43397 Results
Form:
exhibitions
exhibitions
Actions:
Date:
13 November 2021 to 1 May 2022
13 November 2021 to 1 May 2022
Form:
exhibitions
exhibitions
Date:
13 November 2021 to
1 May 2022
13 November 2021 to
1 May 2022
Form:
events
events
Description:
A conversation between Japanese photographer Naoya Hatakeyama and CCA visiting curator Hubertus von Amelunxen on the exhibition Naoya Hatakeyama: Scales. Commissioned by the CCA, Naoya Hatakeyama created three photographic series of architectural models that challenge notions of scale and the perception of reality. He speaks about the series in the context of his work,(...)
A conversation between Japanese photographer Naoya Hatakeyama and CCA visiting curator Hubertus von Amelunxen on the exhibition Naoya Hatakeyama: Scales. Commissioned by the CCA, Naoya Hatakeyama created three photographic series of architectural models that challenge notions of scale and the perception of reality. He speaks about the series in the context of his work,(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
27 September 2007
27 September 2007
Title:
Naoya Hatakeyama and Hubertus von Amelunxen in Conversation
Actions:
Description:
A conversation between Japanese photographer Naoya Hatakeyama and CCA visiting curator Hubertus von Amelunxen on the exhibition Naoya Hatakeyama: Scales. Commissioned by the CCA, Naoya Hatakeyama created three photographic series of architectural models that challenge notions of scale and the perception of reality. He speaks about the series in the context of his work,(...)
Naoya Hatakeyama and Hubertus von Amelunxen in Conversation
Actions:
Description:
A conversation between Japanese photographer Naoya Hatakeyama and CCA visiting curator Hubertus von Amelunxen on the exhibition Naoya Hatakeyama: Scales. Commissioned by the CCA, Naoya Hatakeyama created three photographic series of architectural models that challenge notions of scale and the perception of reality. He speaks about the series in the context of his work,(...)
Form:
events
events
Date:
27 September 2007
27 September 2007
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
events
events
Actions:
Description:
Johannes Kuehn and Simona Malvezzi present a lecture on Kuehn Malvezzis recent work, including their winning proposal for the Insectarium in Montreal. Presented as part of Displaying Architecture, a CCA series that looks at the relationship between architecture and spaces of display.
Johannes Kuehn and Simona Malvezzi present a lecture on Kuehn Malvezzis recent work, including their winning proposal for the Insectarium in Montreal. Presented as part of Displaying Architecture, a CCA series that looks at the relationship between architecture and spaces of display.
Date:
8 October 2015 , 6pm
8 October 2015 , 6pm
Title:
Displaying Architecture: Kuehn Malvezzi
Actions:
Description:
Johannes Kuehn and Simona Malvezzi present a lecture on Kuehn Malvezzis recent work, including their winning proposal for the Insectarium in Montreal. Presented as part of Displaying Architecture, a CCA series that looks at the relationship between architecture and spaces of display.
Displaying Architecture: Kuehn Malvezzi
Actions:
Description:
Johannes Kuehn and Simona Malvezzi present a lecture on Kuehn Malvezzis recent work, including their winning proposal for the Insectarium in Montreal. Presented as part of Displaying Architecture, a CCA series that looks at the relationship between architecture and spaces of display.
Form:
events
events
Date:
8 October 2015
6pm
8 October 2015
6pm
Form:
textual records, photographs
textual records, photographs
Actions:
Reference number:
DR2012:0012:106:006
Description:
File containing documents in English (predominant) and French, including printouts, sketches, photographs, a slide, inventories of Melvin Charney's work, invoices, and notes related to the following projects: - Une oeuvre d'art publique à l'intersection de la rue Centre et de l'avenue Atwater dans le quartier Pointe St-Charles; - Usines, poteaux, maisons, drapeaux: célébration d'un quartier populaire ... Château d'eau d'usine dénoué; - In flight series ... TACA, Guatamala City, 1993; - In flight series ... an airbus on the ground at Warsaw Airport; - In flight series ... Libyan aircraft smolders at Entebbé; - In flight series ... Dienbienphu, May 7, 1954; - Rough cuts ... 4 studies; - Canada Memorial, Green Park, London ... study no. 8; - Toronto construction; - Floating houses ... Fabreville no. 2; - Floating houses ... Fabreville no. 3; - Floating houses ... Fabreville no. 4; - Floating houses ... Fabreville no. 5; - Floating houses ... Tree-House. Original folder inscribed in graphite: MC ARTWORK-CAT ENTRY NOTES
DR2012:0012:106:006
Description:
File containing documents in English (predominant) and French, including printouts, sketches, photographs, a slide, inventories of Melvin Charney's work, invoices, and notes related to the following projects: - Une oeuvre d'art publique à l'intersection de la rue Centre et de l'avenue Atwater dans le quartier Pointe St-Charles; - Usines, poteaux, maisons, drapeaux: célébration d'un quartier populaire ... Château d'eau d'usine dénoué; - In flight series ... TACA, Guatamala City, 1993; - In flight series ... an airbus on the ground at Warsaw Airport; - In flight series ... Libyan aircraft smolders at Entebbé; - In flight series ... Dienbienphu, May 7, 1954; - Rough cuts ... 4 studies; - Canada Memorial, Green Park, London ... study no. 8; - Toronto construction; - Floating houses ... Fabreville no. 2; - Floating houses ... Fabreville no. 3; - Floating houses ... Fabreville no. 4; - Floating houses ... Fabreville no. 5; - Floating houses ... Tree-House. Original folder inscribed in graphite: MC ARTWORK-CAT ENTRY NOTES
People:
Date:
2009-2011
2009-2011
Title:
Projects lists and invoices, notes, sketches and photographs related to various projects
Actions:
DR2012:0012:106:006
Description:
File containing documents in English (predominant) and French, including printouts, sketches, photographs, a slide, inventories of Melvin Charney's work, invoices, and notes related to the following projects: - Une oeuvre d'art publique à l'intersection de la rue Centre et de l'avenue Atwater dans le quartier Pointe St-Charles; - Usines, poteaux, maisons, drapeaux: célébration d'un quartier populaire ... Château d'eau d'usine dénoué; - In flight series ... TACA, Guatamala City, 1993; - In flight series ... an airbus on the ground at Warsaw Airport; - In flight series ... Libyan aircraft smolders at Entebbé; - In flight series ... Dienbienphu, May 7, 1954; - Rough cuts ... 4 studies; - Canada Memorial, Green Park, London ... study no. 8; - Toronto construction; - Floating houses ... Fabreville no. 2; - Floating houses ... Fabreville no. 3; - Floating houses ... Fabreville no. 4; - Floating houses ... Fabreville no. 5; - Floating houses ... Tree-House. Original folder inscribed in graphite: MC ARTWORK-CAT ENTRY NOTES
Projects lists and invoices, notes, sketches and photographs related to various projects
Actions:
DR2012:0012:106:006
Description:
File containing documents in English (predominant) and French, including printouts, sketches, photographs, a slide, inventories of Melvin Charney's work, invoices, and notes related to the following projects: - Une oeuvre d'art publique à l'intersection de la rue Centre et de l'avenue Atwater dans le quartier Pointe St-Charles; - Usines, poteaux, maisons, drapeaux: célébration d'un quartier populaire ... Château d'eau d'usine dénoué; - In flight series ... TACA, Guatamala City, 1993; - In flight series ... an airbus on the ground at Warsaw Airport; - In flight series ... Libyan aircraft smolders at Entebbé; - In flight series ... Dienbienphu, May 7, 1954; - Rough cuts ... 4 studies; - Canada Memorial, Green Park, London ... study no. 8; - Toronto construction; - Floating houses ... Fabreville no. 2; - Floating houses ... Fabreville no. 3; - Floating houses ... Fabreville no. 4; - Floating houses ... Fabreville no. 5; - Floating houses ... Tree-House. Original folder inscribed in graphite: MC ARTWORK-CAT ENTRY NOTES
Form:
textual records, photographs
textual records, photographs
Date:
2009-2011
2009-2011
People:
Form:
articles
articles
Title:
Shooting the Breeze
Shooting the Breeze
Actions:
Mae-ling Lokko and Elizabeth (Lizzie) Biney-Amissah on the interconnectedness of energy, materials, and rebuilding community
Title:
Shooting the Breeze
Mae-ling Lokko and Elizabeth (Lizzie) Biney-Amissah on the interconnectedness of energy, materials, and rebuilding community
Actions:
Shooting the Breeze
Mae-ling Lokko and Elizabeth (Lizzie) Biney-Amissah on the interconnectedness of energy, materials, and rebuilding community
Actions:
Issue:
Forces of Friction
Forces of Friction
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1977.PR08
Description:
This project series documents the design and construction of the Bank of Montreal Central Computer Complex Two in Scarborough, Ontario from 1977-1982. The office identified the project number as 7709. The Central Computer Complex Two was built to be used by the Bank of Montreal as a data processing centre with offices for staff on site. The complex consisted of three octagonal buildings joined by tunnels and skywalks. The first building, Central Computer Complex Two (CCC2), was a three-storey data processing equipment building. The second building, Central Facilities Building (CUB), was a three-storey building devoted to shipping and receiving and employee spaces such as a library, exercise room, cafeteria and lounge, and a medical exam area. The third building, Staff Support Offices, was a four-storey building that contained employee offices. In addition, each building had a penthouse that contained mechanical and electrical equipment. A large part of the project was administered through John C. Parkin’s engineering firm, Parkin Engineers limited, with Paul Keenan acting as president. The project is recorded through drawings, photographs, presentation boards and textual records dating from 1977-1982. The majority of reprographic copies are drawings used in the construction phase of the project. The photographs show the construction of the building. The textual records include design planning notes, client and contractor correspondence, site reports, change orders, supplementary instructions, specifications, detail drawings, meeting minutes, schedules, and invoices for work completed. Box AP018.S1.1977.PR08.074 contains an index to the textual records, which was created by the office.
AP018.S1.1977.PR08
Description:
This project series documents the design and construction of the Bank of Montreal Central Computer Complex Two in Scarborough, Ontario from 1977-1982. The office identified the project number as 7709. The Central Computer Complex Two was built to be used by the Bank of Montreal as a data processing centre with offices for staff on site. The complex consisted of three octagonal buildings joined by tunnels and skywalks. The first building, Central Computer Complex Two (CCC2), was a three-storey data processing equipment building. The second building, Central Facilities Building (CUB), was a three-storey building devoted to shipping and receiving and employee spaces such as a library, exercise room, cafeteria and lounge, and a medical exam area. The third building, Staff Support Offices, was a four-storey building that contained employee offices. In addition, each building had a penthouse that contained mechanical and electrical equipment. A large part of the project was administered through John C. Parkin’s engineering firm, Parkin Engineers limited, with Paul Keenan acting as president. The project is recorded through drawings, photographs, presentation boards and textual records dating from 1977-1982. The majority of reprographic copies are drawings used in the construction phase of the project. The photographs show the construction of the building. The textual records include design planning notes, client and contractor correspondence, site reports, change orders, supplementary instructions, specifications, detail drawings, meeting minutes, schedules, and invoices for work completed. Box AP018.S1.1977.PR08.074 contains an index to the textual records, which was created by the office.
People:
Date:
1977-1982
1977-1982
Title:
Bank of Montreal Central Computer Complex Two, Scarborough, Ontario (1977-1982)
Actions:
AP018.S1.1977.PR08
Description:
This project series documents the design and construction of the Bank of Montreal Central Computer Complex Two in Scarborough, Ontario from 1977-1982. The office identified the project number as 7709. The Central Computer Complex Two was built to be used by the Bank of Montreal as a data processing centre with offices for staff on site. The complex consisted of three octagonal buildings joined by tunnels and skywalks. The first building, Central Computer Complex Two (CCC2), was a three-storey data processing equipment building. The second building, Central Facilities Building (CUB), was a three-storey building devoted to shipping and receiving and employee spaces such as a library, exercise room, cafeteria and lounge, and a medical exam area. The third building, Staff Support Offices, was a four-storey building that contained employee offices. In addition, each building had a penthouse that contained mechanical and electrical equipment. A large part of the project was administered through John C. Parkin’s engineering firm, Parkin Engineers limited, with Paul Keenan acting as president. The project is recorded through drawings, photographs, presentation boards and textual records dating from 1977-1982. The majority of reprographic copies are drawings used in the construction phase of the project. The photographs show the construction of the building. The textual records include design planning notes, client and contractor correspondence, site reports, change orders, supplementary instructions, specifications, detail drawings, meeting minutes, schedules, and invoices for work completed. Box AP018.S1.1977.PR08.074 contains an index to the textual records, which was created by the office.
Bank of Montreal Central Computer Complex Two, Scarborough, Ontario (1977-1982)
Actions:
AP018.S1.1977.PR08
Description:
This project series documents the design and construction of the Bank of Montreal Central Computer Complex Two in Scarborough, Ontario from 1977-1982. The office identified the project number as 7709. The Central Computer Complex Two was built to be used by the Bank of Montreal as a data processing centre with offices for staff on site. The complex consisted of three octagonal buildings joined by tunnels and skywalks. The first building, Central Computer Complex Two (CCC2), was a three-storey data processing equipment building. The second building, Central Facilities Building (CUB), was a three-storey building devoted to shipping and receiving and employee spaces such as a library, exercise room, cafeteria and lounge, and a medical exam area. The third building, Staff Support Offices, was a four-storey building that contained employee offices. In addition, each building had a penthouse that contained mechanical and electrical equipment. A large part of the project was administered through John C. Parkin’s engineering firm, Parkin Engineers limited, with Paul Keenan acting as president. The project is recorded through drawings, photographs, presentation boards and textual records dating from 1977-1982. The majority of reprographic copies are drawings used in the construction phase of the project. The photographs show the construction of the building. The textual records include design planning notes, client and contractor correspondence, site reports, change orders, supplementary instructions, specifications, detail drawings, meeting minutes, schedules, and invoices for work completed. Box AP018.S1.1977.PR08.074 contains an index to the textual records, which was created by the office.
Level of archival description:
Project
Project
Date:
1977-1982
1977-1982
People:
Form:
events
events
Actions:
Description:
The Toolkit for Today seminar is a constitutive part of the CCA Doctoral Students Program. We invite scholars to open up their toolboxes, share methodological challenges and approaches, and discuss the key concepts they work with on contemporary issues in architecture and related disciplines.
The Toolkit for Today seminar is a constitutive part of the CCA Doctoral Students Program. We invite scholars to open up their toolboxes, share methodological challenges and approaches, and discuss the key concepts they work with on contemporary issues in architecture and related disciplines.
Date:
8 July 2013 to 18 July 2013
8 July 2013 to 18 July 2013
Title:
Toolkit for Today: Archaeology of the Digital
Actions:
Description:
The Toolkit for Today seminar is a constitutive part of the CCA Doctoral Students Program. We invite scholars to open up their toolboxes, share methodological challenges and approaches, and discuss the key concepts they work with on contemporary issues in architecture and related disciplines.
Toolkit for Today: Archaeology of the Digital
Actions:
Description:
The Toolkit for Today seminar is a constitutive part of the CCA Doctoral Students Program. We invite scholars to open up their toolboxes, share methodological challenges and approaches, and discuss the key concepts they work with on contemporary issues in architecture and related disciplines.
Form:
events
events
Date:
8 July 2013 to
18 July 2013
8 July 2013 to
18 July 2013
Form:
articles
articles
Title:
Memory and Melt
Memory and Melt
Actions:
Rebecca Wickham reflects on a procession up the Aletsch Glacier
Level of archival description:
Sub-series
Sub-series
Reference number:
AP075.S3.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's involvement in professionnal associations or other professionnal engagements related to architecture, urban planning, environment or art and design from the early 1950s to the end of the 2010s. It related to Oberlander's membership to associations and committees, like the National Capital Commission or the Smith College Botanic Garden Committee. It also comprises Oberlander involvement in various jury selections, including for design competitions, such as the Nathan Phillips Square Revitalization design competition in the mid-2000s. Sub-series also documents Oberlander attendance to conferences or seminars, such as landscape architects associations or conferences on sustainable development. The sub-series also contains records of conferences and talks Oberlander gave, either about her projects, on landscape architecture, on play and play environments, or on sustainable architecture. It also includes Oberlander's research and writings for her own publications or articles she wrote. The sub-series contains documents related to associations and committees, such as correspondence, Oberlander's notes and minutes of meetings. It contains documents related to her for jury selection work, such as invitation to participate to a jury selection, correspondence, and documents related to the selection process. The sub-series also comprises Oberlander's documents from her attendance to conferences and seminars, such as correspondence, event planning, travel organization, and conferences proceedings. Documents related to talks and conferences given by Oberlander comprises research material, Oberlander's notes, draft and final versions of texts, and a few photographs or sound and video recording of the events. Finally, the sub-series contains Oberlander's writtings, such as her research, draft versions of her writings and correspondence.
AP075.S3.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's involvement in professionnal associations or other professionnal engagements related to architecture, urban planning, environment or art and design from the early 1950s to the end of the 2010s. It related to Oberlander's membership to associations and committees, like the National Capital Commission or the Smith College Botanic Garden Committee. It also comprises Oberlander involvement in various jury selections, including for design competitions, such as the Nathan Phillips Square Revitalization design competition in the mid-2000s. Sub-series also documents Oberlander attendance to conferences or seminars, such as landscape architects associations or conferences on sustainable development. The sub-series also contains records of conferences and talks Oberlander gave, either about her projects, on landscape architecture, on play and play environments, or on sustainable architecture. It also includes Oberlander's research and writings for her own publications or articles she wrote. The sub-series contains documents related to associations and committees, such as correspondence, Oberlander's notes and minutes of meetings. It contains documents related to her for jury selection work, such as invitation to participate to a jury selection, correspondence, and documents related to the selection process. The sub-series also comprises Oberlander's documents from her attendance to conferences and seminars, such as correspondence, event planning, travel organization, and conferences proceedings. Documents related to talks and conferences given by Oberlander comprises research material, Oberlander's notes, draft and final versions of texts, and a few photographs or sound and video recording of the events. Finally, the sub-series contains Oberlander's writtings, such as her research, draft versions of her writings and correspondence.
People:
Date:
1949-2019
1949-2019
Title:
Professional associations and engagements
Actions:
AP075.S3.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's involvement in professionnal associations or other professionnal engagements related to architecture, urban planning, environment or art and design from the early 1950s to the end of the 2010s. It related to Oberlander's membership to associations and committees, like the National Capital Commission or the Smith College Botanic Garden Committee. It also comprises Oberlander involvement in various jury selections, including for design competitions, such as the Nathan Phillips Square Revitalization design competition in the mid-2000s. Sub-series also documents Oberlander attendance to conferences or seminars, such as landscape architects associations or conferences on sustainable development. The sub-series also contains records of conferences and talks Oberlander gave, either about her projects, on landscape architecture, on play and play environments, or on sustainable architecture. It also includes Oberlander's research and writings for her own publications or articles she wrote. The sub-series contains documents related to associations and committees, such as correspondence, Oberlander's notes and minutes of meetings. It contains documents related to her for jury selection work, such as invitation to participate to a jury selection, correspondence, and documents related to the selection process. The sub-series also comprises Oberlander's documents from her attendance to conferences and seminars, such as correspondence, event planning, travel organization, and conferences proceedings. Documents related to talks and conferences given by Oberlander comprises research material, Oberlander's notes, draft and final versions of texts, and a few photographs or sound and video recording of the events. Finally, the sub-series contains Oberlander's writtings, such as her research, draft versions of her writings and correspondence.
Professional associations and engagements
Actions:
AP075.S3.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's involvement in professionnal associations or other professionnal engagements related to architecture, urban planning, environment or art and design from the early 1950s to the end of the 2010s. It related to Oberlander's membership to associations and committees, like the National Capital Commission or the Smith College Botanic Garden Committee. It also comprises Oberlander involvement in various jury selections, including for design competitions, such as the Nathan Phillips Square Revitalization design competition in the mid-2000s. Sub-series also documents Oberlander attendance to conferences or seminars, such as landscape architects associations or conferences on sustainable development. The sub-series also contains records of conferences and talks Oberlander gave, either about her projects, on landscape architecture, on play and play environments, or on sustainable architecture. It also includes Oberlander's research and writings for her own publications or articles she wrote. The sub-series contains documents related to associations and committees, such as correspondence, Oberlander's notes and minutes of meetings. It contains documents related to her for jury selection work, such as invitation to participate to a jury selection, correspondence, and documents related to the selection process. The sub-series also comprises Oberlander's documents from her attendance to conferences and seminars, such as correspondence, event planning, travel organization, and conferences proceedings. Documents related to talks and conferences given by Oberlander comprises research material, Oberlander's notes, draft and final versions of texts, and a few photographs or sound and video recording of the events. Finally, the sub-series contains Oberlander's writtings, such as her research, draft versions of her writings and correspondence.
Level of archival description:
Sub-series
Sub-series
Date:
1949-2019
1949-2019
People:
Level of archival description:
Series
Series
Title:
Max Taut
Max Taut
Reference number:
AP162.S9
Description:
Series documents the contribution of architect Max Taut to the correspondence circle of Die gläserne Kette, with Max Taut writing under the pseudonym Kein Name. Born in 1884 in Königsberg, Germany, Max Taut trained in carpentry and building before working in an architectural firm in Karlsruhe, Germany. In 1911, he worked independently, and later shared a practice with his brother Bruno Taut and Franz Hoffman (who joined them after 1914). His first architectural projects consisted primarily of schools. After his military service from 1914 to 1918, Max Taut joined the Arbeisrat für Kunst and the Novembersgruppe. After the First World War, he undertook several architectural projects, both private and public commissions such as housing and office buildings (mainly in Berlin), and also worked on projects for exhibitions. Unable to pratice during the Nazi Regime and the Second World War, Max Taut return to his architectural practice after the war and taught as a professor of architecture at the Hochschule für bildende Kunst in Berlin from 1945 to 1954. He undertook mainly housing development projects during this period. He died in Berlin in 1967. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Max Taut to the Die gläserne Kette circle and related drawings. The series also includes photographic materials of some of his architectural projects.
AP162.S9
Description:
Series documents the contribution of architect Max Taut to the correspondence circle of Die gläserne Kette, with Max Taut writing under the pseudonym Kein Name. Born in 1884 in Königsberg, Germany, Max Taut trained in carpentry and building before working in an architectural firm in Karlsruhe, Germany. In 1911, he worked independently, and later shared a practice with his brother Bruno Taut and Franz Hoffman (who joined them after 1914). His first architectural projects consisted primarily of schools. After his military service from 1914 to 1918, Max Taut joined the Arbeisrat für Kunst and the Novembersgruppe. After the First World War, he undertook several architectural projects, both private and public commissions such as housing and office buildings (mainly in Berlin), and also worked on projects for exhibitions. Unable to pratice during the Nazi Regime and the Second World War, Max Taut return to his architectural practice after the war and taught as a professor of architecture at the Hochschule für bildende Kunst in Berlin from 1945 to 1954. He undertook mainly housing development projects during this period. He died in Berlin in 1967. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Max Taut to the Die gläserne Kette circle and related drawings. The series also includes photographic materials of some of his architectural projects.
People:
Date:
circa 1919 -1920
circa 1919 -1920
Title:
Max Taut
Actions:
AP162.S9
Description:
Series documents the contribution of architect Max Taut to the correspondence circle of Die gläserne Kette, with Max Taut writing under the pseudonym Kein Name. Born in 1884 in Königsberg, Germany, Max Taut trained in carpentry and building before working in an architectural firm in Karlsruhe, Germany. In 1911, he worked independently, and later shared a practice with his brother Bruno Taut and Franz Hoffman (who joined them after 1914). His first architectural projects consisted primarily of schools. After his military service from 1914 to 1918, Max Taut joined the Arbeisrat für Kunst and the Novembersgruppe. After the First World War, he undertook several architectural projects, both private and public commissions such as housing and office buildings (mainly in Berlin), and also worked on projects for exhibitions. Unable to pratice during the Nazi Regime and the Second World War, Max Taut return to his architectural practice after the war and taught as a professor of architecture at the Hochschule für bildende Kunst in Berlin from 1945 to 1954. He undertook mainly housing development projects during this period. He died in Berlin in 1967. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Max Taut to the Die gläserne Kette circle and related drawings. The series also includes photographic materials of some of his architectural projects.
Max Taut
Actions:
AP162.S9
Description:
Series documents the contribution of architect Max Taut to the correspondence circle of Die gläserne Kette, with Max Taut writing under the pseudonym Kein Name. Born in 1884 in Königsberg, Germany, Max Taut trained in carpentry and building before working in an architectural firm in Karlsruhe, Germany. In 1911, he worked independently, and later shared a practice with his brother Bruno Taut and Franz Hoffman (who joined them after 1914). His first architectural projects consisted primarily of schools. After his military service from 1914 to 1918, Max Taut joined the Arbeisrat für Kunst and the Novembersgruppe. After the First World War, he undertook several architectural projects, both private and public commissions such as housing and office buildings (mainly in Berlin), and also worked on projects for exhibitions. Unable to pratice during the Nazi Regime and the Second World War, Max Taut return to his architectural practice after the war and taught as a professor of architecture at the Hochschule für bildende Kunst in Berlin from 1945 to 1954. He undertook mainly housing development projects during this period. He died in Berlin in 1967. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Max Taut to the Die gläserne Kette circle and related drawings. The series also includes photographic materials of some of his architectural projects.
Level of archival description:
series
series
Date:
circa 1919 -1920
circa 1919 -1920
People:
