American artist Amie Siegel’s moving image work Provenance (2013) follows the global trade of furniture from Chandigarh in reverse: from the homes of collectors in Europe and North America to sale at auction, restoration, through overseas transport and finally back to India. Originally designed by Le Corbusier and Pierre Jeanneret, the Chandigarh furniture now sells(...)
24 April 2014 , 6pm
Artist’s Talk: Amie Siegel, Provenance
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Description:
American artist Amie Siegel’s moving image work Provenance (2013) follows the global trade of furniture from Chandigarh in reverse: from the homes of collectors in Europe and North America to sale at auction, restoration, through overseas transport and finally back to India. Originally designed by Le Corbusier and Pierre Jeanneret, the Chandigarh furniture now sells(...)
Project
AP018.S1.1968.PR04
Description:
This project series documents the plant expansion program for the IBM plant in North York, Ontario from 1969-1970. The office identified the project number as 68040. This project consisted of proposed expansions to the IBM plant located at 844 Don Mills Road, which was built in 1951 and formerly served as their head office. The expansion program proposed four stages of construction, broken into alphabetized lots to divide the work. The construction was to consist of work on underground utilities, the building of each lot, and changes to the roads surrounding the plant. At the same time, Parkin Architects Planners was building IBM's new headquarters on the same property (see project series AP018.S1.1965.PR03 described in this fonds). The project is recorded through reprographic copies of drawings dating from 1969-1970, which consist of construction drawings and as built drawings.
1969-1970
IBM Plant Expansion Program, North York, Ontario (1968-1970)
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AP018.S1.1968.PR04
Description:
This project series documents the plant expansion program for the IBM plant in North York, Ontario from 1969-1970. The office identified the project number as 68040. This project consisted of proposed expansions to the IBM plant located at 844 Don Mills Road, which was built in 1951 and formerly served as their head office. The expansion program proposed four stages of construction, broken into alphabetized lots to divide the work. The construction was to consist of work on underground utilities, the building of each lot, and changes to the roads surrounding the plant. At the same time, Parkin Architects Planners was building IBM's new headquarters on the same property (see project series AP018.S1.1965.PR03 described in this fonds). The project is recorded through reprographic copies of drawings dating from 1969-1970, which consist of construction drawings and as built drawings.
Project
1969-1970
Project
CI005.S1.1925.PR1
Description:
The Rotterdam building inspectorate, Bouwpolite & Woningdienst, rejected the original plans for the design of the Café de Unie by a private developer, and instead commissioned Oud, as municipal architect, to design the building on Calandplein. This design marked a departure for Oud from public and private buildings to the design of a commercial building. Oud's design incorporated advertisement from its conception as he designed a facade of boards, cement, and glass with an illuminated sign – this was in keeping with the contemporary aesthetic of De Stijl, which explored creative uses of advertisement. Oud designed the signs to be turned inward, to draw attention away from the surrounding buildings, and incorporated bright colours (Taverne et al. 2001, 342). Project series includes drawings of plans as well as photographs of exterior views and of the principal facade of the Café de Unie.
1925
Café de Unie, Rotterdam, Netherlands (1925)
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CI005.S1.1925.PR1
Description:
The Rotterdam building inspectorate, Bouwpolite & Woningdienst, rejected the original plans for the design of the Café de Unie by a private developer, and instead commissioned Oud, as municipal architect, to design the building on Calandplein. This design marked a departure for Oud from public and private buildings to the design of a commercial building. Oud's design incorporated advertisement from its conception as he designed a facade of boards, cement, and glass with an illuminated sign – this was in keeping with the contemporary aesthetic of De Stijl, which explored creative uses of advertisement. Oud designed the signs to be turned inward, to draw attention away from the surrounding buildings, and incorporated bright colours (Taverne et al. 2001, 342). Project series includes drawings of plans as well as photographs of exterior views and of the principal facade of the Café de Unie.
project
1925
Project
CI005.S1.1949.PR1
Description:
Vredenburg Square – originally designed by H.P. Berlage in 1919 – had become problematic for traffic congestion; the problem was compounded by the erection of the Jaarbeurs Exhibition Complex. Utrecht city council commissioned Oud to design a square with architect C. Wegener Sleeswijk. Oud modified Sleeswijk's original expansion plan to create a design for a twelve-storey tower block that would take up less space and open up the southeast side of the square. In addition to the Jaarbeurs tower, Oud suggested placing more emphasis on the square's entrance. Oud also modified the traffic routes and created a semi-circular facade across from a secretariat. Although the city council approved Oud's plan in 1951, his design was unrealized as the council ultimately commissioned another architectural firm's design (Taverne et al. 2001, 472-473). Project series includes plans for the Vredenburg development.
1949-1961
Urban Design, Vredenburg Mixed-Use Development, Utrecht, Netherlands (1949-1961)
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CI005.S1.1949.PR1
Description:
Vredenburg Square – originally designed by H.P. Berlage in 1919 – had become problematic for traffic congestion; the problem was compounded by the erection of the Jaarbeurs Exhibition Complex. Utrecht city council commissioned Oud to design a square with architect C. Wegener Sleeswijk. Oud modified Sleeswijk's original expansion plan to create a design for a twelve-storey tower block that would take up less space and open up the southeast side of the square. In addition to the Jaarbeurs tower, Oud suggested placing more emphasis on the square's entrance. Oud also modified the traffic routes and created a semi-circular facade across from a secretariat. Although the city council approved Oud's plan in 1951, his design was unrealized as the council ultimately commissioned another architectural firm's design (Taverne et al. 2001, 472-473). Project series includes plans for the Vredenburg development.
project
1949-1961
Project
CI005.S1.1952.PR1
Description:
Oud was commissioned by the Bio Holiday Centre Foundation to create a rehabilitation centre for under-privileged children. While Oud was appointed as the sole project architect, he was advised by a committee of health care workers and a national construction advisory body, Bouwcentrum. Oud used the Bouwcentrum blueprint as a basis for his design. Oud's design featured pavilions, accommodation for 120 patients, staff accommodation, a sports building and a clinic. Ten pavilions were dedicated to children's accommodation. In Oud's revised plan of 1955, the main building, boiler house and sports building were prominently displayed and flanked by the pavilions. The boiler house/caretaker's dwelling were prominently positioned according to the client's wishes. Although Oud designed a chapel, it was not built (Taverne et al. 2001, 511-514). Project series contains a photograph of exterior view of the Bio Convalescent Centre
1952-1960
Bio Convalescent Centre for Children, Arnheim, Netherlands (1952-1960)
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CI005.S1.1952.PR1
Description:
Oud was commissioned by the Bio Holiday Centre Foundation to create a rehabilitation centre for under-privileged children. While Oud was appointed as the sole project architect, he was advised by a committee of health care workers and a national construction advisory body, Bouwcentrum. Oud used the Bouwcentrum blueprint as a basis for his design. Oud's design featured pavilions, accommodation for 120 patients, staff accommodation, a sports building and a clinic. Ten pavilions were dedicated to children's accommodation. In Oud's revised plan of 1955, the main building, boiler house and sports building were prominently displayed and flanked by the pavilions. The boiler house/caretaker's dwelling were prominently positioned according to the client's wishes. Although Oud designed a chapel, it was not built (Taverne et al. 2001, 511-514). Project series contains a photograph of exterior view of the Bio Convalescent Centre
project
1952-1960
Project
AP018.S1.1968.PR05
Description:
This project series documents the College E building at York University in North York, Ontario from 1968-1969. The office identified the project number as 68007. This project, referred to as College E Academic and Dining Complex, consisted of a three-level building with a basement and mechanical penthouse. This project was built by John B. Parkin Associates, in a joint venture with Gordon S. Adamson Associates and Shore & Moffat and Partners. These three architecture firms formed a joint venture known as UPACE (University Planners Architects And Consulting Engineer). This project was part of a larger master plan by UPACE, which built more than a dozen buildings for the university during this time. The project is recorded through reprographic copies of drawings dating from 1969. These were a set of construction plans, details, elevations, sections, schedules and mechanical, electrical and structural drawings.
1969
York University, Second College Complex, College E Academic and Dining Building, York, Ontario (1968-1969)
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AP018.S1.1968.PR05
Description:
This project series documents the College E building at York University in North York, Ontario from 1968-1969. The office identified the project number as 68007. This project, referred to as College E Academic and Dining Complex, consisted of a three-level building with a basement and mechanical penthouse. This project was built by John B. Parkin Associates, in a joint venture with Gordon S. Adamson Associates and Shore & Moffat and Partners. These three architecture firms formed a joint venture known as UPACE (University Planners Architects And Consulting Engineer). This project was part of a larger master plan by UPACE, which built more than a dozen buildings for the university during this time. The project is recorded through reprographic copies of drawings dating from 1969. These were a set of construction plans, details, elevations, sections, schedules and mechanical, electrical and structural drawings.
Project
1969
Project
AP075.S1.1954.PR05
Description:
This project series documents Cornelia Hahn Oberlander's project for the Home '54 Design Competition for the Canadian Home Journal, in 1954. Oberlander worked on this proposal with architect Norman Rice, who designed the one-storey single-family house. The landscape design consists of a paved outdoor living space directly next to the living room with a curved fixed bench at the back of the house, as well as a quiet area with annual and perennial planting on the east edge of the site and a vegetable garden and sitting area facing the street. The project series contains only two presentation drawings showing floor plans, elevation and axonometric views of the house and landscape plans, and presentation panels of the same two drawings. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
1954
Home '54 Design Competition, Canada (1954)
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AP075.S1.1954.PR05
Description:
This project series documents Cornelia Hahn Oberlander's project for the Home '54 Design Competition for the Canadian Home Journal, in 1954. Oberlander worked on this proposal with architect Norman Rice, who designed the one-storey single-family house. The landscape design consists of a paved outdoor living space directly next to the living room with a curved fixed bench at the back of the house, as well as a quiet area with annual and perennial planting on the east edge of the site and a vegetable garden and sitting area facing the street. The project series contains only two presentation drawings showing floor plans, elevation and axonometric views of the house and landscape plans, and presentation panels of the same two drawings. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Project
1954
Series
Architectural Projects
AP153.S1
Description:
Series documents Douglas Kelbaugh's architectual projects in United States as partner in his architectural firm, the Kelbaugh + Lee Architects, based in Princeton, New Jersey, between 1973 and 1985, and also some of his later projects including as a design consultat for Dale Chihuly, until the mid 1990s. The series includes projects like the Kelbaugh House in Princeton, New Jersey, the Milford Solar Conservation Center in Milford, Pennsylvania, the Roosevelt Senior Citizen Housing Development in Roosevelt, New Jersey, or Kelbaugh + Lee project for the competiton for the Cultural Arts Pavilion in Newport News, Virginia. The material in this series was produced between 1970 and 2008. The series contains drawings and reprographic copies of conceptual drawings, design developement drawings, working drawings and presentation drawings. The series also contains textual records and photographic materials related to the architectural projects, presentation panels and some serials.
1970-1996
Architectural Projects
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AP153.S1
Description:
Series documents Douglas Kelbaugh's architectual projects in United States as partner in his architectural firm, the Kelbaugh + Lee Architects, based in Princeton, New Jersey, between 1973 and 1985, and also some of his later projects including as a design consultat for Dale Chihuly, until the mid 1990s. The series includes projects like the Kelbaugh House in Princeton, New Jersey, the Milford Solar Conservation Center in Milford, Pennsylvania, the Roosevelt Senior Citizen Housing Development in Roosevelt, New Jersey, or Kelbaugh + Lee project for the competiton for the Cultural Arts Pavilion in Newport News, Virginia. The material in this series was produced between 1970 and 2008. The series contains drawings and reprographic copies of conceptual drawings, design developement drawings, working drawings and presentation drawings. The series also contains textual records and photographic materials related to the architectural projects, presentation panels and some serials.
Series 1
1970-1996
Project
AP075.S1.1954.PR03
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the Jewish Community Centre, located between Marlton Pike Road and North Park Drive in Camden, New Jersey. Oberlander worked on this project in 1954. The building was design in the early 1950s, by architect Vincent G. Kling. The project includes various spaces for activities and sports fields such as a tennis court, a green, a handball field, a softball field, and badminton and volleyball fields. Oberlander's design also includes a parking lot surrounded by trees in front of the centre, as well as a children's playground, a sitting area, and a children's garden at the back of the centre. The project series contains design development drawings, such as a preliminary landscape design, grading and paving plans, planting plans, reference working drawings for the building, and general landscape plans with list of plans.
1954
Jewish Community Centre, Camden, New Jersey (1954)
Actions:
AP075.S1.1954.PR03
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the Jewish Community Centre, located between Marlton Pike Road and North Park Drive in Camden, New Jersey. Oberlander worked on this project in 1954. The building was design in the early 1950s, by architect Vincent G. Kling. The project includes various spaces for activities and sports fields such as a tennis court, a green, a handball field, a softball field, and badminton and volleyball fields. Oberlander's design also includes a parking lot surrounded by trees in front of the centre, as well as a children's playground, a sitting area, and a children's garden at the back of the centre. The project series contains design development drawings, such as a preliminary landscape design, grading and paving plans, planting plans, reference working drawings for the building, and general landscape plans with list of plans.
Project
1954
Project
AP075.S1.1979.PR07
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Montiverdi Estates, located on the western slopes of Caulfield, West Vancouver. Oberlander worked on this project from 1979 to 1982, year of the completion. Oberlander worked on the site plan for the estate with Arthur Erickson and Eva Matsuzaki. The project consists in 20 custom houses, designed by Erickson, and nestled into a forest on a rock plateau overlooking Howe Sound. The estate, built on a slope, comprises four types of houses: uphill units, terrace units, coutyard units and downhill units. The project series contains textual records, such as correspondence, including with architect and client, Oberlander's concept development notes, research, specifications, a geotechnical report, cost estimates. The project is also documented through a design developement drawing showing planting and a plant list, and six working drawings, including landscape plans, a site plan and a site section.
1979-1982
Montiverdi Estates, West Vancouver, British Columbia (1979)
Actions:
AP075.S1.1979.PR07
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Montiverdi Estates, located on the western slopes of Caulfield, West Vancouver. Oberlander worked on this project from 1979 to 1982, year of the completion. Oberlander worked on the site plan for the estate with Arthur Erickson and Eva Matsuzaki. The project consists in 20 custom houses, designed by Erickson, and nestled into a forest on a rock plateau overlooking Howe Sound. The estate, built on a slope, comprises four types of houses: uphill units, terrace units, coutyard units and downhill units. The project series contains textual records, such as correspondence, including with architect and client, Oberlander's concept development notes, research, specifications, a geotechnical report, cost estimates. The project is also documented through a design developement drawing showing planting and a plant list, and six working drawings, including landscape plans, a site plan and a site section.
Project
1979-1982