33215 Results
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textual records
textual records
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Reference number:
AP197.S3.012
Description:
The box is comprised of correspondence for the years 2015-2016. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to the following writings and lectures Frampton participated in: an essay for a monograph on O'Donnell + Tuomey, architects; a Nils Erik Wickberg lecture in Helinski; the Wood at Work conference; a review of George Baird's book; and Modern Architecture: a Critical History.
AP197.S3.012
Description:
The box is comprised of correspondence for the years 2015-2016. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to the following writings and lectures Frampton participated in: an essay for a monograph on O'Donnell + Tuomey, architects; a Nils Erik Wickberg lecture in Helinski; the Wood at Work conference; a review of George Baird's book; and Modern Architecture: a Critical History.
People:
Date:
2015-2016
2015-2016
Title:
Personal and professional correspondence from 2015-2016
Actions:
AP197.S3.012
Description:
The box is comprised of correspondence for the years 2015-2016. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to the following writings and lectures Frampton participated in: an essay for a monograph on O'Donnell + Tuomey, architects; a Nils Erik Wickberg lecture in Helinski; the Wood at Work conference; a review of George Baird's book; and Modern Architecture: a Critical History.
Personal and professional correspondence from 2015-2016
Actions:
AP197.S3.012
Description:
The box is comprised of correspondence for the years 2015-2016. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to the following writings and lectures Frampton participated in: an essay for a monograph on O'Donnell + Tuomey, architects; a Nils Erik Wickberg lecture in Helinski; the Wood at Work conference; a review of George Baird's book; and Modern Architecture: a Critical History.
Form:
textual records
textual records
Date:
2015-2016
2015-2016
People:
Level of archival description:
Project
Project
Reference number:
AP075.S1.1954.PR05
Description:
This project series documents Cornelia Hahn Oberlander's project for the Home '54 Design Competition for the Canadian Home Journal, in 1954. Oberlander worked on this proposal with architect Norman Rice, who designed the one-storey single-family house. The landscape design consists of a paved outdoor living space directly next to the living room with a curved fixed bench at the back of the house, as well as a quiet area with annual and perennial planting on the east edge of the site and a vegetable garden and sitting area facing the street. The project series contains only two presentation drawings showing floor plans, elevation and axonometric views of the house and landscape plans, and presentation panels of the same two drawings. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
AP075.S1.1954.PR05
Description:
This project series documents Cornelia Hahn Oberlander's project for the Home '54 Design Competition for the Canadian Home Journal, in 1954. Oberlander worked on this proposal with architect Norman Rice, who designed the one-storey single-family house. The landscape design consists of a paved outdoor living space directly next to the living room with a curved fixed bench at the back of the house, as well as a quiet area with annual and perennial planting on the east edge of the site and a vegetable garden and sitting area facing the street. The project series contains only two presentation drawings showing floor plans, elevation and axonometric views of the house and landscape plans, and presentation panels of the same two drawings. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
People:
Date:
1954
1954
Title:
Home '54 Design Competition, Canada (1954)
Actions:
AP075.S1.1954.PR05
Description:
This project series documents Cornelia Hahn Oberlander's project for the Home '54 Design Competition for the Canadian Home Journal, in 1954. Oberlander worked on this proposal with architect Norman Rice, who designed the one-storey single-family house. The landscape design consists of a paved outdoor living space directly next to the living room with a curved fixed bench at the back of the house, as well as a quiet area with annual and perennial planting on the east edge of the site and a vegetable garden and sitting area facing the street. The project series contains only two presentation drawings showing floor plans, elevation and axonometric views of the house and landscape plans, and presentation panels of the same two drawings. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Home '54 Design Competition, Canada (1954)
Actions:
AP075.S1.1954.PR05
Description:
This project series documents Cornelia Hahn Oberlander's project for the Home '54 Design Competition for the Canadian Home Journal, in 1954. Oberlander worked on this proposal with architect Norman Rice, who designed the one-storey single-family house. The landscape design consists of a paved outdoor living space directly next to the living room with a curved fixed bench at the back of the house, as well as a quiet area with annual and perennial planting on the east edge of the site and a vegetable garden and sitting area facing the street. The project series contains only two presentation drawings showing floor plans, elevation and axonometric views of the house and landscape plans, and presentation panels of the same two drawings. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Level of archival description:
Project
Project
Date:
1954
1954
People:
Level of archival description:
Series
Series
Title:
Architectural Projects
Architectural Projects
Reference number:
AP153.S1
Description:
Series documents Douglas Kelbaugh's architectual projects in United States as partner in his architectural firm, the Kelbaugh + Lee Architects, based in Princeton, New Jersey, between 1973 and 1985, and also some of his later projects including as a design consultat for Dale Chihuly, until the mid 1990s. The series includes projects like the Kelbaugh House in Princeton, New Jersey, the Milford Solar Conservation Center in Milford, Pennsylvania, the Roosevelt Senior Citizen Housing Development in Roosevelt, New Jersey, or Kelbaugh + Lee project for the competiton for the Cultural Arts Pavilion in Newport News, Virginia. The material in this series was produced between 1970 and 2008. The series contains drawings and reprographic copies of conceptual drawings, design developement drawings, working drawings and presentation drawings. The series also contains textual records and photographic materials related to the architectural projects, presentation panels and some serials.
AP153.S1
Description:
Series documents Douglas Kelbaugh's architectual projects in United States as partner in his architectural firm, the Kelbaugh + Lee Architects, based in Princeton, New Jersey, between 1973 and 1985, and also some of his later projects including as a design consultat for Dale Chihuly, until the mid 1990s. The series includes projects like the Kelbaugh House in Princeton, New Jersey, the Milford Solar Conservation Center in Milford, Pennsylvania, the Roosevelt Senior Citizen Housing Development in Roosevelt, New Jersey, or Kelbaugh + Lee project for the competiton for the Cultural Arts Pavilion in Newport News, Virginia. The material in this series was produced between 1970 and 2008. The series contains drawings and reprographic copies of conceptual drawings, design developement drawings, working drawings and presentation drawings. The series also contains textual records and photographic materials related to the architectural projects, presentation panels and some serials.
People:
Date:
1970-1996
1970-1996
Title:
Architectural Projects
Actions:
AP153.S1
Description:
Series documents Douglas Kelbaugh's architectual projects in United States as partner in his architectural firm, the Kelbaugh + Lee Architects, based in Princeton, New Jersey, between 1973 and 1985, and also some of his later projects including as a design consultat for Dale Chihuly, until the mid 1990s. The series includes projects like the Kelbaugh House in Princeton, New Jersey, the Milford Solar Conservation Center in Milford, Pennsylvania, the Roosevelt Senior Citizen Housing Development in Roosevelt, New Jersey, or Kelbaugh + Lee project for the competiton for the Cultural Arts Pavilion in Newport News, Virginia. The material in this series was produced between 1970 and 2008. The series contains drawings and reprographic copies of conceptual drawings, design developement drawings, working drawings and presentation drawings. The series also contains textual records and photographic materials related to the architectural projects, presentation panels and some serials.
Architectural Projects
Actions:
AP153.S1
Description:
Series documents Douglas Kelbaugh's architectual projects in United States as partner in his architectural firm, the Kelbaugh + Lee Architects, based in Princeton, New Jersey, between 1973 and 1985, and also some of his later projects including as a design consultat for Dale Chihuly, until the mid 1990s. The series includes projects like the Kelbaugh House in Princeton, New Jersey, the Milford Solar Conservation Center in Milford, Pennsylvania, the Roosevelt Senior Citizen Housing Development in Roosevelt, New Jersey, or Kelbaugh + Lee project for the competiton for the Cultural Arts Pavilion in Newport News, Virginia. The material in this series was produced between 1970 and 2008. The series contains drawings and reprographic copies of conceptual drawings, design developement drawings, working drawings and presentation drawings. The series also contains textual records and photographic materials related to the architectural projects, presentation panels and some serials.
Level of archival description:
Series 1
Series 1
Date:
1970-1996
1970-1996
People:
Level of archival description:
Project
Project
Actions:
Reference number:
CI005.S1.1925.PR1
Description:
The Rotterdam building inspectorate, Bouwpolite & Woningdienst, rejected the original plans for the design of the Café de Unie by a private developer, and instead commissioned Oud, as municipal architect, to design the building on Calandplein. This design marked a departure for Oud from public and private buildings to the design of a commercial building. Oud's design incorporated advertisement from its conception as he designed a facade of boards, cement, and glass with an illuminated sign – this was in keeping with the contemporary aesthetic of De Stijl, which explored creative uses of advertisement. Oud designed the signs to be turned inward, to draw attention away from the surrounding buildings, and incorporated bright colours (Taverne et al. 2001, 342). Project series includes drawings of plans as well as photographs of exterior views and of the principal facade of the Café de Unie.
CI005.S1.1925.PR1
Description:
The Rotterdam building inspectorate, Bouwpolite & Woningdienst, rejected the original plans for the design of the Café de Unie by a private developer, and instead commissioned Oud, as municipal architect, to design the building on Calandplein. This design marked a departure for Oud from public and private buildings to the design of a commercial building. Oud's design incorporated advertisement from its conception as he designed a facade of boards, cement, and glass with an illuminated sign – this was in keeping with the contemporary aesthetic of De Stijl, which explored creative uses of advertisement. Oud designed the signs to be turned inward, to draw attention away from the surrounding buildings, and incorporated bright colours (Taverne et al. 2001, 342). Project series includes drawings of plans as well as photographs of exterior views and of the principal facade of the Café de Unie.
People:
Date:
1925
1925
Title:
Café de Unie, Rotterdam, Netherlands (1925)
Actions:
CI005.S1.1925.PR1
Description:
The Rotterdam building inspectorate, Bouwpolite & Woningdienst, rejected the original plans for the design of the Café de Unie by a private developer, and instead commissioned Oud, as municipal architect, to design the building on Calandplein. This design marked a departure for Oud from public and private buildings to the design of a commercial building. Oud's design incorporated advertisement from its conception as he designed a facade of boards, cement, and glass with an illuminated sign – this was in keeping with the contemporary aesthetic of De Stijl, which explored creative uses of advertisement. Oud designed the signs to be turned inward, to draw attention away from the surrounding buildings, and incorporated bright colours (Taverne et al. 2001, 342). Project series includes drawings of plans as well as photographs of exterior views and of the principal facade of the Café de Unie.
Café de Unie, Rotterdam, Netherlands (1925)
Actions:
CI005.S1.1925.PR1
Description:
The Rotterdam building inspectorate, Bouwpolite & Woningdienst, rejected the original plans for the design of the Café de Unie by a private developer, and instead commissioned Oud, as municipal architect, to design the building on Calandplein. This design marked a departure for Oud from public and private buildings to the design of a commercial building. Oud's design incorporated advertisement from its conception as he designed a facade of boards, cement, and glass with an illuminated sign – this was in keeping with the contemporary aesthetic of De Stijl, which explored creative uses of advertisement. Oud designed the signs to be turned inward, to draw attention away from the surrounding buildings, and incorporated bright colours (Taverne et al. 2001, 342). Project series includes drawings of plans as well as photographs of exterior views and of the principal facade of the Café de Unie.
Level of archival description:
project
project
Date:
1925
1925
People:
Level of archival description:
Project
Project
Actions:
Reference number:
CI005.S1.1949.PR1
Description:
Vredenburg Square – originally designed by H.P. Berlage in 1919 – had become problematic for traffic congestion; the problem was compounded by the erection of the Jaarbeurs Exhibition Complex. Utrecht city council commissioned Oud to design a square with architect C. Wegener Sleeswijk. Oud modified Sleeswijk's original expansion plan to create a design for a twelve-storey tower block that would take up less space and open up the southeast side of the square. In addition to the Jaarbeurs tower, Oud suggested placing more emphasis on the square's entrance. Oud also modified the traffic routes and created a semi-circular facade across from a secretariat. Although the city council approved Oud's plan in 1951, his design was unrealized as the council ultimately commissioned another architectural firm's design (Taverne et al. 2001, 472-473). Project series includes plans for the Vredenburg development.
CI005.S1.1949.PR1
Description:
Vredenburg Square – originally designed by H.P. Berlage in 1919 – had become problematic for traffic congestion; the problem was compounded by the erection of the Jaarbeurs Exhibition Complex. Utrecht city council commissioned Oud to design a square with architect C. Wegener Sleeswijk. Oud modified Sleeswijk's original expansion plan to create a design for a twelve-storey tower block that would take up less space and open up the southeast side of the square. In addition to the Jaarbeurs tower, Oud suggested placing more emphasis on the square's entrance. Oud also modified the traffic routes and created a semi-circular facade across from a secretariat. Although the city council approved Oud's plan in 1951, his design was unrealized as the council ultimately commissioned another architectural firm's design (Taverne et al. 2001, 472-473). Project series includes plans for the Vredenburg development.
People:
Date:
1949-1961
1949-1961
Title:
Urban Design, Vredenburg Mixed-Use Development, Utrecht, Netherlands (1949-1961)
Actions:
CI005.S1.1949.PR1
Description:
Vredenburg Square – originally designed by H.P. Berlage in 1919 – had become problematic for traffic congestion; the problem was compounded by the erection of the Jaarbeurs Exhibition Complex. Utrecht city council commissioned Oud to design a square with architect C. Wegener Sleeswijk. Oud modified Sleeswijk's original expansion plan to create a design for a twelve-storey tower block that would take up less space and open up the southeast side of the square. In addition to the Jaarbeurs tower, Oud suggested placing more emphasis on the square's entrance. Oud also modified the traffic routes and created a semi-circular facade across from a secretariat. Although the city council approved Oud's plan in 1951, his design was unrealized as the council ultimately commissioned another architectural firm's design (Taverne et al. 2001, 472-473). Project series includes plans for the Vredenburg development.
Urban Design, Vredenburg Mixed-Use Development, Utrecht, Netherlands (1949-1961)
Actions:
CI005.S1.1949.PR1
Description:
Vredenburg Square – originally designed by H.P. Berlage in 1919 – had become problematic for traffic congestion; the problem was compounded by the erection of the Jaarbeurs Exhibition Complex. Utrecht city council commissioned Oud to design a square with architect C. Wegener Sleeswijk. Oud modified Sleeswijk's original expansion plan to create a design for a twelve-storey tower block that would take up less space and open up the southeast side of the square. In addition to the Jaarbeurs tower, Oud suggested placing more emphasis on the square's entrance. Oud also modified the traffic routes and created a semi-circular facade across from a secretariat. Although the city council approved Oud's plan in 1951, his design was unrealized as the council ultimately commissioned another architectural firm's design (Taverne et al. 2001, 472-473). Project series includes plans for the Vredenburg development.
Level of archival description:
project
project
Date:
1949-1961
1949-1961
People:
Level of archival description:
Project
Project
Actions:
Reference number:
CI005.S1.1952.PR1
Description:
Oud was commissioned by the Bio Holiday Centre Foundation to create a rehabilitation centre for under-privileged children. While Oud was appointed as the sole project architect, he was advised by a committee of health care workers and a national construction advisory body, Bouwcentrum. Oud used the Bouwcentrum blueprint as a basis for his design. Oud's design featured pavilions, accommodation for 120 patients, staff accommodation, a sports building and a clinic. Ten pavilions were dedicated to children's accommodation. In Oud's revised plan of 1955, the main building, boiler house and sports building were prominently displayed and flanked by the pavilions. The boiler house/caretaker's dwelling were prominently positioned according to the client's wishes. Although Oud designed a chapel, it was not built (Taverne et al. 2001, 511-514). Project series contains a photograph of exterior view of the Bio Convalescent Centre
CI005.S1.1952.PR1
Description:
Oud was commissioned by the Bio Holiday Centre Foundation to create a rehabilitation centre for under-privileged children. While Oud was appointed as the sole project architect, he was advised by a committee of health care workers and a national construction advisory body, Bouwcentrum. Oud used the Bouwcentrum blueprint as a basis for his design. Oud's design featured pavilions, accommodation for 120 patients, staff accommodation, a sports building and a clinic. Ten pavilions were dedicated to children's accommodation. In Oud's revised plan of 1955, the main building, boiler house and sports building were prominently displayed and flanked by the pavilions. The boiler house/caretaker's dwelling were prominently positioned according to the client's wishes. Although Oud designed a chapel, it was not built (Taverne et al. 2001, 511-514). Project series contains a photograph of exterior view of the Bio Convalescent Centre
People:
Date:
1952-1960
1952-1960
Title:
Bio Convalescent Centre for Children, Arnheim, Netherlands (1952-1960)
Actions:
CI005.S1.1952.PR1
Description:
Oud was commissioned by the Bio Holiday Centre Foundation to create a rehabilitation centre for under-privileged children. While Oud was appointed as the sole project architect, he was advised by a committee of health care workers and a national construction advisory body, Bouwcentrum. Oud used the Bouwcentrum blueprint as a basis for his design. Oud's design featured pavilions, accommodation for 120 patients, staff accommodation, a sports building and a clinic. Ten pavilions were dedicated to children's accommodation. In Oud's revised plan of 1955, the main building, boiler house and sports building were prominently displayed and flanked by the pavilions. The boiler house/caretaker's dwelling were prominently positioned according to the client's wishes. Although Oud designed a chapel, it was not built (Taverne et al. 2001, 511-514). Project series contains a photograph of exterior view of the Bio Convalescent Centre
Bio Convalescent Centre for Children, Arnheim, Netherlands (1952-1960)
Actions:
CI005.S1.1952.PR1
Description:
Oud was commissioned by the Bio Holiday Centre Foundation to create a rehabilitation centre for under-privileged children. While Oud was appointed as the sole project architect, he was advised by a committee of health care workers and a national construction advisory body, Bouwcentrum. Oud used the Bouwcentrum blueprint as a basis for his design. Oud's design featured pavilions, accommodation for 120 patients, staff accommodation, a sports building and a clinic. Ten pavilions were dedicated to children's accommodation. In Oud's revised plan of 1955, the main building, boiler house and sports building were prominently displayed and flanked by the pavilions. The boiler house/caretaker's dwelling were prominently positioned according to the client's wishes. Although Oud designed a chapel, it was not built (Taverne et al. 2001, 511-514). Project series contains a photograph of exterior view of the Bio Convalescent Centre
Level of archival description:
project
project
Date:
1952-1960
1952-1960
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1968.PR05
Description:
This project series documents the College E building at York University in North York, Ontario from 1968-1969. The office identified the project number as 68007. This project, referred to as College E Academic and Dining Complex, consisted of a three-level building with a basement and mechanical penthouse. This project was built by John B. Parkin Associates, in a joint venture with Gordon S. Adamson Associates and Shore & Moffat and Partners. These three architecture firms formed a joint venture known as UPACE (University Planners Architects And Consulting Engineer). This project was part of a larger master plan by UPACE, which built more than a dozen buildings for the university during this time. The project is recorded through reprographic copies of drawings dating from 1969. These were a set of construction plans, details, elevations, sections, schedules and mechanical, electrical and structural drawings.
AP018.S1.1968.PR05
Description:
This project series documents the College E building at York University in North York, Ontario from 1968-1969. The office identified the project number as 68007. This project, referred to as College E Academic and Dining Complex, consisted of a three-level building with a basement and mechanical penthouse. This project was built by John B. Parkin Associates, in a joint venture with Gordon S. Adamson Associates and Shore & Moffat and Partners. These three architecture firms formed a joint venture known as UPACE (University Planners Architects And Consulting Engineer). This project was part of a larger master plan by UPACE, which built more than a dozen buildings for the university during this time. The project is recorded through reprographic copies of drawings dating from 1969. These were a set of construction plans, details, elevations, sections, schedules and mechanical, electrical and structural drawings.
People:
Date:
1969
1969
Title:
York University, Second College Complex, College E Academic and Dining Building, York, Ontario (1968-1969)
Actions:
AP018.S1.1968.PR05
Description:
This project series documents the College E building at York University in North York, Ontario from 1968-1969. The office identified the project number as 68007. This project, referred to as College E Academic and Dining Complex, consisted of a three-level building with a basement and mechanical penthouse. This project was built by John B. Parkin Associates, in a joint venture with Gordon S. Adamson Associates and Shore & Moffat and Partners. These three architecture firms formed a joint venture known as UPACE (University Planners Architects And Consulting Engineer). This project was part of a larger master plan by UPACE, which built more than a dozen buildings for the university during this time. The project is recorded through reprographic copies of drawings dating from 1969. These were a set of construction plans, details, elevations, sections, schedules and mechanical, electrical and structural drawings.
York University, Second College Complex, College E Academic and Dining Building, York, Ontario (1968-1969)
Actions:
AP018.S1.1968.PR05
Description:
This project series documents the College E building at York University in North York, Ontario from 1968-1969. The office identified the project number as 68007. This project, referred to as College E Academic and Dining Complex, consisted of a three-level building with a basement and mechanical penthouse. This project was built by John B. Parkin Associates, in a joint venture with Gordon S. Adamson Associates and Shore & Moffat and Partners. These three architecture firms formed a joint venture known as UPACE (University Planners Architects And Consulting Engineer). This project was part of a larger master plan by UPACE, which built more than a dozen buildings for the university during this time. The project is recorded through reprographic copies of drawings dating from 1969. These were a set of construction plans, details, elevations, sections, schedules and mechanical, electrical and structural drawings.
Level of archival description:
Project
Project
Date:
1969
1969
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP075.S1.1954.PR03
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the Jewish Community Centre, located between Marlton Pike Road and North Park Drive in Camden, New Jersey. Oberlander worked on this project in 1954. The building was design in the early 1950s, by architect Vincent G. Kling. The project includes various spaces for activities and sports fields such as a tennis court, a green, a handball field, a softball field, and badminton and volleyball fields. Oberlander's design also includes a parking lot surrounded by trees in front of the centre, as well as a children's playground, a sitting area, and a children's garden at the back of the centre. The project series contains design development drawings, such as a preliminary landscape design, grading and paving plans, planting plans, reference working drawings for the building, and general landscape plans with list of plans.
AP075.S1.1954.PR03
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the Jewish Community Centre, located between Marlton Pike Road and North Park Drive in Camden, New Jersey. Oberlander worked on this project in 1954. The building was design in the early 1950s, by architect Vincent G. Kling. The project includes various spaces for activities and sports fields such as a tennis court, a green, a handball field, a softball field, and badminton and volleyball fields. Oberlander's design also includes a parking lot surrounded by trees in front of the centre, as well as a children's playground, a sitting area, and a children's garden at the back of the centre. The project series contains design development drawings, such as a preliminary landscape design, grading and paving plans, planting plans, reference working drawings for the building, and general landscape plans with list of plans.
People:
Date:
1954
1954
Title:
Jewish Community Centre, Camden, New Jersey (1954)
Actions:
AP075.S1.1954.PR03
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the Jewish Community Centre, located between Marlton Pike Road and North Park Drive in Camden, New Jersey. Oberlander worked on this project in 1954. The building was design in the early 1950s, by architect Vincent G. Kling. The project includes various spaces for activities and sports fields such as a tennis court, a green, a handball field, a softball field, and badminton and volleyball fields. Oberlander's design also includes a parking lot surrounded by trees in front of the centre, as well as a children's playground, a sitting area, and a children's garden at the back of the centre. The project series contains design development drawings, such as a preliminary landscape design, grading and paving plans, planting plans, reference working drawings for the building, and general landscape plans with list of plans.
Jewish Community Centre, Camden, New Jersey (1954)
Actions:
AP075.S1.1954.PR03
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the Jewish Community Centre, located between Marlton Pike Road and North Park Drive in Camden, New Jersey. Oberlander worked on this project in 1954. The building was design in the early 1950s, by architect Vincent G. Kling. The project includes various spaces for activities and sports fields such as a tennis court, a green, a handball field, a softball field, and badminton and volleyball fields. Oberlander's design also includes a parking lot surrounded by trees in front of the centre, as well as a children's playground, a sitting area, and a children's garden at the back of the centre. The project series contains design development drawings, such as a preliminary landscape design, grading and paving plans, planting plans, reference working drawings for the building, and general landscape plans with list of plans.
Level of archival description:
Project
Project
Date:
1954
1954
People:
Level of archival description:
Project
Project
Reference number:
AP075.S1.1979.PR07
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Montiverdi Estates, located on the western slopes of Caulfield, West Vancouver. Oberlander worked on this project from 1979 to 1982, year of the completion. Oberlander worked on the site plan for the estate with Arthur Erickson and Eva Matsuzaki. The project consists in 20 custom houses, designed by Erickson, and nestled into a forest on a rock plateau overlooking Howe Sound. The estate, built on a slope, comprises four types of houses: uphill units, terrace units, coutyard units and downhill units. The project series contains textual records, such as correspondence, including with architect and client, Oberlander's concept development notes, research, specifications, a geotechnical report, cost estimates. The project is also documented through a design developement drawing showing planting and a plant list, and six working drawings, including landscape plans, a site plan and a site section.
AP075.S1.1979.PR07
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Montiverdi Estates, located on the western slopes of Caulfield, West Vancouver. Oberlander worked on this project from 1979 to 1982, year of the completion. Oberlander worked on the site plan for the estate with Arthur Erickson and Eva Matsuzaki. The project consists in 20 custom houses, designed by Erickson, and nestled into a forest on a rock plateau overlooking Howe Sound. The estate, built on a slope, comprises four types of houses: uphill units, terrace units, coutyard units and downhill units. The project series contains textual records, such as correspondence, including with architect and client, Oberlander's concept development notes, research, specifications, a geotechnical report, cost estimates. The project is also documented through a design developement drawing showing planting and a plant list, and six working drawings, including landscape plans, a site plan and a site section.
People:
Date:
1979-1982
1979-1982
Title:
Montiverdi Estates, West Vancouver, British Columbia (1979)
Actions:
AP075.S1.1979.PR07
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Montiverdi Estates, located on the western slopes of Caulfield, West Vancouver. Oberlander worked on this project from 1979 to 1982, year of the completion. Oberlander worked on the site plan for the estate with Arthur Erickson and Eva Matsuzaki. The project consists in 20 custom houses, designed by Erickson, and nestled into a forest on a rock plateau overlooking Howe Sound. The estate, built on a slope, comprises four types of houses: uphill units, terrace units, coutyard units and downhill units. The project series contains textual records, such as correspondence, including with architect and client, Oberlander's concept development notes, research, specifications, a geotechnical report, cost estimates. The project is also documented through a design developement drawing showing planting and a plant list, and six working drawings, including landscape plans, a site plan and a site section.
Montiverdi Estates, West Vancouver, British Columbia (1979)
Actions:
AP075.S1.1979.PR07
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Montiverdi Estates, located on the western slopes of Caulfield, West Vancouver. Oberlander worked on this project from 1979 to 1982, year of the completion. Oberlander worked on the site plan for the estate with Arthur Erickson and Eva Matsuzaki. The project consists in 20 custom houses, designed by Erickson, and nestled into a forest on a rock plateau overlooking Howe Sound. The estate, built on a slope, comprises four types of houses: uphill units, terrace units, coutyard units and downhill units. The project series contains textual records, such as correspondence, including with architect and client, Oberlander's concept development notes, research, specifications, a geotechnical report, cost estimates. The project is also documented through a design developement drawing showing planting and a plant list, and six working drawings, including landscape plans, a site plan and a site section.
Level of archival description:
Project
Project
Date:
1979-1982
1979-1982
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP075.S1.1984.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Terminal City Tower for the private club Terminal City Club located between West Hastings Street and Cordova Street in Vancouver, British Columbia. Oberlander worked on this project in 1984 with Charles Bentall architects. The project consisted in designing the landscape for a plaza situated between the Terminal City Tower and the Vancouver Club next door, linking West Hastings Street and Cordova Street. She also worked on the landscape design for a rock garden on the terrace roof of the first floor of the building. The project series contains two plantings sketches and four design development drawings, including a ground floor planting plan with plant list, and a floor plan showing the rock garden. The project is also documented through textual records, including correspondence with client, Oberlander's notes, a plant list, a some photographs.
AP075.S1.1984.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Terminal City Tower for the private club Terminal City Club located between West Hastings Street and Cordova Street in Vancouver, British Columbia. Oberlander worked on this project in 1984 with Charles Bentall architects. The project consisted in designing the landscape for a plaza situated between the Terminal City Tower and the Vancouver Club next door, linking West Hastings Street and Cordova Street. She also worked on the landscape design for a rock garden on the terrace roof of the first floor of the building. The project series contains two plantings sketches and four design development drawings, including a ground floor planting plan with plant list, and a floor plan showing the rock garden. The project is also documented through textual records, including correspondence with client, Oberlander's notes, a plant list, a some photographs.
People:
Date:
1984
1984
Title:
Terminal City Tower, Vancouver, British Columbia (1984)
Actions:
AP075.S1.1984.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Terminal City Tower for the private club Terminal City Club located between West Hastings Street and Cordova Street in Vancouver, British Columbia. Oberlander worked on this project in 1984 with Charles Bentall architects. The project consisted in designing the landscape for a plaza situated between the Terminal City Tower and the Vancouver Club next door, linking West Hastings Street and Cordova Street. She also worked on the landscape design for a rock garden on the terrace roof of the first floor of the building. The project series contains two plantings sketches and four design development drawings, including a ground floor planting plan with plant list, and a floor plan showing the rock garden. The project is also documented through textual records, including correspondence with client, Oberlander's notes, a plant list, a some photographs.
Terminal City Tower, Vancouver, British Columbia (1984)
Actions:
AP075.S1.1984.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Terminal City Tower for the private club Terminal City Club located between West Hastings Street and Cordova Street in Vancouver, British Columbia. Oberlander worked on this project in 1984 with Charles Bentall architects. The project consisted in designing the landscape for a plaza situated between the Terminal City Tower and the Vancouver Club next door, linking West Hastings Street and Cordova Street. She also worked on the landscape design for a rock garden on the terrace roof of the first floor of the building. The project series contains two plantings sketches and four design development drawings, including a ground floor planting plan with plant list, and a floor plan showing the rock garden. The project is also documented through textual records, including correspondence with client, Oberlander's notes, a plant list, a some photographs.
Level of archival description:
Project
Project
Date:
1984
1984
People:
