13758 Results
Form:
textual records
textual records
![Page 1 of a storyboard with filming instructions, techniques, and durations for various scenes for Supersuperficie [Supersurface]](/img-collection/OwigRQBxVK9p-Y5vXPA7P-9nGPo=/500x665/485675.jpg)
Actions:
Reference number:
ARCH400369
Description:
Storyboard with filming instructions, techniques, and durations for various scenes – including the juxtaposition of the grid over the landscape and the arrival of humans within the Supersurface – as well as a technical note about interchange between graphic elements and live filming.
ARCH400369
Description:
Storyboard with filming instructions, techniques, and durations for various scenes – including the juxtaposition of the grid over the landscape and the arrival of humans within the Supersurface – as well as a technical note about interchange between graphic elements and live filming.
People:
Date:
1972
1972
Title:
Page 1 of a storyboard with filming instructions, techniques, and durations for various scenes for Supersuperficie [Supersurface]
Actions:
ARCH400369
Description:
Storyboard with filming instructions, techniques, and durations for various scenes – including the juxtaposition of the grid over the landscape and the arrival of humans within the Supersurface – as well as a technical note about interchange between graphic elements and live filming.
Page 1 of a storyboard with filming instructions, techniques, and durations for various scenes for Supersuperficie [Supersurface]
Actions:
ARCH400369
Description:
Storyboard with filming instructions, techniques, and durations for various scenes – including the juxtaposition of the grid over the landscape and the arrival of humans within the Supersurface – as well as a technical note about interchange between graphic elements and live filming.
Form:
textual records
textual records
Date:
1972
1972
People:
Actions:
Reference number:
DR2019:0018
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
DR2019:0018
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
People:
Date:
between 1983 and 1995
between 1983 and 1995
Title:
Photograph of model for Folly Four: Pascal's Sphere
Actions:
DR2019:0018
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
Photograph of model for Folly Four: Pascal's Sphere
Actions:
DR2019:0018
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
Date:
between 1983 and 1995
between 1983 and 1995
People:
Actions:
Reference number:
DR2019:0019
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
DR2019:0019
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
People:
Date:
between 1983 and 1995
between 1983 and 1995
Title:
Photograph of model for Folly Three: The Rigorous Abolition of History
Actions:
DR2019:0019
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
Photograph of model for Folly Three: The Rigorous Abolition of History
Actions:
DR2019:0019
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
Date:
between 1983 and 1995
between 1983 and 1995
People:
Reference number:
DR2019:0020
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
DR2019:0020
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
People:
Date:
between 1983 and 1995?
between 1983 and 1995?
Title:
Photograph of model for Folly Two: Six Hundred Leagues of Stone
Actions:
DR2019:0020
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
Photograph of model for Folly Two: Six Hundred Leagues of Stone
Actions:
DR2019:0020
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
Date:
between 1983 and 1995?
between 1983 and 1995?
People:
Level of archival description:
Project
Project
Title:
Downtown West, Phase One
Downtown West, Phase One
Actions:
Reference number:
AP022.S1.1976.PR19
Description:
File documents alternative proposals for phase one of a city block development comprised of reflecting-glass office towers, a city park and Roy Thompson Hall, Toronto, Ontario. File contains drawings, design development drawings, presentation drawings, photographs, textual documents.
AP022.S1.1976.PR19
Description:
File documents alternative proposals for phase one of a city block development comprised of reflecting-glass office towers, a city park and Roy Thompson Hall, Toronto, Ontario. File contains drawings, design development drawings, presentation drawings, photographs, textual documents.
People:
Date:
1976-1980
1976-1980
Title:
Downtown West, Phase One
Actions:
AP022.S1.1976.PR19
Description:
File documents alternative proposals for phase one of a city block development comprised of reflecting-glass office towers, a city park and Roy Thompson Hall, Toronto, Ontario. File contains drawings, design development drawings, presentation drawings, photographs, textual documents.
Downtown West, Phase One
Actions:
AP022.S1.1976.PR19
Description:
File documents alternative proposals for phase one of a city block development comprised of reflecting-glass office towers, a city park and Roy Thompson Hall, Toronto, Ontario. File contains drawings, design development drawings, presentation drawings, photographs, textual documents.
Level of archival description:
Project
Project
Date:
1976-1980
1976-1980
People:
Form:
photographs
photographs
Title:
Reference slides
Reference slides
Actions:
Reference number:
ARCH274352
Description:
Architectural reference slides from the offices of Arthur Erickson Architects. Labeled, "Landscape and Cities," Includes: Kansas City, including the Crown Centre, California development, Minneapolis, Portland, Toronto, Boston, Rome, Zurich transit, Chicago, Nanaimo, Los Angeles, San Francisco, Berkeley Museum, Orlando Museum, Oakland, Mount Laurel Center, miscellaneous landscaping slides and Block 61 landscaping.
ARCH274352
Description:
Architectural reference slides from the offices of Arthur Erickson Architects. Labeled, "Landscape and Cities," Includes: Kansas City, including the Crown Centre, California development, Minneapolis, Portland, Toronto, Boston, Rome, Zurich transit, Chicago, Nanaimo, Los Angeles, San Francisco, Berkeley Museum, Orlando Museum, Oakland, Mount Laurel Center, miscellaneous landscaping slides and Block 61 landscaping.
People:
Date:
ca. 1980
ca. 1980
Title:
Reference slides
Actions:
ARCH274352
Description:
Architectural reference slides from the offices of Arthur Erickson Architects. Labeled, "Landscape and Cities," Includes: Kansas City, including the Crown Centre, California development, Minneapolis, Portland, Toronto, Boston, Rome, Zurich transit, Chicago, Nanaimo, Los Angeles, San Francisco, Berkeley Museum, Orlando Museum, Oakland, Mount Laurel Center, miscellaneous landscaping slides and Block 61 landscaping.
Reference slides
Actions:
ARCH274352
Description:
Architectural reference slides from the offices of Arthur Erickson Architects. Labeled, "Landscape and Cities," Includes: Kansas City, including the Crown Centre, California development, Minneapolis, Portland, Toronto, Boston, Rome, Zurich transit, Chicago, Nanaimo, Los Angeles, San Francisco, Berkeley Museum, Orlando Museum, Oakland, Mount Laurel Center, miscellaneous landscaping slides and Block 61 landscaping.
Form:
photographs
photographs
Date:
ca. 1980
ca. 1980
People:
Form:
drawings
drawings
Reference number:
DR1987:0309
Description:
- These elevations and plans show a chalet-style restaurant with a deep veranda. Chalet-style design motifs include the carved woodwork of the eaves, balustrades, and second-story walls. The rendering shows the restaurant set in a country landscape.
DR1987:0309
Description:
- These elevations and plans show a chalet-style restaurant with a deep veranda. Chalet-style design motifs include the carved woodwork of the eaves, balustrades, and second-story walls. The rendering shows the restaurant set in a country landscape.
People:
Subject:
architecture
architecture
Date:
3 February 1859
3 February 1859
Title:
Elevations and plans for a chalet-style restuarant, Le Vésinet
Actions:
DR1987:0309
Description:
- These elevations and plans show a chalet-style restaurant with a deep veranda. Chalet-style design motifs include the carved woodwork of the eaves, balustrades, and second-story walls. The rendering shows the restaurant set in a country landscape.
Elevations and plans for a chalet-style restuarant, Le Vésinet
Actions:
DR1987:0309
Description:
- These elevations and plans show a chalet-style restaurant with a deep veranda. Chalet-style design motifs include the carved woodwork of the eaves, balustrades, and second-story walls. The rendering shows the restaurant set in a country landscape.
Form:
drawings
drawings
Date:
3 February 1859
3 February 1859
People:
Subject:
architecture
architecture
Level of archival description:
Sub-series
Sub-series
Reference number:
AP075.S4.SS4
Description:
This sub-series documents Cornelia Hahn Oberlander's research on artists, professionals, organizations or universities'schools related to architecture, landscape architecture, environment and other professions of interest to Oberlander and for her projects. It also documents Oberlander's research on some of her clients or architects she worked with, including Arthur Erickson. The sub-series includes collected documentation, such contact information, press clippings and periodicals and some correspondence.
AP075.S4.SS4
Description:
This sub-series documents Cornelia Hahn Oberlander's research on artists, professionals, organizations or universities'schools related to architecture, landscape architecture, environment and other professions of interest to Oberlander and for her projects. It also documents Oberlander's research on some of her clients or architects she worked with, including Arthur Erickson. The sub-series includes collected documentation, such contact information, press clippings and periodicals and some correspondence.
People:
Date:
1971-2018
1971-2018
Title:
Research on professional community and organizations
Actions:
AP075.S4.SS4
Description:
This sub-series documents Cornelia Hahn Oberlander's research on artists, professionals, organizations or universities'schools related to architecture, landscape architecture, environment and other professions of interest to Oberlander and for her projects. It also documents Oberlander's research on some of her clients or architects she worked with, including Arthur Erickson. The sub-series includes collected documentation, such contact information, press clippings and periodicals and some correspondence.
Research on professional community and organizations
Actions:
AP075.S4.SS4
Description:
This sub-series documents Cornelia Hahn Oberlander's research on artists, professionals, organizations or universities'schools related to architecture, landscape architecture, environment and other professions of interest to Oberlander and for her projects. It also documents Oberlander's research on some of her clients or architects she worked with, including Arthur Erickson. The sub-series includes collected documentation, such contact information, press clippings and periodicals and some correspondence.
Level of archival description:
Sub-series
Sub-series
Date:
1971-2018
1971-2018
People:
Level of archival description:
Project
Project
Title:
Museum of Anthropology, University of British Columbia, Vancouver, British Columbia (1975-1977)
Museum of Anthropology, University of British Columbia, Vancouver, British Columbia (1975-1977)
Actions:
Reference number:
AP075.S1.1975.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the grounds of the Museum of Anthropology located on the northern end of the University of British Columbia campus. Oberlander worked on this project from 1975-1976 with architect Arthur Erickson. The project was completed in 1976. Due to the location of museum on the Northwest Coast First Nations site, the building was designed to evoke a First Nations longhouse. Oberlander concept for the landscaping was inspired by the Northwest Coast First Nations culture. It initally included a reflecting pool to represent the coastal inlet and an ethnobotanically significant selection of plants. However some features from the original design, such as the reflecting pool and some of the indegenious planting, weren't realized until the mid-2000s. The shield the site from the noise of the busy NW Marine Drive, located next to the grounds, Oberlander included "a series of large mounds planted with Haida seed mix". [1] The project series contains reprographic copies of working drawings, including landscape plans, landscape sections and details, grading and irrigation plans, planting plans, and site plans. The project is also documented through textual records, including specification, correspondence with architects and clients, inspection reports, and some handwritten notes by Oberlander. The project series also comprises photographs of the museum site.
AP075.S1.1975.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the grounds of the Museum of Anthropology located on the northern end of the University of British Columbia campus. Oberlander worked on this project from 1975-1976 with architect Arthur Erickson. The project was completed in 1976. Due to the location of museum on the Northwest Coast First Nations site, the building was designed to evoke a First Nations longhouse. Oberlander concept for the landscaping was inspired by the Northwest Coast First Nations culture. It initally included a reflecting pool to represent the coastal inlet and an ethnobotanically significant selection of plants. However some features from the original design, such as the reflecting pool and some of the indegenious planting, weren't realized until the mid-2000s. The shield the site from the noise of the busy NW Marine Drive, located next to the grounds, Oberlander included "a series of large mounds planted with Haida seed mix". [1] The project series contains reprographic copies of working drawings, including landscape plans, landscape sections and details, grading and irrigation plans, planting plans, and site plans. The project is also documented through textual records, including specification, correspondence with architects and clients, inspection reports, and some handwritten notes by Oberlander. The project series also comprises photographs of the museum site.
People:
Date:
1974-1976
1974-1976
Title:
Museum of Anthropology, University of British Columbia, Vancouver, British Columbia (1975-1977)
Actions:
AP075.S1.1975.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the grounds of the Museum of Anthropology located on the northern end of the University of British Columbia campus. Oberlander worked on this project from 1975-1976 with architect Arthur Erickson. The project was completed in 1976. Due to the location of museum on the Northwest Coast First Nations site, the building was designed to evoke a First Nations longhouse. Oberlander concept for the landscaping was inspired by the Northwest Coast First Nations culture. It initally included a reflecting pool to represent the coastal inlet and an ethnobotanically significant selection of plants. However some features from the original design, such as the reflecting pool and some of the indegenious planting, weren't realized until the mid-2000s. The shield the site from the noise of the busy NW Marine Drive, located next to the grounds, Oberlander included "a series of large mounds planted with Haida seed mix". [1] The project series contains reprographic copies of working drawings, including landscape plans, landscape sections and details, grading and irrigation plans, planting plans, and site plans. The project is also documented through textual records, including specification, correspondence with architects and clients, inspection reports, and some handwritten notes by Oberlander. The project series also comprises photographs of the museum site.
Museum of Anthropology, University of British Columbia, Vancouver, British Columbia (1975-1977)
Actions:
AP075.S1.1975.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the grounds of the Museum of Anthropology located on the northern end of the University of British Columbia campus. Oberlander worked on this project from 1975-1976 with architect Arthur Erickson. The project was completed in 1976. Due to the location of museum on the Northwest Coast First Nations site, the building was designed to evoke a First Nations longhouse. Oberlander concept for the landscaping was inspired by the Northwest Coast First Nations culture. It initally included a reflecting pool to represent the coastal inlet and an ethnobotanically significant selection of plants. However some features from the original design, such as the reflecting pool and some of the indegenious planting, weren't realized until the mid-2000s. The shield the site from the noise of the busy NW Marine Drive, located next to the grounds, Oberlander included "a series of large mounds planted with Haida seed mix". [1] The project series contains reprographic copies of working drawings, including landscape plans, landscape sections and details, grading and irrigation plans, planting plans, and site plans. The project is also documented through textual records, including specification, correspondence with architects and clients, inspection reports, and some handwritten notes by Oberlander. The project series also comprises photographs of the museum site.
Level of archival description:
Project
Project
Date:
1974-1976
1974-1976
People:
Form:
works of art
works of art
Actions:
Reference number:
DR1982:0096:001-016
Description:
- The Stowe engravings illustrate a garden design of the so-called Transitional Phase in English landscape history. While containing many formal elements typical of the 17th century -- such as parterres, avenues of clipped trees and hedges, fountains and straight-sided canals -- Stowe, as depicted in these engravings, also incorporates many garden buildings and, most importantly, ha-has that are characteristic of the 18th-century English landscape garden. - The marbled and leather-edged portfolio in which the prints were acquired is stored separately in a solander box (size IV).
DR1982:0096:001-016
Description:
- The Stowe engravings illustrate a garden design of the so-called Transitional Phase in English landscape history. While containing many formal elements typical of the 17th century -- such as parterres, avenues of clipped trees and hedges, fountains and straight-sided canals -- Stowe, as depicted in these engravings, also incorporates many garden buildings and, most importantly, ha-has that are characteristic of the 18th-century English landscape garden. - The marbled and leather-edged portfolio in which the prints were acquired is stored separately in a solander box (size IV).
People:
Subject:
architecture, landscape architecture, topographic
architecture, landscape architecture, topographic
Date:
designed 1733-1738
designed 1733-1738
Title:
A plan and fifteen views of the gardens at Stowe
Actions:
DR1982:0096:001-016
Description:
- The Stowe engravings illustrate a garden design of the so-called Transitional Phase in English landscape history. While containing many formal elements typical of the 17th century -- such as parterres, avenues of clipped trees and hedges, fountains and straight-sided canals -- Stowe, as depicted in these engravings, also incorporates many garden buildings and, most importantly, ha-has that are characteristic of the 18th-century English landscape garden. - The marbled and leather-edged portfolio in which the prints were acquired is stored separately in a solander box (size IV).
A plan and fifteen views of the gardens at Stowe
Actions:
DR1982:0096:001-016
Description:
- The Stowe engravings illustrate a garden design of the so-called Transitional Phase in English landscape history. While containing many formal elements typical of the 17th century -- such as parterres, avenues of clipped trees and hedges, fountains and straight-sided canals -- Stowe, as depicted in these engravings, also incorporates many garden buildings and, most importantly, ha-has that are characteristic of the 18th-century English landscape garden. - The marbled and leather-edged portfolio in which the prints were acquired is stored separately in a solander box (size IV).
Form:
works of art
works of art
Date:
designed 1733-1738
designed 1733-1738
People:
Subject:
architecture, landscape architecture, topographic
architecture, landscape architecture, topographic
