33065 Results
Level of archival description:
Series
Series
Reference number:
AP197.S4
Description:
This series consists of materials that Frampton collected, received or was awarded throughout his professional career, inlcuding his collection of postcards, some of which may include correspondence. Photographs in this series comprise of professional headshots of Kenneth Frampton as well as photographs of Frampton with family members and architects at various events. Also included in this series are drawings, prints, and posters that Frampton collected or received as gifts. Objects in this box consist of several gifts and personal items, including a Chinese seal of Frampton’s name and red seal paste, his father’s moulding plane, tarot cards, a watch designed by Arata Isozaki, a tie designed by Manuel de Solà, and two sample tiles of Alvar Aalto’s studio in Helinski. Certificates, diplomas, awards and medals that Frampton received are also included in this series.
AP197.S4
Description:
This series consists of materials that Frampton collected, received or was awarded throughout his professional career, inlcuding his collection of postcards, some of which may include correspondence. Photographs in this series comprise of professional headshots of Kenneth Frampton as well as photographs of Frampton with family members and architects at various events. Also included in this series are drawings, prints, and posters that Frampton collected or received as gifts. Objects in this box consist of several gifts and personal items, including a Chinese seal of Frampton’s name and red seal paste, his father’s moulding plane, tarot cards, a watch designed by Arata Isozaki, a tie designed by Manuel de Solà, and two sample tiles of Alvar Aalto’s studio in Helinski. Certificates, diplomas, awards and medals that Frampton received are also included in this series.
People:
Date:
1956-2016
1956-2016
Title:
Postcards, photographs, awards and souvenirs
Actions:
AP197.S4
Description:
This series consists of materials that Frampton collected, received or was awarded throughout his professional career, inlcuding his collection of postcards, some of which may include correspondence. Photographs in this series comprise of professional headshots of Kenneth Frampton as well as photographs of Frampton with family members and architects at various events. Also included in this series are drawings, prints, and posters that Frampton collected or received as gifts. Objects in this box consist of several gifts and personal items, including a Chinese seal of Frampton’s name and red seal paste, his father’s moulding plane, tarot cards, a watch designed by Arata Isozaki, a tie designed by Manuel de Solà, and two sample tiles of Alvar Aalto’s studio in Helinski. Certificates, diplomas, awards and medals that Frampton received are also included in this series.
Postcards, photographs, awards and souvenirs
Actions:
AP197.S4
Description:
This series consists of materials that Frampton collected, received or was awarded throughout his professional career, inlcuding his collection of postcards, some of which may include correspondence. Photographs in this series comprise of professional headshots of Kenneth Frampton as well as photographs of Frampton with family members and architects at various events. Also included in this series are drawings, prints, and posters that Frampton collected or received as gifts. Objects in this box consist of several gifts and personal items, including a Chinese seal of Frampton’s name and red seal paste, his father’s moulding plane, tarot cards, a watch designed by Arata Isozaki, a tie designed by Manuel de Solà, and two sample tiles of Alvar Aalto’s studio in Helinski. Certificates, diplomas, awards and medals that Frampton received are also included in this series.
Level of archival description:
Series
Series
Date:
1956-2016
1956-2016
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1994.PR05
Description:
This project series documents renovations to the Douglas Library at Queen's University in Kingston, Ontario from 1994-1997. The office identified the project number as 9408. This project consisted of extensive improvements and alterations to the historic building, originally constructed in 1925 by Shepard and Calvin Architects. These renovations included a new canopy over the main entrance, the improvement of space within the library and updates to mechanical services.[1] The project is recorded through drawings and presentation paintings dating from 1992-1993. The majority of these drawings are original sketches but presentation drawings, plans, elevations, sections and details are also included. There are also drawings for new library furnishings, including the main circulation and reference desk. [1]"Douglas Library," Queen's Encyclopedia, accessed June 26, 2019, https://www.queensu.ca/encyclopedia/d/douglas-library
AP056.S1.1994.PR05
Description:
This project series documents renovations to the Douglas Library at Queen's University in Kingston, Ontario from 1994-1997. The office identified the project number as 9408. This project consisted of extensive improvements and alterations to the historic building, originally constructed in 1925 by Shepard and Calvin Architects. These renovations included a new canopy over the main entrance, the improvement of space within the library and updates to mechanical services.[1] The project is recorded through drawings and presentation paintings dating from 1992-1993. The majority of these drawings are original sketches but presentation drawings, plans, elevations, sections and details are also included. There are also drawings for new library furnishings, including the main circulation and reference desk. [1]"Douglas Library," Queen's Encyclopedia, accessed June 26, 2019, https://www.queensu.ca/encyclopedia/d/douglas-library
People:
Date:
1992-1996
1992-1996
Title:
Douglas Library, Renovations, Queen's University, Kingston, Ontario (1994-1996)
Actions:
AP056.S1.1994.PR05
Description:
This project series documents renovations to the Douglas Library at Queen's University in Kingston, Ontario from 1994-1997. The office identified the project number as 9408. This project consisted of extensive improvements and alterations to the historic building, originally constructed in 1925 by Shepard and Calvin Architects. These renovations included a new canopy over the main entrance, the improvement of space within the library and updates to mechanical services.[1] The project is recorded through drawings and presentation paintings dating from 1992-1993. The majority of these drawings are original sketches but presentation drawings, plans, elevations, sections and details are also included. There are also drawings for new library furnishings, including the main circulation and reference desk. [1]"Douglas Library," Queen's Encyclopedia, accessed June 26, 2019, https://www.queensu.ca/encyclopedia/d/douglas-library
Douglas Library, Renovations, Queen's University, Kingston, Ontario (1994-1996)
Actions:
AP056.S1.1994.PR05
Description:
This project series documents renovations to the Douglas Library at Queen's University in Kingston, Ontario from 1994-1997. The office identified the project number as 9408. This project consisted of extensive improvements and alterations to the historic building, originally constructed in 1925 by Shepard and Calvin Architects. These renovations included a new canopy over the main entrance, the improvement of space within the library and updates to mechanical services.[1] The project is recorded through drawings and presentation paintings dating from 1992-1993. The majority of these drawings are original sketches but presentation drawings, plans, elevations, sections and details are also included. There are also drawings for new library furnishings, including the main circulation and reference desk. [1]"Douglas Library," Queen's Encyclopedia, accessed June 26, 2019, https://www.queensu.ca/encyclopedia/d/douglas-library
Level of archival description:
Project
Project
Date:
1992-1996
1992-1996
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1982.PR05
Description:
This project series documents alterations to the Toronto Sun building in downtown Toronto in 1982. The office identified the project number as 8205. From 1973-1975, Parkin Architects Planners designed and constructed the Toronto Sun press plant and office building at 333 King Street East. This project consisted of alterations to the press hall of that building. These alterations were done to accommodate a future press, referred to as Press D, by installing new floor tracks, an additional ink tank in the ink room, and stairs and mezzanine supports. The project is recorded through drawings, a mounted photograph of the printing press and textual records dating from 1982. The drawings consist of a floor plan, framing plan, sections, details and mechanical plans, while textual records include site reports, financial records, conference reports and correspondence.
AP018.S1.1982.PR05
Description:
This project series documents alterations to the Toronto Sun building in downtown Toronto in 1982. The office identified the project number as 8205. From 1973-1975, Parkin Architects Planners designed and constructed the Toronto Sun press plant and office building at 333 King Street East. This project consisted of alterations to the press hall of that building. These alterations were done to accommodate a future press, referred to as Press D, by installing new floor tracks, an additional ink tank in the ink room, and stairs and mezzanine supports. The project is recorded through drawings, a mounted photograph of the printing press and textual records dating from 1982. The drawings consist of a floor plan, framing plan, sections, details and mechanical plans, while textual records include site reports, financial records, conference reports and correspondence.
People:
Date:
1982
1982
Title:
The Toronto Sun Publishing Limited, Press Plant and Office Building, Alterations to Press Hall, D Press, Toronto (1982)
Actions:
AP018.S1.1982.PR05
Description:
This project series documents alterations to the Toronto Sun building in downtown Toronto in 1982. The office identified the project number as 8205. From 1973-1975, Parkin Architects Planners designed and constructed the Toronto Sun press plant and office building at 333 King Street East. This project consisted of alterations to the press hall of that building. These alterations were done to accommodate a future press, referred to as Press D, by installing new floor tracks, an additional ink tank in the ink room, and stairs and mezzanine supports. The project is recorded through drawings, a mounted photograph of the printing press and textual records dating from 1982. The drawings consist of a floor plan, framing plan, sections, details and mechanical plans, while textual records include site reports, financial records, conference reports and correspondence.
The Toronto Sun Publishing Limited, Press Plant and Office Building, Alterations to Press Hall, D Press, Toronto (1982)
Actions:
AP018.S1.1982.PR05
Description:
This project series documents alterations to the Toronto Sun building in downtown Toronto in 1982. The office identified the project number as 8205. From 1973-1975, Parkin Architects Planners designed and constructed the Toronto Sun press plant and office building at 333 King Street East. This project consisted of alterations to the press hall of that building. These alterations were done to accommodate a future press, referred to as Press D, by installing new floor tracks, an additional ink tank in the ink room, and stairs and mezzanine supports. The project is recorded through drawings, a mounted photograph of the printing press and textual records dating from 1982. The drawings consist of a floor plan, framing plan, sections, details and mechanical plans, while textual records include site reports, financial records, conference reports and correspondence.
Level of archival description:
Project
Project
Date:
1982
1982
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1970.PR06
Description:
This project series documents a charter terminal at the Toronto International Airport in Mississauga, Ontario from 1970-1971. The office identified the project number as 70071. During this time, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, were commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of the design of a charter terminal, which was located next to the cargo warehouse at block B (see project series AP018.S1.1970.PR05 described in this fonds). The project is recorded through reprographic copies of drawings and textual records dating from 1970-1971, which include site and floor plans, elevations, sections, details, mechanical and electrical drawings, and a product brochure.
AP018.S1.1970.PR06
Description:
This project series documents a charter terminal at the Toronto International Airport in Mississauga, Ontario from 1970-1971. The office identified the project number as 70071. During this time, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, were commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of the design of a charter terminal, which was located next to the cargo warehouse at block B (see project series AP018.S1.1970.PR05 described in this fonds). The project is recorded through reprographic copies of drawings and textual records dating from 1970-1971, which include site and floor plans, elevations, sections, details, mechanical and electrical drawings, and a product brochure.
People:
Date:
1970-1971
1970-1971
Title:
Charter Terminal, Toronto International Airport, Mississauga, Ontario (1970-1971)
Actions:
AP018.S1.1970.PR06
Description:
This project series documents a charter terminal at the Toronto International Airport in Mississauga, Ontario from 1970-1971. The office identified the project number as 70071. During this time, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, were commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of the design of a charter terminal, which was located next to the cargo warehouse at block B (see project series AP018.S1.1970.PR05 described in this fonds). The project is recorded through reprographic copies of drawings and textual records dating from 1970-1971, which include site and floor plans, elevations, sections, details, mechanical and electrical drawings, and a product brochure.
Charter Terminal, Toronto International Airport, Mississauga, Ontario (1970-1971)
Actions:
AP018.S1.1970.PR06
Description:
This project series documents a charter terminal at the Toronto International Airport in Mississauga, Ontario from 1970-1971. The office identified the project number as 70071. During this time, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, were commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of the design of a charter terminal, which was located next to the cargo warehouse at block B (see project series AP018.S1.1970.PR05 described in this fonds). The project is recorded through reprographic copies of drawings and textual records dating from 1970-1971, which include site and floor plans, elevations, sections, details, mechanical and electrical drawings, and a product brochure.
Level of archival description:
Project
Project
Date:
1970-1971
1970-1971
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP178.S1.2003.PR04
Description:
This project series documents the Hospital de Toledo in Toledo, Spain. While the records were held in the office’s archives this project was assigned the number 57/00. The office assigned the date 2003 to this project. The project site is located in the Santa María de Benquerencia district on a 250 000 square meter site. The project was a collaboration with the architect Antonio Sánchez Horneros. The building included 800 hospital rooms, 600 beds, and 30 operating theaters. The design for the operating theaters [rooms?] accounts for potential future expansions to accomodate new technologies. The interior arrangement of the building was organized in collaboration with medical persone in order to design the space for their needs. In 2018, the hospital is presently in construction. Documenting this project are studies and plans. Textual documentation includes project documentation.
AP178.S1.2003.PR04
Description:
This project series documents the Hospital de Toledo in Toledo, Spain. While the records were held in the office’s archives this project was assigned the number 57/00. The office assigned the date 2003 to this project. The project site is located in the Santa María de Benquerencia district on a 250 000 square meter site. The project was a collaboration with the architect Antonio Sánchez Horneros. The building included 800 hospital rooms, 600 beds, and 30 operating theaters. The design for the operating theaters [rooms?] accounts for potential future expansions to accomodate new technologies. The interior arrangement of the building was organized in collaboration with medical persone in order to design the space for their needs. In 2018, the hospital is presently in construction. Documenting this project are studies and plans. Textual documentation includes project documentation.
People:
Date:
2003-2008
2003-2008
Title:
Hospital de Toledo [Toledo hospital], Toledo, Spain (2003)
Actions:
AP178.S1.2003.PR04
Description:
This project series documents the Hospital de Toledo in Toledo, Spain. While the records were held in the office’s archives this project was assigned the number 57/00. The office assigned the date 2003 to this project. The project site is located in the Santa María de Benquerencia district on a 250 000 square meter site. The project was a collaboration with the architect Antonio Sánchez Horneros. The building included 800 hospital rooms, 600 beds, and 30 operating theaters. The design for the operating theaters [rooms?] accounts for potential future expansions to accomodate new technologies. The interior arrangement of the building was organized in collaboration with medical persone in order to design the space for their needs. In 2018, the hospital is presently in construction. Documenting this project are studies and plans. Textual documentation includes project documentation.
Hospital de Toledo [Toledo hospital], Toledo, Spain (2003)
Actions:
AP178.S1.2003.PR04
Description:
This project series documents the Hospital de Toledo in Toledo, Spain. While the records were held in the office’s archives this project was assigned the number 57/00. The office assigned the date 2003 to this project. The project site is located in the Santa María de Benquerencia district on a 250 000 square meter site. The project was a collaboration with the architect Antonio Sánchez Horneros. The building included 800 hospital rooms, 600 beds, and 30 operating theaters. The design for the operating theaters [rooms?] accounts for potential future expansions to accomodate new technologies. The interior arrangement of the building was organized in collaboration with medical persone in order to design the space for their needs. In 2018, the hospital is presently in construction. Documenting this project are studies and plans. Textual documentation includes project documentation.
Level of archival description:
Project
Project
Date:
2003-2008
2003-2008
People:
Level of archival description:
Project
Project
Title:
Miragaia, Porto
Miragaia, Porto
Actions:
Reference number:
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
People:
Date:
1975-1977
1975-1977
Title:
Miragaia, Porto
Actions:
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
Miragaia, Porto
Actions:
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
Level of archival description:
Project
Project
Date:
1975-1977
1975-1977
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1988.PR09
Description:
This project series documents renovations and additions to the Art Gallery of Ontario in Toronto from 1988-1993. The office identified the project number as 18703. This project, known as Phase 3, built upon two other major expansion projects to the art gallery, Phase I and Phase II, that were completed by the architecture firm Parkin Architects Planners in the 1970s. Phase 3 was the winning entry for a limited competition won by KPMB, with Thomas Payne as partner-in-charge, in joint venture with the firm of Barton Myers Inc. This project consisted of 100,000 square feet of additions to the building including a prints and drawings study centre, a reference library and administrative offices in the southwest corner and new vaulted galleries, a tower and pyramidal arrival hall along Dundas Street. The Dundas Street elevation was transformed by these additions and brick facades were added. A new double height sculpture atrium, connected to the Victorian Grange mansion, was also added. This project also included 190,000 square feet of renovations to the existing building including changes to galleries, circulation, vaults, staff areas, the restaurant, bookstore and volunteer shop. The goal of these changes was to create a more coherent design between old and new parts of the building and to reinforce the role of art galleries in contemporary life by increasing the scale of the building and creating new spaces for interaction and participation. This project won the Canadian Architect Award of Excellence in 1988. The project is recorded through drawings, photographic materials and accompanying notes dating from 1986-1992. The drawings include site plans and surveys, sketches, plans, elevations, sections, perspectives, details, studies, axonometric drawings, furnishing and structural drawings and some presentation drawings.
AP056.S1.1988.PR09
Description:
This project series documents renovations and additions to the Art Gallery of Ontario in Toronto from 1988-1993. The office identified the project number as 18703. This project, known as Phase 3, built upon two other major expansion projects to the art gallery, Phase I and Phase II, that were completed by the architecture firm Parkin Architects Planners in the 1970s. Phase 3 was the winning entry for a limited competition won by KPMB, with Thomas Payne as partner-in-charge, in joint venture with the firm of Barton Myers Inc. This project consisted of 100,000 square feet of additions to the building including a prints and drawings study centre, a reference library and administrative offices in the southwest corner and new vaulted galleries, a tower and pyramidal arrival hall along Dundas Street. The Dundas Street elevation was transformed by these additions and brick facades were added. A new double height sculpture atrium, connected to the Victorian Grange mansion, was also added. This project also included 190,000 square feet of renovations to the existing building including changes to galleries, circulation, vaults, staff areas, the restaurant, bookstore and volunteer shop. The goal of these changes was to create a more coherent design between old and new parts of the building and to reinforce the role of art galleries in contemporary life by increasing the scale of the building and creating new spaces for interaction and participation. This project won the Canadian Architect Award of Excellence in 1988. The project is recorded through drawings, photographic materials and accompanying notes dating from 1986-1992. The drawings include site plans and surveys, sketches, plans, elevations, sections, perspectives, details, studies, axonometric drawings, furnishing and structural drawings and some presentation drawings.
People:
Date:
1986-1992
1986-1992
Title:
Art Gallery of Ontario, Phase 3, Toronto (1988-1993)
Actions:
AP056.S1.1988.PR09
Description:
This project series documents renovations and additions to the Art Gallery of Ontario in Toronto from 1988-1993. The office identified the project number as 18703. This project, known as Phase 3, built upon two other major expansion projects to the art gallery, Phase I and Phase II, that were completed by the architecture firm Parkin Architects Planners in the 1970s. Phase 3 was the winning entry for a limited competition won by KPMB, with Thomas Payne as partner-in-charge, in joint venture with the firm of Barton Myers Inc. This project consisted of 100,000 square feet of additions to the building including a prints and drawings study centre, a reference library and administrative offices in the southwest corner and new vaulted galleries, a tower and pyramidal arrival hall along Dundas Street. The Dundas Street elevation was transformed by these additions and brick facades were added. A new double height sculpture atrium, connected to the Victorian Grange mansion, was also added. This project also included 190,000 square feet of renovations to the existing building including changes to galleries, circulation, vaults, staff areas, the restaurant, bookstore and volunteer shop. The goal of these changes was to create a more coherent design between old and new parts of the building and to reinforce the role of art galleries in contemporary life by increasing the scale of the building and creating new spaces for interaction and participation. This project won the Canadian Architect Award of Excellence in 1988. The project is recorded through drawings, photographic materials and accompanying notes dating from 1986-1992. The drawings include site plans and surveys, sketches, plans, elevations, sections, perspectives, details, studies, axonometric drawings, furnishing and structural drawings and some presentation drawings.
Art Gallery of Ontario, Phase 3, Toronto (1988-1993)
Actions:
AP056.S1.1988.PR09
Description:
This project series documents renovations and additions to the Art Gallery of Ontario in Toronto from 1988-1993. The office identified the project number as 18703. This project, known as Phase 3, built upon two other major expansion projects to the art gallery, Phase I and Phase II, that were completed by the architecture firm Parkin Architects Planners in the 1970s. Phase 3 was the winning entry for a limited competition won by KPMB, with Thomas Payne as partner-in-charge, in joint venture with the firm of Barton Myers Inc. This project consisted of 100,000 square feet of additions to the building including a prints and drawings study centre, a reference library and administrative offices in the southwest corner and new vaulted galleries, a tower and pyramidal arrival hall along Dundas Street. The Dundas Street elevation was transformed by these additions and brick facades were added. A new double height sculpture atrium, connected to the Victorian Grange mansion, was also added. This project also included 190,000 square feet of renovations to the existing building including changes to galleries, circulation, vaults, staff areas, the restaurant, bookstore and volunteer shop. The goal of these changes was to create a more coherent design between old and new parts of the building and to reinforce the role of art galleries in contemporary life by increasing the scale of the building and creating new spaces for interaction and participation. This project won the Canadian Architect Award of Excellence in 1988. The project is recorded through drawings, photographic materials and accompanying notes dating from 1986-1992. The drawings include site plans and surveys, sketches, plans, elevations, sections, perspectives, details, studies, axonometric drawings, furnishing and structural drawings and some presentation drawings.
Level of archival description:
Project
Project
Date:
1986-1992
1986-1992
People:
Level of archival description:
Sub-series
Sub-series
Actions:
Reference number:
AP075.S3.SS2
Description:
This sub-series documents Cornelia Hahn Oberlander's administrative records of her practice as landscape architect from the end of the 1950s to the end ot the 2010s. It comprises material related to her consulting services on her own various landscape projects and urban planning projects, and also her consulting services for projects submitted as member of a larger project team for private or public projects. Her office records also contains documents related the planning of her work, her patents applications and designs for her own landscape or playground furnitures, and her professional correspondence. The sub-series also documents Oberlander press and promotional activities, such as interviews she gave, articles written about her, about her work as landscape architect, her statements or her activism for social and environmental causes or preservation landmark buildings and spaces. The sub-series contains documents related to Oberlander's consulting services, including requests for services, proposals by her or by the project team, correspondence, or documentation collected for projects calls of interest to Oberlander. Oberlander's office records for planning of projects and other activities includes professional correspondence files, agendas and planners, message books and notebooks, patents applications and plans for her designs, and office references, such landscape architecture regulations and guidelines, and landscape specifications templates. The sub-series also comprises promotional material, such as photographs of her previous projects, press clippings of articles or periodicals with articles about her or her work, promotional panels for some of her major projects, and brochures or leaflets on her most well known projects. It includes also contains recordings of interviews on TV or radio shows she gave, biographical information on Oberlander, versions of her CV's, portaits of her, and lists and project write-ups.
AP075.S3.SS2
Description:
This sub-series documents Cornelia Hahn Oberlander's administrative records of her practice as landscape architect from the end of the 1950s to the end ot the 2010s. It comprises material related to her consulting services on her own various landscape projects and urban planning projects, and also her consulting services for projects submitted as member of a larger project team for private or public projects. Her office records also contains documents related the planning of her work, her patents applications and designs for her own landscape or playground furnitures, and her professional correspondence. The sub-series also documents Oberlander press and promotional activities, such as interviews she gave, articles written about her, about her work as landscape architect, her statements or her activism for social and environmental causes or preservation landmark buildings and spaces. The sub-series contains documents related to Oberlander's consulting services, including requests for services, proposals by her or by the project team, correspondence, or documentation collected for projects calls of interest to Oberlander. Oberlander's office records for planning of projects and other activities includes professional correspondence files, agendas and planners, message books and notebooks, patents applications and plans for her designs, and office references, such landscape architecture regulations and guidelines, and landscape specifications templates. The sub-series also comprises promotional material, such as photographs of her previous projects, press clippings of articles or periodicals with articles about her or her work, promotional panels for some of her major projects, and brochures or leaflets on her most well known projects. It includes also contains recordings of interviews on TV or radio shows she gave, biographical information on Oberlander, versions of her CV's, portaits of her, and lists and project write-ups.
People:
Date:
1953-2018
1953-2018
Title:
Administrative records and promotional material
Actions:
AP075.S3.SS2
Description:
This sub-series documents Cornelia Hahn Oberlander's administrative records of her practice as landscape architect from the end of the 1950s to the end ot the 2010s. It comprises material related to her consulting services on her own various landscape projects and urban planning projects, and also her consulting services for projects submitted as member of a larger project team for private or public projects. Her office records also contains documents related the planning of her work, her patents applications and designs for her own landscape or playground furnitures, and her professional correspondence. The sub-series also documents Oberlander press and promotional activities, such as interviews she gave, articles written about her, about her work as landscape architect, her statements or her activism for social and environmental causes or preservation landmark buildings and spaces. The sub-series contains documents related to Oberlander's consulting services, including requests for services, proposals by her or by the project team, correspondence, or documentation collected for projects calls of interest to Oberlander. Oberlander's office records for planning of projects and other activities includes professional correspondence files, agendas and planners, message books and notebooks, patents applications and plans for her designs, and office references, such landscape architecture regulations and guidelines, and landscape specifications templates. The sub-series also comprises promotional material, such as photographs of her previous projects, press clippings of articles or periodicals with articles about her or her work, promotional panels for some of her major projects, and brochures or leaflets on her most well known projects. It includes also contains recordings of interviews on TV or radio shows she gave, biographical information on Oberlander, versions of her CV's, portaits of her, and lists and project write-ups.
Administrative records and promotional material
Actions:
AP075.S3.SS2
Description:
This sub-series documents Cornelia Hahn Oberlander's administrative records of her practice as landscape architect from the end of the 1950s to the end ot the 2010s. It comprises material related to her consulting services on her own various landscape projects and urban planning projects, and also her consulting services for projects submitted as member of a larger project team for private or public projects. Her office records also contains documents related the planning of her work, her patents applications and designs for her own landscape or playground furnitures, and her professional correspondence. The sub-series also documents Oberlander press and promotional activities, such as interviews she gave, articles written about her, about her work as landscape architect, her statements or her activism for social and environmental causes or preservation landmark buildings and spaces. The sub-series contains documents related to Oberlander's consulting services, including requests for services, proposals by her or by the project team, correspondence, or documentation collected for projects calls of interest to Oberlander. Oberlander's office records for planning of projects and other activities includes professional correspondence files, agendas and planners, message books and notebooks, patents applications and plans for her designs, and office references, such landscape architecture regulations and guidelines, and landscape specifications templates. The sub-series also comprises promotional material, such as photographs of her previous projects, press clippings of articles or periodicals with articles about her or her work, promotional panels for some of her major projects, and brochures or leaflets on her most well known projects. It includes also contains recordings of interviews on TV or radio shows she gave, biographical information on Oberlander, versions of her CV's, portaits of her, and lists and project write-ups.
Level of archival description:
Sub-series
Sub-series
Date:
1953-2018
1953-2018
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1991.PR05
Description:
This project series documents the Urban plan for the city centre of Montreuil, France, also known as Coeur de ville. The office archivist identified this project as 24/90. The office assigned the date 1991 to this project. During the sixties and the seventies, the construction of a mall and office towers created a rupture in the downtown of Montreuil and caused traffic problems. Siza was chosen to find architectural and urban solutions to these challenges. Luis Mendes started as a collaborator at Siza's office and finished as the architect in charge for this project. Several other architects helped during the 20 years of the Coeur de ville project, including Laurent Beaudoin, Emanuelle Beaudoin, Michel Corajoud and Christian Devillers. The concept of substitution urbanization was introduced, in order to repair the rupture created in the sixties and seventies and to introduce urban continuity in Montreuil. The Coeur de ville project proposal included a new spacial reorganization, the Victor Hugo housing building, a theater, and public spaces. In 2006, the buildings C1 and C2 were built. The master plan purposes were to readapt the area to the singularity of the territory, reintroduce the cultural and commercial functions of the area, and to create connections between the districts. Due to a change of municipal administration in the middle of the project, only part of the plan was realized, including two housing buildings and part of the urban renewal. Siza received the Grand Prix spécial du jury de l'urbanisme in 2005 for his contribution to the Coeur de Ville project This project series includes two subseries. Plano Centre Ville de Montreuil and Edificio de Habitaçäo Montreuil (Hamo). The Plano Centre Ville de Montreuil documents the master plans and general documentations of the project. The Edificio de Habitaçäo Montreuil documents the housing project of Siza in Montreuil.
AP178.S1.1991.PR05
Description:
This project series documents the Urban plan for the city centre of Montreuil, France, also known as Coeur de ville. The office archivist identified this project as 24/90. The office assigned the date 1991 to this project. During the sixties and the seventies, the construction of a mall and office towers created a rupture in the downtown of Montreuil and caused traffic problems. Siza was chosen to find architectural and urban solutions to these challenges. Luis Mendes started as a collaborator at Siza's office and finished as the architect in charge for this project. Several other architects helped during the 20 years of the Coeur de ville project, including Laurent Beaudoin, Emanuelle Beaudoin, Michel Corajoud and Christian Devillers. The concept of substitution urbanization was introduced, in order to repair the rupture created in the sixties and seventies and to introduce urban continuity in Montreuil. The Coeur de ville project proposal included a new spacial reorganization, the Victor Hugo housing building, a theater, and public spaces. In 2006, the buildings C1 and C2 were built. The master plan purposes were to readapt the area to the singularity of the territory, reintroduce the cultural and commercial functions of the area, and to create connections between the districts. Due to a change of municipal administration in the middle of the project, only part of the plan was realized, including two housing buildings and part of the urban renewal. Siza received the Grand Prix spécial du jury de l'urbanisme in 2005 for his contribution to the Coeur de Ville project This project series includes two subseries. Plano Centre Ville de Montreuil and Edificio de Habitaçäo Montreuil (Hamo). The Plano Centre Ville de Montreuil documents the master plans and general documentations of the project. The Edificio de Habitaçäo Montreuil documents the housing project of Siza in Montreuil.
People:
Date:
1991-2003
1991-2003
Title:
Coeur de ville, Montreuil, France, (1991)
Actions:
AP178.S1.1991.PR05
Description:
This project series documents the Urban plan for the city centre of Montreuil, France, also known as Coeur de ville. The office archivist identified this project as 24/90. The office assigned the date 1991 to this project. During the sixties and the seventies, the construction of a mall and office towers created a rupture in the downtown of Montreuil and caused traffic problems. Siza was chosen to find architectural and urban solutions to these challenges. Luis Mendes started as a collaborator at Siza's office and finished as the architect in charge for this project. Several other architects helped during the 20 years of the Coeur de ville project, including Laurent Beaudoin, Emanuelle Beaudoin, Michel Corajoud and Christian Devillers. The concept of substitution urbanization was introduced, in order to repair the rupture created in the sixties and seventies and to introduce urban continuity in Montreuil. The Coeur de ville project proposal included a new spacial reorganization, the Victor Hugo housing building, a theater, and public spaces. In 2006, the buildings C1 and C2 were built. The master plan purposes were to readapt the area to the singularity of the territory, reintroduce the cultural and commercial functions of the area, and to create connections between the districts. Due to a change of municipal administration in the middle of the project, only part of the plan was realized, including two housing buildings and part of the urban renewal. Siza received the Grand Prix spécial du jury de l'urbanisme in 2005 for his contribution to the Coeur de Ville project This project series includes two subseries. Plano Centre Ville de Montreuil and Edificio de Habitaçäo Montreuil (Hamo). The Plano Centre Ville de Montreuil documents the master plans and general documentations of the project. The Edificio de Habitaçäo Montreuil documents the housing project of Siza in Montreuil.
Coeur de ville, Montreuil, France, (1991)
Actions:
AP178.S1.1991.PR05
Description:
This project series documents the Urban plan for the city centre of Montreuil, France, also known as Coeur de ville. The office archivist identified this project as 24/90. The office assigned the date 1991 to this project. During the sixties and the seventies, the construction of a mall and office towers created a rupture in the downtown of Montreuil and caused traffic problems. Siza was chosen to find architectural and urban solutions to these challenges. Luis Mendes started as a collaborator at Siza's office and finished as the architect in charge for this project. Several other architects helped during the 20 years of the Coeur de ville project, including Laurent Beaudoin, Emanuelle Beaudoin, Michel Corajoud and Christian Devillers. The concept of substitution urbanization was introduced, in order to repair the rupture created in the sixties and seventies and to introduce urban continuity in Montreuil. The Coeur de ville project proposal included a new spacial reorganization, the Victor Hugo housing building, a theater, and public spaces. In 2006, the buildings C1 and C2 were built. The master plan purposes were to readapt the area to the singularity of the territory, reintroduce the cultural and commercial functions of the area, and to create connections between the districts. Due to a change of municipal administration in the middle of the project, only part of the plan was realized, including two housing buildings and part of the urban renewal. Siza received the Grand Prix spécial du jury de l'urbanisme in 2005 for his contribution to the Coeur de Ville project This project series includes two subseries. Plano Centre Ville de Montreuil and Edificio de Habitaçäo Montreuil (Hamo). The Plano Centre Ville de Montreuil documents the master plans and general documentations of the project. The Edificio de Habitaçäo Montreuil documents the housing project of Siza in Montreuil.
Level of archival description:
Project
Project
Date:
1991-2003
1991-2003
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1974.PR17
Description:
This project series documents renovations to the Minaki Lodge in Minaki, Ontario from 1974-1977. The office identified the project number as 7422. The Minaki Lodge, owned by the Government of Ontario at the time of this project, was located on the banks of the Winnipeg River and was originally built in 1914 by the Grand Trunk Pacific Railway. The site included an X-shaped main lodge, a motor lodge and power house, a ski chalet and Holst Point on a nearby island. This project, which was phase I of the work, consisted of renovations to the main lodge including a complete reimagining of the interior layouts and the addition of a new convention hall and approximately 200 new guest rooms. This project mainly consisted of work on the interior layouts, while work for the additions continued under a new project number assigned by the office (see project series AP018.S1.1974.PR18 in this fonds). Drawings in this project series include drawings of the building before this project, at several points in its history. Originals and reprographic copies from 1945 were prepared by architect John Schofield for the Canadian National Railways. Reprographic copies of drawings dating from 1925-1930 were prepared by the Canadian National Railways. Reprographic copies from 1972 were prepared by architect Jack M. Ross. The project is recorded through drawings, photographs and textual records dating primarily from 1974-1977. There are originals of drawings from 1925-1926 prepared by the Canadian National Railways for a different project. The photographs show the building before this project commenced. The textual records include correspondence, conference and site reports, interoffice letters, consultancy files, zoning documentation, financial records, tender documents, change orders, design notes, specifications and supplementary instructions.
AP018.S1.1974.PR17
Description:
This project series documents renovations to the Minaki Lodge in Minaki, Ontario from 1974-1977. The office identified the project number as 7422. The Minaki Lodge, owned by the Government of Ontario at the time of this project, was located on the banks of the Winnipeg River and was originally built in 1914 by the Grand Trunk Pacific Railway. The site included an X-shaped main lodge, a motor lodge and power house, a ski chalet and Holst Point on a nearby island. This project, which was phase I of the work, consisted of renovations to the main lodge including a complete reimagining of the interior layouts and the addition of a new convention hall and approximately 200 new guest rooms. This project mainly consisted of work on the interior layouts, while work for the additions continued under a new project number assigned by the office (see project series AP018.S1.1974.PR18 in this fonds). Drawings in this project series include drawings of the building before this project, at several points in its history. Originals and reprographic copies from 1945 were prepared by architect John Schofield for the Canadian National Railways. Reprographic copies of drawings dating from 1925-1930 were prepared by the Canadian National Railways. Reprographic copies from 1972 were prepared by architect Jack M. Ross. The project is recorded through drawings, photographs and textual records dating primarily from 1974-1977. There are originals of drawings from 1925-1926 prepared by the Canadian National Railways for a different project. The photographs show the building before this project commenced. The textual records include correspondence, conference and site reports, interoffice letters, consultancy files, zoning documentation, financial records, tender documents, change orders, design notes, specifications and supplementary instructions.
People:
Date:
1974-1977
1974-1977
Title:
Minaki Lodge, Renovations, Minaki, Ontario (1974-1977)
Actions:
AP018.S1.1974.PR17
Description:
This project series documents renovations to the Minaki Lodge in Minaki, Ontario from 1974-1977. The office identified the project number as 7422. The Minaki Lodge, owned by the Government of Ontario at the time of this project, was located on the banks of the Winnipeg River and was originally built in 1914 by the Grand Trunk Pacific Railway. The site included an X-shaped main lodge, a motor lodge and power house, a ski chalet and Holst Point on a nearby island. This project, which was phase I of the work, consisted of renovations to the main lodge including a complete reimagining of the interior layouts and the addition of a new convention hall and approximately 200 new guest rooms. This project mainly consisted of work on the interior layouts, while work for the additions continued under a new project number assigned by the office (see project series AP018.S1.1974.PR18 in this fonds). Drawings in this project series include drawings of the building before this project, at several points in its history. Originals and reprographic copies from 1945 were prepared by architect John Schofield for the Canadian National Railways. Reprographic copies of drawings dating from 1925-1930 were prepared by the Canadian National Railways. Reprographic copies from 1972 were prepared by architect Jack M. Ross. The project is recorded through drawings, photographs and textual records dating primarily from 1974-1977. There are originals of drawings from 1925-1926 prepared by the Canadian National Railways for a different project. The photographs show the building before this project commenced. The textual records include correspondence, conference and site reports, interoffice letters, consultancy files, zoning documentation, financial records, tender documents, change orders, design notes, specifications and supplementary instructions.
Minaki Lodge, Renovations, Minaki, Ontario (1974-1977)
Actions:
AP018.S1.1974.PR17
Description:
This project series documents renovations to the Minaki Lodge in Minaki, Ontario from 1974-1977. The office identified the project number as 7422. The Minaki Lodge, owned by the Government of Ontario at the time of this project, was located on the banks of the Winnipeg River and was originally built in 1914 by the Grand Trunk Pacific Railway. The site included an X-shaped main lodge, a motor lodge and power house, a ski chalet and Holst Point on a nearby island. This project, which was phase I of the work, consisted of renovations to the main lodge including a complete reimagining of the interior layouts and the addition of a new convention hall and approximately 200 new guest rooms. This project mainly consisted of work on the interior layouts, while work for the additions continued under a new project number assigned by the office (see project series AP018.S1.1974.PR18 in this fonds). Drawings in this project series include drawings of the building before this project, at several points in its history. Originals and reprographic copies from 1945 were prepared by architect John Schofield for the Canadian National Railways. Reprographic copies of drawings dating from 1925-1930 were prepared by the Canadian National Railways. Reprographic copies from 1972 were prepared by architect Jack M. Ross. The project is recorded through drawings, photographs and textual records dating primarily from 1974-1977. There are originals of drawings from 1925-1926 prepared by the Canadian National Railways for a different project. The photographs show the building before this project commenced. The textual records include correspondence, conference and site reports, interoffice letters, consultancy files, zoning documentation, financial records, tender documents, change orders, design notes, specifications and supplementary instructions.
Level of archival description:
Project
Project
Date:
1974-1977
1974-1977
People:
