33065 Results
Level of archival description:
Series
Series
Reference number:
AP119.S1
Description:
The series contains drawings for Peter Yeadon's architectural narrative for the Prix de Rome entitled "Karl: An Architerctural Narrative." In total eleven sets of digital prints were made, each set contains eighteen sheets. Canadian Centre for Architecture received the third of these eleven sets, which is included in this series. The narrative depicts the experience of a Canadian emigrant becoming a Roman citizen. The drawings represent the following titles: City; Fabric House; Columbarium; Horizon House; House City; Depth House; Colosseum for Vanishing Curiosities; City Gate; Teatro de Tevere; Neptune House; Bath; and Bricolage House. Each drawing is signed by the architect. Also included, are four sketchbooks for 'Karl: An Architerctural Narrative', two print proofs for Bricolage House, and project documentation. The documentation explains each of the titles in the narrative, Yeadon's curriculum vitae, and leaflets for the exhibition "Karl: an architectural narrative" held at the Art Gallery of Windsor, Ontario from August 2001 to January 2002.
AP119.S1
Description:
The series contains drawings for Peter Yeadon's architectural narrative for the Prix de Rome entitled "Karl: An Architerctural Narrative." In total eleven sets of digital prints were made, each set contains eighteen sheets. Canadian Centre for Architecture received the third of these eleven sets, which is included in this series. The narrative depicts the experience of a Canadian emigrant becoming a Roman citizen. The drawings represent the following titles: City; Fabric House; Columbarium; Horizon House; House City; Depth House; Colosseum for Vanishing Curiosities; City Gate; Teatro de Tevere; Neptune House; Bath; and Bricolage House. Each drawing is signed by the architect. Also included, are four sketchbooks for 'Karl: An Architerctural Narrative', two print proofs for Bricolage House, and project documentation. The documentation explains each of the titles in the narrative, Yeadon's curriculum vitae, and leaflets for the exhibition "Karl: an architectural narrative" held at the Art Gallery of Windsor, Ontario from August 2001 to January 2002.
People:
Date:
1998-2002
1998-2002
Title:
Karl: An Architectural Narrative (2000-2002)
Actions:
AP119.S1
Description:
The series contains drawings for Peter Yeadon's architectural narrative for the Prix de Rome entitled "Karl: An Architerctural Narrative." In total eleven sets of digital prints were made, each set contains eighteen sheets. Canadian Centre for Architecture received the third of these eleven sets, which is included in this series. The narrative depicts the experience of a Canadian emigrant becoming a Roman citizen. The drawings represent the following titles: City; Fabric House; Columbarium; Horizon House; House City; Depth House; Colosseum for Vanishing Curiosities; City Gate; Teatro de Tevere; Neptune House; Bath; and Bricolage House. Each drawing is signed by the architect. Also included, are four sketchbooks for 'Karl: An Architerctural Narrative', two print proofs for Bricolage House, and project documentation. The documentation explains each of the titles in the narrative, Yeadon's curriculum vitae, and leaflets for the exhibition "Karl: an architectural narrative" held at the Art Gallery of Windsor, Ontario from August 2001 to January 2002.
Karl: An Architectural Narrative (2000-2002)
Actions:
AP119.S1
Description:
The series contains drawings for Peter Yeadon's architectural narrative for the Prix de Rome entitled "Karl: An Architerctural Narrative." In total eleven sets of digital prints were made, each set contains eighteen sheets. Canadian Centre for Architecture received the third of these eleven sets, which is included in this series. The narrative depicts the experience of a Canadian emigrant becoming a Roman citizen. The drawings represent the following titles: City; Fabric House; Columbarium; Horizon House; House City; Depth House; Colosseum for Vanishing Curiosities; City Gate; Teatro de Tevere; Neptune House; Bath; and Bricolage House. Each drawing is signed by the architect. Also included, are four sketchbooks for 'Karl: An Architerctural Narrative', two print proofs for Bricolage House, and project documentation. The documentation explains each of the titles in the narrative, Yeadon's curriculum vitae, and leaflets for the exhibition "Karl: an architectural narrative" held at the Art Gallery of Windsor, Ontario from August 2001 to January 2002.
Level of archival description:
Series
Series
Date:
1998-2002
1998-2002
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP075.S1.1960.PR02
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the McLean Park Rental Housing Project, a low-income housing development spread across four city blocks in the Strathcona neighbourhood, Vancouver. Oberlander worked on this project in the early 1960s. The architectural firm in charge of the project was Underwood McKinley Cameron. The housing development "was comprised of a nine-storey apartment building with one-bedroom apartments and studios, and a series of three- and four-storey maisonettes." [1] As landscape architect, Oberlander worked on the site planning, grading and drainage, as well as the planting plan. She also designed recreational spaces for adults and children. The project series contains five photographs of the project, specifications, a plant list and a reprographic copy of a working drawing. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 62.
AP075.S1.1960.PR02
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the McLean Park Rental Housing Project, a low-income housing development spread across four city blocks in the Strathcona neighbourhood, Vancouver. Oberlander worked on this project in the early 1960s. The architectural firm in charge of the project was Underwood McKinley Cameron. The housing development "was comprised of a nine-storey apartment building with one-bedroom apartments and studios, and a series of three- and four-storey maisonettes." [1] As landscape architect, Oberlander worked on the site planning, grading and drainage, as well as the planting plan. She also designed recreational spaces for adults and children. The project series contains five photographs of the project, specifications, a plant list and a reprographic copy of a working drawing. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 62.
People:
Date:
1960-1963
1960-1963
Title:
McLean Park Rental Housing Project, Vancouver, British Columbia (1960-1963)
Actions:
AP075.S1.1960.PR02
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the McLean Park Rental Housing Project, a low-income housing development spread across four city blocks in the Strathcona neighbourhood, Vancouver. Oberlander worked on this project in the early 1960s. The architectural firm in charge of the project was Underwood McKinley Cameron. The housing development "was comprised of a nine-storey apartment building with one-bedroom apartments and studios, and a series of three- and four-storey maisonettes." [1] As landscape architect, Oberlander worked on the site planning, grading and drainage, as well as the planting plan. She also designed recreational spaces for adults and children. The project series contains five photographs of the project, specifications, a plant list and a reprographic copy of a working drawing. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 62.
McLean Park Rental Housing Project, Vancouver, British Columbia (1960-1963)
Actions:
AP075.S1.1960.PR02
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the McLean Park Rental Housing Project, a low-income housing development spread across four city blocks in the Strathcona neighbourhood, Vancouver. Oberlander worked on this project in the early 1960s. The architectural firm in charge of the project was Underwood McKinley Cameron. The housing development "was comprised of a nine-storey apartment building with one-bedroom apartments and studios, and a series of three- and four-storey maisonettes." [1] As landscape architect, Oberlander worked on the site planning, grading and drainage, as well as the planting plan. She also designed recreational spaces for adults and children. The project series contains five photographs of the project, specifications, a plant list and a reprographic copy of a working drawing. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 62.
Level of archival description:
Project
Project
Date:
1960-1963
1960-1963
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP178.S1.2002.PR03
Description:
This project series documents the Centro José Saramago in Granada, Spain, which in the end, was not built by Álvaro Siza. While the records were held in the office's archives, this project was assigned the number 46/00. The office assigned the date 2002 to this project. This project was assigned to Siza by the Board of Fundação José Saramago, which was formed by the Ayuntamiento de Castril [City Council], Diputacion Provincial de Granada [Provincial Council] and the University of Granada. The documentation informs us that the location of the building was subject to several changes. According to the documentation the City Council commissioned another architect associated with the Diputacion Provincial de Granada. Documenting this project are studies, plans and a model. Photographic material includes photographs of the project sites. Textual material includes project documentation, contracts, information about the Fundação José Saramago, and correpondence with Fundação José Saramago and Ayuntamiento de Castril.
AP178.S1.2002.PR03
Description:
This project series documents the Centro José Saramago in Granada, Spain, which in the end, was not built by Álvaro Siza. While the records were held in the office's archives, this project was assigned the number 46/00. The office assigned the date 2002 to this project. This project was assigned to Siza by the Board of Fundação José Saramago, which was formed by the Ayuntamiento de Castril [City Council], Diputacion Provincial de Granada [Provincial Council] and the University of Granada. The documentation informs us that the location of the building was subject to several changes. According to the documentation the City Council commissioned another architect associated with the Diputacion Provincial de Granada. Documenting this project are studies, plans and a model. Photographic material includes photographs of the project sites. Textual material includes project documentation, contracts, information about the Fundação José Saramago, and correpondence with Fundação José Saramago and Ayuntamiento de Castril.
People:
Date:
circa 2002-2006
circa 2002-2006
Title:
Centro José Saramago [José Saramago Centre], Granada, Spain (2002)
Actions:
AP178.S1.2002.PR03
Description:
This project series documents the Centro José Saramago in Granada, Spain, which in the end, was not built by Álvaro Siza. While the records were held in the office's archives, this project was assigned the number 46/00. The office assigned the date 2002 to this project. This project was assigned to Siza by the Board of Fundação José Saramago, which was formed by the Ayuntamiento de Castril [City Council], Diputacion Provincial de Granada [Provincial Council] and the University of Granada. The documentation informs us that the location of the building was subject to several changes. According to the documentation the City Council commissioned another architect associated with the Diputacion Provincial de Granada. Documenting this project are studies, plans and a model. Photographic material includes photographs of the project sites. Textual material includes project documentation, contracts, information about the Fundação José Saramago, and correpondence with Fundação José Saramago and Ayuntamiento de Castril.
Centro José Saramago [José Saramago Centre], Granada, Spain (2002)
Actions:
AP178.S1.2002.PR03
Description:
This project series documents the Centro José Saramago in Granada, Spain, which in the end, was not built by Álvaro Siza. While the records were held in the office's archives, this project was assigned the number 46/00. The office assigned the date 2002 to this project. This project was assigned to Siza by the Board of Fundação José Saramago, which was formed by the Ayuntamiento de Castril [City Council], Diputacion Provincial de Granada [Provincial Council] and the University of Granada. The documentation informs us that the location of the building was subject to several changes. According to the documentation the City Council commissioned another architect associated with the Diputacion Provincial de Granada. Documenting this project are studies, plans and a model. Photographic material includes photographs of the project sites. Textual material includes project documentation, contracts, information about the Fundação José Saramago, and correpondence with Fundação José Saramago and Ayuntamiento de Castril.
Level of archival description:
Project
Project
Date:
circa 2002-2006
circa 2002-2006
People:
Level of archival description:
Series
Series
Title:
Project records from Mr. Koz
Project records from Mr. Koz
Actions:
Reference number:
AP168.S2
Description:
The Project records from Mr. Koz series, 1996, consists of records produced by Seiichi Kozu of Studio KOZ, a local architect who managed the physical construction and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The series consists of 20 drawings and/or reprographic copies, 19 layouts, 16 slides, and a small amount of promotional material including three posters and one promotional pamphlet. Records date from 1996. For Interrupted Projections, in collaboration with Tokyo-based architect Seiichi Kozu (Mr. Koz) of Studio KOZ, Denari used traditional construction techniques to build a structure inside the gallery space that blended floor, wall and ceiling into a continuous curved surface. This surface displayed printed logos for fictional corporations, designed specifically for the exhibition. The majority of drawings and reprographic copies in the series relate to the construction of the principal architectural installation built on the third floor of Gallery MA. This includes plans and sections for the third floor, as well as working drawings that detail specifications such as dimensions, materials, layouts, and assembly techniques. The series also contains a set of five drawings that include first and second floor plans and sections of Gallery MA. The majority of writing on the drawings is Japanese, aside from one reprographic copy with third floor plans and sections that contains notes in English about elements of the installation such as lighting and the placement and size of fictional company logos. Photographic materials in the series comprise 16 slides that contain images of the built installation, as well as images of the exhibition open to the public, including slides of visitors interacting with the NaviCam. The series also includes printed layouts of the 3D digital renderings for the Interrupted Projections model alongside a pantone sheet, which were used as a reference during the construction process. Promotional material in the series includes three small posters for the exhibition, as well as a brochure that highlights selected works from the show.
AP168.S2
Description:
The Project records from Mr. Koz series, 1996, consists of records produced by Seiichi Kozu of Studio KOZ, a local architect who managed the physical construction and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The series consists of 20 drawings and/or reprographic copies, 19 layouts, 16 slides, and a small amount of promotional material including three posters and one promotional pamphlet. Records date from 1996. For Interrupted Projections, in collaboration with Tokyo-based architect Seiichi Kozu (Mr. Koz) of Studio KOZ, Denari used traditional construction techniques to build a structure inside the gallery space that blended floor, wall and ceiling into a continuous curved surface. This surface displayed printed logos for fictional corporations, designed specifically for the exhibition. The majority of drawings and reprographic copies in the series relate to the construction of the principal architectural installation built on the third floor of Gallery MA. This includes plans and sections for the third floor, as well as working drawings that detail specifications such as dimensions, materials, layouts, and assembly techniques. The series also contains a set of five drawings that include first and second floor plans and sections of Gallery MA. The majority of writing on the drawings is Japanese, aside from one reprographic copy with third floor plans and sections that contains notes in English about elements of the installation such as lighting and the placement and size of fictional company logos. Photographic materials in the series comprise 16 slides that contain images of the built installation, as well as images of the exhibition open to the public, including slides of visitors interacting with the NaviCam. The series also includes printed layouts of the 3D digital renderings for the Interrupted Projections model alongside a pantone sheet, which were used as a reference during the construction process. Promotional material in the series includes three small posters for the exhibition, as well as a brochure that highlights selected works from the show.
People:
Date:
1996
1996
Title:
Project records from Mr. Koz
Actions:
AP168.S2
Description:
The Project records from Mr. Koz series, 1996, consists of records produced by Seiichi Kozu of Studio KOZ, a local architect who managed the physical construction and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The series consists of 20 drawings and/or reprographic copies, 19 layouts, 16 slides, and a small amount of promotional material including three posters and one promotional pamphlet. Records date from 1996. For Interrupted Projections, in collaboration with Tokyo-based architect Seiichi Kozu (Mr. Koz) of Studio KOZ, Denari used traditional construction techniques to build a structure inside the gallery space that blended floor, wall and ceiling into a continuous curved surface. This surface displayed printed logos for fictional corporations, designed specifically for the exhibition. The majority of drawings and reprographic copies in the series relate to the construction of the principal architectural installation built on the third floor of Gallery MA. This includes plans and sections for the third floor, as well as working drawings that detail specifications such as dimensions, materials, layouts, and assembly techniques. The series also contains a set of five drawings that include first and second floor plans and sections of Gallery MA. The majority of writing on the drawings is Japanese, aside from one reprographic copy with third floor plans and sections that contains notes in English about elements of the installation such as lighting and the placement and size of fictional company logos. Photographic materials in the series comprise 16 slides that contain images of the built installation, as well as images of the exhibition open to the public, including slides of visitors interacting with the NaviCam. The series also includes printed layouts of the 3D digital renderings for the Interrupted Projections model alongside a pantone sheet, which were used as a reference during the construction process. Promotional material in the series includes three small posters for the exhibition, as well as a brochure that highlights selected works from the show.
Project records from Mr. Koz
Actions:
AP168.S2
Description:
The Project records from Mr. Koz series, 1996, consists of records produced by Seiichi Kozu of Studio KOZ, a local architect who managed the physical construction and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The series consists of 20 drawings and/or reprographic copies, 19 layouts, 16 slides, and a small amount of promotional material including three posters and one promotional pamphlet. Records date from 1996. For Interrupted Projections, in collaboration with Tokyo-based architect Seiichi Kozu (Mr. Koz) of Studio KOZ, Denari used traditional construction techniques to build a structure inside the gallery space that blended floor, wall and ceiling into a continuous curved surface. This surface displayed printed logos for fictional corporations, designed specifically for the exhibition. The majority of drawings and reprographic copies in the series relate to the construction of the principal architectural installation built on the third floor of Gallery MA. This includes plans and sections for the third floor, as well as working drawings that detail specifications such as dimensions, materials, layouts, and assembly techniques. The series also contains a set of five drawings that include first and second floor plans and sections of Gallery MA. The majority of writing on the drawings is Japanese, aside from one reprographic copy with third floor plans and sections that contains notes in English about elements of the installation such as lighting and the placement and size of fictional company logos. Photographic materials in the series comprise 16 slides that contain images of the built installation, as well as images of the exhibition open to the public, including slides of visitors interacting with the NaviCam. The series also includes printed layouts of the 3D digital renderings for the Interrupted Projections model alongside a pantone sheet, which were used as a reference during the construction process. Promotional material in the series includes three small posters for the exhibition, as well as a brochure that highlights selected works from the show.
Level of archival description:
Series
Series
Date:
1996
1996
People:
Form:
drawings, textual records
drawings, textual records
Actions:
Reference number:
ARCH167680
Description:
Accusé de réception confirmant l'inscription de Jacques Rousseau 11 pages: Réglements du concours par Léo Rosshandler "Société du Vieux-Port de Montréal; Concours pour les fontaines, 4 juin 1984" (2 exemplaires) Note : accompagné d'une lettre destinée aux participants 4 pages: "La présences du Vieux Montréal" Société du Vieux-Port de Montréal 6 dessins: Sites (4) du concours et plan de Peter Rose, architecte, pour les abords du Vieux-Port diazocopie 6 pages: "St-Lawrence on the Docks", Josette Michaud et Pierre Beaupré 3 pages: "Les gagnants du concours de fontaines" 13 pages: Texte d'intention: "Les temps impossible" par Jacques Rousseau 2 versions manuscrites 39 pages: Texte d'intention: "Les temps impossible" par Jacques Rousseau 3 versions dactylographiées 5 dessins: Esquisses mine de plomb sur papier calque 2 dessins: Esquisses crayon de couleur sur papier calque jaune Description du projet d'atelier dirigé par Jaques Rousseau Département de Design de l'environnement UQAM, automne 84-hiver 85
ARCH167680
Description:
Accusé de réception confirmant l'inscription de Jacques Rousseau 11 pages: Réglements du concours par Léo Rosshandler "Société du Vieux-Port de Montréal; Concours pour les fontaines, 4 juin 1984" (2 exemplaires) Note : accompagné d'une lettre destinée aux participants 4 pages: "La présences du Vieux Montréal" Société du Vieux-Port de Montréal 6 dessins: Sites (4) du concours et plan de Peter Rose, architecte, pour les abords du Vieux-Port diazocopie 6 pages: "St-Lawrence on the Docks", Josette Michaud et Pierre Beaupré 3 pages: "Les gagnants du concours de fontaines" 13 pages: Texte d'intention: "Les temps impossible" par Jacques Rousseau 2 versions manuscrites 39 pages: Texte d'intention: "Les temps impossible" par Jacques Rousseau 3 versions dactylographiées 5 dessins: Esquisses mine de plomb sur papier calque 2 dessins: Esquisses crayon de couleur sur papier calque jaune Description du projet d'atelier dirigé par Jaques Rousseau Département de Design de l'environnement UQAM, automne 84-hiver 85
People:
Title:
Accusé de réception confirmant l'inscription de Jacques Rousseau
Actions:
ARCH167680
Description:
Accusé de réception confirmant l'inscription de Jacques Rousseau 11 pages: Réglements du concours par Léo Rosshandler "Société du Vieux-Port de Montréal; Concours pour les fontaines, 4 juin 1984" (2 exemplaires) Note : accompagné d'une lettre destinée aux participants 4 pages: "La présences du Vieux Montréal" Société du Vieux-Port de Montréal 6 dessins: Sites (4) du concours et plan de Peter Rose, architecte, pour les abords du Vieux-Port diazocopie 6 pages: "St-Lawrence on the Docks", Josette Michaud et Pierre Beaupré 3 pages: "Les gagnants du concours de fontaines" 13 pages: Texte d'intention: "Les temps impossible" par Jacques Rousseau 2 versions manuscrites 39 pages: Texte d'intention: "Les temps impossible" par Jacques Rousseau 3 versions dactylographiées 5 dessins: Esquisses mine de plomb sur papier calque 2 dessins: Esquisses crayon de couleur sur papier calque jaune Description du projet d'atelier dirigé par Jaques Rousseau Département de Design de l'environnement UQAM, automne 84-hiver 85
Accusé de réception confirmant l'inscription de Jacques Rousseau
Actions:
ARCH167680
Description:
Accusé de réception confirmant l'inscription de Jacques Rousseau 11 pages: Réglements du concours par Léo Rosshandler "Société du Vieux-Port de Montréal; Concours pour les fontaines, 4 juin 1984" (2 exemplaires) Note : accompagné d'une lettre destinée aux participants 4 pages: "La présences du Vieux Montréal" Société du Vieux-Port de Montréal 6 dessins: Sites (4) du concours et plan de Peter Rose, architecte, pour les abords du Vieux-Port diazocopie 6 pages: "St-Lawrence on the Docks", Josette Michaud et Pierre Beaupré 3 pages: "Les gagnants du concours de fontaines" 13 pages: Texte d'intention: "Les temps impossible" par Jacques Rousseau 2 versions manuscrites 39 pages: Texte d'intention: "Les temps impossible" par Jacques Rousseau 3 versions dactylographiées 5 dessins: Esquisses mine de plomb sur papier calque 2 dessins: Esquisses crayon de couleur sur papier calque jaune Description du projet d'atelier dirigé par Jaques Rousseau Département de Design de l'environnement UQAM, automne 84-hiver 85
Form:
drawings, textual records
drawings, textual records
People:
Form:
graphic materials
graphic materials
Reference number:
ARCH153792
Description:
Various poster advertising IAUS exhibitions: Clorindo Testa: Architecture and Personal Mythology; November 9 to 25, 1981 Office for Metropolitan Architecture: Toward a modern (re)construction of the European City - Four Housing Projects; March 12 to May 28, 1982 Princeton's Beaux-Arts and its New Academicism from Labatut to the Program of Geddes - An Exhibition of Original Drawings over Fifty Years; January 27 to February 18 [?] Gwathmey Siegel Architects : Twenty-four Residences; December 15, 1977 to January 15, 1978 O.M. Ungers : An Exhibition of Architecture, May 6 to May 31, 1977 Philip Johnson: Processes, September 12 to October 31, 1978 On Style - Two Evenings at the IAUS, December 6 and 8, 1982; [The Portland Building by Michael Graves]
ARCH153792
Description:
Various poster advertising IAUS exhibitions: Clorindo Testa: Architecture and Personal Mythology; November 9 to 25, 1981 Office for Metropolitan Architecture: Toward a modern (re)construction of the European City - Four Housing Projects; March 12 to May 28, 1982 Princeton's Beaux-Arts and its New Academicism from Labatut to the Program of Geddes - An Exhibition of Original Drawings over Fifty Years; January 27 to February 18 [?] Gwathmey Siegel Architects : Twenty-four Residences; December 15, 1977 to January 15, 1978 O.M. Ungers : An Exhibition of Architecture, May 6 to May 31, 1977 Philip Johnson: Processes, September 12 to October 31, 1978 On Style - Two Evenings at the IAUS, December 6 and 8, 1982; [The Portland Building by Michael Graves]
People:
Date:
1977-1982
1977-1982
Title:
Various poster advertising IAUS exhibitions
Actions:
ARCH153792
Description:
Various poster advertising IAUS exhibitions: Clorindo Testa: Architecture and Personal Mythology; November 9 to 25, 1981 Office for Metropolitan Architecture: Toward a modern (re)construction of the European City - Four Housing Projects; March 12 to May 28, 1982 Princeton's Beaux-Arts and its New Academicism from Labatut to the Program of Geddes - An Exhibition of Original Drawings over Fifty Years; January 27 to February 18 [?] Gwathmey Siegel Architects : Twenty-four Residences; December 15, 1977 to January 15, 1978 O.M. Ungers : An Exhibition of Architecture, May 6 to May 31, 1977 Philip Johnson: Processes, September 12 to October 31, 1978 On Style - Two Evenings at the IAUS, December 6 and 8, 1982; [The Portland Building by Michael Graves]
Various poster advertising IAUS exhibitions
Actions:
ARCH153792
Description:
Various poster advertising IAUS exhibitions: Clorindo Testa: Architecture and Personal Mythology; November 9 to 25, 1981 Office for Metropolitan Architecture: Toward a modern (re)construction of the European City - Four Housing Projects; March 12 to May 28, 1982 Princeton's Beaux-Arts and its New Academicism from Labatut to the Program of Geddes - An Exhibition of Original Drawings over Fifty Years; January 27 to February 18 [?] Gwathmey Siegel Architects : Twenty-four Residences; December 15, 1977 to January 15, 1978 O.M. Ungers : An Exhibition of Architecture, May 6 to May 31, 1977 Philip Johnson: Processes, September 12 to October 31, 1978 On Style - Two Evenings at the IAUS, December 6 and 8, 1982; [The Portland Building by Michael Graves]
Form:
graphic materials
graphic materials
Date:
1977-1982
1977-1982
People:
Form:
textual records
textual records
Title:
DDR [Miscellaneous, 1981]
DDR [Miscellaneous, 1981]
Actions:
Reference number:
ARCH153880
Description:
Announcement from Rizzoli: publication of The Making of an Architect; Nov. 25, 1981. Two b&w prints of Peter Eisenman Program of the AIA National Convention, Minneapolis, Minnesota, May 17-21, 1981. Letter from Milan about the exhibition "Oggetto banale", 15 June 1981. Bill of a carpet sent to P. Eisenman's home and paid by Jacquelin Robertson, March 11, 1981. Letter from the Daily News answering a request for funding the retrospective of Raymond Hood's work, August 4, 1981. Telephone bill of Peter Eisenman's home, 12-16 August 1981. Three pages of information about Middle School. Page 5 of an article by Joan Copjec. Notes by P. Eisenman: "Colin when did you come"
ARCH153880
Description:
Announcement from Rizzoli: publication of The Making of an Architect; Nov. 25, 1981. Two b&w prints of Peter Eisenman Program of the AIA National Convention, Minneapolis, Minnesota, May 17-21, 1981. Letter from Milan about the exhibition "Oggetto banale", 15 June 1981. Bill of a carpet sent to P. Eisenman's home and paid by Jacquelin Robertson, March 11, 1981. Letter from the Daily News answering a request for funding the retrospective of Raymond Hood's work, August 4, 1981. Telephone bill of Peter Eisenman's home, 12-16 August 1981. Three pages of information about Middle School. Page 5 of an article by Joan Copjec. Notes by P. Eisenman: "Colin when did you come"
People:
Date:
1981
1981
Title:
DDR [Miscellaneous, 1981]
Actions:
ARCH153880
Description:
Announcement from Rizzoli: publication of The Making of an Architect; Nov. 25, 1981. Two b&w prints of Peter Eisenman Program of the AIA National Convention, Minneapolis, Minnesota, May 17-21, 1981. Letter from Milan about the exhibition "Oggetto banale", 15 June 1981. Bill of a carpet sent to P. Eisenman's home and paid by Jacquelin Robertson, March 11, 1981. Letter from the Daily News answering a request for funding the retrospective of Raymond Hood's work, August 4, 1981. Telephone bill of Peter Eisenman's home, 12-16 August 1981. Three pages of information about Middle School. Page 5 of an article by Joan Copjec. Notes by P. Eisenman: "Colin when did you come"
DDR [Miscellaneous, 1981]
Actions:
ARCH153880
Description:
Announcement from Rizzoli: publication of The Making of an Architect; Nov. 25, 1981. Two b&w prints of Peter Eisenman Program of the AIA National Convention, Minneapolis, Minnesota, May 17-21, 1981. Letter from Milan about the exhibition "Oggetto banale", 15 June 1981. Bill of a carpet sent to P. Eisenman's home and paid by Jacquelin Robertson, March 11, 1981. Letter from the Daily News answering a request for funding the retrospective of Raymond Hood's work, August 4, 1981. Telephone bill of Peter Eisenman's home, 12-16 August 1981. Three pages of information about Middle School. Page 5 of an article by Joan Copjec. Notes by P. Eisenman: "Colin when did you come"
Form:
textual records
textual records
Date:
1981
1981
People:
Title:
Stirling
Stirling
Actions:
Reference number:
AP140.S2.SS7.D3.P10.2
Description:
British architect James Stirling and various critics talk about his philosophy and work while viewing his architectural projects around the world. New York, NY : Michael Blackwood Productions, c1987. Produced and directed by Michael Blackwood ; a coproduction Michael Blackwood Productions, Saarländischer Rundfunk, BBC Television, Sveriges Television/AB/SVTI ; photographed by John Else, Mead Hunt, Bodo Kessler ; edited by Stephen Plumlee ; narration written by Martin Filler and Rosemarie Hagg Bletter ; narrated by Russell Connor ; additional photography by John Adderly, Ricky Gauld, Mark Trottenberg ; sound-recordists, Brian Greenman, Martyn Clift, M. Webberley ; consultants, Martin Filler, Rosemarie Hagg Bletter ; still photographs, John Donat ... [et al.] ; associate director, Stephen Plumlee ; associate producer, Kelley Forsyth ; executive producers, Peter Brugger, Rolf Porsborn, Alan Yentob
AP140.S2.SS7.D3.P10.2
Description:
British architect James Stirling and various critics talk about his philosophy and work while viewing his architectural projects around the world. New York, NY : Michael Blackwood Productions, c1987. Produced and directed by Michael Blackwood ; a coproduction Michael Blackwood Productions, Saarländischer Rundfunk, BBC Television, Sveriges Television/AB/SVTI ; photographed by John Else, Mead Hunt, Bodo Kessler ; edited by Stephen Plumlee ; narration written by Martin Filler and Rosemarie Hagg Bletter ; narrated by Russell Connor ; additional photography by John Adderly, Ricky Gauld, Mark Trottenberg ; sound-recordists, Brian Greenman, Martyn Clift, M. Webberley ; consultants, Martin Filler, Rosemarie Hagg Bletter ; still photographs, John Donat ... [et al.] ; associate director, Stephen Plumlee ; associate producer, Kelley Forsyth ; executive producers, Peter Brugger, Rolf Porsborn, Alan Yentob
People:
Date:
1987
1987
Title:
Stirling
Actions:
AP140.S2.SS7.D3.P10.2
Description:
British architect James Stirling and various critics talk about his philosophy and work while viewing his architectural projects around the world. New York, NY : Michael Blackwood Productions, c1987. Produced and directed by Michael Blackwood ; a coproduction Michael Blackwood Productions, Saarländischer Rundfunk, BBC Television, Sveriges Television/AB/SVTI ; photographed by John Else, Mead Hunt, Bodo Kessler ; edited by Stephen Plumlee ; narration written by Martin Filler and Rosemarie Hagg Bletter ; narrated by Russell Connor ; additional photography by John Adderly, Ricky Gauld, Mark Trottenberg ; sound-recordists, Brian Greenman, Martyn Clift, M. Webberley ; consultants, Martin Filler, Rosemarie Hagg Bletter ; still photographs, John Donat ... [et al.] ; associate director, Stephen Plumlee ; associate producer, Kelley Forsyth ; executive producers, Peter Brugger, Rolf Porsborn, Alan Yentob
Stirling
Actions:
AP140.S2.SS7.D3.P10.2
Description:
British architect James Stirling and various critics talk about his philosophy and work while viewing his architectural projects around the world. New York, NY : Michael Blackwood Productions, c1987. Produced and directed by Michael Blackwood ; a coproduction Michael Blackwood Productions, Saarländischer Rundfunk, BBC Television, Sveriges Television/AB/SVTI ; photographed by John Else, Mead Hunt, Bodo Kessler ; edited by Stephen Plumlee ; narration written by Martin Filler and Rosemarie Hagg Bletter ; narrated by Russell Connor ; additional photography by John Adderly, Ricky Gauld, Mark Trottenberg ; sound-recordists, Brian Greenman, Martyn Clift, M. Webberley ; consultants, Martin Filler, Rosemarie Hagg Bletter ; still photographs, John Donat ... [et al.] ; associate director, Stephen Plumlee ; associate producer, Kelley Forsyth ; executive producers, Peter Brugger, Rolf Porsborn, Alan Yentob
Date:
1987
1987
People:
Form:
textual records
textual records
Title:
70 PINE ST. - PROMOTION
70 PINE ST. - PROMOTION
Actions:
Reference number:
ARCH271654
Description:
Group consists of documentation and clippings of articles about Kelbaugh House in Princeton, New Jersey. There are also texts and abstracts by Douglas Kelbaugh about the Kelbaugh House and its solar heating system for promotion, including a copy of the article of "A Thermal History of the Kelbaugh House" by Douglas Kelbaugh published in "Progress in Passive Solar Energy Systems" and other articles by Douglas Kelbaugh about the termal performances of Kelbaugh House. There are also notes, correspondence, a leaflet "Solar Tour in Princeton" by the New Jersey Environmental Voters Alliance and a descriptive data form for the 1977 Home for Better Living Awards Program sponsored by The American Institute of Architects.
ARCH271654
Description:
Group consists of documentation and clippings of articles about Kelbaugh House in Princeton, New Jersey. There are also texts and abstracts by Douglas Kelbaugh about the Kelbaugh House and its solar heating system for promotion, including a copy of the article of "A Thermal History of the Kelbaugh House" by Douglas Kelbaugh published in "Progress in Passive Solar Energy Systems" and other articles by Douglas Kelbaugh about the termal performances of Kelbaugh House. There are also notes, correspondence, a leaflet "Solar Tour in Princeton" by the New Jersey Environmental Voters Alliance and a descriptive data form for the 1977 Home for Better Living Awards Program sponsored by The American Institute of Architects.
People:
Date:
1976-1984
1976-1984
Title:
70 PINE ST. - PROMOTION
Actions:
ARCH271654
Description:
Group consists of documentation and clippings of articles about Kelbaugh House in Princeton, New Jersey. There are also texts and abstracts by Douglas Kelbaugh about the Kelbaugh House and its solar heating system for promotion, including a copy of the article of "A Thermal History of the Kelbaugh House" by Douglas Kelbaugh published in "Progress in Passive Solar Energy Systems" and other articles by Douglas Kelbaugh about the termal performances of Kelbaugh House. There are also notes, correspondence, a leaflet "Solar Tour in Princeton" by the New Jersey Environmental Voters Alliance and a descriptive data form for the 1977 Home for Better Living Awards Program sponsored by The American Institute of Architects.
70 PINE ST. - PROMOTION
Actions:
ARCH271654
Description:
Group consists of documentation and clippings of articles about Kelbaugh House in Princeton, New Jersey. There are also texts and abstracts by Douglas Kelbaugh about the Kelbaugh House and its solar heating system for promotion, including a copy of the article of "A Thermal History of the Kelbaugh House" by Douglas Kelbaugh published in "Progress in Passive Solar Energy Systems" and other articles by Douglas Kelbaugh about the termal performances of Kelbaugh House. There are also notes, correspondence, a leaflet "Solar Tour in Princeton" by the New Jersey Environmental Voters Alliance and a descriptive data form for the 1977 Home for Better Living Awards Program sponsored by The American Institute of Architects.
Form:
textual records
textual records
Date:
1976-1984
1976-1984
People:
Title:
Letters 1970-74
Letters 1970-74
Reference number:
PHCON2002:0016:002
Description:
Binder documents Gordon Matta-Clark's personal and professional correspondence predominantly from the early 1970s, the time in which he became an active artist/architect in New York City, New York. Documents related to the following projects are included: Anarchitecture (1973-1974); A W-Hole House (1973); Bingo (1974); Conical Intersect (1975); Corner Decomposition Piece (1972); Fake Estates (1973); Food (1971); Fresh Air Cart (1972); Photoglyphs (1973); Pipes (1971); Contrabienal (1971); Subway Graffiti (1973); Threshole (1973); Tree Dance (1971); and Wallspaper (1972). Binder contains a drawing, photographs and textual records. (Material divided in 2 binders: binder 1/2 contains objects PHCON2002:0016:002:001 to PHCON2002:0016:002:050; binder 2/2 contains PHCON2002:0016:002:051 to PHCON2002:0016:002:103.)
PHCON2002:0016:002
Description:
Binder documents Gordon Matta-Clark's personal and professional correspondence predominantly from the early 1970s, the time in which he became an active artist/architect in New York City, New York. Documents related to the following projects are included: Anarchitecture (1973-1974); A W-Hole House (1973); Bingo (1974); Conical Intersect (1975); Corner Decomposition Piece (1972); Fake Estates (1973); Food (1971); Fresh Air Cart (1972); Photoglyphs (1973); Pipes (1971); Contrabienal (1971); Subway Graffiti (1973); Threshole (1973); Tree Dance (1971); and Wallspaper (1972). Binder contains a drawing, photographs and textual records. (Material divided in 2 binders: binder 1/2 contains objects PHCON2002:0016:002:001 to PHCON2002:0016:002:050; binder 2/2 contains PHCON2002:0016:002:051 to PHCON2002:0016:002:103.)
People:
Date:
ca. 1962-1985
ca. 1962-1985
Title:
Letters 1970-74
Actions:
PHCON2002:0016:002
Description:
Binder documents Gordon Matta-Clark's personal and professional correspondence predominantly from the early 1970s, the time in which he became an active artist/architect in New York City, New York. Documents related to the following projects are included: Anarchitecture (1973-1974); A W-Hole House (1973); Bingo (1974); Conical Intersect (1975); Corner Decomposition Piece (1972); Fake Estates (1973); Food (1971); Fresh Air Cart (1972); Photoglyphs (1973); Pipes (1971); Contrabienal (1971); Subway Graffiti (1973); Threshole (1973); Tree Dance (1971); and Wallspaper (1972). Binder contains a drawing, photographs and textual records. (Material divided in 2 binders: binder 1/2 contains objects PHCON2002:0016:002:001 to PHCON2002:0016:002:050; binder 2/2 contains PHCON2002:0016:002:051 to PHCON2002:0016:002:103.)
Letters 1970-74
Actions:
PHCON2002:0016:002
Description:
Binder documents Gordon Matta-Clark's personal and professional correspondence predominantly from the early 1970s, the time in which he became an active artist/architect in New York City, New York. Documents related to the following projects are included: Anarchitecture (1973-1974); A W-Hole House (1973); Bingo (1974); Conical Intersect (1975); Corner Decomposition Piece (1972); Fake Estates (1973); Food (1971); Fresh Air Cart (1972); Photoglyphs (1973); Pipes (1971); Contrabienal (1971); Subway Graffiti (1973); Threshole (1973); Tree Dance (1971); and Wallspaper (1972). Binder contains a drawing, photographs and textual records. (Material divided in 2 binders: binder 1/2 contains objects PHCON2002:0016:002:001 to PHCON2002:0016:002:050; binder 2/2 contains PHCON2002:0016:002:051 to PHCON2002:0016:002:103.)
Date:
ca. 1962-1985
ca. 1962-1985
People:
