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books
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"The Good House Book" offers an intelligent look at how a home is supposed to function and a variety of different building approaches. What’s important is finding the right solution to fit your individual needs, local climate, and natural resources. The broad range of topics covered include choosing a site; selecting materials; building with straw bale, cob, adobe, or(...)
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"The Good House Book" offers an intelligent look at how a home is supposed to function and a variety of different building approaches. What’s important is finding the right solution to fit your individual needs, local climate, and natural resources. The broad range of topics covered include choosing a site; selecting materials; building with straw bale, cob, adobe, or(...)
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The good house book : a common-sense guide to alternative homebuilding
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"The Good House Book" offers an intelligent look at how a home is supposed to function and a variety of different building approaches. What’s important is finding the right solution to fit your individual needs, local climate, and natural resources. The broad range of topics covered include choosing a site; selecting materials; building with straw bale, cob, adobe, or rammed earth; and plugging into alternative home power systems. This book includes interviews with six homeowners and photographs of the homes they built.
The good house book : a common-sense guide to alternative homebuilding
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"The Good House Book" offers an intelligent look at how a home is supposed to function and a variety of different building approaches. What’s important is finding the right solution to fit your individual needs, local climate, and natural resources. The broad range of topics covered include choosing a site; selecting materials; building with straw bale, cob, adobe, or rammed earth; and plugging into alternative home power systems. This book includes interviews with six homeowners and photographs of the homes they built.
Form:
books
books
Publication:
April 2004, New York
April 2004, New York
Subject:
Green Architecture
Green Architecture
Form:
books
books
Title:
Los Angeles 1989 Tokyo 1991
Los Angeles 1989 Tokyo 1991
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Los Angeles 1989 Tokyo 1991 brings together a collection of images from two of the most complex and undefinable metropolises on the face of the Earth, the social and urban form of which is ceaselessly reshaped by the minimal existence of millions of people in movement. Lombardelli's photographs are also cinematographic homages to the works of Wim Wenders and Yasujiro Ozu.(...)
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Los Angeles 1989 Tokyo 1991 brings together a collection of images from two of the most complex and undefinable metropolises on the face of the Earth, the social and urban form of which is ceaselessly reshaped by the minimal existence of millions of people in movement. Lombardelli's photographs are also cinematographic homages to the works of Wim Wenders and Yasujiro Ozu.(...)
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Los Angeles 1989 Tokyo 1991
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Los Angeles 1989 Tokyo 1991 brings together a collection of images from two of the most complex and undefinable metropolises on the face of the Earth, the social and urban form of which is ceaselessly reshaped by the minimal existence of millions of people in movement. Lombardelli's photographs are also cinematographic homages to the works of Wim Wenders and Yasujiro Ozu. Michele Lombardelli (born 1968, in Cremona, Italy, where he lives and works) is a visual artist, musician and publisher.
Los Angeles 1989 Tokyo 1991
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Los Angeles 1989 Tokyo 1991 brings together a collection of images from two of the most complex and undefinable metropolises on the face of the Earth, the social and urban form of which is ceaselessly reshaped by the minimal existence of millions of people in movement. Lombardelli's photographs are also cinematographic homages to the works of Wim Wenders and Yasujiro Ozu. Michele Lombardelli (born 1968, in Cremona, Italy, where he lives and works) is a visual artist, musician and publisher.
Form:
books
books
Publication:
October 2017
October 2017
Subject:
Photography monographs
Photography monographs
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books
books
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$53.00
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Takasaki's designs combine the organic and the mythological. He describes his architecture as an "environmental being" that connects humanity with the cosmos. These philosophies manifest themselves in his(...)
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Takasaki's designs combine the organic and the mythological. He describes his architecture as an "environmental being" that connects humanity with the cosmos. These philosophies manifest themselves in his(...)
Title:
Takasaki Masaharu : an architecture of cosmology
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Takasaki's designs combine the organic and the mythological. He describes his architecture as an "environmental being" that connects humanity with the cosmos. These philosophies manifest themselves in his use of egg-shaped forms, diffused light to create mystical interiors, and skewed columns and planes. The eight projects explored in this monograph include Crystal Light in Tokyo, Tamana City Observatory Museum in Kumamoto, Earth Architecture in Tokyo, and Kihoku-cho Astronomical Museum in Kagoshima. Each building is thoroughly described through text, photographs, and drawings.
Takasaki Masaharu : an architecture of cosmology
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Takasaki's designs combine the organic and the mythological. He describes his architecture as an "environmental being" that connects humanity with the cosmos. These philosophies manifest themselves in his use of egg-shaped forms, diffused light to create mystical interiors, and skewed columns and planes. The eight projects explored in this monograph include Crystal Light in Tokyo, Tamana City Observatory Museum in Kumamoto, Earth Architecture in Tokyo, and Kihoku-cho Astronomical Museum in Kagoshima. Each building is thoroughly described through text, photographs, and drawings.
Form:
books
books
Publication:
February 1998, New York
February 1998, New York
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$43.00
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Cities, estates and routing systems develop, change constantly and fundamentally cannot be planned. Claims to ownership, land and building regulations, planning decisions and political interventions make it difficult for settlement structures to adapt to constantly changing requirements to such an extent that meaningful and totally ecological use of the surface of the(...)
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Cities, estates and routing systems develop, change constantly and fundamentally cannot be planned. Claims to ownership, land and building regulations, planning decisions and political interventions make it difficult for settlement structures to adapt to constantly changing requirements to such an extent that meaningful and totally ecological use of the surface of the(...)
Title:
Occupying and connecting: thoughts on territories and spheres of influence with particular reference to human settlement
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Cities, estates and routing systems develop, change constantly and fundamentally cannot be planned. Claims to ownership, land and building regulations, planning decisions and political interventions make it difficult for settlement structures to adapt to constantly changing requirements to such an extent that meaningful and totally ecological use of the surface of the earth is becoming increasingly difficult, although new techniques and flexible planning models mean that a connection could be found with the self-designing processes of urban-development history.
Occupying and connecting: thoughts on territories and spheres of influence with particular reference to human settlement
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$43.00
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Summary:
Cities, estates and routing systems develop, change constantly and fundamentally cannot be planned. Claims to ownership, land and building regulations, planning decisions and political interventions make it difficult for settlement structures to adapt to constantly changing requirements to such an extent that meaningful and totally ecological use of the surface of the earth is becoming increasingly difficult, although new techniques and flexible planning models mean that a connection could be found with the self-designing processes of urban-development history.
Form:
books
books
Publication:
March 2009
March 2009
Subject:
Architectural Theory
Architectural Theory
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books
books
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$50.00
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Integrate poetics into real-world spaces by bringing theory down to earth Practical Poetics in Architecture takes poetics out of the theory class and into the design studio, showing architects how the atmospheric and experiential qualities of built structures can be intentionally considered and planned. With an emphasis on analysing and explaining the sensibility of(...)
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Integrate poetics into real-world spaces by bringing theory down to earth Practical Poetics in Architecture takes poetics out of the theory class and into the design studio, showing architects how the atmospheric and experiential qualities of built structures can be intentionally considered and planned. With an emphasis on analysing and explaining the sensibility of(...)
Title:
Practical poetics in architecture
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Integrate poetics into real-world spaces by bringing theory down to earth Practical Poetics in Architecture takes poetics out of the theory class and into the design studio, showing architects how the atmospheric and experiential qualities of built structures can be intentionally considered and planned. With an emphasis on analysing and explaining the sensibility of poetics at work in designing and constructing architecture, this book features projects from architects around the world that demonstrate the principles of poetics come to life.
Practical poetics in architecture
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$50.00
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Integrate poetics into real-world spaces by bringing theory down to earth Practical Poetics in Architecture takes poetics out of the theory class and into the design studio, showing architects how the atmospheric and experiential qualities of built structures can be intentionally considered and planned. With an emphasis on analysing and explaining the sensibility of poetics at work in designing and constructing architecture, this book features projects from architects around the world that demonstrate the principles of poetics come to life.
Form:
books
books
Publication:
July 2015
July 2015
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
Maya Lin : boundaries
Maya Lin : boundaries
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$34.50
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Summary:
Walking through this parklike area, the memorial appears as a rift in the earth - a long, polished black stone wall, emerging from and receding into the earth. Approaching the memorial, the ground slopes gently downward, and the low walls emerging on either side, growing out of the earth, extend and converge at a point below and ahead. Walking into the grassy site(...)
$34.50
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Summary:
Walking through this parklike area, the memorial appears as a rift in the earth - a long, polished black stone wall, emerging from and receding into the earth. Approaching the memorial, the ground slopes gently downward, and the low walls emerging on either side, growing out of the earth, extend and converge at a point below and ahead. Walking into the grassy site(...)
Title:
Maya Lin : boundaries
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$34.50
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Walking through this parklike area, the memorial appears as a rift in the earth - a long, polished black stone wall, emerging from and receding into the earth. Approaching the memorial, the ground slopes gently downward, and the low walls emerging on either side, growing out of the earth, extend and converge at a point below and ahead. Walking into the grassy site contained by the walls of this memorial, we can barely make out the carved names upon the memorial's walls. These names, seemingly infinite in number, convey the sense of overwhelming numbers, while unifying these individuals into a whole.... So begins the competition entry submitted in 1981 by a Yale undergraduate for the design of the Vietnam Veterans Memorial in Washington, D.C. - subsequently called "as moving and awesome and popular a piece of memorial architecture as exists anywhere in the world." Its creator, Maya Lin, has been nothing less than world famous ever since. From the explicitly political to the un-ashamedly literary to the completely abstract, her simple and powerful sculpture - the Rockefeller Foundation sculpture, the Southern Poverty Law Center Civil Rights Memorial, the Yale Women's Table, Wave Field - her architecture, including The Museum for African Art and the Norton residence, and her protean design talents have defined her as one of the most gifted creative geniuses of the age. Boundaries is her first book : an eloquent visual/verbal sketchbook produced with the same inspiration and attention to detail as any of her other artworks. Like her environmental sculptures, it is a site, but one which exists at a remove so that it may comment on the personal and artistic elements that make up those works. In it, sketches, photographs, workbook entries, and original designs are held together by a deeply personal text. "Boundaries" is a powerful literary and visual statement by "a leading public artist" (Holland Carter). It is itself a unique work of art.
Maya Lin : boundaries
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Price:
$34.50
(available to order)
Summary:
Walking through this parklike area, the memorial appears as a rift in the earth - a long, polished black stone wall, emerging from and receding into the earth. Approaching the memorial, the ground slopes gently downward, and the low walls emerging on either side, growing out of the earth, extend and converge at a point below and ahead. Walking into the grassy site contained by the walls of this memorial, we can barely make out the carved names upon the memorial's walls. These names, seemingly infinite in number, convey the sense of overwhelming numbers, while unifying these individuals into a whole.... So begins the competition entry submitted in 1981 by a Yale undergraduate for the design of the Vietnam Veterans Memorial in Washington, D.C. - subsequently called "as moving and awesome and popular a piece of memorial architecture as exists anywhere in the world." Its creator, Maya Lin, has been nothing less than world famous ever since. From the explicitly political to the un-ashamedly literary to the completely abstract, her simple and powerful sculpture - the Rockefeller Foundation sculpture, the Southern Poverty Law Center Civil Rights Memorial, the Yale Women's Table, Wave Field - her architecture, including The Museum for African Art and the Norton residence, and her protean design talents have defined her as one of the most gifted creative geniuses of the age. Boundaries is her first book : an eloquent visual/verbal sketchbook produced with the same inspiration and attention to detail as any of her other artworks. Like her environmental sculptures, it is a site, but one which exists at a remove so that it may comment on the personal and artistic elements that make up those works. In it, sketches, photographs, workbook entries, and original designs are held together by a deeply personal text. "Boundaries" is a powerful literary and visual statement by "a leading public artist" (Holland Carter). It is itself a unique work of art.
Form:
books
books
Publication:
September 2006, New York
September 2006, New York
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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The artist's relationship to landscape was once invoked by a canvas on an easel in a picturesque vista. No more. In the 1960s, the Earth Artists started focusing on natural systems and entropy; in the 1970s, photographers in the New Topographics movement turned their attention unsentimentally to the industrialized "man-altered" environment; in the 1980s, artists animated(...)
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The artist's relationship to landscape was once invoked by a canvas on an easel in a picturesque vista. No more. In the 1960s, the Earth Artists started focusing on natural systems and entropy; in the 1970s, photographers in the New Topographics movement turned their attention unsentimentally to the industrialized "man-altered" environment; in the 1980s, artists animated(...)
Title:
Badlands : new horizons in landscape
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The artist's relationship to landscape was once invoked by a canvas on an easel in a picturesque vista. No more. In the 1960s, the Earth Artists started focusing on natural systems and entropy; in the 1970s, photographers in the New Topographics movement turned their attention unsentimentally to the industrialized "man-altered" environment; in the 1980s, artists animated the natural landscape with art, movement, and performance; and in the 1990s, Eco-Artists collaborated with scientists to address sustainability, pollution, and politics. "Badlands" explores the latest manifestations of artists’ fascination with the earth, gathering work by contemporary artists who approach landscape through history, culture, and science. "Badlands", which accompanies an exhibition at MASS MoCA, approaches landscape as a theme with variations, grouping artists and their art (which is shown in 150 color illustrations) by category : Historians, who recontextualize the history of landscape depiction; Explorers, who explore the environment and our place within it; Activists and Pragmatists, who alert us to problems in the natural world and suggest solutions; and the Aestheticists, who look at the beauty found in nature. Each section begins with an essay : Gregory Volk maps the evolution of the genre from the Hudson River School to Earth Art; Ginger Strand examines the relationship between man and landscape through our cultural history; Tensie Whelan discusses environmental science, sustainability, and climate change; and Denise Markonish considers the new genre of landscape that emerges from the work displayed in Badlands. As a physical object, Badlands supports the values represented by its intellectual and artistic content: it was produced using FSC (Forest Stewardship Council) certified techniques including paper, printing, and inks. Artists: Robert Adams, Vaughn Bell, Boyle Family, Melissa Brown, Center for Land Use Interpretation, Leila Daw, Gregory Euclide, J. Henry Fair, Mike Glier, Anthony Goicolea, Marine Hugonnier, Paul Jacobsen, Mitchell Joachim/ Terreform, Nina Katchadourian, Jane Marsching, Alexis Rockman, Ed Ruscha, Joseph Smolinski, Yutaka Sone, Jennifer Steinkamp, Mary Temple. Copublished with MASS MoCA
Badlands : new horizons in landscape
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$24.95
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Summary:
The artist's relationship to landscape was once invoked by a canvas on an easel in a picturesque vista. No more. In the 1960s, the Earth Artists started focusing on natural systems and entropy; in the 1970s, photographers in the New Topographics movement turned their attention unsentimentally to the industrialized "man-altered" environment; in the 1980s, artists animated the natural landscape with art, movement, and performance; and in the 1990s, Eco-Artists collaborated with scientists to address sustainability, pollution, and politics. "Badlands" explores the latest manifestations of artists’ fascination with the earth, gathering work by contemporary artists who approach landscape through history, culture, and science. "Badlands", which accompanies an exhibition at MASS MoCA, approaches landscape as a theme with variations, grouping artists and their art (which is shown in 150 color illustrations) by category : Historians, who recontextualize the history of landscape depiction; Explorers, who explore the environment and our place within it; Activists and Pragmatists, who alert us to problems in the natural world and suggest solutions; and the Aestheticists, who look at the beauty found in nature. Each section begins with an essay : Gregory Volk maps the evolution of the genre from the Hudson River School to Earth Art; Ginger Strand examines the relationship between man and landscape through our cultural history; Tensie Whelan discusses environmental science, sustainability, and climate change; and Denise Markonish considers the new genre of landscape that emerges from the work displayed in Badlands. As a physical object, Badlands supports the values represented by its intellectual and artistic content: it was produced using FSC (Forest Stewardship Council) certified techniques including paper, printing, and inks. Artists: Robert Adams, Vaughn Bell, Boyle Family, Melissa Brown, Center for Land Use Interpretation, Leila Daw, Gregory Euclide, J. Henry Fair, Mike Glier, Anthony Goicolea, Marine Hugonnier, Paul Jacobsen, Mitchell Joachim/ Terreform, Nina Katchadourian, Jane Marsching, Alexis Rockman, Ed Ruscha, Joseph Smolinski, Yutaka Sone, Jennifer Steinkamp, Mary Temple. Copublished with MASS MoCA
Form:
books
books
Publication:
September 2008, North Adams
September 2008, North Adams
Subject:
Gardens
Gardens
Form:
books
books
Title:
Energy and civilization
Energy and civilization
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$49.00
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Energy is the only universal currency; it is necessary for getting anything done. The conversion of energy on Earth ranges from terra-forming forces of plate tectonics to cumulative erosive effects of raindrops. Life on Earth depends on the photosynthetic conversion of solar energy into plant biomass. Humans have come to rely on many more energy flows—ranging from fossil(...)
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Energy is the only universal currency; it is necessary for getting anything done. The conversion of energy on Earth ranges from terra-forming forces of plate tectonics to cumulative erosive effects of raindrops. Life on Earth depends on the photosynthetic conversion of solar energy into plant biomass. Humans have come to rely on many more energy flows—ranging from fossil(...)
Title:
Energy and civilization
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$49.00
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Summary:
Energy is the only universal currency; it is necessary for getting anything done. The conversion of energy on Earth ranges from terra-forming forces of plate tectonics to cumulative erosive effects of raindrops. Life on Earth depends on the photosynthetic conversion of solar energy into plant biomass. Humans have come to rely on many more energy flows—ranging from fossil fuels to photovoltaic generation of electricity—for their civilized existence. In this monumental history, Vaclav Smil provides a comprehensive account of how energy has shaped society, from pre-agricultural foraging societies through today’s fossil fuel–driven civilization. Humans are the only species that can systematically harness energies outside their bodies, using the power of their intellect and an enormous variety of artifacts—from the simplest tools to internal combustion engines and nuclear reactors. The epochal transition to fossil fuels affected everything: agriculture, industry, transportation, weapons, communication, economics, urbanization, quality of life, politics, and the environment. Smil describes humanity’s energy eras in panoramic and interdisciplinary fashion, offering readers a magisterial overview. This book is an extensively updated and expanded version of Smil’s "Energy in world history" (1994). Smil has incorporated an enormous amount of new material, reflecting the dramatic developments in energy studies over the last two decades and his own research over that time.
Energy and civilization
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Price:
$49.00
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Summary:
Energy is the only universal currency; it is necessary for getting anything done. The conversion of energy on Earth ranges from terra-forming forces of plate tectonics to cumulative erosive effects of raindrops. Life on Earth depends on the photosynthetic conversion of solar energy into plant biomass. Humans have come to rely on many more energy flows—ranging from fossil fuels to photovoltaic generation of electricity—for their civilized existence. In this monumental history, Vaclav Smil provides a comprehensive account of how energy has shaped society, from pre-agricultural foraging societies through today’s fossil fuel–driven civilization. Humans are the only species that can systematically harness energies outside their bodies, using the power of their intellect and an enormous variety of artifacts—from the simplest tools to internal combustion engines and nuclear reactors. The epochal transition to fossil fuels affected everything: agriculture, industry, transportation, weapons, communication, economics, urbanization, quality of life, politics, and the environment. Smil describes humanity’s energy eras in panoramic and interdisciplinary fashion, offering readers a magisterial overview. This book is an extensively updated and expanded version of Smil’s "Energy in world history" (1994). Smil has incorporated an enormous amount of new material, reflecting the dramatic developments in energy studies over the last two decades and his own research over that time.
Form:
books
books
Publication:
May 2017
May 2017
Subject:
Environment and environmental theory
Environment and environmental theory
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books
books
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$35.95
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Summary:
Many societies have imagined going to live in space. What they want to do once they get up there—whether conquering the unknown, establishing space ''colonies,'' privatising the moon’s resources—reveals more than expected. In this fascinating radical history of space exploration, Fred Scharmen shows that often science and fiction have combined in the imagined dreams of(...)
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Summary:
Many societies have imagined going to live in space. What they want to do once they get up there—whether conquering the unknown, establishing space ''colonies,'' privatising the moon’s resources—reveals more than expected. In this fascinating radical history of space exploration, Fred Scharmen shows that often science and fiction have combined in the imagined dreams of(...)
Title:
Space forces: a critical history of life in outer space
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Many societies have imagined going to live in space. What they want to do once they get up there—whether conquering the unknown, establishing space ''colonies,'' privatising the moon’s resources—reveals more than expected. In this fascinating radical history of space exploration, Fred Scharmen shows that often science and fiction have combined in the imagined dreams of life in outer space, but these visions have real implications for life back on earth. For the Russian Cosmists of the 1890s space was a place to pursue human perfection away from the Earth. For others, such as Wernher Von Braun, it was an engineering task that combined, in the Space Race, the Cold War, and during World War II, with destructive geopolitics. Arthur C. Clarke, in his speculative books, offered an alternative vision of wonder that is indifferent to human interaction. Meanwhile NASA planned and managed the space station like an earthbound corporation. Today, the market has arrived into outer space and exploration is the plaything of superrich technology billionaires, who plan to privatise the mineral wealth for themselves. Are other worlds really possible? Bringing these figures and ideas together reveals a completely different story of our relationship with outer space, as well as the dangers of our current direction of extractive capitalism and colonisation.
Space forces: a critical history of life in outer space
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$35.95
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Summary:
Many societies have imagined going to live in space. What they want to do once they get up there—whether conquering the unknown, establishing space ''colonies,'' privatising the moon’s resources—reveals more than expected. In this fascinating radical history of space exploration, Fred Scharmen shows that often science and fiction have combined in the imagined dreams of life in outer space, but these visions have real implications for life back on earth. For the Russian Cosmists of the 1890s space was a place to pursue human perfection away from the Earth. For others, such as Wernher Von Braun, it was an engineering task that combined, in the Space Race, the Cold War, and during World War II, with destructive geopolitics. Arthur C. Clarke, in his speculative books, offered an alternative vision of wonder that is indifferent to human interaction. Meanwhile NASA planned and managed the space station like an earthbound corporation. Today, the market has arrived into outer space and exploration is the plaything of superrich technology billionaires, who plan to privatise the mineral wealth for themselves. Are other worlds really possible? Bringing these figures and ideas together reveals a completely different story of our relationship with outer space, as well as the dangers of our current direction of extractive capitalism and colonisation.
Form:
books
books
Publication:
November 2021
November 2021
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
Analyzing Ambasz
Analyzing Ambasz
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$7.99
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Architect, museum curator, and industrial designer Emilio Ambasz is perhaps most renowned for projects that fuse architecture and landscape—high-rise buildings enveloped in verdant screens of trees and plants, and houses that virtually disappear beneath mounds of earth. It has been said that his work defies easy categorization and analysis, and terms such as poetry,(...)
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Summary:
Architect, museum curator, and industrial designer Emilio Ambasz is perhaps most renowned for projects that fuse architecture and landscape—high-rise buildings enveloped in verdant screens of trees and plants, and houses that virtually disappear beneath mounds of earth. It has been said that his work defies easy categorization and analysis, and terms such as poetry,(...)
Title:
Analyzing Ambasz
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$7.99
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Architect, museum curator, and industrial designer Emilio Ambasz is perhaps most renowned for projects that fuse architecture and landscape—high-rise buildings enveloped in verdant screens of trees and plants, and houses that virtually disappear beneath mounds of earth. It has been said that his work defies easy categorization and analysis, and terms such as poetry, wonder, and myth are often ascribed to his designs. In this penetrating collection of essays, prominent scholars and architects take up the challenge and set about rigorously "analyzing Ambasz."
Analyzing Ambasz
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Architect, museum curator, and industrial designer Emilio Ambasz is perhaps most renowned for projects that fuse architecture and landscape—high-rise buildings enveloped in verdant screens of trees and plants, and houses that virtually disappear beneath mounds of earth. It has been said that his work defies easy categorization and analysis, and terms such as poetry, wonder, and myth are often ascribed to his designs. In this penetrating collection of essays, prominent scholars and architects take up the challenge and set about rigorously "analyzing Ambasz."
Form:
books
books
Publication:
May 2004, New York
May 2004, New York
