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The winter 2025 issue of Bookforum features: "The Azrael World," Audrey Wollen on Joy Williams's stories of angels, demons, and the fate of humanity; "Reader, I Divorced Him," Hermione Hoby on narratives of marriage and its dissolution; "You Can't Go Home Again," Jessi Jezewska Stevens on Agota Kristof's confounding fictions of exile; and more...
Bookforum vol.31 n.3: Winter 2025
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The winter 2025 issue of Bookforum features: "The Azrael World," Audrey Wollen on Joy Williams's stories of angels, demons, and the fate of humanity; "Reader, I Divorced Him," Hermione Hoby on narratives of marriage and its dissolution; "You Can't Go Home Again," Jessi Jezewska Stevens on Agota Kristof's confounding fictions of exile; and more...
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This is the Winter 2025 edition themed ‘'Rerun'’. Featuring Politics, Fiction, Essays, Reviews, and Letters, each covering topics spanning postmodernism, post-election week prospects and Palestine; online dating and burnt out readers; puppets in Kentucky, and lots more.
n+1 #49
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This is the Winter 2025 edition themed ‘'Rerun'’. Featuring Politics, Fiction, Essays, Reviews, and Letters, each covering topics spanning postmodernism, post-election week prospects and Palestine; online dating and burnt out readers; puppets in Kentucky, and lots more.
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C Magazine 161 : Stop!
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This issue of C Magazine considers what it might mean to stop. Rather than denote absence, the stop offers an opening for something else to emerge. Across these pages, contributors explore stopping in: forms of rest, blockades, town halls, and critiques of the temporality and archives of empire. From blockades on Wet’suwet’en land to an underground hub in Jakarta, from(...)
C Magazine 161 : Stop!
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This issue of C Magazine considers what it might mean to stop. Rather than denote absence, the stop offers an opening for something else to emerge. Across these pages, contributors explore stopping in: forms of rest, blockades, town halls, and critiques of the temporality and archives of empire. From blockades on Wet’suwet’en land to an underground hub in Jakarta, from moccasins cradling lichen to Lebanon’s El-Mina port, each work gathers its own form of interruption. With contributors: Whess Harman, Hung Duong and Grace Samboh, Svetlana Romanova, Fan Wu, Meagan Christou, Mitra Fakhrashrafi, Emma Steen, Charlene K. Lau, Dot Tuer, Joyce Joumaa, Ali El-Darsa, Kay Rangel, Jasmine Sihra.
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A+311 : Circular Plans FR
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Ce numéro d’A+ présente une série intrigante de constructions circulaires imaginées et réalisées. Constituer ce genre de collection nous permet de mieux comprendre l’architecture des bâtiments ronds. C’est ainsi qu’on voit des bibliothèques, des écoles, des établissements de soins et de bien-être revenir au cercle parce qu’il offre une bonne vue d’ensemble, mais aussi(...)
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February 2025
A+311 : Circular Plans FR
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Ce numéro d’A+ présente une série intrigante de constructions circulaires imaginées et réalisées. Constituer ce genre de collection nous permet de mieux comprendre l’architecture des bâtiments ronds. C’est ainsi qu’on voit des bibliothèques, des écoles, des établissements de soins et de bien-être revenir au cercle parce qu’il offre une bonne vue d’ensemble, mais aussi parce qu’il crée du lien et de la cohésion. Dans ce sens, leur plan d’implantation fait clairement référence à la symbolique du cercle. Voici ce qu’en dit Pieter T’Jonck (p. 32) : « Les cercles sont des formes purement géométriques qui se prêtent à de nombreuses finalités et interprétations. Ils installent de la cohérence là où le chaos aurait pu sévir. »
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Comment peut-on encore oser construire des maisons individuelles ? Si la tendance est à fustiger le « pavillon », c’est que l’architecte, bien souvent, n’y prend pas part. Même en Belgique, laboratoire européen des architectures domestiques, la « maison 4 façades » a perdu du terrain, laissant plutôt fleurir les projets d’habitat intergénérationnel et de cohabitat ; la(...)
A'A' 463 : Maison individuelle/ The House
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Comment peut-on encore oser construire des maisons individuelles ? Si la tendance est à fustiger le « pavillon », c’est que l’architecte, bien souvent, n’y prend pas part. Même en Belgique, laboratoire européen des architectures domestiques, la « maison 4 façades » a perdu du terrain, laissant plutôt fleurir les projets d’habitat intergénérationnel et de cohabitat ; la réception enthousiaste qui leur est accordée n’a d’égale que leur manifeste qualité de conception. Christophe Millet, président du Conseil national de l’Ordre des architectes, prône quant à lui l’idée d’une architecture de la « dentelle », se manifestant tantôt par l’investissement du foncier urbain disponible, tantôt par la réhabilitation de l’existant – « le chantier du siècle ». La maison est morte, vive la maison ? C’est là que l’architecte intervient.
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Around 75 % of residential buildings in Germany are made of masonry – a trend likely mirrored across Europe, such as in the southern regions and the UK. This enduring preference reflects growing confidence in solid construction and provides the impetus for dedicating this issue of Detail to the topic. There are many reasons to opt for brick, including local building(...)
Detail 4 2025: Solid construction
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Around 75 % of residential buildings in Germany are made of masonry – a trend likely mirrored across Europe, such as in the southern regions and the UK. This enduring preference reflects growing confidence in solid construction and provides the impetus for dedicating this issue of Detail to the topic. There are many reasons to opt for brick, including local building traditions. In Limerick, Ireland, Níall McLaughlin Architects designed a brick exhibition building celebrating rugby, the national sport. In Berlin, nearby brick cemetery structures inspired the facade colour of a foundation centre. Using single-coloured exposed concrete and two brick types, AFF Architekten made a bold red statement in the cityscape.
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E-flux index #5
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This fifth issue of the e-flux Index, comprises nine new categories for sorting it all out. These are titled: Is That All There Is?; What a Body Can Do; The Physicists’ Laugh; Dens, clubs, hives, and cells; The Tourist; Flickers; Promethean Shame; Proxies; and Inextinguishable Fires. In the exploratory spirit of Bas Jan Ader’s Primary Time (1974) or Susan Hiller’s remarks(...)
E-flux index #5
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This fifth issue of the e-flux Index, comprises nine new categories for sorting it all out. These are titled: Is That All There Is?; What a Body Can Do; The Physicists’ Laugh; Dens, clubs, hives, and cells; The Tourist; Flickers; Promethean Shame; Proxies; and Inextinguishable Fires. In the exploratory spirit of Bas Jan Ader’s Primary Time (1974) or Susan Hiller’s remarks on the forbidden childhood pleasures of taxonomizing, more than that of Linnaeus, each of these categories represents an attempt at daisy cutting samples from the dynamic, complex meadow of discourse across the arts, architecture, education, theory, and politics. This deviant taxonomy is not designed to reduce or abstract away from the complexity of critical discourse and artistic activity in the present moment, but rather to do justice to this very heterogeneity.
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C magazine 160: extra life
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In this issue’s extended editorial note, Bracy Appeikumoh asks, "Was utopia, like extra lives, envisioned as a means of escaping death?" Among the haunting contradictions of living in the imperial core, whose violences seek their own immortality, to seize a different kind of “extra life” takes an extra real imagination. Across virtual game worlds, ancestral inheritances,(...)
C magazine 160: extra life
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In this issue’s extended editorial note, Bracy Appeikumoh asks, "Was utopia, like extra lives, envisioned as a means of escaping death?" Among the haunting contradictions of living in the imperial core, whose violences seek their own immortality, to seize a different kind of “extra life” takes an extra real imagination. Across virtual game worlds, ancestral inheritances, unfinished revolutionary histories, artists’ data storage, and more, contributors to C160 reflect on extra life as a state both surplus and sacred—what persists in age-old cycles of decay.
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For four decades, ''Azure'' has been delivering the best in architecture and design from Canada and around the world. Our 40th anniversary issue celebrates this legacy by doing what we do best: looking forward! With a focus on the digital tools that the professions are embracing now and into the future, the May/June 2025 edition delves deep into big tech.
Azure 310
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For four decades, ''Azure'' has been delivering the best in architecture and design from Canada and around the world. Our 40th anniversary issue celebrates this legacy by doing what we do best: looking forward! With a focus on the digital tools that the professions are embracing now and into the future, the May/June 2025 edition delves deep into big tech.
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Welcome to the 59th issue of ''The Funambulist'' (May-June 2025), dedicated to Black Indigeneities. The association of these two terms will certainly appear obvious to many, while it might surprise others, depending on readers’ personal and regional imaginaries. The issue examines the Indigeneity-Blackness nexus in Melanesia —in Fiji (Mara Mahoney and Ratu Ropate Rakuita(...)
The Funambulist 59: Black indigeneities
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Welcome to the 59th issue of ''The Funambulist'' (May-June 2025), dedicated to Black Indigeneities. The association of these two terms will certainly appear obvious to many, while it might surprise others, depending on readers’ personal and regional imaginaries. The issue examines the Indigeneity-Blackness nexus in Melanesia —in Fiji (Mara Mahoney and Ratu Ropate Rakuita Wailutu Kama) and beyond, in Aotearoa New Zealand (Nathan Rew and Makanaka Tuwe)—in several regions of the African Continent—South Africa (Zoé Samudzi and Mpho Matheolane/Nolan Oswald Dennis), Nubia (Menna Agha), Eritrea (Semhar Haile), and the Gabonese forests (Maya Mihindou)—in the Caribbean—Guiana (Karl Joseph and Marc-Alexandre Tareau) and Haiti (Tessa Mars)—as well as in the diaspora. The cover artwork by Tessa Mars.
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