Diane Borsato
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Collaborating with a varied cast of characters--beekeepers, mycologists, astronomers, physicists, bees, cats, snowballs, tango dancers, passersby, plants, curators, hotel porters--Canadian artist Diane Borsato creates works that propose eccentric models for relating to one another and to the world. For her project "Italian Lessons," she attempted to learn Italian by(...)
Diane Borsato
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Collaborating with a varied cast of characters--beekeepers, mycologists, astronomers, physicists, bees, cats, snowballs, tango dancers, passersby, plants, curators, hotel porters--Canadian artist Diane Borsato creates works that propose eccentric models for relating to one another and to the world. For her project "Italian Lessons," she attempted to learn Italian by learning salsa, physics, first aid and beekeeping by way of Italian instruction. In "Terrestrial/Celestial," Borsato coordinated an unconventional exchange of observational practices--from opposite ends of the scale--between amateur mycologists and amateur astronomers. In a new work, "Walking Studio," Borsato proposes a different space for research and reflection with her mobile field study lab, comprised of a study center and fully functional sauna. This overview is published to accompany a solo exhibition at the Art Gallery of York University in 2012.
Canadian art
Live rightly, die, die...
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Au cours des vingt dernières années, la circulation transnationale de l'information culturelle a connu une croissance notable à travers diverses formes de l'activité artistique. Cette activité a vu le jour simultanément à l'apparition des modèles néolibéraux de commerce mondial et la création de systèmes d'échanges économiques et culturels interreliés. Cette circulation(...)
Live rightly, die, die...
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Au cours des vingt dernières années, la circulation transnationale de l'information culturelle a connu une croissance notable à travers diverses formes de l'activité artistique. Cette activité a vu le jour simultanément à l'apparition des modèles néolibéraux de commerce mondial et la création de systèmes d'échanges économiques et culturels interreliés. Cette circulation et ses rapports possibles avec les structures économiques et culturelles de la mondialisation souvlèvent des questions fondamentales au sujet des modèles sur lesquels se fondent ces activités artistiques et sur le statut de l'information dès qu'elle est présentée dans de nouveaux lieux culturels. Les artistes prennent-ils maintenant part à une nouvelle forme professionnalisée de tourisme artistique et d'ethnographie amateur? Et quels sont les liens entre tourisme, cueillette et réception de l'information et l'exotique en art contemporain?
Canadian art
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Featuring the work of six international artists, this publication examines a recurring facet of contemporary artistic production: material excess, accumulation, bravado, asymmetry, and theatricality. The impact of such art is decidedly visual and primeval, with artists creating powerfully immersive environments aimed at enticing, challenging and even unsettling viewers.(...)
Misled by nature: contemporary art and the Baroque
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Featuring the work of six international artists, this publication examines a recurring facet of contemporary artistic production: material excess, accumulation, bravado, asymmetry, and theatricality. The impact of such art is decidedly visual and primeval, with artists creating powerfully immersive environments aimed at enticing, challenging and even unsettling viewers. Three essays discuss ornamentation, hybridity, material sensibilities, transformation and the sublime in contemporary art practice. With works by David Altmejd, Lee Bul, Bharti Kher, Tricia Middleton, Yinka Shonibare MBE, and Sarah Sze. Catalogue accompanying an exhibition organized by the National Gallery of Canada and the Art Gallery of Alberta, in collaboration with the Museum of Contemporary Canadian Art.
Canadian art
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Drawn from the artist’s archive of 30 plus years of drawing, sketches, and concept plans, this publication is conceived as an installation and artist book project. Each of the hund reds of working drawings is executed on standard 8.5-by-11-inch paper, vertical in format, and identically mounted in thin white frames. The book documents a fascinating history, not only of(...)
Micah Lexier : working as a drawing (vol.1, 1980 to 2012, letter-size, vertical)
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Drawn from the artist’s archive of 30 plus years of drawing, sketches, and concept plans, this publication is conceived as an installation and artist book project. Each of the hund reds of working drawings is executed on standard 8.5-by-11-inch paper, vertical in format, and identically mounted in thin white frames. The book documents a fascinating history, not only of Lexier’s career, but also of the evolution of an aesthetic closely linked to conceptualism.
Canadian art
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In this personal account of A.J. Diamond’s life and work, he shares how he came to be the founder of the leading architecture firm Diamond Schmitt, one of Canada’s most successful architecture companies. He also explains his principles of design, which at their core are about making a positive impact in the world, considering the needs of the content, client, and context.(...)
Context and content: The memoir of a fortunate architect
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In this personal account of A.J. Diamond’s life and work, he shares how he came to be the founder of the leading architecture firm Diamond Schmitt, one of Canada’s most successful architecture companies. He also explains his principles of design, which at their core are about making a positive impact in the world, considering the needs of the content, client, and context. Diamond gives insight into his design principles in relation to some of his most notable projects, including the Four Seasons Centre for the Performing Arts in Toronto, la Maison symphonique de Montréal, the Mariinsky II Theatre in Saint Petersburg. Diamond also chronicles his family ancestry, his childhood in South Africa, from his birth in his grandfather’s study in the small provincial town of Piet Retief on the borders of Eswatini (Swaziland) and Mozambique, to his university days at the University of Cape Town and Oxford and the University of Pennsylvania. His memoir traces his immigration to the U.S. and, eventually, Canada as well as his growing architectural practice in Toronto, where he focused on the issues facing his chosen city.
Canadian Architects
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Twenty + Change 01 is the first publication documenting a biennial exhibition of emerging designers working in architecture, landscape architecture, and urban design. Projects by twenty-one Toronto designers rethink public and domestic space, new technology, and innovative materials and effects. The book includes profiles of emerging firms, project descriptions,(...)
Twenty + change 01: emerging Toronto design practices
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Twenty + Change 01 is the first publication documenting a biennial exhibition of emerging designers working in architecture, landscape architecture, and urban design. Projects by twenty-one Toronto designers rethink public and domestic space, new technology, and innovative materials and effects. The book includes profiles of emerging firms, project descriptions, full-colour images and essays by noted architectural critics, educators, and practitioners. Published simultaneously with Twenty+Change 02 .
Canadian Architects
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Published simultaneously with Twenty+Change 01, Twenty + Change 02 is the second publication documenting a biennial exhibition of emerging design practices from across Canada working in architecture, landscape architecture, and urban design. Projects by twenty-one Canadian designers rethink urban infrastructure, propose new models for public space and housing, and examine(...)
Twenty + change 02: emerging Canadian design practices
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Published simultaneously with Twenty+Change 01, Twenty + Change 02 is the second publication documenting a biennial exhibition of emerging design practices from across Canada working in architecture, landscape architecture, and urban design. Projects by twenty-one Canadian designers rethink urban infrastructure, propose new models for public space and housing, and examine the unique relationships between the single-family house and landscape. The book includes profiles of emerging firms, project descriptions, full-colour images and essays by noted architectural critics, educators, and practitioners.
Canadian Architects
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Le déménagement (le rapt, diront ses opposants) de la fontaine La Joute, la plus imposante sculpture de Riopelle, du Parc olympique vers le quartier des affaires, souleva un « débat sans précédent au Québec » autour d'une oeuvre d'art public. Non sans raison: peaufiné depuis cinq ans par les déménageurs, au premier chef la ministre-députée du comté qui allait pourtant(...)
Les folies vies de la Joute de Riopelle
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Le déménagement (le rapt, diront ses opposants) de la fontaine La Joute, la plus imposante sculpture de Riopelle, du Parc olympique vers le quartier des affaires, souleva un « débat sans précédent au Québec » autour d'une oeuvre d'art public. Non sans raison: peaufiné depuis cinq ans par les déménageurs, au premier chef la ministre-députée du comté qui allait pourtant être dépouillé de l'oeuvre, le projet était secret. Il aura fallu la maladresse d'un de ses artisans, en mars 2002, pour le révéler à un public stupéfait et mettre le feu aux poudres. Ce sont les coulisses de cette affaire, exemple de l'arrogance des pouvoirs publics, que dévoile la présente enquête, en plus de raconter l'histoire tragico-rocambolesque de La Joute. Au fil des pages, on découvrira aussi d'autres folles histoires, nées, celles-là, des susceptibilités du public, confronté à une oeuvre parachutée sans préavis dans le voisinage. Quoi qu'il en soit, tant ces susceptibilités parfois explosives du public que l'arrogance des autorités devraient nous inciter à réfléchir à des formes nouvelles de démocratie patrimoniale.
Canadian art
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David Askevold broke into the art scene when his work was included in the seminal exhibition Information at New York 's MOMA 1970, which cemented Conceptualism as a genre. He later became recognized as one of the most important contributors to the development and pedagogy of conceptual art; his work has been included in many of the genre’s formative texts and exhibitions.(...)
David Askevold : once upon a time in the East
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David Askevold broke into the art scene when his work was included in the seminal exhibition Information at New York 's MOMA 1970, which cemented Conceptualism as a genre. He later became recognized as one of the most important contributors to the development and pedagogy of conceptual art; his work has been included in many of the genre’s formative texts and exhibitions. This illustrated volume takes readers on an eclectic journey through the various strains of Askevold’s pioneering practice — sculpture/installation, film and video, photography and photo-text works, and digital imagery.
Canadian art
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Cet ouvrage accompagne une exposition présentée en tournée au Musée d'art du Centre de la Confédération à la Charlottetown puis au Musée des beaux-arts de la Nouvelle-Écosse à Halifax.
David Askevold: il était une fois dans l'Est
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Cet ouvrage accompagne une exposition présentée en tournée au Musée d'art du Centre de la Confédération à la Charlottetown puis au Musée des beaux-arts de la Nouvelle-Écosse à Halifax.
Canadian art