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Monographie la plus récente de la peintre canadienne Janet Werner.
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Monographie la plus récente de la peintre canadienne Janet Werner.
Title:
Janet Werner: another perfect day
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Monographie la plus récente de la peintre canadienne Janet Werner.
Janet Werner: another perfect day
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Monographie la plus récente de la peintre canadienne Janet Werner.
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books
books
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March 2014
March 2014
Subject:
Canadian art
Canadian art
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books
books
Title:
Alison Norlen: luna
Alison Norlen: luna
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Alison Nolen's intricate welded architectural installations reconstitute monumental, 20th-century sites of leisure, fantasy and cultural artifice, such as the Crystal Palace, Luna Park, Brighton Pier, and Las Vegas. Sensational and fantastic spaces have always inspired Norlen, from her early theme park sculptures and pinball landscapes, to her series of drawn Floats with(...)
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Alison Nolen's intricate welded architectural installations reconstitute monumental, 20th-century sites of leisure, fantasy and cultural artifice, such as the Crystal Palace, Luna Park, Brighton Pier, and Las Vegas. Sensational and fantastic spaces have always inspired Norlen, from her early theme park sculptures and pinball landscapes, to her series of drawn Floats with(...)
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Alison Norlen: luna
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Alison Nolen's intricate welded architectural installations reconstitute monumental, 20th-century sites of leisure, fantasy and cultural artifice, such as the Crystal Palace, Luna Park, Brighton Pier, and Las Vegas. Sensational and fantastic spaces have always inspired Norlen, from her early theme park sculptures and pinball landscapes, to her series of drawn Floats with their tangled collisions of rural fairgrounds, roadside attractions, and construction sites. 64
Alison Norlen: luna
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Alison Nolen's intricate welded architectural installations reconstitute monumental, 20th-century sites of leisure, fantasy and cultural artifice, such as the Crystal Palace, Luna Park, Brighton Pier, and Las Vegas. Sensational and fantastic spaces have always inspired Norlen, from her early theme park sculptures and pinball landscapes, to her series of drawn Floats with their tangled collisions of rural fairgrounds, roadside attractions, and construction sites. 64
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books
books
Publication:
May 2014
May 2014
Subject:
Canadian art
Canadian art
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books
books
Title:
Y & G #12 (curtain walls)
Y & G #12 (curtain walls)
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The artistic practice of Daniel Young and Christian Giroux exists at the intersection of art and architecture. From their respective positions as art historian and architect they create sculptures, installations and films that reflect upon the successes and failures of the built environment. This publication brings together for the first time three sculptures (Coaptation,(...)
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The artistic practice of Daniel Young and Christian Giroux exists at the intersection of art and architecture. From their respective positions as art historian and architect they create sculptures, installations and films that reflect upon the successes and failures of the built environment. This publication brings together for the first time three sculptures (Coaptation,(...)
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Y & G #12 (curtain walls)
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The artistic practice of Daniel Young and Christian Giroux exists at the intersection of art and architecture. From their respective positions as art historian and architect they create sculptures, installations and films that reflect upon the successes and failures of the built environment. This publication brings together for the first time three sculptures (Coaptation, Chagrin, and Eunoia) and a film (Camera Tracking a Spiral Drawn Between the Two Curved Towers of Viljo Revell's Toronto City Hall).
Y & G #12 (curtain walls)
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Summary:
The artistic practice of Daniel Young and Christian Giroux exists at the intersection of art and architecture. From their respective positions as art historian and architect they create sculptures, installations and films that reflect upon the successes and failures of the built environment. This publication brings together for the first time three sculptures (Coaptation, Chagrin, and Eunoia) and a film (Camera Tracking a Spiral Drawn Between the Two Curved Towers of Viljo Revell's Toronto City Hall).
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books
books
Publication:
May 2014
May 2014
Subject:
Canadian art
Canadian art
Form:
books
books
Title:
Quelques parts / somewheres
Quelques parts / somewheres
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A survey of the work of thirteen emerging contemporary artists living in the Maritimes and their engagement with the question of region. The publication’s title reflects the multiplicity and uncertain origin of the region's identity, defined as much by dreams and myths of escape as by any inherent qualities. One of the most enduring tropes about the creative process is(...)
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A survey of the work of thirteen emerging contemporary artists living in the Maritimes and their engagement with the question of region. The publication’s title reflects the multiplicity and uncertain origin of the region's identity, defined as much by dreams and myths of escape as by any inherent qualities. One of the most enduring tropes about the creative process is(...)
Title:
Quelques parts / somewheres
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A survey of the work of thirteen emerging contemporary artists living in the Maritimes and their engagement with the question of region. The publication’s title reflects the multiplicity and uncertain origin of the region's identity, defined as much by dreams and myths of escape as by any inherent qualities. One of the most enduring tropes about the creative process is the notion that the largest gathering of people generates the most interaction, and thus the greatest production of new ideas. Countering this myth is the proposition that large centres often produce homogeneity, and that incessant communication can even lead to a kind of cultural sameness. It may be precisely the very hindrance to communication - geography, distance, isolation - that produce the new approaches that loom large in the work featured here.
Quelques parts / somewheres
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A survey of the work of thirteen emerging contemporary artists living in the Maritimes and their engagement with the question of region. The publication’s title reflects the multiplicity and uncertain origin of the region's identity, defined as much by dreams and myths of escape as by any inherent qualities. One of the most enduring tropes about the creative process is the notion that the largest gathering of people generates the most interaction, and thus the greatest production of new ideas. Countering this myth is the proposition that large centres often produce homogeneity, and that incessant communication can even lead to a kind of cultural sameness. It may be precisely the very hindrance to communication - geography, distance, isolation - that produce the new approaches that loom large in the work featured here.
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books
books
Publication:
May 2014
May 2014
Subject:
Canadian art
Canadian art
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books
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Summary:
"We have always exerimented on ourselves. Our own house in Toronto and the Harrison Island Camp at Georgian Bay are personal experiments. The Laneway House, completed in 1993, is an urban manifesto."
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"We have always exerimented on ourselves. Our own house in Toronto and the Harrison Island Camp at Georgian Bay are personal experiments. The Laneway House, completed in 1993, is an urban manifesto."
Title:
Shim Sutcliffe : the passage of time
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"We have always exerimented on ourselves. Our own house in Toronto and the Harrison Island Camp at Georgian Bay are personal experiments. The Laneway House, completed in 1993, is an urban manifesto."
Shim Sutcliffe : the passage of time
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"We have always exerimented on ourselves. Our own house in Toronto and the Harrison Island Camp at Georgian Bay are personal experiments. The Laneway House, completed in 1993, is an urban manifesto."
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books
books
Publication:
September 2014
September 2014
Subject:
Canadian Architects
Canadian Architects
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books
books
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Depuis 2004, l’artiste québécoise Olivia Boudreau allie performance et vidéo dans un corpus qui s’accomplit dans la durée et la répétition en explorant des notions du visible. En mettant à contribution le plan fixe, un cadrage serré et une économie de mouvements, et plus récemment l’interactivité de la narrativité, ses installations et performances en direct proposent une(...)
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Depuis 2004, l’artiste québécoise Olivia Boudreau allie performance et vidéo dans un corpus qui s’accomplit dans la durée et la répétition en explorant des notions du visible. En mettant à contribution le plan fixe, un cadrage serré et une économie de mouvements, et plus récemment l’interactivité de la narrativité, ses installations et performances en direct proposent une(...)
Title:
Olivia Boudreau : l'oscillation du visible
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Depuis 2004, l’artiste québécoise Olivia Boudreau allie performance et vidéo dans un corpus qui s’accomplit dans la durée et la répétition en explorant des notions du visible. En mettant à contribution le plan fixe, un cadrage serré et une économie de mouvements, et plus récemment l’interactivité de la narrativité, ses installations et performances en direct proposent une expérience temporelle et perceptuelle captivante pour le spectateur. Ce premier ouvrage illustré sur son travail comprend des essais des historiens de l’art Christine Ross et Eduardo Ralickas qui discutent de temporalité, de matérialité et de réception dans sa pratique ainsi qu’un long entretien entre l’artiste et la commissaire Michèle Thériault.
Olivia Boudreau : l'oscillation du visible
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Summary:
Depuis 2004, l’artiste québécoise Olivia Boudreau allie performance et vidéo dans un corpus qui s’accomplit dans la durée et la répétition en explorant des notions du visible. En mettant à contribution le plan fixe, un cadrage serré et une économie de mouvements, et plus récemment l’interactivité de la narrativité, ses installations et performances en direct proposent une expérience temporelle et perceptuelle captivante pour le spectateur. Ce premier ouvrage illustré sur son travail comprend des essais des historiens de l’art Christine Ross et Eduardo Ralickas qui discutent de temporalité, de matérialité et de réception dans sa pratique ainsi qu’un long entretien entre l’artiste et la commissaire Michèle Thériault.
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books
books
Publication:
January 2015
January 2015
Subject:
Canadian art
Canadian art
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books
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Letters profiles Canadian artist Michael Morris during the period between 1964 and 1971 with a particular focus on his relationship with concrete poetry, considered to be among the first global art movements, springing up in South and North America, Japan and Europe. Artist, educator, and curator Michael Morris has been a key figure in the West Coast art scene for more(...)
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Letters profiles Canadian artist Michael Morris during the period between 1964 and 1971 with a particular focus on his relationship with concrete poetry, considered to be among the first global art movements, springing up in South and North America, Japan and Europe. Artist, educator, and curator Michael Morris has been a key figure in the West Coast art scene for more(...)
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Letters: Michael Morris and concrete poetry
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Letters profiles Canadian artist Michael Morris during the period between 1964 and 1971 with a particular focus on his relationship with concrete poetry, considered to be among the first global art movements, springing up in South and North America, Japan and Europe. Artist, educator, and curator Michael Morris has been a key figure in the West Coast art scene for more than four decades. His interest in concrete poems underlies his desire to develop the relationship between one medium and another—this was a period in which his work shifted from primarily painting to photography, sculpture, performance, and video. Artist, educator, and curator Michael Morris has been a key figure in the West Coast art scene for more than four decades. His interest in concrete poems underlies his desire to develop the relationship between one medium and another—this was a period in which his work shifted from primarily painting to photography, sculpture, performance, and video. Letters, a series of six painted triptychs executed in the late 1960s that form the basis of this book, embody this interdisciplinary thinking. Incorporating vertical mirrors, they were imagined not only as objects in themselves, expressing the pivotal role light plays in painting, but also as ‘props’, before which a dance performance might take place.
Letters: Michael Morris and concrete poetry
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Letters profiles Canadian artist Michael Morris during the period between 1964 and 1971 with a particular focus on his relationship with concrete poetry, considered to be among the first global art movements, springing up in South and North America, Japan and Europe. Artist, educator, and curator Michael Morris has been a key figure in the West Coast art scene for more than four decades. His interest in concrete poems underlies his desire to develop the relationship between one medium and another—this was a period in which his work shifted from primarily painting to photography, sculpture, performance, and video. Artist, educator, and curator Michael Morris has been a key figure in the West Coast art scene for more than four decades. His interest in concrete poems underlies his desire to develop the relationship between one medium and another—this was a period in which his work shifted from primarily painting to photography, sculpture, performance, and video. Letters, a series of six painted triptychs executed in the late 1960s that form the basis of this book, embody this interdisciplinary thinking. Incorporating vertical mirrors, they were imagined not only as objects in themselves, expressing the pivotal role light plays in painting, but also as ‘props’, before which a dance performance might take place.
Form:
books
books
Publication:
March 2015
March 2015
Subject:
Canadian art
Canadian art
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books
books
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$49.95
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Through a series of comprehensive contextual essays The Beaver Hall Group: 1920s Modernism in Montreal interweaves the work of this pioneering artistic collective within a broader narrative of the arts in the first half of the twentieth century. Exploring the groups’ greater role in the modernity of Canada—and more specifically the cultural context of Montreal—the book(...)
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Summary:
Through a series of comprehensive contextual essays The Beaver Hall Group: 1920s Modernism in Montreal interweaves the work of this pioneering artistic collective within a broader narrative of the arts in the first half of the twentieth century. Exploring the groups’ greater role in the modernity of Canada—and more specifically the cultural context of Montreal—the book(...)
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The Beaver Hall Group: 1920s modernism in Montreal
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Through a series of comprehensive contextual essays The Beaver Hall Group: 1920s Modernism in Montreal interweaves the work of this pioneering artistic collective within a broader narrative of the arts in the first half of the twentieth century. Exploring the groups’ greater role in the modernity of Canada—and more specifically the cultural context of Montreal—the book takes on core themes such as the rise of the metropolis, juxtapositions between economic progress and cultural development, and the impact of gender on critical approaches to both artists and their work. The Beaver Hall Group: 1920s Modernism in Montreal sits alongside a major exhibition and is published in partnership with the Montreal Museum of Fine Art.
The Beaver Hall Group: 1920s modernism in Montreal
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Through a series of comprehensive contextual essays The Beaver Hall Group: 1920s Modernism in Montreal interweaves the work of this pioneering artistic collective within a broader narrative of the arts in the first half of the twentieth century. Exploring the groups’ greater role in the modernity of Canada—and more specifically the cultural context of Montreal—the book takes on core themes such as the rise of the metropolis, juxtapositions between economic progress and cultural development, and the impact of gender on critical approaches to both artists and their work. The Beaver Hall Group: 1920s Modernism in Montreal sits alongside a major exhibition and is published in partnership with the Montreal Museum of Fine Art.
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books
books
Publication:
November 2015
November 2015
Subject:
Canadian art
Canadian art
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books
books
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Summary:
A collection of writings exploring the transgressive and transdisciplinary nature of Bill Burns’ practice, richly illustrated with material representing his work across photography, performance, writing and artists’ books.
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A collection of writings exploring the transgressive and transdisciplinary nature of Bill Burns’ practice, richly illustrated with material representing his work across photography, performance, writing and artists’ books.
Title:
Hans-Ulrich Obrist hear us, featuring Bill Burns
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A collection of writings exploring the transgressive and transdisciplinary nature of Bill Burns’ practice, richly illustrated with material representing his work across photography, performance, writing and artists’ books.
Hans-Ulrich Obrist hear us, featuring Bill Burns
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A collection of writings exploring the transgressive and transdisciplinary nature of Bill Burns’ practice, richly illustrated with material representing his work across photography, performance, writing and artists’ books.
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books
books
Publication:
March 2015
March 2015
Subject:
Canadian art
Canadian art
Form:
books
books
Title:
Storming the old boys' citadel: two pioneer women architects of nineteeth century north america
Storming the old boys' citadel: two pioneer women architects of nineteeth century north america
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This book focuses on the lives and works of two of the very first women of European American ancestry to practice architecture in North America during the 19th century. Mother Joseph du Sacré-Coeur, a Sister of Providence—born Esther Pariseau, in St. Elzéar, Quebec—is credited with works built in the present states of Washington, Idaho, Montana, northern Oregon, and in(...)
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Summary:
This book focuses on the lives and works of two of the very first women of European American ancestry to practice architecture in North America during the 19th century. Mother Joseph du Sacré-Coeur, a Sister of Providence—born Esther Pariseau, in St. Elzéar, Quebec—is credited with works built in the present states of Washington, Idaho, Montana, northern Oregon, and in(...)
Title:
Storming the old boys' citadel: two pioneer women architects of nineteeth century north america
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This book focuses on the lives and works of two of the very first women of European American ancestry to practice architecture in North America during the 19th century. Mother Joseph du Sacré-Coeur, a Sister of Providence—born Esther Pariseau, in St. Elzéar, Quebec—is credited with works built in the present states of Washington, Idaho, Montana, northern Oregon, and in the province of British Columbia. For her contributions, Mother Joseph was honored by the State of Washington as one of two people to represent it in the National Statuary Hall Collection in Washington, DC. Louise Blanchard Bethune designed and built works in the Buffalo, New York area. Storming the Old Boys’ Citadel follows the evolving histories of two Revival-styled multiuse public buildings considered to be these women’s major works.
Storming the old boys' citadel: two pioneer women architects of nineteeth century north america
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Summary:
This book focuses on the lives and works of two of the very first women of European American ancestry to practice architecture in North America during the 19th century. Mother Joseph du Sacré-Coeur, a Sister of Providence—born Esther Pariseau, in St. Elzéar, Quebec—is credited with works built in the present states of Washington, Idaho, Montana, northern Oregon, and in the province of British Columbia. For her contributions, Mother Joseph was honored by the State of Washington as one of two people to represent it in the National Statuary Hall Collection in Washington, DC. Louise Blanchard Bethune designed and built works in the Buffalo, New York area. Storming the Old Boys’ Citadel follows the evolving histories of two Revival-styled multiuse public buildings considered to be these women’s major works.
Form:
books
books
Publication:
January 2015
January 2015
Subject:
Canadian Architects
Canadian Architects
