E pour École
What could a school in Montréal look like? During March Break, families are invited to come and explore how the design of school spaces can create a feeling of belonging and inspire learning. Work together to build a model that translates your dreams into reality.
8 March 2013
E pour École
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Description:
What could a school in Montréal look like? During March Break, families are invited to come and explore how the design of school spaces can create a feeling of belonging and inspire learning. Work together to build a model that translates your dreams into reality.
Sub-series
AP075.S3.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's involvement in professionnal associations or other professionnal engagements related to architecture, urban planning, environment or art and design from the early 1950s to the end of the 2010s. It related to Oberlander's membership to associations and committees, like the National Capital Commission or the Smith College Botanic Garden Committee. It also comprises Oberlander involvement in various jury selections, including for design competitions, such as the Nathan Phillips Square Revitalization design competition in the mid-2000s. Sub-series also documents Oberlander attendance to conferences or seminars, such as landscape architects associations or conferences on sustainable development. The sub-series also contains records of conferences and talks Oberlander gave, either about her projects, on landscape architecture, on play and play environments, or on sustainable architecture. It also includes Oberlander's research and writings for her own publications or articles she wrote. The sub-series contains documents related to associations and committees, such as correspondence, Oberlander's notes and minutes of meetings. It contains documents related to her for jury selection work, such as invitation to participate to a jury selection, correspondence, and documents related to the selection process. The sub-series also comprises Oberlander's documents from her attendance to conferences and seminars, such as correspondence, event planning, travel organization, and conferences proceedings. Documents related to talks and conferences given by Oberlander comprises research material, Oberlander's notes, draft and final versions of texts, and a few photographs or sound and video recording of the events. Finally, the sub-series contains Oberlander's writtings, such as her research, draft versions of her writings and correspondence.
1949-2019
Professional associations and engagements
Actions:
AP075.S3.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's involvement in professionnal associations or other professionnal engagements related to architecture, urban planning, environment or art and design from the early 1950s to the end of the 2010s. It related to Oberlander's membership to associations and committees, like the National Capital Commission or the Smith College Botanic Garden Committee. It also comprises Oberlander involvement in various jury selections, including for design competitions, such as the Nathan Phillips Square Revitalization design competition in the mid-2000s. Sub-series also documents Oberlander attendance to conferences or seminars, such as landscape architects associations or conferences on sustainable development. The sub-series also contains records of conferences and talks Oberlander gave, either about her projects, on landscape architecture, on play and play environments, or on sustainable architecture. It also includes Oberlander's research and writings for her own publications or articles she wrote. The sub-series contains documents related to associations and committees, such as correspondence, Oberlander's notes and minutes of meetings. It contains documents related to her for jury selection work, such as invitation to participate to a jury selection, correspondence, and documents related to the selection process. The sub-series also comprises Oberlander's documents from her attendance to conferences and seminars, such as correspondence, event planning, travel organization, and conferences proceedings. Documents related to talks and conferences given by Oberlander comprises research material, Oberlander's notes, draft and final versions of texts, and a few photographs or sound and video recording of the events. Finally, the sub-series contains Oberlander's writtings, such as her research, draft versions of her writings and correspondence.
Sub-series
1949-2019
Series
Max Taut
AP162.S9
Description:
Series documents the contribution of architect Max Taut to the correspondence circle of Die gläserne Kette, with Max Taut writing under the pseudonym Kein Name. Born in 1884 in Königsberg, Germany, Max Taut trained in carpentry and building before working in an architectural firm in Karlsruhe, Germany. In 1911, he worked independently, and later shared a practice with his brother Bruno Taut and Franz Hoffman (who joined them after 1914). His first architectural projects consisted primarily of schools. After his military service from 1914 to 1918, Max Taut joined the Arbeisrat für Kunst and the Novembersgruppe. After the First World War, he undertook several architectural projects, both private and public commissions such as housing and office buildings (mainly in Berlin), and also worked on projects for exhibitions. Unable to pratice during the Nazi Regime and the Second World War, Max Taut return to his architectural practice after the war and taught as a professor of architecture at the Hochschule für bildende Kunst in Berlin from 1945 to 1954. He undertook mainly housing development projects during this period. He died in Berlin in 1967. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Max Taut to the Die gläserne Kette circle and related drawings. The series also includes photographic materials of some of his architectural projects.
circa 1919 -1920
Max Taut
Actions:
AP162.S9
Description:
Series documents the contribution of architect Max Taut to the correspondence circle of Die gläserne Kette, with Max Taut writing under the pseudonym Kein Name. Born in 1884 in Königsberg, Germany, Max Taut trained in carpentry and building before working in an architectural firm in Karlsruhe, Germany. In 1911, he worked independently, and later shared a practice with his brother Bruno Taut and Franz Hoffman (who joined them after 1914). His first architectural projects consisted primarily of schools. After his military service from 1914 to 1918, Max Taut joined the Arbeisrat für Kunst and the Novembersgruppe. After the First World War, he undertook several architectural projects, both private and public commissions such as housing and office buildings (mainly in Berlin), and also worked on projects for exhibitions. Unable to pratice during the Nazi Regime and the Second World War, Max Taut return to his architectural practice after the war and taught as a professor of architecture at the Hochschule für bildende Kunst in Berlin from 1945 to 1954. He undertook mainly housing development projects during this period. He died in Berlin in 1967. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Max Taut to the Die gläserne Kette circle and related drawings. The series also includes photographic materials of some of his architectural projects.
series
circa 1919 -1920
photographs
Quantity:
22 photograph(s)
ARCH265118
Description:
The group consist chiefly of views of monuments and statues in Québec, including the statue of de Maisonneuve at the Place d'Armes in Montréal and the Madeleine de Verchères monument in Verchères. There are also several views of monuments in Ottawa and one view of Grand Pré Park in Nova Scotia. Several of the subjects are the work of artist Louis-Philippe Hébert. There is one photograph of the tablet erected at Sainte-Sophie d'Halifax by the Department of Mines and Resources to commemorate the birthplace of Louis-Philippe Hébert (accompanied by a letter from the Lands, Parks and Forests Branch of the Department of Mines and Resources). There is one photograph of the painting by Robert Harris of O.R. Jacobi, accompanied by a letter on letterhead of the National Gallery of Canada. The group includes a memo from the Can.Govt. Motion Picture Bureau dated Feb. 22, 1938. There are stamps and/or inscriptions on several of the photographs.
circa 1927-1946
Views of monuments and statues in Québec
Actions:
ARCH265118
Description:
The group consist chiefly of views of monuments and statues in Québec, including the statue of de Maisonneuve at the Place d'Armes in Montréal and the Madeleine de Verchères monument in Verchères. There are also several views of monuments in Ottawa and one view of Grand Pré Park in Nova Scotia. Several of the subjects are the work of artist Louis-Philippe Hébert. There is one photograph of the tablet erected at Sainte-Sophie d'Halifax by the Department of Mines and Resources to commemorate the birthplace of Louis-Philippe Hébert (accompanied by a letter from the Lands, Parks and Forests Branch of the Department of Mines and Resources). There is one photograph of the painting by Robert Harris of O.R. Jacobi, accompanied by a letter on letterhead of the National Gallery of Canada. The group includes a memo from the Can.Govt. Motion Picture Bureau dated Feb. 22, 1938. There are stamps and/or inscriptions on several of the photographs.
photographs
Quantity:
22 photograph(s)
circa 1927-1946
Project
Madrid Sur, Spain (1991)
AP164.S1.1991.D3
Description:
The project series documents urban development research for the south of Madrid. The research was done for the Madrid City Council. The office identified this project as number 73. For the project redaction, Abalos & Herreros worked with Sara de la Mata, Javier Herreros, Javier Fresnada, Juan Manuel Fernandez, Serafin Sardina, Fernando Gutierrez, Javier Peña and Alberto Sotodosos. In 1991, they won the prize for architecture and urban planning from the Madrid City Council for this project. Documenting this project are conceptual, presentation and working drawings; cartographic, graphic, photographic and reference materials; and clippings, notes, project descriptions and collages.
1990-1996
Madrid Sur, Spain (1991)
Actions:
AP164.S1.1991.D3
Description:
The project series documents urban development research for the south of Madrid. The research was done for the Madrid City Council. The office identified this project as number 73. For the project redaction, Abalos & Herreros worked with Sara de la Mata, Javier Herreros, Javier Fresnada, Juan Manuel Fernandez, Serafin Sardina, Fernando Gutierrez, Javier Peña and Alberto Sotodosos. In 1991, they won the prize for architecture and urban planning from the Madrid City Council for this project. Documenting this project are conceptual, presentation and working drawings; cartographic, graphic, photographic and reference materials; and clippings, notes, project descriptions and collages.
Project
1990-1996
Project
AP120.S1.D2
Description:
This file documents the 2000-2002 expansion of the Palais des Congrès de Montréal. In the late 1990s the Québec government agreed to invest $240 million to finance the expansion of the existing Palais des Congrès de Montréal, designed by Victor Prus and opened in 1983. A competition was held in 1999, and an architectural consortium led by Mario Saia was awarded the commission to design the expansion. Hal Ingberg worked as an independent architectural consultant on the project, notably contributing the design of the building's new transparent multicouloured glass-paneled façade. Construction took place from 2000-2002 and the new facility was opened in December 2002.
1999-2000?
Palais des Congrès de Montréal
Actions:
AP120.S1.D2
Description:
This file documents the 2000-2002 expansion of the Palais des Congrès de Montréal. In the late 1990s the Québec government agreed to invest $240 million to finance the expansion of the existing Palais des Congrès de Montréal, designed by Victor Prus and opened in 1983. A competition was held in 1999, and an architectural consortium led by Mario Saia was awarded the commission to design the expansion. Hal Ingberg worked as an independent architectural consultant on the project, notably contributing the design of the building's new transparent multicouloured glass-paneled façade. Construction took place from 2000-2002 and the new facility was opened in December 2002.
Dossier 2
1999-2000?
Project
AP075.S1.2005.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Braun Residence roof deck in Vancouver. The project consists in designing a roof terrace on the 17th floor of the Shawn Tower on West Cordova Street. The design includes a deck paved area with concrete planters, and landscaped area. Oberlander worked on this project in 2004 with the firm James K.M. Cheng Architects Inc. The project series contains correspondence, including with architect, consultants, contractors and client, specifications, financial documents, notes and sketches, and documentation. The project series also includes floor plans and sections of the apartment and plans of the roof deck with landscaping.
2005-2009
Braun Residence rooftop garden, Vancouver, British Columbia (2005)
Actions:
AP075.S1.2005.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Braun Residence roof deck in Vancouver. The project consists in designing a roof terrace on the 17th floor of the Shawn Tower on West Cordova Street. The design includes a deck paved area with concrete planters, and landscaped area. Oberlander worked on this project in 2004 with the firm James K.M. Cheng Architects Inc. The project series contains correspondence, including with architect, consultants, contractors and client, specifications, financial documents, notes and sketches, and documentation. The project series also includes floor plans and sections of the apartment and plans of the roof deck with landscaping.
Project
2005-2009
Project
AP180.S1.1983.PR01
Description:
This project series documents the Casa Frea, a built two-storey single-family house in Milan. The private house is situated in a renovated building "inserted into a block made up of rows of houses dating from the beginning of the century." [1] Riva worked on this project in 1983. The project series contains early sketches of interior sections, interior elevations, and floor plans. It also contains execution drawings, including sections, floor plans, elevations, and furnishing details, including plans for an armchair. Sources: [1] Album di disegni / Album of drawings, Electra, Milano, 1989, 131 p., page 124.
1972-1984
Casa Frea [Frea house], Milan, Italy (1983)
Actions:
AP180.S1.1983.PR01
Description:
This project series documents the Casa Frea, a built two-storey single-family house in Milan. The private house is situated in a renovated building "inserted into a block made up of rows of houses dating from the beginning of the century." [1] Riva worked on this project in 1983. The project series contains early sketches of interior sections, interior elevations, and floor plans. It also contains execution drawings, including sections, floor plans, elevations, and furnishing details, including plans for an armchair. Sources: [1] Album di disegni / Album of drawings, Electra, Milano, 1989, 131 p., page 124.
Project
1972-1984
Project
AP075.S1.1956.PR07
Description:
This project series documents Cornelia Hahn Oberlander’s landscape project for a small play area on Little Mountain, a 127 metres high mountain in the central part of Vancouver, British Columbia. Oberlander worked on this project in 1956. The park is now known as Queen Elizabeth Park. Oberlander’s landscape design for the play area consists of rectangular-shaped playground covered in asphalt surrounded by a retaining wall lined with crabapple trees on one side and creosoted woodstrips on the other. The play area includes with a sand box and swings. The project series contains only the orginal and the reprographic copy of a plan of the play area.
1956
Little Mountain Play Area, Vancouver, British Columbia (1956)
Actions:
AP075.S1.1956.PR07
Description:
This project series documents Cornelia Hahn Oberlander’s landscape project for a small play area on Little Mountain, a 127 metres high mountain in the central part of Vancouver, British Columbia. Oberlander worked on this project in 1956. The park is now known as Queen Elizabeth Park. Oberlander’s landscape design for the play area consists of rectangular-shaped playground covered in asphalt surrounded by a retaining wall lined with crabapple trees on one side and creosoted woodstrips on the other. The play area includes with a sand box and swings. The project series contains only the orginal and the reprographic copy of a plan of the play area.
Project
1956
Project
AP075.S1.1973.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for a proposed playground at the corner of West 38th Street and Hudson Street in Vancouver, British Columbia. Oberlander worked in this project from 1973-1975. This project was not realized. Oberlander's landscape design consisted in a central mound covered in grass, surrounded by tree logs, with swings on top, and two lower grass mounds on the Southeast corner of the playground with other play installations for creative play. The project series contains four sketches, including two digitatized layout sketches, two presentation drawings, a preliminary site plan, a site plan, a topographic survey.
1973-2005
Playground, 38th and Hudson Streets, Vancouver, British Columbia (1973)
Actions:
AP075.S1.1973.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for a proposed playground at the corner of West 38th Street and Hudson Street in Vancouver, British Columbia. Oberlander worked in this project from 1973-1975. This project was not realized. Oberlander's landscape design consisted in a central mound covered in grass, surrounded by tree logs, with swings on top, and two lower grass mounds on the Southeast corner of the playground with other play installations for creative play. The project series contains four sketches, including two digitatized layout sketches, two presentation drawings, a preliminary site plan, a site plan, a topographic survey.
Project
1973-2005