhibitions from 1991 to 1997 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, and articles. A number of reviews are for the major 1992-1993 exhibition "Gordon Matta-Clark", organized by IVAM Centre Julio Gonzalez in Valencia, Spain, which traveled to London, United Kingdom, and Marseilles, France as well as the 1997 exhibition "Reorganizing Structure by Drawings Through It: Zeichnung bei Gordon Matta-Clark" organized by the Generali Foundation in Vienna, Austria at P.S. 1 Contemporary Art Center in New York City, the Museum of Contemporary Art in Barcelona, Spain and the Westfälisches Landesmuseum für Kunst und Kulturgeschichte in Münster, Germany. Also contained in the binder is correspondence and information relating to the Gordon Matta-Clark Trust, which awarded fellowships to artists. Binder contains photographs and textual records.
PHCON2002:0016:008
Description:
Binder documents exhibitions from 1991 to 1997 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, and articles. A number of reviews are for the major 1992-1993 exhibition "Gordon Matta-Clark", organized by IVAM Centre Julio Gonzalez in Valencia, Spain, which traveled to London, United Kingdom, and Marseilles, France as well as the 1997 exhibition "Reorganizing Structure by Drawings Through It: Zeichnung bei Gordon Matta-Clark" organized by the Generali Foundation in Vienna, Austria at P.S. 1 Contemporary Art Center in New York City, the Museum of Contemporary Art in Barcelona, Spain and the Westfälisches Landesmuseum für Kunst und Kulturgeschichte in Münster, Germany. Also contained in the binder is correspondence and information relating to the Gordon Matta-Clark Trust, which awarded fellowships to artists. Binder contains photographs and textual records.
People:
Date:
1990-1997
1990-1997
Title:
Reviews, Announcements, Catalogues 1990-97
Actions:
PHCON2002:0016:008
Description:
Binder documents exhibitions from 1991 to 1997 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, and articles. A number of reviews are for the major 1992-1993 exhibition "Gordon Matta-Clark", organized by IVAM Centre Julio Gonzalez in Valencia, Spain, which traveled to London, United Kingdom, and Marseilles, France as well as the 1997 exhibition "Reorganizing Structure by Drawings Through It: Zeichnung bei Gordon Matta-Clark" organized by the Generali Foundation in Vienna, Austria at P.S. 1 Contemporary Art Center in New York City, the Museum of Contemporary Art in Barcelona, Spain and the Westfälisches Landesmuseum für Kunst und Kulturgeschichte in Münster, Germany. Also contained in the binder is correspondence and information relating to the Gordon Matta-Clark Trust, which awarded fellowships to artists. Binder contains photographs and textual records.
Reviews, Announcements, Catalogues 1990-97
Actions:
PHCON2002:0016:008
Description:
Binder documents exhibitions from 1991 to 1997 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, and articles. A number of reviews are for the major 1992-1993 exhibition "Gordon Matta-Clark", organized by IVAM Centre Julio Gonzalez in Valencia, Spain, which traveled to London, United Kingdom, and Marseilles, France as well as the 1997 exhibition "Reorganizing Structure by Drawings Through It: Zeichnung bei Gordon Matta-Clark" organized by the Generali Foundation in Vienna, Austria at P.S. 1 Contemporary Art Center in New York City, the Museum of Contemporary Art in Barcelona, Spain and the Westfälisches Landesmuseum für Kunst und Kulturgeschichte in Münster, Germany. Also contained in the binder is correspondence and information relating to the Gordon Matta-Clark Trust, which awarded fellowships to artists. Binder contains photographs and textual records.
Date:
1990-1997
1990-1997
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP119
Synopsis:
The Peter Yeadon Prix de Rome project records consist of twenty ink jet printouts of computer-generated images, four sketchbooks, as well as project documentation of Yeadon's Prix de Rome project. All of the drawings were made in Rome between 1999 and 2000.
AP119
Synopsis:
The Peter Yeadon Prix de Rome project records consist of twenty ink jet printouts of computer-generated images, four sketchbooks, as well as project documentation of Yeadon's Prix de Rome project. All of the drawings were made in Rome between 1999 and 2000.
People:
Date:
1998-2002
1998-2002
Title:
Peter Yeadon Prix de Rome project records
Actions:
AP119
Synopsis:
The Peter Yeadon Prix de Rome project records consist of twenty ink jet printouts of computer-generated images, four sketchbooks, as well as project documentation of Yeadon's Prix de Rome project. All of the drawings were made in Rome between 1999 and 2000.
Peter Yeadon Prix de Rome project records
Actions:
AP119
Synopsis:
The Peter Yeadon Prix de Rome project records consist of twenty ink jet printouts of computer-generated images, four sketchbooks, as well as project documentation of Yeadon's Prix de Rome project. All of the drawings were made in Rome between 1999 and 2000.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1998-2002
1998-2002
People:
Form:
drawings
drawings
Actions:
Reference number:
DR1988:0386
Description:
- This reprographic copy shows an imitation mother-of-pearl lamp shade to be suspended by a bronze chain. There is a thumbnail sketch of the design in the lower right corner. - This work is part of an incomplete group of possibly working reprographic copies for Electric House, Battersea Borough, designed by the borough architect, Henry Hyams. The group also includes some reprographic copies which may have been used for publication purposes. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be directly linked to an article published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
DR1988:0386
Description:
- This reprographic copy shows an imitation mother-of-pearl lamp shade to be suspended by a bronze chain. There is a thumbnail sketch of the design in the lower right corner. - This work is part of an incomplete group of possibly working reprographic copies for Electric House, Battersea Borough, designed by the borough architect, Henry Hyams. The group also includes some reprographic copies which may have been used for publication purposes. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be directly linked to an article published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
People:
Subject:
interior design
interior design
Date:
printed late 1926 or 1927
printed late 1926 or 1927
Title:
Elevation and half plan for a lamp shade for Electric House, Battersea Borough
Actions:
DR1988:0386
Description:
- This reprographic copy shows an imitation mother-of-pearl lamp shade to be suspended by a bronze chain. There is a thumbnail sketch of the design in the lower right corner. - This work is part of an incomplete group of possibly working reprographic copies for Electric House, Battersea Borough, designed by the borough architect, Henry Hyams. The group also includes some reprographic copies which may have been used for publication purposes. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be directly linked to an article published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Elevation and half plan for a lamp shade for Electric House, Battersea Borough
Actions:
DR1988:0386
Description:
- This reprographic copy shows an imitation mother-of-pearl lamp shade to be suspended by a bronze chain. There is a thumbnail sketch of the design in the lower right corner. - This work is part of an incomplete group of possibly working reprographic copies for Electric House, Battersea Borough, designed by the borough architect, Henry Hyams. The group also includes some reprographic copies which may have been used for publication purposes. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be directly linked to an article published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Form:
drawings
drawings
Date:
printed late 1926 or 1927
printed late 1926 or 1927
People:
Subject:
interior design
interior design
Form:
drawings
drawings
Actions:
Reference number:
DR1988:0401
Description:
- This reprographic copy shows a design for a plaster frieze for the ceiling ribs in the showrooms of Electric House, Battersea Borough. The design includes lightbulbs, electrical cords, and swags. - This work is part of an incomplete group of possibly working reprographic copies for Electric House, Battersea Borough, designed by the borough architect, Henry Hyams. The group also includes some reprographic copies which may have been used for publication purposes. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be directly linked to an article published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
DR1988:0401
Description:
- This reprographic copy shows a design for a plaster frieze for the ceiling ribs in the showrooms of Electric House, Battersea Borough. The design includes lightbulbs, electrical cords, and swags. - This work is part of an incomplete group of possibly working reprographic copies for Electric House, Battersea Borough, designed by the borough architect, Henry Hyams. The group also includes some reprographic copies which may have been used for publication purposes. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be directly linked to an article published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
People:
Subject:
interior design
interior design
Date:
printed November 1926
printed November 1926
Title:
Detail for the plaster frieze on showroom ceiling ribs, Electric House, Battersea Borough
Actions:
DR1988:0401
Description:
- This reprographic copy shows a design for a plaster frieze for the ceiling ribs in the showrooms of Electric House, Battersea Borough. The design includes lightbulbs, electrical cords, and swags. - This work is part of an incomplete group of possibly working reprographic copies for Electric House, Battersea Borough, designed by the borough architect, Henry Hyams. The group also includes some reprographic copies which may have been used for publication purposes. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be directly linked to an article published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Detail for the plaster frieze on showroom ceiling ribs, Electric House, Battersea Borough
Actions:
DR1988:0401
Description:
- This reprographic copy shows a design for a plaster frieze for the ceiling ribs in the showrooms of Electric House, Battersea Borough. The design includes lightbulbs, electrical cords, and swags. - This work is part of an incomplete group of possibly working reprographic copies for Electric House, Battersea Borough, designed by the borough architect, Henry Hyams. The group also includes some reprographic copies which may have been used for publication purposes. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be directly linked to an article published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Form:
drawings
drawings
Date:
printed November 1926
printed November 1926
People:
Subject:
interior design
interior design
Level of archival description:
Project
Project
Reference number:
AP075.S1.1957.PR01
Description:
This project series documents Cornelie Hahn Oberlander's landscape project for the University of British Columbia's Faculty Club, a social club providing accomodation and recreation for members of the Society, in Vancouver. The Faculty Club is located on the northern edge of the University of British Columbia's campus and overlook the Burrard Inlet and the North Shore Mountains. Oberlander worked on this project from 1956-1959 with architect Fred Lasserre and later architect Arthur Erickson in 1963. During the first phase of the construction in 1956, Oberlander designed the parking area, the upper terrace, and garden with a water feature of water cascading into a series of square basins. For the second phase of the design, Oberlander worked with architect Arthur Erickson, who connected the water feature to a larger pool situated next to a new pavilion. In 2008, the Faculty Club was converted into classrooms and Oberlander was hired to revitalise the planting areas around the club. The project series contains sketches for the upper terrace, design development drawings, including landscape plans, grading plans and planting plans, presentation drawings and working drawings, including building plans used for reference. The project series also includes photographs.
AP075.S1.1957.PR01
Description:
This project series documents Cornelie Hahn Oberlander's landscape project for the University of British Columbia's Faculty Club, a social club providing accomodation and recreation for members of the Society, in Vancouver. The Faculty Club is located on the northern edge of the University of British Columbia's campus and overlook the Burrard Inlet and the North Shore Mountains. Oberlander worked on this project from 1956-1959 with architect Fred Lasserre and later architect Arthur Erickson in 1963. During the first phase of the construction in 1956, Oberlander designed the parking area, the upper terrace, and garden with a water feature of water cascading into a series of square basins. For the second phase of the design, Oberlander worked with architect Arthur Erickson, who connected the water feature to a larger pool situated next to a new pavilion. In 2008, the Faculty Club was converted into classrooms and Oberlander was hired to revitalise the planting areas around the club. The project series contains sketches for the upper terrace, design development drawings, including landscape plans, grading plans and planting plans, presentation drawings and working drawings, including building plans used for reference. The project series also includes photographs.
People:
Date:
1957-1959
1957-1959
Title:
University Faculty Club, University of British Columbia, Vancouver, British Columbia (1957-1959)
Actions:
AP075.S1.1957.PR01
Description:
This project series documents Cornelie Hahn Oberlander's landscape project for the University of British Columbia's Faculty Club, a social club providing accomodation and recreation for members of the Society, in Vancouver. The Faculty Club is located on the northern edge of the University of British Columbia's campus and overlook the Burrard Inlet and the North Shore Mountains. Oberlander worked on this project from 1956-1959 with architect Fred Lasserre and later architect Arthur Erickson in 1963. During the first phase of the construction in 1956, Oberlander designed the parking area, the upper terrace, and garden with a water feature of water cascading into a series of square basins. For the second phase of the design, Oberlander worked with architect Arthur Erickson, who connected the water feature to a larger pool situated next to a new pavilion. In 2008, the Faculty Club was converted into classrooms and Oberlander was hired to revitalise the planting areas around the club. The project series contains sketches for the upper terrace, design development drawings, including landscape plans, grading plans and planting plans, presentation drawings and working drawings, including building plans used for reference. The project series also includes photographs.
University Faculty Club, University of British Columbia, Vancouver, British Columbia (1957-1959)
Actions:
AP075.S1.1957.PR01
Description:
This project series documents Cornelie Hahn Oberlander's landscape project for the University of British Columbia's Faculty Club, a social club providing accomodation and recreation for members of the Society, in Vancouver. The Faculty Club is located on the northern edge of the University of British Columbia's campus and overlook the Burrard Inlet and the North Shore Mountains. Oberlander worked on this project from 1956-1959 with architect Fred Lasserre and later architect Arthur Erickson in 1963. During the first phase of the construction in 1956, Oberlander designed the parking area, the upper terrace, and garden with a water feature of water cascading into a series of square basins. For the second phase of the design, Oberlander worked with architect Arthur Erickson, who connected the water feature to a larger pool situated next to a new pavilion. In 2008, the Faculty Club was converted into classrooms and Oberlander was hired to revitalise the planting areas around the club. The project series contains sketches for the upper terrace, design development drawings, including landscape plans, grading plans and planting plans, presentation drawings and working drawings, including building plans used for reference. The project series also includes photographs.
Level of archival description:
Project
Project
Date:
1957-1959
1957-1959
People:
