Paysage de lignes
$43.95
(available to order)
Summary:
Cet ouvrage dépeint l’histoire matérielle et anonyme des objets qui composent les télécommunications modernes: poteaux électriques, fils et câbles, prises et interrupteurs, en passant par des dispositifs et micro-architectures ingénieux tels le théâtrophone et la cabine téléphonique. À partir de l’installation héroïque, vers la fin du 19e siècle, d’infrastructures(...)
Paysage de lignes
Actions:
Price:
$43.95
(available to order)
Summary:
Cet ouvrage dépeint l’histoire matérielle et anonyme des objets qui composent les télécommunications modernes: poteaux électriques, fils et câbles, prises et interrupteurs, en passant par des dispositifs et micro-architectures ingénieux tels le théâtrophone et la cabine téléphonique. À partir de l’installation héroïque, vers la fin du 19e siècle, d’infrastructures couvrant la surface terrestre, traversant les sous-sols, les océans et les mers jusqu’à pénétrer les intérieurs domestiques, Paysage de lignes propose une lecture qui, par sa pluralité d'axes, explore les multiples liens et croisements que ces «choses» techniques entretiennent avec l’architecture et l’art. Enrichi d’images d’archive inédites nous révélant un imaginaire stupéfiant, cet ouvrage apporte un regard esthétique sur des objets ordinaires qui ont changé à jamais le paysage urbain, rural et domestique de notre civilisation.
Urban Theory
$66.00
(available to order)
Summary:
Josef Albers' rigorous investigations into color have had a decisive effect on art in the twentieth century and beyond. His teaching posts at the Bauhaus, Black Mountain College and Yale enabled him to bequeath his theories to several generations of artists and designers, from Max Bill and Mark Rothko to Eva Hesse and Ray Johnson. Published for an exhibition at the Morgan(...)
Josef Albers in America: Painting on paper
Actions:
Price:
$66.00
(available to order)
Summary:
Josef Albers' rigorous investigations into color have had a decisive effect on art in the twentieth century and beyond. His teaching posts at the Bauhaus, Black Mountain College and Yale enabled him to bequeath his theories to several generations of artists and designers, from Max Bill and Mark Rothko to Eva Hesse and Ray Johnson. Published for an exhibition at the Morgan library, and with an abundance of previously uncollected works, this volume unveils the full bounty of Albers' works on paper: lithographs, linocuts, woodcuts, screenprints and etchings. Since the prints lack the just-visible brushwork of Albers' paintings, allowing color to emerge without surface blemish, some have argued that they constitute a more effective illustration of his color theory.
Contemporary Art Monographs
books
Description:
xv, 553 pages : illustrations ; 25 cm
New York : McGraw-Hill, [1975]
Dictionary of architecture and construction / edited by Cyril M. Harris.
Actions:
Holdings:
Description:
xv, 553 pages : illustrations ; 25 cm
books
New York : McGraw-Hill, [1975]
books
Description:
304 pages : illustrations ; 24 cm
Berlin : Sternberg Press, 2016., ©2016
Publishing as artistic practice / editing and copyediting Annette Gilbert ; texts Hannes Bajohr [and twenty-three others].
Actions:
Holdings:
Description:
304 pages : illustrations ; 24 cm
books
Berlin : Sternberg Press, 2016., ©2016
books
$145.00
(available to order)
Summary:
Hailed as the earliest precursor to photography, nature printing is the practice of using impressions from the surface of a natural object such as leaves, flowering plants, ferns, seaweed, snakes, and more to produce an image. Author Matthew Zucker has spent decades curating the most extensive collection of nature prints ever assembled, with more than 13,000 images across(...)
Capturing nature: 150 years of nature printing
Actions:
Price:
$145.00
(available to order)
Summary:
Hailed as the earliest precursor to photography, nature printing is the practice of using impressions from the surface of a natural object such as leaves, flowering plants, ferns, seaweed, snakes, and more to produce an image. Author Matthew Zucker has spent decades curating the most extensive collection of nature prints ever assembled, with more than 13,000 images across 120 rare and seminal works, including journals, published books, unique manuscripts, American currency, and instructional texts related to nature printing from 1733 to 1902. This volume explores Zucker's collection, allowing readers to see these nature prints presented side by side for the first time and enabling unique comparisons while creating a visually stunning journey through the developments over a 150-year period in printing methods, including photography with examples of cyanotypes.
books
March 2023
Fauna and flora
$35.95
(available to order)
Summary:
''Oceans'' cover more than 70 percent of the Earth’s surface, dividing and connecting humans, who carry saltwater in their blood, sweat, and tears. They also represent a powerful nonhuman force, rising, flooding, heating and raging in unprecedented ways as the climate crisis unfolds. Artists have envisioned the sea as a sublime wilderness, home to mythical creatures and(...)
Oceans: Documents of contemporary art
Actions:
Price:
$35.95
(available to order)
Summary:
''Oceans'' cover more than 70 percent of the Earth’s surface, dividing and connecting humans, who carry saltwater in their blood, sweat, and tears. They also represent a powerful nonhuman force, rising, flooding, heating and raging in unprecedented ways as the climate crisis unfolds. Artists have envisioned the sea as a sublime wilderness, home to mythical creatures and bizarre species, a source of life and death, a site of new beginnings and tragic endings, both wondrous and disastrous. From migration to melting ice caps, the sea is omnipresent in international news and politics, leaking into popular culture and proliferating in recent art and exhibitions. This anthology gathers artists and writers to address the ocean not only as a theme but as a major agent of artistic and curatorial methods.
Art Theory
$55.00
(available to order)
Summary:
a+u’s August issue continues Mauricio Pezo and Sofía von Ellrichshausen’s first monograph published 12 years ago (a+u 2013:06, no. 513). The 20 works presented here showcase the evolution of their methodology and philosophy toward the concatenation of painting and architecture. Playing with the limits of the architectural surface through explorations in geometry, Pezo von(...)
A+U 659 25:08 Pezo Ellrichshausen
Actions:
Price:
$55.00
(available to order)
Summary:
a+u’s August issue continues Mauricio Pezo and Sofía von Ellrichshausen’s first monograph published 12 years ago (a+u 2013:06, no. 513). The 20 works presented here showcase the evolution of their methodology and philosophy toward the concatenation of painting and architecture. Playing with the limits of the architectural surface through explorations in geometry, Pezo von Ellrichshausen invite the reader to consider the “architectonic picture,” not as a rigid reproduction but as a method of visualizing the self in the world amid all the world’s potentialities, where the physical eye and mind’s eye meet. Architecture, therefore, is not fixed but unpredictable, subject to the individual’s self-perception overlaid with the space and moment they occupy. Paintings by the duo allow us to enter their perception of architecture as both sensual and conceptual.
Magazines
Bird beak book
$19.95
(available to order)
Summary:
As the name suggests, crossbills have a crossed beak so they can crush pine cones and feed off the pine kernels inside. Pelicans instead use their big bucket beak to scoop up the fish and swallow them whole for a quick snack. The endless different shapes and sizes of beaks are determined by what they eat, how they eat it, the natural environment and the species they(...)
Bird beak book
Actions:
Price:
$19.95
(available to order)
Summary:
As the name suggests, crossbills have a crossed beak so they can crush pine cones and feed off the pine kernels inside. Pelicans instead use their big bucket beak to scoop up the fish and swallow them whole for a quick snack. The endless different shapes and sizes of beaks are determined by what they eat, how they eat it, the natural environment and the species they belong to. Oscar Bolton Green’s clear-cut line drawings and brilliant colours explain the many different variations with the same simplicity as the accompanying text. His immediate, essential style, with its patches of colour and clarity of line, shows how tiny hummingbirds stretch into the flowers to draw out the nectar and how graceful flamingo dips its spoon-shaped beak beneath the surface of the water.
Children's Books
$36.00
(available to order)
Summary:
We encounter the world through surfaces: the screen, the page, our skin, the ocean’s swell. Here on the sea is the surfer, positioned at the edge of the collapsing wave. And lurking underneath in a monstrous mirroring is the shark. When the two meet, carving along the surface, breaking through the boundary, is when death appears. Steering her analysis from the(...)
Sharks, death, surfers: an illustrated companion
Actions:
Price:
$36.00
(available to order)
Summary:
We encounter the world through surfaces: the screen, the page, our skin, the ocean’s swell. Here on the sea is the surfer, positioned at the edge of the collapsing wave. And lurking underneath in a monstrous mirroring is the shark. When the two meet, carving along the surface, breaking through the boundary, is when death appears. Steering her analysis from the newspaper obituary in and out of literature and past cinema, Melissa McCarthy investigates a fundamental aspect of the human condition: our state of being between life and death, always in precarious and watery balance. Sharks, Death, Surfers: An Illustrated Companion observes how sharks have been depicted over centuries and across cultures, then flips the lens (and dissects the cornea) to consider what sharks see when they look back.
Critical Theory
$20.00
(available to order)
Summary:
« Longtemps je me suis borné à penser le paysage comme une image. Je le considérais comme un arrêt sur image tout-puissant, émergence épiphanique qui absorbait pour un instant, une fois qu’elle s’était imposée, la réalité toute entière. Or, il suffit de fixer la surface de la toile et de la tourner dans l’esprit, pour découvrir derrière elle des aspects normalement(...)
L'arrière-paysage : des origines tecnologiques du paysage
Actions:
Price:
$20.00
(available to order)
Summary:
« Longtemps je me suis borné à penser le paysage comme une image. Je le considérais comme un arrêt sur image tout-puissant, émergence épiphanique qui absorbait pour un instant, une fois qu’elle s’était imposée, la réalité toute entière. Or, il suffit de fixer la surface de la toile et de la tourner dans l’esprit, pour découvrir derrière elle des aspects normalement oubliés ou occultés. Il y a, au fond de la représentation, un univers à découvrir, une épaisseur recouverte par la dernière strate, hautement visible, la seule, pourtant, à être vraiment prise en considération. Notre investigation suivra de ce fait un trajet qui mènera des technologies de la représentation à celles liées au point de vue (au positionnement du regardant), pour aboutir à une réflexion sur la construction du regard. »
Urban Theory