On Cosmogonic Eros
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Ludwig Klages' 1922 book, ''On Cosmogonic Eros'' ( ''Vom kosmogonischen Eros''), delves into the realms of mythology, the esotericism of ancient mystery cults, and the science of consciousness to construct a profound metaphysics of life. At its core, Klages presents Eros as an "Eros of distance," from which springs forth the essence of ecstasy and de-selfing. This(...)
On Cosmogonic Eros
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Ludwig Klages' 1922 book, ''On Cosmogonic Eros'' ( ''Vom kosmogonischen Eros''), delves into the realms of mythology, the esotericism of ancient mystery cults, and the science of consciousness to construct a profound metaphysics of life. At its core, Klages presents Eros as an "Eros of distance," from which springs forth the essence of ecstasy and de-selfing. This intriguing concept suggests that experiencing separation and distance can lead to extraordinary states of transcendent bliss and a dissolution of the self. Furthermore, Klages argues that this ecstatic experience serves as the foundation for the emergence of symbolism, the cult of the dead, ancestor worship, as well as the creation of original poetry and art. Klages' work offers a concise and engaging exploration of these key concepts, intertwining mythology, esoteric knowledge, and the study of consciousness to illuminate the enigmatic nature of life and the transformative power of Eros.
Critical Theory
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a+u’s March issue interrogates sacredness and how it manifests in architectural space. Taking examples from religious works of architecture in different parts of the globe, such as Saint Pius Church in Switzerland and Bait Ur Rouf mosque in Bangladesh, this issue endeavors to establish a language of light and shadow, materiality, and scale. The notion of "sacred space" is(...)
A+U 654 25:03 Reinterpretations of Sacredness Generative AI within Architecture
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a+u’s March issue interrogates sacredness and how it manifests in architectural space. Taking examples from religious works of architecture in different parts of the globe, such as Saint Pius Church in Switzerland and Bait Ur Rouf mosque in Bangladesh, this issue endeavors to establish a language of light and shadow, materiality, and scale. The notion of "sacred space" is further complicated by the introduction of AI. Guest editor Erwin Viray, using the theme of "sacred space," introduces generative AI tools that not only illuminate the direction that architectural design may take, but also confront human sensibilities and shared ideas about architectural space. Continuing this exploration, 14 nonreligious projects, such as Luis Barragán’s Barragán House, Álvaro Siza’s Tidal Pools of Leça da Palmeira, and Anne Holtrop’s Pearl Museum, ponder how this sense of sacredness, feelings of awe and serenity, can be introduced into our everyday lives.
Magazines
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"Lots of parking" examines a neglected aspect of this rise of the automobile: the impact on America not of cars in motion but of cars at rest. While most studies have tended to focus on highway construction and engineering improvements to accommodate increasing flow and the desire for speed, John A. Jakle and Keith A. Sculle examine a fundamental feature of the urban,(...)
Urban Theory
July 2005, Charlottesville / London
Lots of parking : land use in a car culture
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"Lots of parking" examines a neglected aspect of this rise of the automobile: the impact on America not of cars in motion but of cars at rest. While most studies have tended to focus on highway construction and engineering improvements to accommodate increasing flow and the desire for speed, John A. Jakle and Keith A. Sculle examine a fundamental feature of the urban, and suburban, scene—the parking lot. Their lively and exhaustive exploration traces the history of parking from the curbside to the rise of public and commercial parking lots and garages and the concomitant demolition of the old pedestrian-oriented urban infrastructure. In an accessible style enhanced by a range of interesting and unusual illustrations, Jakle and Sculle discuss the role of parking in downtown revitalization efforts and, by contrast, its role in the promotion of outlying suburban shopping districts and its incorporation into our neighborhoods and residences.
Urban Theory
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Not just another book on architecture and design: Atmosphere invites, encourages and motivates. It goes beyond the basic components of form, colour and material to identify and explore seven atmospheric layers that not only exist simultaneously but owing to their fleeting nature can easily merge to form new combinations, over and over again: Almost Alive, Fields of(...)
Industrial Design
September 2007, Basel, Boston, Berlin
Atmosphere: The shape of things to come
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Not just another book on architecture and design: Atmosphere invites, encourages and motivates. It goes beyond the basic components of form, colour and material to identify and explore seven atmospheric layers that not only exist simultaneously but owing to their fleeting nature can easily merge to form new combinations, over and over again: Almost Alive, Fields of Colour, Drawing the Line, In the Mix, Form Follows Fold, Handicraft 2.0, Down to Earth. Atmosphere is a seven-part exploration of the themes that spark creative work. It delves into a renewed interest in handicrafts, into creases and crinkles as generators of form, into nature as an inexhaustible source of inspiration. Learn how designers deal with the chill perfection of CAD and how they counter a period of baroque extravagance. Each chapter is lavishly illustrated with recent work by top designers, architects and artists. Atmosphere will pump oxygen into future projects including yours.
Industrial Design
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This book is the first extended study of the life and work of German-born Venezuelan artist Gertrude Goldschmidt (1912–94), known as Gego. In locating the artist’s contribution to postwar art and her important place in the global conversations around modernity, Mónica Amor explores her intermedial practice as a model of cultural complexity at the ''edge of modernity.'' In(...)
Gego: Weaving the space between
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This book is the first extended study of the life and work of German-born Venezuelan artist Gertrude Goldschmidt (1912–94), known as Gego. In locating the artist’s contribution to postwar art and her important place in the global conversations around modernity, Mónica Amor explores her intermedial practice as a model of cultural complexity at the ''edge of modernity.'' In situating Gego’s work alongside other local archives and against her European education and global reception, Amor offers a monographic model that complicates traditional approaches to history. She investigates the full range of Gego’s work, including her furniture workshop, her teaching at schools of architecture and design, her seminal reticuláreas, and her lesser-known prints. Through rigorous archival research, formal analysis, theoretical relevance, and deep exploration of historical context, this essential book unpacks Gego’s radical recasting of the modern sculptural project through her engagement with architecture, craft, and design pedagogy.
Contemporary Art Monographs
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This international exploration of Jewish and Holocaust museums, modern synagogues, Jewish community centers and schools demonstrates how these important structures lend architectural shape to the Jewish identity. Architects commissioned to build religious-based structures are uniquely responsible to the history and values of the community they represent. Nowhere is this(...)
Architecture since 1900, Europe
April 2004, Munich
Jewish identity in contemporary architecture
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This international exploration of Jewish and Holocaust museums, modern synagogues, Jewish community centers and schools demonstrates how these important structures lend architectural shape to the Jewish identity. Architects commissioned to build religious-based structures are uniquely responsible to the history and values of the community they represent. Nowhere is this more evident than within the Jewish structures of the late twentieth and early twenty-first centuries, a time of disruption, destruction, immigration, and reconstruction of Jewish society. Accompanying a touring exhibition, this important work demonstrates the fundamental differences among fifteen museums, synagogues, community centers and schools throughout the world. It covers sites in America, where the architecture of Jewish institutions looks back on a legacy of uninterrupted development; in Israel, where the great wave of immigration adopted modernist as well as Mediterranean traditions; and in Europe, where rebuilding and reconciliation attempt to balance a history of pain and tragedy.
Architecture since 1900, Europe
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The anatomy of our bodies invites sitting; but do we design seats in the same way? Has our means of sitting been colonized by modern design? And how is the culturally various act of sitting itself reflected in this functional commodity? Italian artist Matteo Guarnaccia’s (born 1993) ''Cross cultural chairs'' is a research-based design project ''about the cultural context(...)
Cross cultural chairs: 8 chairs from 8 countries. Diversifying modern seating
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The anatomy of our bodies invites sitting; but do we design seats in the same way? Has our means of sitting been colonized by modern design? And how is the culturally various act of sitting itself reflected in this functional commodity? Italian artist Matteo Guarnaccia’s (born 1993) ''Cross cultural chairs'' is a research-based design project ''about the cultural context of furniture, understanding how globalization is shaping design around the world.'' He writes, ''it’s an exploration that lies between social and technical aspects of chairs.'' To execute this project, Guarnaccia visited eight different countries to conduct research and talk to local design studios, ultimately collaborating with them to portray each culture in the form of a chair. Cross Cultural Chairs plumbs the hidden depths of furniture design and the ways in which cultural norms assert themselves through functional commodities, opening up a conversation about identity, community and expression through chairs.
Industrial Design
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This cookbook by Taiwanese artist Pei-Ying Lin (born 1986) is an illustrated guide that showcases how ever-changing viruses affect our sense of taste. The core concept of ''Virophilia'' involves experiencing the viruses in food. Her performances combine different selections of recipes that use the viruses in different ways. The audience eats while listening to stories(...)
Pei-Ying Lin: Virophilia, 2070 revised edition of the postnatural cookbook
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This cookbook by Taiwanese artist Pei-Ying Lin (born 1986) is an illustrated guide that showcases how ever-changing viruses affect our sense of taste. The core concept of ''Virophilia'' involves experiencing the viruses in food. Her performances combine different selections of recipes that use the viruses in different ways. The audience eats while listening to stories about the viruses. Since 2055, viruses have become an important part of our everyday food culture. Those born before 2015 may still remember the fear of the natural order that the coronavirus brought us, but since 2055 we have known that such fear is also irresistibly tasty. Viruses that were once exclusive to the research and medical realms are now constitutive of our natural habitat. Pei-Ying Lin, currently based in the Netherlands, has recently been focusing on boundaries (invisible/visible, living/nonliving) and building tools and methods that facilitate their exploration.
Contemporary Art Monographs
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Into the Sunset examines how photography has pictured, established and transformed the idea of the American West, from 1850 to the present. The development of photography coincided with the exploration and settlement of the West, and this simultaneous growth resulted in a complex relationship that has shaped the perception of that region's physical and social landscape to(...)
Into the sunset: photography's image of the american west
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Into the Sunset examines how photography has pictured, established and transformed the idea of the American West, from 1850 to the present. The development of photography coincided with the exploration and settlement of the West, and this simultaneous growth resulted in a complex relationship that has shaped the perception of that region's physical and social landscape to this day. Published to accompany a major exhibition at The Museum of Modern Art, New York, Into the Sunset charts changing myths and cultural attitudes about the West through photographs dating from the nineteenth to the twenty-first centuries. An expansive and dynamic survey, it brings together photographers as diverse as Carleton E. Watkins and Stephen Shore, Darius Kinsey and Dorothea Lange, Robert Frank and Cindy Sherman, an unknown daguerreotypist and Richard Prince. More than 120 works are organized thematically to highlight the artists' differing views of the West's land and people.
Theory of Photography
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This compendium of essays and projects presents a confrontation of radically dissimilar projects which underscores the exploration of architectural empowerment at the core of the office’s work. Four themes are presented in four volumes: Cultural Resistance, Occupying Earth, Public Prerogatives, and Territory and Transgressions. Architects build in and for a system that(...)
Oualalou +Choi: Territories of disobedience
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This compendium of essays and projects presents a confrontation of radically dissimilar projects which underscores the exploration of architectural empowerment at the core of the office’s work. Four themes are presented in four volumes: Cultural Resistance, Occupying Earth, Public Prerogatives, and Territory and Transgressions. Architects build in and for a system that is not only pathological, but toxic. It is ruining the only planet we have, and we are clearly at the end of what is still possible within this ecology. The architecture presented in this book is a form of resistance – one which actively engages in the societies and territories it is inscribed in and which presents an antidote to the accelerating banalization of our everyday environments. The search for singularity is not a search for formal distinction or a fetishism of the architectural object, but instead the desire to inscribe oneself into a unique territory and moment in time.
Architecture Monographs