43397 Results
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.2000.PR06
Description:
This project series documents the design for McGill University and Génome Québec Innovation Centre in Montréal from 2000-2002. The office identified the project number as 2000-25. "This project was conceived to act as a networking site for research initiatives in the fields of genomics and proteomics. It accommodated five distinct research groups within a 92,000 square-foot facility: the Montreal Genome Centre, the Montreal Proteomics Centre, the Génome Québec Expertise Centre, the Montreal Bone Research Centre, and 5 bio-business incubators. The plan balanced specialized laboratory and office space with three key interactive spaces – the public passage through the building which linked the city to the campus, the atrium which provided an interactive social space for the facility, and the teleconference room. The laboratories, where raw data was gathered, were located on the east, while the bioinformatics offices for data analysis were located on the west. The intent was to create a building that acted as an instrument for knowledge, and to position the public spaces strategically and symbolically as reminders that the work of science was directly connected to humanity."[1] The project is recorded through drawings dating from around 2002. These are mostly original drawings and include sketches, plans, sections, elevations, perspectives, and details. [1]"McGill University and Génome Québec Innovation Centre." KPMB. Accessed July 2019. http://www.kpmb.com/project/mcgill-university-and-genome-quebec-innovation-centre/
AP056.S1.2000.PR06
Description:
This project series documents the design for McGill University and Génome Québec Innovation Centre in Montréal from 2000-2002. The office identified the project number as 2000-25. "This project was conceived to act as a networking site for research initiatives in the fields of genomics and proteomics. It accommodated five distinct research groups within a 92,000 square-foot facility: the Montreal Genome Centre, the Montreal Proteomics Centre, the Génome Québec Expertise Centre, the Montreal Bone Research Centre, and 5 bio-business incubators. The plan balanced specialized laboratory and office space with three key interactive spaces – the public passage through the building which linked the city to the campus, the atrium which provided an interactive social space for the facility, and the teleconference room. The laboratories, where raw data was gathered, were located on the east, while the bioinformatics offices for data analysis were located on the west. The intent was to create a building that acted as an instrument for knowledge, and to position the public spaces strategically and symbolically as reminders that the work of science was directly connected to humanity."[1] The project is recorded through drawings dating from around 2002. These are mostly original drawings and include sketches, plans, sections, elevations, perspectives, and details. [1]"McGill University and Génome Québec Innovation Centre." KPMB. Accessed July 2019. http://www.kpmb.com/project/mcgill-university-and-genome-quebec-innovation-centre/
People:
Date:
circa 2002
circa 2002
Title:
McGill University and Génome Québec Innovation Centre, Montréal (2000-2002)
Actions:
AP056.S1.2000.PR06
Description:
This project series documents the design for McGill University and Génome Québec Innovation Centre in Montréal from 2000-2002. The office identified the project number as 2000-25. "This project was conceived to act as a networking site for research initiatives in the fields of genomics and proteomics. It accommodated five distinct research groups within a 92,000 square-foot facility: the Montreal Genome Centre, the Montreal Proteomics Centre, the Génome Québec Expertise Centre, the Montreal Bone Research Centre, and 5 bio-business incubators. The plan balanced specialized laboratory and office space with three key interactive spaces – the public passage through the building which linked the city to the campus, the atrium which provided an interactive social space for the facility, and the teleconference room. The laboratories, where raw data was gathered, were located on the east, while the bioinformatics offices for data analysis were located on the west. The intent was to create a building that acted as an instrument for knowledge, and to position the public spaces strategically and symbolically as reminders that the work of science was directly connected to humanity."[1] The project is recorded through drawings dating from around 2002. These are mostly original drawings and include sketches, plans, sections, elevations, perspectives, and details. [1]"McGill University and Génome Québec Innovation Centre." KPMB. Accessed July 2019. http://www.kpmb.com/project/mcgill-university-and-genome-quebec-innovation-centre/
McGill University and Génome Québec Innovation Centre, Montréal (2000-2002)
Actions:
AP056.S1.2000.PR06
Description:
This project series documents the design for McGill University and Génome Québec Innovation Centre in Montréal from 2000-2002. The office identified the project number as 2000-25. "This project was conceived to act as a networking site for research initiatives in the fields of genomics and proteomics. It accommodated five distinct research groups within a 92,000 square-foot facility: the Montreal Genome Centre, the Montreal Proteomics Centre, the Génome Québec Expertise Centre, the Montreal Bone Research Centre, and 5 bio-business incubators. The plan balanced specialized laboratory and office space with three key interactive spaces – the public passage through the building which linked the city to the campus, the atrium which provided an interactive social space for the facility, and the teleconference room. The laboratories, where raw data was gathered, were located on the east, while the bioinformatics offices for data analysis were located on the west. The intent was to create a building that acted as an instrument for knowledge, and to position the public spaces strategically and symbolically as reminders that the work of science was directly connected to humanity."[1] The project is recorded through drawings dating from around 2002. These are mostly original drawings and include sketches, plans, sections, elevations, perspectives, and details. [1]"McGill University and Génome Québec Innovation Centre." KPMB. Accessed July 2019. http://www.kpmb.com/project/mcgill-university-and-genome-quebec-innovation-centre/
Level of archival description:
Project
Project
Date:
circa 2002
circa 2002
People:
Form:
events
events
Actions:
Description:
Join architect Umberto Riva for tea and conversation about his work and the exhibition Rooms You May Have Missed: Bijoy Jain, Umberto Riva.
Join architect Umberto Riva for tea and conversation about his work and the exhibition Rooms You May Have Missed: Bijoy Jain, Umberto Riva.
Date:
5 November 2014 , 5:30pm
5 November 2014 , 5:30pm
Title:
Rooms in Milan: a discussion with Umberto Riva
Actions:
Description:
Join architect Umberto Riva for tea and conversation about his work and the exhibition Rooms You May Have Missed: Bijoy Jain, Umberto Riva.
Rooms in Milan: a discussion with Umberto Riva
Actions:
Description:
Join architect Umberto Riva for tea and conversation about his work and the exhibition Rooms You May Have Missed: Bijoy Jain, Umberto Riva.
Form:
events
events
Date:
5 November 2014
5:30pm
5 November 2014
5:30pm
Reference number:
PHCON2002:0016:008
Description:
Binder documents exhibitions from 1991 to 1997 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, and articles. A number of reviews are for the major 1992-1993 exhibition "Gordon Matta-Clark", organized by IVAM Centre Julio Gonzalez in Valencia, Spain, which traveled to London, United Kingdom, and Marseilles, France as well as the 1997 exhibition "Reorganizing Structure by Drawings Through It: Zeichnung bei Gordon Matta-Clark" organized by the Generali Foundation in Vienna, Austria at P.S. 1 Contemporary Art Center in New York City, the Museum of Contemporary Art in Barcelona, Spain and the Westfälisches Landesmuseum für Kunst und Kulturgeschichte in Münster, Germany. Also contained in the binder is correspondence and information relating to the Gordon Matta-Clark Trust, which awarded fellowships to artists. Binder contains photographs and textual records.
PHCON2002:0016:008
Description:
Binder documents exhibitions from 1991 to 1997 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, and articles. A number of reviews are for the major 1992-1993 exhibition "Gordon Matta-Clark", organized by IVAM Centre Julio Gonzalez in Valencia, Spain, which traveled to London, United Kingdom, and Marseilles, France as well as the 1997 exhibition "Reorganizing Structure by Drawings Through It: Zeichnung bei Gordon Matta-Clark" organized by the Generali Foundation in Vienna, Austria at P.S. 1 Contemporary Art Center in New York City, the Museum of Contemporary Art in Barcelona, Spain and the Westfälisches Landesmuseum für Kunst und Kulturgeschichte in Münster, Germany. Also contained in the binder is correspondence and information relating to the Gordon Matta-Clark Trust, which awarded fellowships to artists. Binder contains photographs and textual records.
People:
Date:
1990-1997
1990-1997
Title:
Reviews, Announcements, Catalogues 1990-97
Actions:
PHCON2002:0016:008
Description:
Binder documents exhibitions from 1991 to 1997 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, and articles. A number of reviews are for the major 1992-1993 exhibition "Gordon Matta-Clark", organized by IVAM Centre Julio Gonzalez in Valencia, Spain, which traveled to London, United Kingdom, and Marseilles, France as well as the 1997 exhibition "Reorganizing Structure by Drawings Through It: Zeichnung bei Gordon Matta-Clark" organized by the Generali Foundation in Vienna, Austria at P.S. 1 Contemporary Art Center in New York City, the Museum of Contemporary Art in Barcelona, Spain and the Westfälisches Landesmuseum für Kunst und Kulturgeschichte in Münster, Germany. Also contained in the binder is correspondence and information relating to the Gordon Matta-Clark Trust, which awarded fellowships to artists. Binder contains photographs and textual records.
Reviews, Announcements, Catalogues 1990-97
Actions:
PHCON2002:0016:008
Description:
Binder documents exhibitions from 1991 to 1997 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, and articles. A number of reviews are for the major 1992-1993 exhibition "Gordon Matta-Clark", organized by IVAM Centre Julio Gonzalez in Valencia, Spain, which traveled to London, United Kingdom, and Marseilles, France as well as the 1997 exhibition "Reorganizing Structure by Drawings Through It: Zeichnung bei Gordon Matta-Clark" organized by the Generali Foundation in Vienna, Austria at P.S. 1 Contemporary Art Center in New York City, the Museum of Contemporary Art in Barcelona, Spain and the Westfälisches Landesmuseum für Kunst und Kulturgeschichte in Münster, Germany. Also contained in the binder is correspondence and information relating to the Gordon Matta-Clark Trust, which awarded fellowships to artists. Binder contains photographs and textual records.
Date:
1990-1997
1990-1997
People:
Form:
exhibitions
exhibitions
Description:
The exhibition presents a work by American artist Lewis Baltz that provokes critical thought on the relationships between architecture, landscape, and photography. The New Industrial Parks is part of a monographic series developed in the 1970s (The Tract Houses, Maryland, Nevada and Park City) that deals with wide-ranging cultural and philosophical questions about(...)
The exhibition presents a work by American artist Lewis Baltz that provokes critical thought on the relationships between architecture, landscape, and photography. The New Industrial Parks is part of a monographic series developed in the 1970s (The Tract Houses, Maryland, Nevada and Park City) that deals with wide-ranging cultural and philosophical questions about(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
18 April 2002 to 29 September 2002
18 April 2002 to 29 September 2002
Title:
Lewis Baltz: The New Industrial Parks Near Irvine, California
Actions:
Description:
The exhibition presents a work by American artist Lewis Baltz that provokes critical thought on the relationships between architecture, landscape, and photography. The New Industrial Parks is part of a monographic series developed in the 1970s (The Tract Houses, Maryland, Nevada and Park City) that deals with wide-ranging cultural and philosophical questions about(...)
Lewis Baltz: The New Industrial Parks Near Irvine, California
Actions:
Description:
The exhibition presents a work by American artist Lewis Baltz that provokes critical thought on the relationships between architecture, landscape, and photography. The New Industrial Parks is part of a monographic series developed in the 1970s (The Tract Houses, Maryland, Nevada and Park City) that deals with wide-ranging cultural and philosophical questions about(...)
Form:
exhibitions
exhibitions
Date:
18 April 2002 to
29 September 2002
18 April 2002 to
29 September 2002
Location:
Octagonal gallery
Octagonal gallery
Form:
drawings
drawings
Actions:
Reference number:
DR1988:0386
Description:
- This reprographic copy shows an imitation mother-of-pearl lamp shade to be suspended by a bronze chain. There is a thumbnail sketch of the design in the lower right corner. - This work is part of an incomplete group of possibly working reprographic copies for Electric House, Battersea Borough, designed by the borough architect, Henry Hyams. The group also includes some reprographic copies which may have been used for publication purposes. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be directly linked to an article published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
DR1988:0386
Description:
- This reprographic copy shows an imitation mother-of-pearl lamp shade to be suspended by a bronze chain. There is a thumbnail sketch of the design in the lower right corner. - This work is part of an incomplete group of possibly working reprographic copies for Electric House, Battersea Borough, designed by the borough architect, Henry Hyams. The group also includes some reprographic copies which may have been used for publication purposes. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be directly linked to an article published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
People:
Subject:
interior design
interior design
Date:
printed late 1926 or 1927
printed late 1926 or 1927
Title:
Elevation and half plan for a lamp shade for Electric House, Battersea Borough
Actions:
DR1988:0386
Description:
- This reprographic copy shows an imitation mother-of-pearl lamp shade to be suspended by a bronze chain. There is a thumbnail sketch of the design in the lower right corner. - This work is part of an incomplete group of possibly working reprographic copies for Electric House, Battersea Borough, designed by the borough architect, Henry Hyams. The group also includes some reprographic copies which may have been used for publication purposes. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be directly linked to an article published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Elevation and half plan for a lamp shade for Electric House, Battersea Borough
Actions:
DR1988:0386
Description:
- This reprographic copy shows an imitation mother-of-pearl lamp shade to be suspended by a bronze chain. There is a thumbnail sketch of the design in the lower right corner. - This work is part of an incomplete group of possibly working reprographic copies for Electric House, Battersea Borough, designed by the borough architect, Henry Hyams. The group also includes some reprographic copies which may have been used for publication purposes. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be directly linked to an article published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Form:
drawings
drawings
Date:
printed late 1926 or 1927
printed late 1926 or 1927
People:
Subject:
interior design
interior design
Form:
drawings
drawings
Actions:
Reference number:
DR1988:0401
Description:
- This reprographic copy shows a design for a plaster frieze for the ceiling ribs in the showrooms of Electric House, Battersea Borough. The design includes lightbulbs, electrical cords, and swags. - This work is part of an incomplete group of possibly working reprographic copies for Electric House, Battersea Borough, designed by the borough architect, Henry Hyams. The group also includes some reprographic copies which may have been used for publication purposes. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be directly linked to an article published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
DR1988:0401
Description:
- This reprographic copy shows a design for a plaster frieze for the ceiling ribs in the showrooms of Electric House, Battersea Borough. The design includes lightbulbs, electrical cords, and swags. - This work is part of an incomplete group of possibly working reprographic copies for Electric House, Battersea Borough, designed by the borough architect, Henry Hyams. The group also includes some reprographic copies which may have been used for publication purposes. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be directly linked to an article published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
People:
Subject:
interior design
interior design
Date:
printed November 1926
printed November 1926
Title:
Detail for the plaster frieze on showroom ceiling ribs, Electric House, Battersea Borough
Actions:
DR1988:0401
Description:
- This reprographic copy shows a design for a plaster frieze for the ceiling ribs in the showrooms of Electric House, Battersea Borough. The design includes lightbulbs, electrical cords, and swags. - This work is part of an incomplete group of possibly working reprographic copies for Electric House, Battersea Borough, designed by the borough architect, Henry Hyams. The group also includes some reprographic copies which may have been used for publication purposes. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be directly linked to an article published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Detail for the plaster frieze on showroom ceiling ribs, Electric House, Battersea Borough
Actions:
DR1988:0401
Description:
- This reprographic copy shows a design for a plaster frieze for the ceiling ribs in the showrooms of Electric House, Battersea Borough. The design includes lightbulbs, electrical cords, and swags. - This work is part of an incomplete group of possibly working reprographic copies for Electric House, Battersea Borough, designed by the borough architect, Henry Hyams. The group also includes some reprographic copies which may have been used for publication purposes. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be directly linked to an article published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Form:
drawings
drawings
Date:
printed November 1926
printed November 1926
People:
Subject:
interior design
interior design
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP119
Synopsis:
The Peter Yeadon Prix de Rome project records consist of twenty ink jet printouts of computer-generated images, four sketchbooks, as well as project documentation of Yeadon's Prix de Rome project. All of the drawings were made in Rome between 1999 and 2000.
AP119
Synopsis:
The Peter Yeadon Prix de Rome project records consist of twenty ink jet printouts of computer-generated images, four sketchbooks, as well as project documentation of Yeadon's Prix de Rome project. All of the drawings were made in Rome between 1999 and 2000.
People:
Date:
1998-2002
1998-2002
Title:
Peter Yeadon Prix de Rome project records
Actions:
AP119
Synopsis:
The Peter Yeadon Prix de Rome project records consist of twenty ink jet printouts of computer-generated images, four sketchbooks, as well as project documentation of Yeadon's Prix de Rome project. All of the drawings were made in Rome between 1999 and 2000.
Peter Yeadon Prix de Rome project records
Actions:
AP119
Synopsis:
The Peter Yeadon Prix de Rome project records consist of twenty ink jet printouts of computer-generated images, four sketchbooks, as well as project documentation of Yeadon's Prix de Rome project. All of the drawings were made in Rome between 1999 and 2000.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1998-2002
1998-2002
People:
Level of archival description:
Project
Project
Reference number:
AP075.S1.1957.PR01
Description:
This project series documents Cornelie Hahn Oberlander's landscape project for the University of British Columbia's Faculty Club, a social club providing accomodation and recreation for members of the Society, in Vancouver. The Faculty Club is located on the northern edge of the University of British Columbia's campus and overlook the Burrard Inlet and the North Shore Mountains. Oberlander worked on this project from 1956-1959 with architect Fred Lasserre and later architect Arthur Erickson in 1963. During the first phase of the construction in 1956, Oberlander designed the parking area, the upper terrace, and garden with a water feature of water cascading into a series of square basins. For the second phase of the design, Oberlander worked with architect Arthur Erickson, who connected the water feature to a larger pool situated next to a new pavilion. In 2008, the Faculty Club was converted into classrooms and Oberlander was hired to revitalise the planting areas around the club. The project series contains sketches for the upper terrace, design development drawings, including landscape plans, grading plans and planting plans, presentation drawings and working drawings, including building plans used for reference. The project series also includes photographs.
AP075.S1.1957.PR01
Description:
This project series documents Cornelie Hahn Oberlander's landscape project for the University of British Columbia's Faculty Club, a social club providing accomodation and recreation for members of the Society, in Vancouver. The Faculty Club is located on the northern edge of the University of British Columbia's campus and overlook the Burrard Inlet and the North Shore Mountains. Oberlander worked on this project from 1956-1959 with architect Fred Lasserre and later architect Arthur Erickson in 1963. During the first phase of the construction in 1956, Oberlander designed the parking area, the upper terrace, and garden with a water feature of water cascading into a series of square basins. For the second phase of the design, Oberlander worked with architect Arthur Erickson, who connected the water feature to a larger pool situated next to a new pavilion. In 2008, the Faculty Club was converted into classrooms and Oberlander was hired to revitalise the planting areas around the club. The project series contains sketches for the upper terrace, design development drawings, including landscape plans, grading plans and planting plans, presentation drawings and working drawings, including building plans used for reference. The project series also includes photographs.
People:
Date:
1957-1959
1957-1959
Title:
University Faculty Club, University of British Columbia, Vancouver, British Columbia (1957-1959)
Actions:
AP075.S1.1957.PR01
Description:
This project series documents Cornelie Hahn Oberlander's landscape project for the University of British Columbia's Faculty Club, a social club providing accomodation and recreation for members of the Society, in Vancouver. The Faculty Club is located on the northern edge of the University of British Columbia's campus and overlook the Burrard Inlet and the North Shore Mountains. Oberlander worked on this project from 1956-1959 with architect Fred Lasserre and later architect Arthur Erickson in 1963. During the first phase of the construction in 1956, Oberlander designed the parking area, the upper terrace, and garden with a water feature of water cascading into a series of square basins. For the second phase of the design, Oberlander worked with architect Arthur Erickson, who connected the water feature to a larger pool situated next to a new pavilion. In 2008, the Faculty Club was converted into classrooms and Oberlander was hired to revitalise the planting areas around the club. The project series contains sketches for the upper terrace, design development drawings, including landscape plans, grading plans and planting plans, presentation drawings and working drawings, including building plans used for reference. The project series also includes photographs.
University Faculty Club, University of British Columbia, Vancouver, British Columbia (1957-1959)
Actions:
AP075.S1.1957.PR01
Description:
This project series documents Cornelie Hahn Oberlander's landscape project for the University of British Columbia's Faculty Club, a social club providing accomodation and recreation for members of the Society, in Vancouver. The Faculty Club is located on the northern edge of the University of British Columbia's campus and overlook the Burrard Inlet and the North Shore Mountains. Oberlander worked on this project from 1956-1959 with architect Fred Lasserre and later architect Arthur Erickson in 1963. During the first phase of the construction in 1956, Oberlander designed the parking area, the upper terrace, and garden with a water feature of water cascading into a series of square basins. For the second phase of the design, Oberlander worked with architect Arthur Erickson, who connected the water feature to a larger pool situated next to a new pavilion. In 2008, the Faculty Club was converted into classrooms and Oberlander was hired to revitalise the planting areas around the club. The project series contains sketches for the upper terrace, design development drawings, including landscape plans, grading plans and planting plans, presentation drawings and working drawings, including building plans used for reference. The project series also includes photographs.
Level of archival description:
Project
Project
Date:
1957-1959
1957-1959
People:
Form:
articles
articles
Title:
Domestic Monument
Domestic Monument
Actions:
Mauricio Pezo and Sofia von Ellrichshausen reflect on the Amancio Williams archive
Title:
Domestic Monument
Mauricio Pezo and Sofia von Ellrichshausen reflect on the Amancio Williams archive
Actions:
Domestic Monument
Mauricio Pezo and Sofia von Ellrichshausen reflect on the Amancio Williams archive
Actions:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP178.S1.2002.PR05.SS3
Description:
This project subseries documents the Clubhouse de Vidago in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the dates 2007-2010 to this project. The project, part of larger renovations to the Vidago Palace Hotel, consisted of the conversion of an old building into the new golf clubhouse. Originally constructed in 1886, the stone building was first used for bottling the Vidago spring water. The clubhouse consisted of a large restaurant and bar space, with white walls, high ceilings and a central skylight to illuminate its spacious interior. A golf shop and dressing room were also part of the clubhouse. Siza designed two other buildings for the new 18-hole golf course, the golf academy and the maintenance building, but neither of these was ever realized. This project subseries is recorded through photographic materials, drawings, study models and textual records dating from 2002-2015. These records document the clubhouse, the golf academy and the maintenance building. The photographic materials are mostly printed digital photos showing the site, construction work, the model and reference images. The drawings include studies, plans, elevations, sections, details, and structural, mechanical and electrical drawings. The textual records include furniture documentation, records for permits, budgets, supplier catalogues, correspondence and meeting minutes. There are also a number of records documenting various mechanical, electrical and structural systems.
AP178.S1.2002.PR05.SS3
Description:
This project subseries documents the Clubhouse de Vidago in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the dates 2007-2010 to this project. The project, part of larger renovations to the Vidago Palace Hotel, consisted of the conversion of an old building into the new golf clubhouse. Originally constructed in 1886, the stone building was first used for bottling the Vidago spring water. The clubhouse consisted of a large restaurant and bar space, with white walls, high ceilings and a central skylight to illuminate its spacious interior. A golf shop and dressing room were also part of the clubhouse. Siza designed two other buildings for the new 18-hole golf course, the golf academy and the maintenance building, but neither of these was ever realized. This project subseries is recorded through photographic materials, drawings, study models and textual records dating from 2002-2015. These records document the clubhouse, the golf academy and the maintenance building. The photographic materials are mostly printed digital photos showing the site, construction work, the model and reference images. The drawings include studies, plans, elevations, sections, details, and structural, mechanical and electrical drawings. The textual records include furniture documentation, records for permits, budgets, supplier catalogues, correspondence and meeting minutes. There are also a number of records documenting various mechanical, electrical and structural systems.
People:
Date:
2002-2015
2002-2015
Title:
Clubhouse de Vidago [Vidago Palace Hotel Club House], Vidago, Portugal (2007-2010)
Actions:
AP178.S1.2002.PR05.SS3
Description:
This project subseries documents the Clubhouse de Vidago in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the dates 2007-2010 to this project. The project, part of larger renovations to the Vidago Palace Hotel, consisted of the conversion of an old building into the new golf clubhouse. Originally constructed in 1886, the stone building was first used for bottling the Vidago spring water. The clubhouse consisted of a large restaurant and bar space, with white walls, high ceilings and a central skylight to illuminate its spacious interior. A golf shop and dressing room were also part of the clubhouse. Siza designed two other buildings for the new 18-hole golf course, the golf academy and the maintenance building, but neither of these was ever realized. This project subseries is recorded through photographic materials, drawings, study models and textual records dating from 2002-2015. These records document the clubhouse, the golf academy and the maintenance building. The photographic materials are mostly printed digital photos showing the site, construction work, the model and reference images. The drawings include studies, plans, elevations, sections, details, and structural, mechanical and electrical drawings. The textual records include furniture documentation, records for permits, budgets, supplier catalogues, correspondence and meeting minutes. There are also a number of records documenting various mechanical, electrical and structural systems.
Clubhouse de Vidago [Vidago Palace Hotel Club House], Vidago, Portugal (2007-2010)
Actions:
AP178.S1.2002.PR05.SS3
Description:
This project subseries documents the Clubhouse de Vidago in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the dates 2007-2010 to this project. The project, part of larger renovations to the Vidago Palace Hotel, consisted of the conversion of an old building into the new golf clubhouse. Originally constructed in 1886, the stone building was first used for bottling the Vidago spring water. The clubhouse consisted of a large restaurant and bar space, with white walls, high ceilings and a central skylight to illuminate its spacious interior. A golf shop and dressing room were also part of the clubhouse. Siza designed two other buildings for the new 18-hole golf course, the golf academy and the maintenance building, but neither of these was ever realized. This project subseries is recorded through photographic materials, drawings, study models and textual records dating from 2002-2015. These records document the clubhouse, the golf academy and the maintenance building. The photographic materials are mostly printed digital photos showing the site, construction work, the model and reference images. The drawings include studies, plans, elevations, sections, details, and structural, mechanical and electrical drawings. The textual records include furniture documentation, records for permits, budgets, supplier catalogues, correspondence and meeting minutes. There are also a number of records documenting various mechanical, electrical and structural systems.
Level of archival description:
Subseries
Subseries
Date:
2002-2015
2002-2015
People:
