33366 Results
Form:
textual records
textual records
Actions:
Reference number:
AP197.S1.SS9.015
Description:
The box contains drafts, final copies, correspondence and notes for various articles, book projects, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from I-K. The largest portion of this box consists of: drafts and transcripts of interviews with Kenneth Frampton; drafts, articles, correspondence and research materials for an unpublished book project on Japanese Building Practices/Japanese Contemporary Architecture; correspondence and drafts for the Jerusalem Seminar in Architecture; and correspondence and notes for a Panos Koulermos book project. Other subjects and architects explored in these texts include Arata Isozaki, Kritsin Jaramund, Michael Kagan, Louis Kahn, Rem Koolhaas, Kengo Kuma, and Kisho Kurakawa.
AP197.S1.SS9.015
Description:
The box contains drafts, final copies, correspondence and notes for various articles, book projects, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from I-K. The largest portion of this box consists of: drafts and transcripts of interviews with Kenneth Frampton; drafts, articles, correspondence and research materials for an unpublished book project on Japanese Building Practices/Japanese Contemporary Architecture; correspondence and drafts for the Jerusalem Seminar in Architecture; and correspondence and notes for a Panos Koulermos book project. Other subjects and architects explored in these texts include Arata Isozaki, Kritsin Jaramund, Michael Kagan, Louis Kahn, Rem Koolhaas, Kengo Kuma, and Kisho Kurakawa.
People:
Date:
1985-2016
1985-2016
Title:
Kenneth Frampton writings (I-K)
Actions:
AP197.S1.SS9.015
Description:
The box contains drafts, final copies, correspondence and notes for various articles, book projects, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from I-K. The largest portion of this box consists of: drafts and transcripts of interviews with Kenneth Frampton; drafts, articles, correspondence and research materials for an unpublished book project on Japanese Building Practices/Japanese Contemporary Architecture; correspondence and drafts for the Jerusalem Seminar in Architecture; and correspondence and notes for a Panos Koulermos book project. Other subjects and architects explored in these texts include Arata Isozaki, Kritsin Jaramund, Michael Kagan, Louis Kahn, Rem Koolhaas, Kengo Kuma, and Kisho Kurakawa.
Kenneth Frampton writings (I-K)
Actions:
AP197.S1.SS9.015
Description:
The box contains drafts, final copies, correspondence and notes for various articles, book projects, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from I-K. The largest portion of this box consists of: drafts and transcripts of interviews with Kenneth Frampton; drafts, articles, correspondence and research materials for an unpublished book project on Japanese Building Practices/Japanese Contemporary Architecture; correspondence and drafts for the Jerusalem Seminar in Architecture; and correspondence and notes for a Panos Koulermos book project. Other subjects and architects explored in these texts include Arata Isozaki, Kritsin Jaramund, Michael Kagan, Louis Kahn, Rem Koolhaas, Kengo Kuma, and Kisho Kurakawa.
Form:
textual records
textual records
Date:
1985-2016
1985-2016
People:
Form:
textual records
textual records
Actions:
Reference number:
AP197.S3.012
Description:
The box is comprised of correspondence for the years 2015-2016. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to the following writings and lectures Frampton participated in: an essay for a monograph on O'Donnell + Tuomey, architects; a Nils Erik Wickberg lecture in Helinski; the Wood at Work conference; a review of George Baird's book; and Modern Architecture: a Critical History.
AP197.S3.012
Description:
The box is comprised of correspondence for the years 2015-2016. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to the following writings and lectures Frampton participated in: an essay for a monograph on O'Donnell + Tuomey, architects; a Nils Erik Wickberg lecture in Helinski; the Wood at Work conference; a review of George Baird's book; and Modern Architecture: a Critical History.
People:
Date:
2015-2016
2015-2016
Title:
Personal and professional correspondence from 2015-2016
Actions:
AP197.S3.012
Description:
The box is comprised of correspondence for the years 2015-2016. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to the following writings and lectures Frampton participated in: an essay for a monograph on O'Donnell + Tuomey, architects; a Nils Erik Wickberg lecture in Helinski; the Wood at Work conference; a review of George Baird's book; and Modern Architecture: a Critical History.
Personal and professional correspondence from 2015-2016
Actions:
AP197.S3.012
Description:
The box is comprised of correspondence for the years 2015-2016. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to the following writings and lectures Frampton participated in: an essay for a monograph on O'Donnell + Tuomey, architects; a Nils Erik Wickberg lecture in Helinski; the Wood at Work conference; a review of George Baird's book; and Modern Architecture: a Critical History.
Form:
textual records
textual records
Date:
2015-2016
2015-2016
People:
Actions:
Reference number:
PH1990:0324.01-.05
Description:
- This set is comprised of 5 portfolios, each containing 31 photographs, except for volume 1, which contains 30 photographs, and volume 5, which contains 33 photographs. The portfolios consist of boxes made from brown cloth-covered boards with brown leather-covered spines. There are gold gilt inscriptions, the including volume numbers, on the spines of each portfolio. The interiors of the boxes are lined with grey paper. The photographs are mounted in mats made of white paper and cardboard. Most of the photographs have graphite inscriptions on the verso listing the name of the residence shown and sometimes the name of the architect or interior designer.
PH1990:0324.01-.05
Description:
- This set is comprised of 5 portfolios, each containing 31 photographs, except for volume 1, which contains 30 photographs, and volume 5, which contains 33 photographs. The portfolios consist of boxes made from brown cloth-covered boards with brown leather-covered spines. There are gold gilt inscriptions, the including volume numbers, on the spines of each portfolio. The interiors of the boxes are lined with grey paper. The photographs are mounted in mats made of white paper and cardboard. Most of the photographs have graphite inscriptions on the verso listing the name of the residence shown and sometimes the name of the architect or interior designer.
People:
Subject:
architecture, interior design
architecture, interior design
Date:
between ca. 1867 and 1890
between ca. 1867 and 1890
Title:
Set of 5 portfolios, containing 155 photographs of residential architecture, by Bedford Lemere & Co., England, United Kingdom
Actions:
PH1990:0324.01-.05
Description:
- This set is comprised of 5 portfolios, each containing 31 photographs, except for volume 1, which contains 30 photographs, and volume 5, which contains 33 photographs. The portfolios consist of boxes made from brown cloth-covered boards with brown leather-covered spines. There are gold gilt inscriptions, the including volume numbers, on the spines of each portfolio. The interiors of the boxes are lined with grey paper. The photographs are mounted in mats made of white paper and cardboard. Most of the photographs have graphite inscriptions on the verso listing the name of the residence shown and sometimes the name of the architect or interior designer.
Set of 5 portfolios, containing 155 photographs of residential architecture, by Bedford Lemere & Co., England, United Kingdom
Actions:
PH1990:0324.01-.05
Description:
- This set is comprised of 5 portfolios, each containing 31 photographs, except for volume 1, which contains 30 photographs, and volume 5, which contains 33 photographs. The portfolios consist of boxes made from brown cloth-covered boards with brown leather-covered spines. There are gold gilt inscriptions, the including volume numbers, on the spines of each portfolio. The interiors of the boxes are lined with grey paper. The photographs are mounted in mats made of white paper and cardboard. Most of the photographs have graphite inscriptions on the verso listing the name of the residence shown and sometimes the name of the architect or interior designer.
Date:
between ca. 1867 and 1890
between ca. 1867 and 1890
People:
Subject:
architecture, interior design
architecture, interior design
Form:
events
events
Actions:
Description:
In this talk, titled Design the place for people to meet, Manabu Chiba will explain his approach to design with an emphasis on realizing architecture as a facilitator for new place-to-place, person-to-person and people-to-place interactions. His work attempts to reveal the context of a site and create formal simplicity, in order to nurture relationships among(...)
In this talk, titled Design the place for people to meet, Manabu Chiba will explain his approach to design with an emphasis on realizing architecture as a facilitator for new place-to-place, person-to-person and people-to-place interactions. His work attempts to reveal the context of a site and create formal simplicity, in order to nurture relationships among(...)
Date:
11 February 2016
11 February 2016
Title:
Manabu Chiba wants to speak with you
Actions:
Description:
In this talk, titled Design the place for people to meet, Manabu Chiba will explain his approach to design with an emphasis on realizing architecture as a facilitator for new place-to-place, person-to-person and people-to-place interactions. His work attempts to reveal the context of a site and create formal simplicity, in order to nurture relationships among(...)
Manabu Chiba wants to speak with you
Actions:
Description:
In this talk, titled Design the place for people to meet, Manabu Chiba will explain his approach to design with an emphasis on realizing architecture as a facilitator for new place-to-place, person-to-person and people-to-place interactions. His work attempts to reveal the context of a site and create formal simplicity, in order to nurture relationships among(...)
Form:
events
events
Date:
11 February 2016
11 February 2016
Form:
events
events
Actions:
Description:
American artist Amie Siegel’s moving image work Provenance (2013) follows the global trade of furniture from Chandigarh in reverse: from the homes of collectors in Europe and North America to sale at auction, restoration, through overseas transport and finally back to India. Originally designed by Le Corbusier and Pierre Jeanneret, the Chandigarh furniture now sells(...)
American artist Amie Siegel’s moving image work Provenance (2013) follows the global trade of furniture from Chandigarh in reverse: from the homes of collectors in Europe and North America to sale at auction, restoration, through overseas transport and finally back to India. Originally designed by Le Corbusier and Pierre Jeanneret, the Chandigarh furniture now sells(...)
Date:
24 April 2014 , 6pm
24 April 2014 , 6pm
Title:
Artist’s Talk: Amie Siegel, Provenance
Actions:
Description:
American artist Amie Siegel’s moving image work Provenance (2013) follows the global trade of furniture from Chandigarh in reverse: from the homes of collectors in Europe and North America to sale at auction, restoration, through overseas transport and finally back to India. Originally designed by Le Corbusier and Pierre Jeanneret, the Chandigarh furniture now sells(...)
Artist’s Talk: Amie Siegel, Provenance
Actions:
Description:
American artist Amie Siegel’s moving image work Provenance (2013) follows the global trade of furniture from Chandigarh in reverse: from the homes of collectors in Europe and North America to sale at auction, restoration, through overseas transport and finally back to India. Originally designed by Le Corbusier and Pierre Jeanneret, the Chandigarh furniture now sells(...)
Form:
events
events
Date:
24 April 2014
6pm
24 April 2014
6pm
Level of archival description:
Series
Series
Title:
Architectural Projects
Architectural Projects
Reference number:
AP153.S1
Description:
Series documents Douglas Kelbaugh's architectual projects in United States as partner in his architectural firm, the Kelbaugh + Lee Architects, based in Princeton, New Jersey, between 1973 and 1985, and also some of his later projects including as a design consultat for Dale Chihuly, until the mid 1990s. The series includes projects like the Kelbaugh House in Princeton, New Jersey, the Milford Solar Conservation Center in Milford, Pennsylvania, the Roosevelt Senior Citizen Housing Development in Roosevelt, New Jersey, or Kelbaugh + Lee project for the competiton for the Cultural Arts Pavilion in Newport News, Virginia. The material in this series was produced between 1970 and 2008. The series contains drawings and reprographic copies of conceptual drawings, design developement drawings, working drawings and presentation drawings. The series also contains textual records and photographic materials related to the architectural projects, presentation panels and some serials.
AP153.S1
Description:
Series documents Douglas Kelbaugh's architectual projects in United States as partner in his architectural firm, the Kelbaugh + Lee Architects, based in Princeton, New Jersey, between 1973 and 1985, and also some of his later projects including as a design consultat for Dale Chihuly, until the mid 1990s. The series includes projects like the Kelbaugh House in Princeton, New Jersey, the Milford Solar Conservation Center in Milford, Pennsylvania, the Roosevelt Senior Citizen Housing Development in Roosevelt, New Jersey, or Kelbaugh + Lee project for the competiton for the Cultural Arts Pavilion in Newport News, Virginia. The material in this series was produced between 1970 and 2008. The series contains drawings and reprographic copies of conceptual drawings, design developement drawings, working drawings and presentation drawings. The series also contains textual records and photographic materials related to the architectural projects, presentation panels and some serials.
People:
Date:
1970-1996
1970-1996
Title:
Architectural Projects
Actions:
AP153.S1
Description:
Series documents Douglas Kelbaugh's architectual projects in United States as partner in his architectural firm, the Kelbaugh + Lee Architects, based in Princeton, New Jersey, between 1973 and 1985, and also some of his later projects including as a design consultat for Dale Chihuly, until the mid 1990s. The series includes projects like the Kelbaugh House in Princeton, New Jersey, the Milford Solar Conservation Center in Milford, Pennsylvania, the Roosevelt Senior Citizen Housing Development in Roosevelt, New Jersey, or Kelbaugh + Lee project for the competiton for the Cultural Arts Pavilion in Newport News, Virginia. The material in this series was produced between 1970 and 2008. The series contains drawings and reprographic copies of conceptual drawings, design developement drawings, working drawings and presentation drawings. The series also contains textual records and photographic materials related to the architectural projects, presentation panels and some serials.
Architectural Projects
Actions:
AP153.S1
Description:
Series documents Douglas Kelbaugh's architectual projects in United States as partner in his architectural firm, the Kelbaugh + Lee Architects, based in Princeton, New Jersey, between 1973 and 1985, and also some of his later projects including as a design consultat for Dale Chihuly, until the mid 1990s. The series includes projects like the Kelbaugh House in Princeton, New Jersey, the Milford Solar Conservation Center in Milford, Pennsylvania, the Roosevelt Senior Citizen Housing Development in Roosevelt, New Jersey, or Kelbaugh + Lee project for the competiton for the Cultural Arts Pavilion in Newport News, Virginia. The material in this series was produced between 1970 and 2008. The series contains drawings and reprographic copies of conceptual drawings, design developement drawings, working drawings and presentation drawings. The series also contains textual records and photographic materials related to the architectural projects, presentation panels and some serials.
Level of archival description:
Series 1
Series 1
Date:
1970-1996
1970-1996
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1968.PR05
Description:
This project series documents the College E building at York University in North York, Ontario from 1968-1969. The office identified the project number as 68007. This project, referred to as College E Academic and Dining Complex, consisted of a three-level building with a basement and mechanical penthouse. This project was built by John B. Parkin Associates, in a joint venture with Gordon S. Adamson Associates and Shore & Moffat and Partners. These three architecture firms formed a joint venture known as UPACE (University Planners Architects And Consulting Engineer). This project was part of a larger master plan by UPACE, which built more than a dozen buildings for the university during this time. The project is recorded through reprographic copies of drawings dating from 1969. These were a set of construction plans, details, elevations, sections, schedules and mechanical, electrical and structural drawings.
AP018.S1.1968.PR05
Description:
This project series documents the College E building at York University in North York, Ontario from 1968-1969. The office identified the project number as 68007. This project, referred to as College E Academic and Dining Complex, consisted of a three-level building with a basement and mechanical penthouse. This project was built by John B. Parkin Associates, in a joint venture with Gordon S. Adamson Associates and Shore & Moffat and Partners. These three architecture firms formed a joint venture known as UPACE (University Planners Architects And Consulting Engineer). This project was part of a larger master plan by UPACE, which built more than a dozen buildings for the university during this time. The project is recorded through reprographic copies of drawings dating from 1969. These were a set of construction plans, details, elevations, sections, schedules and mechanical, electrical and structural drawings.
People:
Date:
1969
1969
Title:
York University, Second College Complex, College E Academic and Dining Building, York, Ontario (1968-1969)
Actions:
AP018.S1.1968.PR05
Description:
This project series documents the College E building at York University in North York, Ontario from 1968-1969. The office identified the project number as 68007. This project, referred to as College E Academic and Dining Complex, consisted of a three-level building with a basement and mechanical penthouse. This project was built by John B. Parkin Associates, in a joint venture with Gordon S. Adamson Associates and Shore & Moffat and Partners. These three architecture firms formed a joint venture known as UPACE (University Planners Architects And Consulting Engineer). This project was part of a larger master plan by UPACE, which built more than a dozen buildings for the university during this time. The project is recorded through reprographic copies of drawings dating from 1969. These were a set of construction plans, details, elevations, sections, schedules and mechanical, electrical and structural drawings.
York University, Second College Complex, College E Academic and Dining Building, York, Ontario (1968-1969)
Actions:
AP018.S1.1968.PR05
Description:
This project series documents the College E building at York University in North York, Ontario from 1968-1969. The office identified the project number as 68007. This project, referred to as College E Academic and Dining Complex, consisted of a three-level building with a basement and mechanical penthouse. This project was built by John B. Parkin Associates, in a joint venture with Gordon S. Adamson Associates and Shore & Moffat and Partners. These three architecture firms formed a joint venture known as UPACE (University Planners Architects And Consulting Engineer). This project was part of a larger master plan by UPACE, which built more than a dozen buildings for the university during this time. The project is recorded through reprographic copies of drawings dating from 1969. These were a set of construction plans, details, elevations, sections, schedules and mechanical, electrical and structural drawings.
Level of archival description:
Project
Project
Date:
1969
1969
People:
Level of archival description:
Project
Project
Actions:
Reference number:
CI005.S1.1925.PR1
Description:
The Rotterdam building inspectorate, Bouwpolite & Woningdienst, rejected the original plans for the design of the Café de Unie by a private developer, and instead commissioned Oud, as municipal architect, to design the building on Calandplein. This design marked a departure for Oud from public and private buildings to the design of a commercial building. Oud's design incorporated advertisement from its conception as he designed a facade of boards, cement, and glass with an illuminated sign – this was in keeping with the contemporary aesthetic of De Stijl, which explored creative uses of advertisement. Oud designed the signs to be turned inward, to draw attention away from the surrounding buildings, and incorporated bright colours (Taverne et al. 2001, 342). Project series includes drawings of plans as well as photographs of exterior views and of the principal facade of the Café de Unie.
CI005.S1.1925.PR1
Description:
The Rotterdam building inspectorate, Bouwpolite & Woningdienst, rejected the original plans for the design of the Café de Unie by a private developer, and instead commissioned Oud, as municipal architect, to design the building on Calandplein. This design marked a departure for Oud from public and private buildings to the design of a commercial building. Oud's design incorporated advertisement from its conception as he designed a facade of boards, cement, and glass with an illuminated sign – this was in keeping with the contemporary aesthetic of De Stijl, which explored creative uses of advertisement. Oud designed the signs to be turned inward, to draw attention away from the surrounding buildings, and incorporated bright colours (Taverne et al. 2001, 342). Project series includes drawings of plans as well as photographs of exterior views and of the principal facade of the Café de Unie.
People:
Date:
1925
1925
Title:
Café de Unie, Rotterdam, Netherlands (1925)
Actions:
CI005.S1.1925.PR1
Description:
The Rotterdam building inspectorate, Bouwpolite & Woningdienst, rejected the original plans for the design of the Café de Unie by a private developer, and instead commissioned Oud, as municipal architect, to design the building on Calandplein. This design marked a departure for Oud from public and private buildings to the design of a commercial building. Oud's design incorporated advertisement from its conception as he designed a facade of boards, cement, and glass with an illuminated sign – this was in keeping with the contemporary aesthetic of De Stijl, which explored creative uses of advertisement. Oud designed the signs to be turned inward, to draw attention away from the surrounding buildings, and incorporated bright colours (Taverne et al. 2001, 342). Project series includes drawings of plans as well as photographs of exterior views and of the principal facade of the Café de Unie.
Café de Unie, Rotterdam, Netherlands (1925)
Actions:
CI005.S1.1925.PR1
Description:
The Rotterdam building inspectorate, Bouwpolite & Woningdienst, rejected the original plans for the design of the Café de Unie by a private developer, and instead commissioned Oud, as municipal architect, to design the building on Calandplein. This design marked a departure for Oud from public and private buildings to the design of a commercial building. Oud's design incorporated advertisement from its conception as he designed a facade of boards, cement, and glass with an illuminated sign – this was in keeping with the contemporary aesthetic of De Stijl, which explored creative uses of advertisement. Oud designed the signs to be turned inward, to draw attention away from the surrounding buildings, and incorporated bright colours (Taverne et al. 2001, 342). Project series includes drawings of plans as well as photographs of exterior views and of the principal facade of the Café de Unie.
Level of archival description:
project
project
Date:
1925
1925
People:
Level of archival description:
Project
Project
Actions:
Reference number:
CI005.S1.1949.PR1
Description:
Vredenburg Square – originally designed by H.P. Berlage in 1919 – had become problematic for traffic congestion; the problem was compounded by the erection of the Jaarbeurs Exhibition Complex. Utrecht city council commissioned Oud to design a square with architect C. Wegener Sleeswijk. Oud modified Sleeswijk's original expansion plan to create a design for a twelve-storey tower block that would take up less space and open up the southeast side of the square. In addition to the Jaarbeurs tower, Oud suggested placing more emphasis on the square's entrance. Oud also modified the traffic routes and created a semi-circular facade across from a secretariat. Although the city council approved Oud's plan in 1951, his design was unrealized as the council ultimately commissioned another architectural firm's design (Taverne et al. 2001, 472-473). Project series includes plans for the Vredenburg development.
CI005.S1.1949.PR1
Description:
Vredenburg Square – originally designed by H.P. Berlage in 1919 – had become problematic for traffic congestion; the problem was compounded by the erection of the Jaarbeurs Exhibition Complex. Utrecht city council commissioned Oud to design a square with architect C. Wegener Sleeswijk. Oud modified Sleeswijk's original expansion plan to create a design for a twelve-storey tower block that would take up less space and open up the southeast side of the square. In addition to the Jaarbeurs tower, Oud suggested placing more emphasis on the square's entrance. Oud also modified the traffic routes and created a semi-circular facade across from a secretariat. Although the city council approved Oud's plan in 1951, his design was unrealized as the council ultimately commissioned another architectural firm's design (Taverne et al. 2001, 472-473). Project series includes plans for the Vredenburg development.
People:
Date:
1949-1961
1949-1961
Title:
Urban Design, Vredenburg Mixed-Use Development, Utrecht, Netherlands (1949-1961)
Actions:
CI005.S1.1949.PR1
Description:
Vredenburg Square – originally designed by H.P. Berlage in 1919 – had become problematic for traffic congestion; the problem was compounded by the erection of the Jaarbeurs Exhibition Complex. Utrecht city council commissioned Oud to design a square with architect C. Wegener Sleeswijk. Oud modified Sleeswijk's original expansion plan to create a design for a twelve-storey tower block that would take up less space and open up the southeast side of the square. In addition to the Jaarbeurs tower, Oud suggested placing more emphasis on the square's entrance. Oud also modified the traffic routes and created a semi-circular facade across from a secretariat. Although the city council approved Oud's plan in 1951, his design was unrealized as the council ultimately commissioned another architectural firm's design (Taverne et al. 2001, 472-473). Project series includes plans for the Vredenburg development.
Urban Design, Vredenburg Mixed-Use Development, Utrecht, Netherlands (1949-1961)
Actions:
CI005.S1.1949.PR1
Description:
Vredenburg Square – originally designed by H.P. Berlage in 1919 – had become problematic for traffic congestion; the problem was compounded by the erection of the Jaarbeurs Exhibition Complex. Utrecht city council commissioned Oud to design a square with architect C. Wegener Sleeswijk. Oud modified Sleeswijk's original expansion plan to create a design for a twelve-storey tower block that would take up less space and open up the southeast side of the square. In addition to the Jaarbeurs tower, Oud suggested placing more emphasis on the square's entrance. Oud also modified the traffic routes and created a semi-circular facade across from a secretariat. Although the city council approved Oud's plan in 1951, his design was unrealized as the council ultimately commissioned another architectural firm's design (Taverne et al. 2001, 472-473). Project series includes plans for the Vredenburg development.
Level of archival description:
project
project
Date:
1949-1961
1949-1961
People:
Level of archival description:
Project
Project
Actions:
Reference number:
CI005.S1.1952.PR1
Description:
Oud was commissioned by the Bio Holiday Centre Foundation to create a rehabilitation centre for under-privileged children. While Oud was appointed as the sole project architect, he was advised by a committee of health care workers and a national construction advisory body, Bouwcentrum. Oud used the Bouwcentrum blueprint as a basis for his design. Oud's design featured pavilions, accommodation for 120 patients, staff accommodation, a sports building and a clinic. Ten pavilions were dedicated to children's accommodation. In Oud's revised plan of 1955, the main building, boiler house and sports building were prominently displayed and flanked by the pavilions. The boiler house/caretaker's dwelling were prominently positioned according to the client's wishes. Although Oud designed a chapel, it was not built (Taverne et al. 2001, 511-514). Project series contains a photograph of exterior view of the Bio Convalescent Centre
CI005.S1.1952.PR1
Description:
Oud was commissioned by the Bio Holiday Centre Foundation to create a rehabilitation centre for under-privileged children. While Oud was appointed as the sole project architect, he was advised by a committee of health care workers and a national construction advisory body, Bouwcentrum. Oud used the Bouwcentrum blueprint as a basis for his design. Oud's design featured pavilions, accommodation for 120 patients, staff accommodation, a sports building and a clinic. Ten pavilions were dedicated to children's accommodation. In Oud's revised plan of 1955, the main building, boiler house and sports building were prominently displayed and flanked by the pavilions. The boiler house/caretaker's dwelling were prominently positioned according to the client's wishes. Although Oud designed a chapel, it was not built (Taverne et al. 2001, 511-514). Project series contains a photograph of exterior view of the Bio Convalescent Centre
People:
Date:
1952-1960
1952-1960
Title:
Bio Convalescent Centre for Children, Arnheim, Netherlands (1952-1960)
Actions:
CI005.S1.1952.PR1
Description:
Oud was commissioned by the Bio Holiday Centre Foundation to create a rehabilitation centre for under-privileged children. While Oud was appointed as the sole project architect, he was advised by a committee of health care workers and a national construction advisory body, Bouwcentrum. Oud used the Bouwcentrum blueprint as a basis for his design. Oud's design featured pavilions, accommodation for 120 patients, staff accommodation, a sports building and a clinic. Ten pavilions were dedicated to children's accommodation. In Oud's revised plan of 1955, the main building, boiler house and sports building were prominently displayed and flanked by the pavilions. The boiler house/caretaker's dwelling were prominently positioned according to the client's wishes. Although Oud designed a chapel, it was not built (Taverne et al. 2001, 511-514). Project series contains a photograph of exterior view of the Bio Convalescent Centre
Bio Convalescent Centre for Children, Arnheim, Netherlands (1952-1960)
Actions:
CI005.S1.1952.PR1
Description:
Oud was commissioned by the Bio Holiday Centre Foundation to create a rehabilitation centre for under-privileged children. While Oud was appointed as the sole project architect, he was advised by a committee of health care workers and a national construction advisory body, Bouwcentrum. Oud used the Bouwcentrum blueprint as a basis for his design. Oud's design featured pavilions, accommodation for 120 patients, staff accommodation, a sports building and a clinic. Ten pavilions were dedicated to children's accommodation. In Oud's revised plan of 1955, the main building, boiler house and sports building were prominently displayed and flanked by the pavilions. The boiler house/caretaker's dwelling were prominently positioned according to the client's wishes. Although Oud designed a chapel, it was not built (Taverne et al. 2001, 511-514). Project series contains a photograph of exterior view of the Bio Convalescent Centre
Level of archival description:
project
project
Date:
1952-1960
1952-1960
People:
