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A fascinating exploration of how photography, graphic design, and popular magazines converged to transform American visual culture at mid-century This dynamic study examines the intersection of modernist photography and American commercial graphic design between 1930 and 1960. Avant-garde strategies in photography and design reached the United States via European(...)
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A fascinating exploration of how photography, graphic design, and popular magazines converged to transform American visual culture at mid-century This dynamic study examines the intersection of modernist photography and American commercial graphic design between 1930 and 1960. Avant-garde strategies in photography and design reached the United States via European(...)
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Modern look: photography and the American magazine
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A fascinating exploration of how photography, graphic design, and popular magazines converged to transform American visual culture at mid-century This dynamic study examines the intersection of modernist photography and American commercial graphic design between 1930 and 1960. Avant-garde strategies in photography and design reached the United States via European emigres, including Bauhaus artists forced out of Nazi Germany. The unmistakable aesthetic made popular by such magazines as Harper's Bazaar and Vogue-whose art directors, Alexey Brodovitch and Alexander Liberman, were both immigrants and accomplished photographers-emerged from a distinctly American combination of innovation, inclusiveness, and pragmatism. With more than 150 revolutionary photographs, layouts, and cover designs, 'Modern Look' considers the connections and mutual influences of such designers and photographers as Richard Avedon, Lillian Bassman, Herbert Bayer, Robert Frank, Lisette Model, Gordon Parks, Irving Penn, Cipe Pineles, and Paul Rand.
Modern look: photography and the American magazine
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A fascinating exploration of how photography, graphic design, and popular magazines converged to transform American visual culture at mid-century This dynamic study examines the intersection of modernist photography and American commercial graphic design between 1930 and 1960. Avant-garde strategies in photography and design reached the United States via European emigres, including Bauhaus artists forced out of Nazi Germany. The unmistakable aesthetic made popular by such magazines as Harper's Bazaar and Vogue-whose art directors, Alexey Brodovitch and Alexander Liberman, were both immigrants and accomplished photographers-emerged from a distinctly American combination of innovation, inclusiveness, and pragmatism. With more than 150 revolutionary photographs, layouts, and cover designs, 'Modern Look' considers the connections and mutual influences of such designers and photographers as Richard Avedon, Lillian Bassman, Herbert Bayer, Robert Frank, Lisette Model, Gordon Parks, Irving Penn, Cipe Pineles, and Paul Rand.
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books
books
Publication:
May 2020
May 2020
Subject:
Theory of Photography
Theory of Photography
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books
books
Title:
On photographs
On photographs
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In ''On photographs,'' curator and writer David Campany presents an exploration of photography in 120 photographs. Proceeding not by chronology or genre or photographer, Campany’s eclectic selection unfolds according to its own logic. We see work by Henri Cartier-Bresson, William Eggleston, Helen Levitt, Garry Winogrand, Yves Louise Lawler, Andreas Gursky, and Rineke(...)
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In ''On photographs,'' curator and writer David Campany presents an exploration of photography in 120 photographs. Proceeding not by chronology or genre or photographer, Campany’s eclectic selection unfolds according to its own logic. We see work by Henri Cartier-Bresson, William Eggleston, Helen Levitt, Garry Winogrand, Yves Louise Lawler, Andreas Gursky, and Rineke(...)
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On photographs
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In ''On photographs,'' curator and writer David Campany presents an exploration of photography in 120 photographs. Proceeding not by chronology or genre or photographer, Campany’s eclectic selection unfolds according to its own logic. We see work by Henri Cartier-Bresson, William Eggleston, Helen Levitt, Garry Winogrand, Yves Louise Lawler, Andreas Gursky, and Rineke Dijkstra. There is fashion photography by William Klein, one of Vivian Maier’s contact sheets, and a carefully staged scene by Gregory Crewdson, as well as images culled from magazines and advertisements. Each of the 120 photographs is accompanied by Campany’s lucid and incisive commentary, considering the history of that image and its creator, interpreting its content and meaning, and connecting and contextualizing it with visual culture. Image by image, we absorb and appreciate Campany’s complex yet playful take on photography and its history.
On photographs
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In ''On photographs,'' curator and writer David Campany presents an exploration of photography in 120 photographs. Proceeding not by chronology or genre or photographer, Campany’s eclectic selection unfolds according to its own logic. We see work by Henri Cartier-Bresson, William Eggleston, Helen Levitt, Garry Winogrand, Yves Louise Lawler, Andreas Gursky, and Rineke Dijkstra. There is fashion photography by William Klein, one of Vivian Maier’s contact sheets, and a carefully staged scene by Gregory Crewdson, as well as images culled from magazines and advertisements. Each of the 120 photographs is accompanied by Campany’s lucid and incisive commentary, considering the history of that image and its creator, interpreting its content and meaning, and connecting and contextualizing it with visual culture. Image by image, we absorb and appreciate Campany’s complex yet playful take on photography and its history.
Form:
books
books
Publication:
October 2020
October 2020
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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An exploration of the Alpine region’s dynamic topography, conceived for the 17th Venice Architecture Biennale. For "How Will We Live Together", VOGT Landscape Architects has collaborated with the Chair of Günther Vogt at ETH Zurich, Institute of Landscape and Urban Studies on a publication that excavates the dynamic landscape of the Alpine region, with a particular focus(...)
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An exploration of the Alpine region’s dynamic topography, conceived for the 17th Venice Architecture Biennale. For "How Will We Live Together", VOGT Landscape Architects has collaborated with the Chair of Günther Vogt at ETH Zurich, Institute of Landscape and Urban Studies on a publication that excavates the dynamic landscape of the Alpine region, with a particular focus(...)
Title:
Solid, Fluid, Biotic: Changing alpine landscapes. VOGT Landscape Architects
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An exploration of the Alpine region’s dynamic topography, conceived for the 17th Venice Architecture Biennale. For "How Will We Live Together", VOGT Landscape Architects has collaborated with the Chair of Günther Vogt at ETH Zurich, Institute of Landscape and Urban Studies on a publication that excavates the dynamic landscape of the Alpine region, with a particular focus on hydrological, biological and geological aspects of the topography. Characterized by a great diversity in all spatial dimensions and qualities, the Alps are not a stable structure, but a dynamic and sensitive organism, defined at the same time by intensive cultivation by humankind. Here, boundaries are ceaselessly overcome and continuously shifted. This book documents the contributions at the Biennale exploring the nature of alpine topography and complements them with scientific essays, artistic works and comprehensive photographs taken during field trips to the Alps.
Solid, Fluid, Biotic: Changing alpine landscapes. VOGT Landscape Architects
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An exploration of the Alpine region’s dynamic topography, conceived for the 17th Venice Architecture Biennale. For "How Will We Live Together", VOGT Landscape Architects has collaborated with the Chair of Günther Vogt at ETH Zurich, Institute of Landscape and Urban Studies on a publication that excavates the dynamic landscape of the Alpine region, with a particular focus on hydrological, biological and geological aspects of the topography. Characterized by a great diversity in all spatial dimensions and qualities, the Alps are not a stable structure, but a dynamic and sensitive organism, defined at the same time by intensive cultivation by humankind. Here, boundaries are ceaselessly overcome and continuously shifted. This book documents the contributions at the Biennale exploring the nature of alpine topography and complements them with scientific essays, artistic works and comprehensive photographs taken during field trips to the Alps.
Form:
books
books
Publication:
December 2021
December 2021
Subject:
Landscape Architecture, Monographs
Landscape Architecture, Monographs
Form:
books
books
Title:
The story of architecture
The story of architecture
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In this sweeping history, from the Stone Age to the present day, Witold Rybczynski shows how architectural ideals have been affected by technological, economic, and social changes—and by changes in taste. The host of examples ranges from places of worship such as Hagia Sophia and Brunelleschi’s Duomo to living spaces such as the Katsura Imperial Villa and the Alhambra,(...)
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In this sweeping history, from the Stone Age to the present day, Witold Rybczynski shows how architectural ideals have been affected by technological, economic, and social changes—and by changes in taste. The host of examples ranges from places of worship such as Hagia Sophia and Brunelleschi’s Duomo to living spaces such as the Katsura Imperial Villa and the Alhambra,(...)
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The story of architecture
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In this sweeping history, from the Stone Age to the present day, Witold Rybczynski shows how architectural ideals have been affected by technological, economic, and social changes—and by changes in taste. The host of examples ranges from places of worship such as Hagia Sophia and Brunelleschi’s Duomo to living spaces such as the Katsura Imperial Villa and the Alhambra, national icons such as the Lincoln Memorial and the Sydney Opera House, and skyscrapers such as the Seagram Building and Beijing’s CCTV headquarters. Rybczynski’s narrative emphasizes the ways that buildings across time and space are united by the human desire for order, meaning, and beauty.This is the story of architecture’s physical manifestation of the universal aspiration to celebrate, honor, and commemorate, and an exploration of the ways that each building is a unique product of patrons, architects, and builders.
The story of architecture
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Summary:
In this sweeping history, from the Stone Age to the present day, Witold Rybczynski shows how architectural ideals have been affected by technological, economic, and social changes—and by changes in taste. The host of examples ranges from places of worship such as Hagia Sophia and Brunelleschi’s Duomo to living spaces such as the Katsura Imperial Villa and the Alhambra, national icons such as the Lincoln Memorial and the Sydney Opera House, and skyscrapers such as the Seagram Building and Beijing’s CCTV headquarters. Rybczynski’s narrative emphasizes the ways that buildings across time and space are united by the human desire for order, meaning, and beauty.This is the story of architecture’s physical manifestation of the universal aspiration to celebrate, honor, and commemorate, and an exploration of the ways that each building is a unique product of patrons, architects, and builders.
Form:
books
books
Publication:
October 2022
October 2022
Subject:
History since 1900, Reference Books
History since 1900, Reference Books
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books
books
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Summary:
Over the course of eight days in December 2021, Danny Fox and Kingsley Ifill travelled across the length of the British Isles and back again. Setting off from near Dover, Kent, and making their way up the east coast as far as the Isle of Skye, Scotland, to then return by way of the West Midlands, Wales and many others locations on route. With no predetermined course,(...)
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Over the course of eight days in December 2021, Danny Fox and Kingsley Ifill travelled across the length of the British Isles and back again. Setting off from near Dover, Kent, and making their way up the east coast as far as the Isle of Skye, Scotland, to then return by way of the West Midlands, Wales and many others locations on route. With no predetermined course,(...)
Subject:
Photography monographs
Photography monographs
Publication:
September 2022
September 2022
Title:
Kingsley Ifill & Danny Fox: Holy Island
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Over the course of eight days in December 2021, Danny Fox and Kingsley Ifill travelled across the length of the British Isles and back again. Setting off from near Dover, Kent, and making their way up the east coast as far as the Isle of Skye, Scotland, to then return by way of the West Midlands, Wales and many others locations on route. With no predetermined course, their journey was one of intuition and self-led discovery, encountering and documenting the reality of the British landscape unfurling ahead of them. Composed of a series of fifty collaborative works on paper which bring together photography by Ifill and paintings by Fox, ''Holy island'' is a visual travelogue of their time spent together: an exploration into the cross-section of rural and urban fabric that makes up Britain today.
Kingsley Ifill & Danny Fox: Holy Island
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Over the course of eight days in December 2021, Danny Fox and Kingsley Ifill travelled across the length of the British Isles and back again. Setting off from near Dover, Kent, and making their way up the east coast as far as the Isle of Skye, Scotland, to then return by way of the West Midlands, Wales and many others locations on route. With no predetermined course, their journey was one of intuition and self-led discovery, encountering and documenting the reality of the British landscape unfurling ahead of them. Composed of a series of fifty collaborative works on paper which bring together photography by Ifill and paintings by Fox, ''Holy island'' is a visual travelogue of their time spent together: an exploration into the cross-section of rural and urban fabric that makes up Britain today.
Form:
books
books
Publication:
September 2022
September 2022
Subject:
Photography monographs
Photography monographs
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books
books
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'Nelle miniere di Iglesias / Into the Mines of Iglesias' is the first part of an exploration that focuses on soil, excavations, incisions, mutations, transpositions and silence of Sulcis-Iglesiente, a territory marked by an industrial history. A wandering through time and space of a region «built», transformed, crossed by different types of works, infrastructures,(...)
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'Nelle miniere di Iglesias / Into the Mines of Iglesias' is the first part of an exploration that focuses on soil, excavations, incisions, mutations, transpositions and silence of Sulcis-Iglesiente, a territory marked by an industrial history. A wandering through time and space of a region «built», transformed, crossed by different types of works, infrastructures,(...)
Publication:
November 2022
November 2022
Title:
Voyages en Sardaigne : Nelle miniere di Iglesias / Into the Mines of Iglesias
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'Nelle miniere di Iglesias / Into the Mines of Iglesias' is the first part of an exploration that focuses on soil, excavations, incisions, mutations, transpositions and silence of Sulcis-Iglesiente, a territory marked by an industrial history. A wandering through time and space of a region «built», transformed, crossed by different types of works, infrastructures, relationships between things. These signs, these scars, are today the distinctive features of an extraordinary mining landscape. A space to discover through visual and textual narration. 'Voyages en Sardaigne' is a collection of unconventional thematic guides on this island in the middle of the Mediterranean. They offer to the reader different ways of observation and restitution of its territory, always characterized by an uncertain temporality: the present and the past merge to build a unique landscape, far from the convulsive setting of the contemporaneity. Photographs by Giaime Meloni.
Voyages en Sardaigne : Nelle miniere di Iglesias / Into the Mines of Iglesias
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'Nelle miniere di Iglesias / Into the Mines of Iglesias' is the first part of an exploration that focuses on soil, excavations, incisions, mutations, transpositions and silence of Sulcis-Iglesiente, a territory marked by an industrial history. A wandering through time and space of a region «built», transformed, crossed by different types of works, infrastructures, relationships between things. These signs, these scars, are today the distinctive features of an extraordinary mining landscape. A space to discover through visual and textual narration. 'Voyages en Sardaigne' is a collection of unconventional thematic guides on this island in the middle of the Mediterranean. They offer to the reader different ways of observation and restitution of its territory, always characterized by an uncertain temporality: the present and the past merge to build a unique landscape, far from the convulsive setting of the contemporaneity. Photographs by Giaime Meloni.
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books
books
Publication:
November 2022
November 2022
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books
books
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This publication explores the rich story of Upper Lawn’s construction and inhabitation by revisiting the small book Alison Smithson created with architect Enric Miralles in 1986. Here, the book’s contents, including diary entries, photographs, drawings, and references, are republished in full in a new design, expanded by extensive new materials from the Smithson archive.(...)
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This publication explores the rich story of Upper Lawn’s construction and inhabitation by revisiting the small book Alison Smithson created with architect Enric Miralles in 1986. Here, the book’s contents, including diary entries, photographs, drawings, and references, are republished in full in a new design, expanded by extensive new materials from the Smithson archive.(...)
Title:
Alison and Peter Smithson: Upper lawn, solar pavilion
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This publication explores the rich story of Upper Lawn’s construction and inhabitation by revisiting the small book Alison Smithson created with architect Enric Miralles in 1986. Here, the book’s contents, including diary entries, photographs, drawings, and references, are republished in full in a new design, expanded by extensive new materials from the Smithson archive. Together, these documents describe the building’s lived life, picturing it as a ledger of wear and use, a means of private and professional exploration, and a lens onto the passage of time inside and outside its walls. This book places Upper Lawn at the heart of the Smithsons’ practice, revealing its own quiet philosophy and ethics of architecture. This new book has been edited in collaboration with the Smithson Family Collection and includes an introductory essay by Paul Clarke, Professor of Architectural Design at the Belfast School of Architecture.
Alison and Peter Smithson: Upper lawn, solar pavilion
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This publication explores the rich story of Upper Lawn’s construction and inhabitation by revisiting the small book Alison Smithson created with architect Enric Miralles in 1986. Here, the book’s contents, including diary entries, photographs, drawings, and references, are republished in full in a new design, expanded by extensive new materials from the Smithson archive. Together, these documents describe the building’s lived life, picturing it as a ledger of wear and use, a means of private and professional exploration, and a lens onto the passage of time inside and outside its walls. This book places Upper Lawn at the heart of the Smithsons’ practice, revealing its own quiet philosophy and ethics of architecture. This new book has been edited in collaboration with the Smithson Family Collection and includes an introductory essay by Paul Clarke, Professor of Architectural Design at the Belfast School of Architecture.
Form:
books
books
Publication:
June 2023
June 2023
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Title:
In Giacometti's studio
In Giacometti's studio
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This book introduces the reader to the creative chaos of the tiny Parisian studio of the great sculptor Alberto Giacometti, from the moment he and his brother, Diego, arrived in 1927, until Alberto’s death in 1966. Michael Peppiatt relates how the artist first worked there as a member of the Surrealist movement and then how he gradually made his mark on Paris’s artistic,(...)
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This book introduces the reader to the creative chaos of the tiny Parisian studio of the great sculptor Alberto Giacometti, from the moment he and his brother, Diego, arrived in 1927, until Alberto’s death in 1966. Michael Peppiatt relates how the artist first worked there as a member of the Surrealist movement and then how he gradually made his mark on Paris’s artistic,(...)
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In Giacometti's studio
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This book introduces the reader to the creative chaos of the tiny Parisian studio of the great sculptor Alberto Giacometti, from the moment he and his brother, Diego, arrived in 1927, until Alberto’s death in 1966. Michael Peppiatt relates how the artist first worked there as a member of the Surrealist movement and then how he gradually made his mark on Paris’s artistic, literary, and intellectual worlds. He explains how the studio, now dismantled, seems to be both Giacometti’s most important artwork, encompassing countless complete or unfinished works, and the archive of years of struggle. With Giacometti’s death, it became his greatest achievement, containing as it did the traces of a lifetime’s search for truth. This exploration of one of the most influential spaces in 20th-century art connects us with both a unique career and an entire, outstanding moment in French culture.
In Giacometti's studio
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This book introduces the reader to the creative chaos of the tiny Parisian studio of the great sculptor Alberto Giacometti, from the moment he and his brother, Diego, arrived in 1927, until Alberto’s death in 1966. Michael Peppiatt relates how the artist first worked there as a member of the Surrealist movement and then how he gradually made his mark on Paris’s artistic, literary, and intellectual worlds. He explains how the studio, now dismantled, seems to be both Giacometti’s most important artwork, encompassing countless complete or unfinished works, and the archive of years of struggle. With Giacometti’s death, it became his greatest achievement, containing as it did the traces of a lifetime’s search for truth. This exploration of one of the most influential spaces in 20th-century art connects us with both a unique career and an entire, outstanding moment in French culture.
Form:
books
books
Publication:
November 2010
November 2010
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Volatile or collapsed space
Volatile or collapsed space
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Volatile or Collapsed Space presents architectural installations by architect Sabine von Fischer. Working since 2004 under the name "Diaphanarch", Sabine von Fischer transfers terms like "diaphanous" and "prismatic" into space and tests them within. She understands diaphanous architecture as an experiment that undermines technical, aesthetic and economic conditions of(...)
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Volatile or Collapsed Space presents architectural installations by architect Sabine von Fischer. Working since 2004 under the name "Diaphanarch", Sabine von Fischer transfers terms like "diaphanous" and "prismatic" into space and tests them within. She understands diaphanous architecture as an experiment that undermines technical, aesthetic and economic conditions of(...)
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Volatile or collapsed space
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Volatile or Collapsed Space presents architectural installations by architect Sabine von Fischer. Working since 2004 under the name "Diaphanarch", Sabine von Fischer transfers terms like "diaphanous" and "prismatic" into space and tests them within. She understands diaphanous architecture as an experiment that undermines technical, aesthetic and economic conditions of space. Her works, in the form of drawings and texts – range from concept and criticism to construction. Further, they deal with visual versus audible space and the polarity between mass and horizon. Documented in drawings and photographs, works included in the book are the metal mesh and foam-core installation "Sonic Barriers" (awarded with the Swiss Art Prize 2004) on the exploration of interferences in sound and image as well as a work made from colored caoutschouk, corrugated cardboard and tubes, that integrates theoretical constructs on the event horizon into ist wavy material shape.
Volatile or collapsed space
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Volatile or Collapsed Space presents architectural installations by architect Sabine von Fischer. Working since 2004 under the name "Diaphanarch", Sabine von Fischer transfers terms like "diaphanous" and "prismatic" into space and tests them within. She understands diaphanous architecture as an experiment that undermines technical, aesthetic and economic conditions of space. Her works, in the form of drawings and texts – range from concept and criticism to construction. Further, they deal with visual versus audible space and the polarity between mass and horizon. Documented in drawings and photographs, works included in the book are the metal mesh and foam-core installation "Sonic Barriers" (awarded with the Swiss Art Prize 2004) on the exploration of interferences in sound and image as well as a work made from colored caoutschouk, corrugated cardboard and tubes, that integrates theoretical constructs on the event horizon into ist wavy material shape.
Form:
books
books
Publication:
June 2010
June 2010
Form:
books
books
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$39.95
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Summary:
Photography Changes Everything offers a provocative rethinking of photography’s impact on our culture and our daily lives. Compiling hundreds of images and responses from leading authorities on photography, it offers a brilliant, reader-friendly exploration of the many ways in which photographs package information and values, demand and hold attention, and shape our(...)
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Photography Changes Everything offers a provocative rethinking of photography’s impact on our culture and our daily lives. Compiling hundreds of images and responses from leading authorities on photography, it offers a brilliant, reader-friendly exploration of the many ways in which photographs package information and values, demand and hold attention, and shape our(...)
Title:
Photography changes everything
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Photography Changes Everything offers a provocative rethinking of photography’s impact on our culture and our daily lives. Compiling hundreds of images and responses from leading authorities on photography, it offers a brilliant, reader-friendly exploration of the many ways in which photographs package information and values, demand and hold attention, and shape our knowledge of and experience in the world. The volume draws on the extraordinary visual assets of the Smithsonian Institution’s museums, science centers and archives to launch an unprecedented interdisciplinary dialogue on photography’s capacity to shape and change our experience of the world. This publication features over 300 images and nearly 100 engaging short texts commissioned from experts, writers, inventors, public figures and others--from Hugh Hefner to John Baldessari, John Waters, Robert Adams, Sandra Phillips and many others. Each story responds to images selected by project contributors.
Photography changes everything
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Photography Changes Everything offers a provocative rethinking of photography’s impact on our culture and our daily lives. Compiling hundreds of images and responses from leading authorities on photography, it offers a brilliant, reader-friendly exploration of the many ways in which photographs package information and values, demand and hold attention, and shape our knowledge of and experience in the world. The volume draws on the extraordinary visual assets of the Smithsonian Institution’s museums, science centers and archives to launch an unprecedented interdisciplinary dialogue on photography’s capacity to shape and change our experience of the world. This publication features over 300 images and nearly 100 engaging short texts commissioned from experts, writers, inventors, public figures and others--from Hugh Hefner to John Baldessari, John Waters, Robert Adams, Sandra Phillips and many others. Each story responds to images selected by project contributors.
Form:
books
books
Publication:
July 2012
July 2012
Subject:
Theory of Photography
Theory of Photography
