6341 Results
Form:
drawings
Quantity:
49 reprographic copy(ies)
drawings
Quantity:
49 reprographic copy(ies)
Actions:
Reference number:
ARCH220215
ARCH220215
People:
Form:
drawings
Quantity:
49 reprographic copy(ies)
drawings
Quantity:
49 reprographic copy(ies)
People:
Form:
photographs
photographs
Actions:
Reference number:
PH1986:0430:001-050
PH1986:0430:001-050
People:
Title:
Architectural and street views in Sydney, with part scenes, silver mines, landscape views, New South Wales, Australia.
Actions:
PH1986:0430:001-050
Architectural and street views in Sydney, with part scenes, silver mines, landscape views, New South Wales, Australia.
Actions:
PH1986:0430:001-050
Form:
photographs
photographs
People:
Form:
drawings
drawings
Actions:
Reference number:
ARCH260890
Description:
Site plans, landscape plans, site plan of Harbourplace, Victoria. Including issued for construction architectural elevations and floor plans.
ARCH260890
Description:
Site plans, landscape plans, site plan of Harbourplace, Victoria. Including issued for construction architectural elevations and floor plans.
People:
Date:
1988
1988
Title:
Site plans, landscape plans, site plan of Harbourplace
Actions:
ARCH260890
Description:
Site plans, landscape plans, site plan of Harbourplace, Victoria. Including issued for construction architectural elevations and floor plans.
Site plans, landscape plans, site plan of Harbourplace
Actions:
ARCH260890
Description:
Site plans, landscape plans, site plan of Harbourplace, Victoria. Including issued for construction architectural elevations and floor plans.
Form:
drawings
drawings
Date:
1988
1988
People:
Form:
drawings
drawings
Actions:
Reference number:
AP046.S1.1983.PR01.012
Description:
This file includes the original landscaping plans for Baile Park with Shaughnessy House as the office space for the CCA.
AP046.S1.1983.PR01.012
Description:
This file includes the original landscaping plans for Baile Park with Shaughnessy House as the office space for the CCA.
People:
Date:
circa 1981
circa 1981
Title:
Original scheme site plan and landscape proposal for Shaughnessy House, Canadian Centre for Architecture, Montréal, Québec
Actions:
AP046.S1.1983.PR01.012
Description:
This file includes the original landscaping plans for Baile Park with Shaughnessy House as the office space for the CCA.
Original scheme site plan and landscape proposal for Shaughnessy House, Canadian Centre for Architecture, Montréal, Québec
Actions:
AP046.S1.1983.PR01.012
Description:
This file includes the original landscaping plans for Baile Park with Shaughnessy House as the office space for the CCA.
Form:
drawings
drawings
Date:
circa 1981
circa 1981
People:
Form:
textual records
textual records
![Notes and sketches for Architettura Interplanetaria [Interplanetary Architecture]](/img-collection/tY3iPBxrYb9cC4gqaTAOzI5oY2Y=/500x699/485410.jpg)
Actions:
Reference number:
ARCH400124
Description:
Notes and sketches about the Pygmy funerary songs selected for the opening scenes of the film that describe the rhythm as "creating a sound landscape".
ARCH400124
Description:
Notes and sketches about the Pygmy funerary songs selected for the opening scenes of the film that describe the rhythm as "creating a sound landscape".
People:
Date:
ca. 1970-1971
ca. 1970-1971
Title:
Notes and sketches for Architettura Interplanetaria [Interplanetary Architecture]
Actions:
ARCH400124
Description:
Notes and sketches about the Pygmy funerary songs selected for the opening scenes of the film that describe the rhythm as "creating a sound landscape".
Notes and sketches for Architettura Interplanetaria [Interplanetary Architecture]
Actions:
ARCH400124
Description:
Notes and sketches about the Pygmy funerary songs selected for the opening scenes of the film that describe the rhythm as "creating a sound landscape".
Form:
textual records
textual records
Date:
ca. 1970-1971
ca. 1970-1971
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.2012.PR02
Description:
The project series documents a series of photographs entitled "Progetti D'Architettura" by Pettena in 2012. The photographs series consists of a landscape photographs showing geological formations similar to the one seen from the city of Bolzano, Pettena's birthplace. This project is "reflections on architecture inspired by the mountains of his birthplace, symbol of a presence that conceptually, and often unconsciously, accompanies us in our aesthetic choices. Choices that are translated in architecture through the awareness of the transformation of spaces through time and of the effects of different lights and different perceptions." [1] The project series contains a photo montage of landscape photographs. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-architecture-projects-2012/ (last accessed 27 January 2020)
AP207.S1.2012.PR02
Description:
The project series documents a series of photographs entitled "Progetti D'Architettura" by Pettena in 2012. The photographs series consists of a landscape photographs showing geological formations similar to the one seen from the city of Bolzano, Pettena's birthplace. This project is "reflections on architecture inspired by the mountains of his birthplace, symbol of a presence that conceptually, and often unconsciously, accompanies us in our aesthetic choices. Choices that are translated in architecture through the awareness of the transformation of spaces through time and of the effects of different lights and different perceptions." [1] The project series contains a photo montage of landscape photographs. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-architecture-projects-2012/ (last accessed 27 January 2020)
People:
Date:
2012-2015
2012-2015
Title:
Progetti D'Architettura [Architecture Projects] (2012)
Actions:
AP207.S1.2012.PR02
Description:
The project series documents a series of photographs entitled "Progetti D'Architettura" by Pettena in 2012. The photographs series consists of a landscape photographs showing geological formations similar to the one seen from the city of Bolzano, Pettena's birthplace. This project is "reflections on architecture inspired by the mountains of his birthplace, symbol of a presence that conceptually, and often unconsciously, accompanies us in our aesthetic choices. Choices that are translated in architecture through the awareness of the transformation of spaces through time and of the effects of different lights and different perceptions." [1] The project series contains a photo montage of landscape photographs. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-architecture-projects-2012/ (last accessed 27 January 2020)
Progetti D'Architettura [Architecture Projects] (2012)
Actions:
AP207.S1.2012.PR02
Description:
The project series documents a series of photographs entitled "Progetti D'Architettura" by Pettena in 2012. The photographs series consists of a landscape photographs showing geological formations similar to the one seen from the city of Bolzano, Pettena's birthplace. This project is "reflections on architecture inspired by the mountains of his birthplace, symbol of a presence that conceptually, and often unconsciously, accompanies us in our aesthetic choices. Choices that are translated in architecture through the awareness of the transformation of spaces through time and of the effects of different lights and different perceptions." [1] The project series contains a photo montage of landscape photographs. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-architecture-projects-2012/ (last accessed 27 January 2020)
Level of archival description:
Project
Project
Date:
2012-2015
2012-2015
People:
Level of archival description:
Project
Project
Reference number:
AP207.S1.2017.PR02
Description:
The project series documents "Architecture Forgiven by Nature", an installation design by Pettena in 2017. The installation consists of an old water tower at the top of a hill in Brufa, covered with a metal grill. The intention is for plants to grow from the grill and hide the tower behind vegetation. The installation also included a staircase hidden behind the metal grill to give access to the top of the tower, so it could be used as a belvedere. "An additional function therefore joins the usual one, as nature helps to integrate a banal architecture into the landscape while also changing it into a place of consciousness and better understanding of both the environment and the art world." [1] The project is also known as "Torre di Brufa". The project series contains a drawing, printouts of digital renderings, plans of the structure surrounding the water tower, and video of Pettena showing the model of the tower. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-tower-in-brufa-2017/ (last accessed 28 January 2020)
AP207.S1.2017.PR02
Description:
The project series documents "Architecture Forgiven by Nature", an installation design by Pettena in 2017. The installation consists of an old water tower at the top of a hill in Brufa, covered with a metal grill. The intention is for plants to grow from the grill and hide the tower behind vegetation. The installation also included a staircase hidden behind the metal grill to give access to the top of the tower, so it could be used as a belvedere. "An additional function therefore joins the usual one, as nature helps to integrate a banal architecture into the landscape while also changing it into a place of consciousness and better understanding of both the environment and the art world." [1] The project is also known as "Torre di Brufa". The project series contains a drawing, printouts of digital renderings, plans of the structure surrounding the water tower, and video of Pettena showing the model of the tower. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-tower-in-brufa-2017/ (last accessed 28 January 2020)
People:
Date:
2006-2017
2006-2017
Title:
Architecture Forgiven by Nature (2017)
Actions:
AP207.S1.2017.PR02
Description:
The project series documents "Architecture Forgiven by Nature", an installation design by Pettena in 2017. The installation consists of an old water tower at the top of a hill in Brufa, covered with a metal grill. The intention is for plants to grow from the grill and hide the tower behind vegetation. The installation also included a staircase hidden behind the metal grill to give access to the top of the tower, so it could be used as a belvedere. "An additional function therefore joins the usual one, as nature helps to integrate a banal architecture into the landscape while also changing it into a place of consciousness and better understanding of both the environment and the art world." [1] The project is also known as "Torre di Brufa". The project series contains a drawing, printouts of digital renderings, plans of the structure surrounding the water tower, and video of Pettena showing the model of the tower. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-tower-in-brufa-2017/ (last accessed 28 January 2020)
Architecture Forgiven by Nature (2017)
Actions:
AP207.S1.2017.PR02
Description:
The project series documents "Architecture Forgiven by Nature", an installation design by Pettena in 2017. The installation consists of an old water tower at the top of a hill in Brufa, covered with a metal grill. The intention is for plants to grow from the grill and hide the tower behind vegetation. The installation also included a staircase hidden behind the metal grill to give access to the top of the tower, so it could be used as a belvedere. "An additional function therefore joins the usual one, as nature helps to integrate a banal architecture into the landscape while also changing it into a place of consciousness and better understanding of both the environment and the art world." [1] The project is also known as "Torre di Brufa". The project series contains a drawing, printouts of digital renderings, plans of the structure surrounding the water tower, and video of Pettena showing the model of the tower. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-tower-in-brufa-2017/ (last accessed 28 January 2020)
Level of archival description:
Project
Project
Date:
2006-2017
2006-2017
People:
Form:
drawings
drawings
Actions:
Reference number:
ARCH260660
ARCH260660
People:
Date:
1979
1979
Title:
Design development architectural, electrical, and landscaping plans and details
Actions:
ARCH260660
Design development architectural, electrical, and landscaping plans and details
Actions:
ARCH260660
Form:
drawings
drawings
Date:
1979
1979
People:
Form:
exhibitions
exhibitions
Actions:
Description:
Although immigration is a dominant topic in contemporary culture, its discussion is often limited to the human experience, such as the crossing of borders and issues about national identity. Journeys takes a different perspective: how movements impact the environment. Examples range from the coconut that can drift freely on the ocean current and re-seed wherever it finds(...)
Although immigration is a dominant topic in contemporary culture, its discussion is often limited to the human experience, such as the crossing of borders and issues about national identity. Journeys takes a different perspective: how movements impact the environment. Examples range from the coconut that can drift freely on the ocean current and re-seed wherever it finds(...)
Location:
Main galleries
Main galleries
Date:
20 October 2010 to 13 March 2011
20 October 2010 to 13 March 2011
Title:
Journeys: How travelling fruit, ideas and buildings rearrange our environment
Actions:
Description:
Although immigration is a dominant topic in contemporary culture, its discussion is often limited to the human experience, such as the crossing of borders and issues about national identity. Journeys takes a different perspective: how movements impact the environment. Examples range from the coconut that can drift freely on the ocean current and re-seed wherever it finds(...)
Journeys: How travelling fruit, ideas and buildings rearrange our environment
Actions:
Description:
Although immigration is a dominant topic in contemporary culture, its discussion is often limited to the human experience, such as the crossing of borders and issues about national identity. Journeys takes a different perspective: how movements impact the environment. Examples range from the coconut that can drift freely on the ocean current and re-seed wherever it finds(...)
Form:
exhibitions
exhibitions
Date:
20 October 2010 to
13 March 2011
20 October 2010 to
13 March 2011
Location:
Main galleries
Main galleries
Level of archival description:
Project
Project
Actions:
Reference number:
AP194.S1.1995.PR01
Description:
Project records consist of records documenting the three phases of the Synthetic Landscape project (1995-2000) as worked on by Johan Bettum and OCEAN North. The project was initially developed and submitted in 1995 for the Membrane Design International Competition held in Japan by the Taiyo Kogyo Corporation. The entry showcases a children’s playscape in the setting of Oslo’s Tøyen Park, joining both its urban surroundings and its natural landscape into a synthetic space. Afterwards, the project was exhibited at the Architecture Association (AA) in London, where Johan Bettum and Kivi Sotamaa met. This eventually led to Bettum and Sotamaa collaborating on projects, along with their respective OCEAN teams in Oslo and Helsinki. The Synthetic Landscape project continued as a research project, with a second phase in 1996 and a third phase which ran from 1997 through 2000 and integrated design methods (particle streaming, Channelling Systems) from the work made on the Töölö and Jyväskylä projects. In the third phase, a pavilion was also added to the setting. Aside from one drawing, all records for this project are in a digital format. Drawings and models from phase 1 show parts or the whole of a shell-like structure. A color scheme seems to be associated to the different components of the structure. A report on phases 1 and 2 discusses the use of synthetic and composite materials for the structure, explaining the concept for the site. Phase 2 textual records include a working plan, site charts and program. Additional drawings and models show an evolution in the shape of the landscape. Most records are related to the third phase of Synthetic Landscape. They are largely drawings and models showing textures and coloured grafts used in the design process, section and surfaces studies, as well as site plans. Other files of the third phase consist of animated renderings of Channelling Systems studies within the Synthetic Landscape topology, saved as Quicktime MOV files. Additionally, the third phase of Synthetic Landscape has files related to the FEM (finite element method) analysis process utilized in the project’s engineering. This particular section includes raster images showing vectorial drawings and data appearing to be surface studies. These were likely created with the software Mathematica. The bulk of textual documentation on the project’s scope and outcomes may be found in AP194.S1.1995.PR01.001 for phases 1 and 2, and in AP194.S1.1995.PR01.005 for phase 3. The latter file also contains documentation related to a grant application to The Research Council of Norway; a proposal for a conference and exhibition at the AA; and administrative records such as budgets, correspondence, invoices, progress reports, meeting agendas and minutes. For all project phases, records related to the design process consist of CAD models saved in a variety of modelling formats (iges, fmz, dgn, 3dm, dxf) as well as raster or vector images (tiff, jpeg, png, eps, pict, etc.). In some cases, only these raster or vector images of the original CAD drawings are present in the archive.
AP194.S1.1995.PR01
Description:
Project records consist of records documenting the three phases of the Synthetic Landscape project (1995-2000) as worked on by Johan Bettum and OCEAN North. The project was initially developed and submitted in 1995 for the Membrane Design International Competition held in Japan by the Taiyo Kogyo Corporation. The entry showcases a children’s playscape in the setting of Oslo’s Tøyen Park, joining both its urban surroundings and its natural landscape into a synthetic space. Afterwards, the project was exhibited at the Architecture Association (AA) in London, where Johan Bettum and Kivi Sotamaa met. This eventually led to Bettum and Sotamaa collaborating on projects, along with their respective OCEAN teams in Oslo and Helsinki. The Synthetic Landscape project continued as a research project, with a second phase in 1996 and a third phase which ran from 1997 through 2000 and integrated design methods (particle streaming, Channelling Systems) from the work made on the Töölö and Jyväskylä projects. In the third phase, a pavilion was also added to the setting. Aside from one drawing, all records for this project are in a digital format. Drawings and models from phase 1 show parts or the whole of a shell-like structure. A color scheme seems to be associated to the different components of the structure. A report on phases 1 and 2 discusses the use of synthetic and composite materials for the structure, explaining the concept for the site. Phase 2 textual records include a working plan, site charts and program. Additional drawings and models show an evolution in the shape of the landscape. Most records are related to the third phase of Synthetic Landscape. They are largely drawings and models showing textures and coloured grafts used in the design process, section and surfaces studies, as well as site plans. Other files of the third phase consist of animated renderings of Channelling Systems studies within the Synthetic Landscape topology, saved as Quicktime MOV files. Additionally, the third phase of Synthetic Landscape has files related to the FEM (finite element method) analysis process utilized in the project’s engineering. This particular section includes raster images showing vectorial drawings and data appearing to be surface studies. These were likely created with the software Mathematica. The bulk of textual documentation on the project’s scope and outcomes may be found in AP194.S1.1995.PR01.001 for phases 1 and 2, and in AP194.S1.1995.PR01.005 for phase 3. The latter file also contains documentation related to a grant application to The Research Council of Norway; a proposal for a conference and exhibition at the AA; and administrative records such as budgets, correspondence, invoices, progress reports, meeting agendas and minutes. For all project phases, records related to the design process consist of CAD models saved in a variety of modelling formats (iges, fmz, dgn, 3dm, dxf) as well as raster or vector images (tiff, jpeg, png, eps, pict, etc.). In some cases, only these raster or vector images of the original CAD drawings are present in the archive.
People:
Date:
1995-2000
1995-2000
Title:
Synthetic Landscape research project, Oslo, Norway (1995-2000)
Actions:
AP194.S1.1995.PR01
Description:
Project records consist of records documenting the three phases of the Synthetic Landscape project (1995-2000) as worked on by Johan Bettum and OCEAN North. The project was initially developed and submitted in 1995 for the Membrane Design International Competition held in Japan by the Taiyo Kogyo Corporation. The entry showcases a children’s playscape in the setting of Oslo’s Tøyen Park, joining both its urban surroundings and its natural landscape into a synthetic space. Afterwards, the project was exhibited at the Architecture Association (AA) in London, where Johan Bettum and Kivi Sotamaa met. This eventually led to Bettum and Sotamaa collaborating on projects, along with their respective OCEAN teams in Oslo and Helsinki. The Synthetic Landscape project continued as a research project, with a second phase in 1996 and a third phase which ran from 1997 through 2000 and integrated design methods (particle streaming, Channelling Systems) from the work made on the Töölö and Jyväskylä projects. In the third phase, a pavilion was also added to the setting. Aside from one drawing, all records for this project are in a digital format. Drawings and models from phase 1 show parts or the whole of a shell-like structure. A color scheme seems to be associated to the different components of the structure. A report on phases 1 and 2 discusses the use of synthetic and composite materials for the structure, explaining the concept for the site. Phase 2 textual records include a working plan, site charts and program. Additional drawings and models show an evolution in the shape of the landscape. Most records are related to the third phase of Synthetic Landscape. They are largely drawings and models showing textures and coloured grafts used in the design process, section and surfaces studies, as well as site plans. Other files of the third phase consist of animated renderings of Channelling Systems studies within the Synthetic Landscape topology, saved as Quicktime MOV files. Additionally, the third phase of Synthetic Landscape has files related to the FEM (finite element method) analysis process utilized in the project’s engineering. This particular section includes raster images showing vectorial drawings and data appearing to be surface studies. These were likely created with the software Mathematica. The bulk of textual documentation on the project’s scope and outcomes may be found in AP194.S1.1995.PR01.001 for phases 1 and 2, and in AP194.S1.1995.PR01.005 for phase 3. The latter file also contains documentation related to a grant application to The Research Council of Norway; a proposal for a conference and exhibition at the AA; and administrative records such as budgets, correspondence, invoices, progress reports, meeting agendas and minutes. For all project phases, records related to the design process consist of CAD models saved in a variety of modelling formats (iges, fmz, dgn, 3dm, dxf) as well as raster or vector images (tiff, jpeg, png, eps, pict, etc.). In some cases, only these raster or vector images of the original CAD drawings are present in the archive.
Synthetic Landscape research project, Oslo, Norway (1995-2000)
Actions:
AP194.S1.1995.PR01
Description:
Project records consist of records documenting the three phases of the Synthetic Landscape project (1995-2000) as worked on by Johan Bettum and OCEAN North. The project was initially developed and submitted in 1995 for the Membrane Design International Competition held in Japan by the Taiyo Kogyo Corporation. The entry showcases a children’s playscape in the setting of Oslo’s Tøyen Park, joining both its urban surroundings and its natural landscape into a synthetic space. Afterwards, the project was exhibited at the Architecture Association (AA) in London, where Johan Bettum and Kivi Sotamaa met. This eventually led to Bettum and Sotamaa collaborating on projects, along with their respective OCEAN teams in Oslo and Helsinki. The Synthetic Landscape project continued as a research project, with a second phase in 1996 and a third phase which ran from 1997 through 2000 and integrated design methods (particle streaming, Channelling Systems) from the work made on the Töölö and Jyväskylä projects. In the third phase, a pavilion was also added to the setting. Aside from one drawing, all records for this project are in a digital format. Drawings and models from phase 1 show parts or the whole of a shell-like structure. A color scheme seems to be associated to the different components of the structure. A report on phases 1 and 2 discusses the use of synthetic and composite materials for the structure, explaining the concept for the site. Phase 2 textual records include a working plan, site charts and program. Additional drawings and models show an evolution in the shape of the landscape. Most records are related to the third phase of Synthetic Landscape. They are largely drawings and models showing textures and coloured grafts used in the design process, section and surfaces studies, as well as site plans. Other files of the third phase consist of animated renderings of Channelling Systems studies within the Synthetic Landscape topology, saved as Quicktime MOV files. Additionally, the third phase of Synthetic Landscape has files related to the FEM (finite element method) analysis process utilized in the project’s engineering. This particular section includes raster images showing vectorial drawings and data appearing to be surface studies. These were likely created with the software Mathematica. The bulk of textual documentation on the project’s scope and outcomes may be found in AP194.S1.1995.PR01.001 for phases 1 and 2, and in AP194.S1.1995.PR01.005 for phase 3. The latter file also contains documentation related to a grant application to The Research Council of Norway; a proposal for a conference and exhibition at the AA; and administrative records such as budgets, correspondence, invoices, progress reports, meeting agendas and minutes. For all project phases, records related to the design process consist of CAD models saved in a variety of modelling formats (iges, fmz, dgn, 3dm, dxf) as well as raster or vector images (tiff, jpeg, png, eps, pict, etc.). In some cases, only these raster or vector images of the original CAD drawings are present in the archive.
Level of archival description:
Project
Project
Date:
1995-2000
1995-2000
People:
