9271 Results
Form:
photographs
photographs
Actions:
Reference number:
ARCH255854
ARCH255854
People:
Date:
1967
1967
Form:
photographs
photographs
Date:
1967
1967
People:
Form:
photographs
photographs
Actions:
Reference number:
AP178.S1.1971.PR01.013
Description:
Original file title : Banco Pinto e Sotto Maior Nota : Não digitalizado
AP178.S1.1971.PR01.013
Description:
Original file title : Banco Pinto e Sotto Maior Nota : Não digitalizado
People:
Date:
1971-1974
1971-1974
Title:
Photographs of built project, Banco Pinto & Sotto Mayor, Oliveira de Azeméis
Actions:
AP178.S1.1971.PR01.013
Description:
Original file title : Banco Pinto e Sotto Maior Nota : Não digitalizado
Photographs of built project, Banco Pinto & Sotto Mayor, Oliveira de Azeméis
Actions:
AP178.S1.1971.PR01.013
Description:
Original file title : Banco Pinto e Sotto Maior Nota : Não digitalizado
Form:
photographs
photographs
Date:
1971-1974
1971-1974
People:
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Actions:
Reference number:
CD033
Synopsis:
The Aldo Cibic Microrealities project collection primarily consists of presentation materials, publications and born digital materials, like videos and photographs, by Aldo Cibic produced between 2003 and 2008 for the project “Microrealities”.
CD033
Synopsis:
The Aldo Cibic Microrealities project collection primarily consists of presentation materials, publications and born digital materials, like videos and photographs, by Aldo Cibic produced between 2003 and 2008 for the project “Microrealities”.
People:
Date:
2003-2008
2003-2008
Title:
Aldo Cibic Microrealities project collection
Actions:
CD033
Synopsis:
The Aldo Cibic Microrealities project collection primarily consists of presentation materials, publications and born digital materials, like videos and photographs, by Aldo Cibic produced between 2003 and 2008 for the project “Microrealities”.
Aldo Cibic Microrealities project collection
Actions:
CD033
Synopsis:
The Aldo Cibic Microrealities project collection primarily consists of presentation materials, publications and born digital materials, like videos and photographs, by Aldo Cibic produced between 2003 and 2008 for the project “Microrealities”.
Form:
archives
Level of archival description:
collection
archives
Level of archival description:
collection
Date:
2003-2008
2003-2008
People:
Form:
drawings
drawings
Actions:
Reference number:
DR1974:0002:026:001-038
Description:
- This album contains drawings of architectural ornament - mostly highly finished - by Charles and Georges Rohault de Fleury. Although primarily from unidentified sources (DR1974:0002:026:002 - DR1974:0002:026:025, and DR1974:0002:026:038), there are a few drawings with identified sources, and twelve drawings of architectural ornament submitted by Georges to the Concours d'émulation (monthly competitions) held at the École impériale des beaux-arts, Paris. The subject matter of the drawings of architectural ornament from unidentified sources consists of capitals, friezes, festoons, moldings, cartouches, and vegetal and floral ornament. Identified subject matter includes a Composite capital and entablature from the Louvre (DR1974:0002:026:024), details from the Temple of Jupiter Stator, Rome (DR1974:0002:026:007 and DR1974:0002:026:013), and a Corinthian capital from Hôtel Soltykoff, Paris (DR1974:0002:026:038). The drawings for the Concours d'émulation by Georges are numbered "1er" to "12e" and were submitted to concours dating from 16 June 1857 to 22 October 1858 (DR1974:0002:026:026 - DR1974:0002:026:037). An unbound sheet inserted in the front of the album may be a portrait of Charles Rohault de Fleury (DR1974:0002:026:001).
DR1974:0002:026:001-038
Description:
- This album contains drawings of architectural ornament - mostly highly finished - by Charles and Georges Rohault de Fleury. Although primarily from unidentified sources (DR1974:0002:026:002 - DR1974:0002:026:025, and DR1974:0002:026:038), there are a few drawings with identified sources, and twelve drawings of architectural ornament submitted by Georges to the Concours d'émulation (monthly competitions) held at the École impériale des beaux-arts, Paris. The subject matter of the drawings of architectural ornament from unidentified sources consists of capitals, friezes, festoons, moldings, cartouches, and vegetal and floral ornament. Identified subject matter includes a Composite capital and entablature from the Louvre (DR1974:0002:026:024), details from the Temple of Jupiter Stator, Rome (DR1974:0002:026:007 and DR1974:0002:026:013), and a Corinthian capital from Hôtel Soltykoff, Paris (DR1974:0002:026:038). The drawings for the Concours d'émulation by Georges are numbered "1er" to "12e" and were submitted to concours dating from 16 June 1857 to 22 October 1858 (DR1974:0002:026:026 - DR1974:0002:026:037). An unbound sheet inserted in the front of the album may be a portrait of Charles Rohault de Fleury (DR1974:0002:026:001).
People:
Subject:
architecture, ornament, portrait, sculpture
architecture, ornament, portrait, sculpture
Date:
1854-1868
1854-1868
Title:
Album of drawings for architectural ornament and sculpture, including competition drawings submitted to the Concours d'émulation held at the École impériale des beaux-arts, Paris
Actions:
DR1974:0002:026:001-038
Description:
- This album contains drawings of architectural ornament - mostly highly finished - by Charles and Georges Rohault de Fleury. Although primarily from unidentified sources (DR1974:0002:026:002 - DR1974:0002:026:025, and DR1974:0002:026:038), there are a few drawings with identified sources, and twelve drawings of architectural ornament submitted by Georges to the Concours d'émulation (monthly competitions) held at the École impériale des beaux-arts, Paris. The subject matter of the drawings of architectural ornament from unidentified sources consists of capitals, friezes, festoons, moldings, cartouches, and vegetal and floral ornament. Identified subject matter includes a Composite capital and entablature from the Louvre (DR1974:0002:026:024), details from the Temple of Jupiter Stator, Rome (DR1974:0002:026:007 and DR1974:0002:026:013), and a Corinthian capital from Hôtel Soltykoff, Paris (DR1974:0002:026:038). The drawings for the Concours d'émulation by Georges are numbered "1er" to "12e" and were submitted to concours dating from 16 June 1857 to 22 October 1858 (DR1974:0002:026:026 - DR1974:0002:026:037). An unbound sheet inserted in the front of the album may be a portrait of Charles Rohault de Fleury (DR1974:0002:026:001).
Album of drawings for architectural ornament and sculpture, including competition drawings submitted to the Concours d'émulation held at the École impériale des beaux-arts, Paris
Actions:
DR1974:0002:026:001-038
Description:
- This album contains drawings of architectural ornament - mostly highly finished - by Charles and Georges Rohault de Fleury. Although primarily from unidentified sources (DR1974:0002:026:002 - DR1974:0002:026:025, and DR1974:0002:026:038), there are a few drawings with identified sources, and twelve drawings of architectural ornament submitted by Georges to the Concours d'émulation (monthly competitions) held at the École impériale des beaux-arts, Paris. The subject matter of the drawings of architectural ornament from unidentified sources consists of capitals, friezes, festoons, moldings, cartouches, and vegetal and floral ornament. Identified subject matter includes a Composite capital and entablature from the Louvre (DR1974:0002:026:024), details from the Temple of Jupiter Stator, Rome (DR1974:0002:026:007 and DR1974:0002:026:013), and a Corinthian capital from Hôtel Soltykoff, Paris (DR1974:0002:026:038). The drawings for the Concours d'émulation by Georges are numbered "1er" to "12e" and were submitted to concours dating from 16 June 1857 to 22 October 1858 (DR1974:0002:026:026 - DR1974:0002:026:037). An unbound sheet inserted in the front of the album may be a portrait of Charles Rohault de Fleury (DR1974:0002:026:001).
Form:
drawings
drawings
Date:
1854-1868
1854-1868
People:
Subject:
architecture, ornament, portrait, sculpture
architecture, ornament, portrait, sculpture
Form:
photographs
photographs
Actions:
Reference number:
ARCH255882
ARCH255882
People:
Date:
1967
1967
Form:
photographs
photographs
Date:
1967
1967
People:
Level of archival description:
Project
Project
Title:
Lightweight Enclosures Unit
Lightweight Enclosures Unit
Reference number:
AP144.S2.D79
Description:
File documents the work of the Lightweight Enclosures Unit (LEU) which was set up by Frank Newby and Cedric Price after their completion of a UK government research programme into air structures in 1969 (see Air Structures Research AP144.S2.D63). The work of LEU included research and design into the social, economic and structural development of lightweight enclosures. The LEU published a bibliography for the industry on air structures in 1972 titled 'Air Structures Bibliography, B0001-0069 and B0070-0119. It also helped produce the report BS6661:1986 'Design, construction and maintenance of single-skin air supported structures', and reviewed lightweight enclosures in AD 8/71, p 465. LEU was commissioned to write 'Air Support Structures: BSI Draft for Development Code of Practice' (DD50). This work is documented in DOE Air Structure (AP144.S2.D91). Frank Newby continued to work on the review of DD50 up until the 1980s. Material in this file was produced between 1956 and 1993. Group DR2004:1356 contains a 1973 drawing attributed to Pierre Martin for S.A.S. (Lausanne). Group DR2004:1353 contains reference drawings by architect Rurik Ekstrom, for Antioch Pneumatic Campus, Columbia Maryland (1972). Group DR2004:0132 contains material that relates to 'Air Structures' a conference on Antioch Campus in Columbia, Maryland, US May 22-34, 1973. DR2004:0135 contains publications by Frei Otto and the Institute of Lightweight Structures at the University of Stuttgart, and a transcript of an Air Structures Lecture, presented in Maryland, possibly by Cedric Price. DR2004:0137, DR2004:0139, and DR2004:0141 contain materials that relate to DD50 'Draft for Development: Air Supported Structures' for British Standards Institution, 1976 (see DOE Air Structure AP144.S2.D91). DR2004:0142 contains papers from the 'International Symposium on Pneumatic Structures' - Delft, 1972. DR2004:0145 contains material on 'Pneuma Jam'. DR2004:0146 contains material that relates to Christo (1973 projects). Group DR2004:0127 contains material that relates to Christo and his project, Valley Curtain. The group DR2004:0159 contains materials from the following manufacturers: Kurashiki Rayon Co., Ltd; Krupp Universalbau; Kleyer; Kellbro Construction Ltd; AEI; Norris Brothers Limited; Kaltenbach; Irvin Industries Ltd; Gotthard; Graydon; Gourock; Goodyear; Firestone; Environmental Structures; English Electric; Dynamit Nobel; Dunlop; Williaam Cox; Cidair; Birdair Structures Inc.; Frankenstein Beaufort; Barracuda; Air-Tech Industries, Inc.; Air Inflatable Products Company; Airco; M.L. Aviation; M.U.S.T.; Plasteco Milano; P.N. Structures; Polydrom; Peter Potter Ltd; RFD-GQ limited; RP Structures Ltd; Scanhover; Seattle Tent & Awning Company; Sheltair; Stromeyer; C.F. Taylor; O. Van Den Buys; and John Edgington & Co. Ltd. File contains conceptual drawings, reference drawings, photographic materials, a poster, and textual records.
AP144.S2.D79
Description:
File documents the work of the Lightweight Enclosures Unit (LEU) which was set up by Frank Newby and Cedric Price after their completion of a UK government research programme into air structures in 1969 (see Air Structures Research AP144.S2.D63). The work of LEU included research and design into the social, economic and structural development of lightweight enclosures. The LEU published a bibliography for the industry on air structures in 1972 titled 'Air Structures Bibliography, B0001-0069 and B0070-0119. It also helped produce the report BS6661:1986 'Design, construction and maintenance of single-skin air supported structures', and reviewed lightweight enclosures in AD 8/71, p 465. LEU was commissioned to write 'Air Support Structures: BSI Draft for Development Code of Practice' (DD50). This work is documented in DOE Air Structure (AP144.S2.D91). Frank Newby continued to work on the review of DD50 up until the 1980s. Material in this file was produced between 1956 and 1993. Group DR2004:1356 contains a 1973 drawing attributed to Pierre Martin for S.A.S. (Lausanne). Group DR2004:1353 contains reference drawings by architect Rurik Ekstrom, for Antioch Pneumatic Campus, Columbia Maryland (1972). Group DR2004:0132 contains material that relates to 'Air Structures' a conference on Antioch Campus in Columbia, Maryland, US May 22-34, 1973. DR2004:0135 contains publications by Frei Otto and the Institute of Lightweight Structures at the University of Stuttgart, and a transcript of an Air Structures Lecture, presented in Maryland, possibly by Cedric Price. DR2004:0137, DR2004:0139, and DR2004:0141 contain materials that relate to DD50 'Draft for Development: Air Supported Structures' for British Standards Institution, 1976 (see DOE Air Structure AP144.S2.D91). DR2004:0142 contains papers from the 'International Symposium on Pneumatic Structures' - Delft, 1972. DR2004:0145 contains material on 'Pneuma Jam'. DR2004:0146 contains material that relates to Christo (1973 projects). Group DR2004:0127 contains material that relates to Christo and his project, Valley Curtain. The group DR2004:0159 contains materials from the following manufacturers: Kurashiki Rayon Co., Ltd; Krupp Universalbau; Kleyer; Kellbro Construction Ltd; AEI; Norris Brothers Limited; Kaltenbach; Irvin Industries Ltd; Gotthard; Graydon; Gourock; Goodyear; Firestone; Environmental Structures; English Electric; Dynamit Nobel; Dunlop; Williaam Cox; Cidair; Birdair Structures Inc.; Frankenstein Beaufort; Barracuda; Air-Tech Industries, Inc.; Air Inflatable Products Company; Airco; M.L. Aviation; M.U.S.T.; Plasteco Milano; P.N. Structures; Polydrom; Peter Potter Ltd; RFD-GQ limited; RP Structures Ltd; Scanhover; Seattle Tent & Awning Company; Sheltair; Stromeyer; C.F. Taylor; O. Van Den Buys; and John Edgington & Co. Ltd. File contains conceptual drawings, reference drawings, photographic materials, a poster, and textual records.
People:
Date:
1956-1995, predominant 1969-1986
1956-1995, predominant 1969-1986
Title:
Lightweight Enclosures Unit
Actions:
AP144.S2.D79
Description:
File documents the work of the Lightweight Enclosures Unit (LEU) which was set up by Frank Newby and Cedric Price after their completion of a UK government research programme into air structures in 1969 (see Air Structures Research AP144.S2.D63). The work of LEU included research and design into the social, economic and structural development of lightweight enclosures. The LEU published a bibliography for the industry on air structures in 1972 titled 'Air Structures Bibliography, B0001-0069 and B0070-0119. It also helped produce the report BS6661:1986 'Design, construction and maintenance of single-skin air supported structures', and reviewed lightweight enclosures in AD 8/71, p 465. LEU was commissioned to write 'Air Support Structures: BSI Draft for Development Code of Practice' (DD50). This work is documented in DOE Air Structure (AP144.S2.D91). Frank Newby continued to work on the review of DD50 up until the 1980s. Material in this file was produced between 1956 and 1993. Group DR2004:1356 contains a 1973 drawing attributed to Pierre Martin for S.A.S. (Lausanne). Group DR2004:1353 contains reference drawings by architect Rurik Ekstrom, for Antioch Pneumatic Campus, Columbia Maryland (1972). Group DR2004:0132 contains material that relates to 'Air Structures' a conference on Antioch Campus in Columbia, Maryland, US May 22-34, 1973. DR2004:0135 contains publications by Frei Otto and the Institute of Lightweight Structures at the University of Stuttgart, and a transcript of an Air Structures Lecture, presented in Maryland, possibly by Cedric Price. DR2004:0137, DR2004:0139, and DR2004:0141 contain materials that relate to DD50 'Draft for Development: Air Supported Structures' for British Standards Institution, 1976 (see DOE Air Structure AP144.S2.D91). DR2004:0142 contains papers from the 'International Symposium on Pneumatic Structures' - Delft, 1972. DR2004:0145 contains material on 'Pneuma Jam'. DR2004:0146 contains material that relates to Christo (1973 projects). Group DR2004:0127 contains material that relates to Christo and his project, Valley Curtain. The group DR2004:0159 contains materials from the following manufacturers: Kurashiki Rayon Co., Ltd; Krupp Universalbau; Kleyer; Kellbro Construction Ltd; AEI; Norris Brothers Limited; Kaltenbach; Irvin Industries Ltd; Gotthard; Graydon; Gourock; Goodyear; Firestone; Environmental Structures; English Electric; Dynamit Nobel; Dunlop; Williaam Cox; Cidair; Birdair Structures Inc.; Frankenstein Beaufort; Barracuda; Air-Tech Industries, Inc.; Air Inflatable Products Company; Airco; M.L. Aviation; M.U.S.T.; Plasteco Milano; P.N. Structures; Polydrom; Peter Potter Ltd; RFD-GQ limited; RP Structures Ltd; Scanhover; Seattle Tent & Awning Company; Sheltair; Stromeyer; C.F. Taylor; O. Van Den Buys; and John Edgington & Co. Ltd. File contains conceptual drawings, reference drawings, photographic materials, a poster, and textual records.
Lightweight Enclosures Unit
Actions:
AP144.S2.D79
Description:
File documents the work of the Lightweight Enclosures Unit (LEU) which was set up by Frank Newby and Cedric Price after their completion of a UK government research programme into air structures in 1969 (see Air Structures Research AP144.S2.D63). The work of LEU included research and design into the social, economic and structural development of lightweight enclosures. The LEU published a bibliography for the industry on air structures in 1972 titled 'Air Structures Bibliography, B0001-0069 and B0070-0119. It also helped produce the report BS6661:1986 'Design, construction and maintenance of single-skin air supported structures', and reviewed lightweight enclosures in AD 8/71, p 465. LEU was commissioned to write 'Air Support Structures: BSI Draft for Development Code of Practice' (DD50). This work is documented in DOE Air Structure (AP144.S2.D91). Frank Newby continued to work on the review of DD50 up until the 1980s. Material in this file was produced between 1956 and 1993. Group DR2004:1356 contains a 1973 drawing attributed to Pierre Martin for S.A.S. (Lausanne). Group DR2004:1353 contains reference drawings by architect Rurik Ekstrom, for Antioch Pneumatic Campus, Columbia Maryland (1972). Group DR2004:0132 contains material that relates to 'Air Structures' a conference on Antioch Campus in Columbia, Maryland, US May 22-34, 1973. DR2004:0135 contains publications by Frei Otto and the Institute of Lightweight Structures at the University of Stuttgart, and a transcript of an Air Structures Lecture, presented in Maryland, possibly by Cedric Price. DR2004:0137, DR2004:0139, and DR2004:0141 contain materials that relate to DD50 'Draft for Development: Air Supported Structures' for British Standards Institution, 1976 (see DOE Air Structure AP144.S2.D91). DR2004:0142 contains papers from the 'International Symposium on Pneumatic Structures' - Delft, 1972. DR2004:0145 contains material on 'Pneuma Jam'. DR2004:0146 contains material that relates to Christo (1973 projects). Group DR2004:0127 contains material that relates to Christo and his project, Valley Curtain. The group DR2004:0159 contains materials from the following manufacturers: Kurashiki Rayon Co., Ltd; Krupp Universalbau; Kleyer; Kellbro Construction Ltd; AEI; Norris Brothers Limited; Kaltenbach; Irvin Industries Ltd; Gotthard; Graydon; Gourock; Goodyear; Firestone; Environmental Structures; English Electric; Dynamit Nobel; Dunlop; Williaam Cox; Cidair; Birdair Structures Inc.; Frankenstein Beaufort; Barracuda; Air-Tech Industries, Inc.; Air Inflatable Products Company; Airco; M.L. Aviation; M.U.S.T.; Plasteco Milano; P.N. Structures; Polydrom; Peter Potter Ltd; RFD-GQ limited; RP Structures Ltd; Scanhover; Seattle Tent & Awning Company; Sheltair; Stromeyer; C.F. Taylor; O. Van Den Buys; and John Edgington & Co. Ltd. File contains conceptual drawings, reference drawings, photographic materials, a poster, and textual records.
Level of archival description:
File 79
File 79
Date:
1956-1995, predominant 1969-1986
1956-1995, predominant 1969-1986
People:
Level of archival description:
Project
Project
Reference number:
AP143.S4.D106
Description:
In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models of this group document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Material in this file was produced between 1993 and 1994. File contains conceptual drawings, design development drawings, installation drawings, measured drawings, presentation drawings, publication drawings, record drawings, textual records, and models. Documents by Eisenman's office include material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196), which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036), which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). File contains photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028) and paint samples (DR1994:0038:035-037). File contains Cities of Artificial Excavation exhibition Catalogue Cover Design layouts and trial proofs. This group of material by Eisenman's office includes freehand drawings and collages for early proposals for the cover (DR1994:0029:001-003), ink drawings on Mylar of the floor plans of the four principal projects presented in the exhibition traced from diazotypes (diazotypes: DR1994:0029:014-019; ink drawings: DR1994:0029:004-010), and Iris colour prints of computer-aided drawings which Eisenman's staff used to test different colour schemes (DR1994:0029:020-030). Offset prints for the cover proposing different colour schemes were used to select the cover design used for publication (DR1994:0029:036-039).
AP143.S4.D106
Description:
In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models of this group document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Material in this file was produced between 1993 and 1994. File contains conceptual drawings, design development drawings, installation drawings, measured drawings, presentation drawings, publication drawings, record drawings, textual records, and models. Documents by Eisenman's office include material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196), which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036), which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). File contains photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028) and paint samples (DR1994:0038:035-037). File contains Cities of Artificial Excavation exhibition Catalogue Cover Design layouts and trial proofs. This group of material by Eisenman's office includes freehand drawings and collages for early proposals for the cover (DR1994:0029:001-003), ink drawings on Mylar of the floor plans of the four principal projects presented in the exhibition traced from diazotypes (diazotypes: DR1994:0029:014-019; ink drawings: DR1994:0029:004-010), and Iris colour prints of computer-aided drawings which Eisenman's staff used to test different colour schemes (DR1994:0029:020-030). Offset prints for the cover proposing different colour schemes were used to select the cover design used for publication (DR1994:0029:036-039).
People:
Date:
1993-1994
1993-1994
Title:
Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988 (1994)
Actions:
AP143.S4.D106
Description:
In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models of this group document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Material in this file was produced between 1993 and 1994. File contains conceptual drawings, design development drawings, installation drawings, measured drawings, presentation drawings, publication drawings, record drawings, textual records, and models. Documents by Eisenman's office include material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196), which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036), which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). File contains photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028) and paint samples (DR1994:0038:035-037). File contains Cities of Artificial Excavation exhibition Catalogue Cover Design layouts and trial proofs. This group of material by Eisenman's office includes freehand drawings and collages for early proposals for the cover (DR1994:0029:001-003), ink drawings on Mylar of the floor plans of the four principal projects presented in the exhibition traced from diazotypes (diazotypes: DR1994:0029:014-019; ink drawings: DR1994:0029:004-010), and Iris colour prints of computer-aided drawings which Eisenman's staff used to test different colour schemes (DR1994:0029:020-030). Offset prints for the cover proposing different colour schemes were used to select the cover design used for publication (DR1994:0029:036-039).
Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988 (1994)
Actions:
AP143.S4.D106
Description:
In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models of this group document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Material in this file was produced between 1993 and 1994. File contains conceptual drawings, design development drawings, installation drawings, measured drawings, presentation drawings, publication drawings, record drawings, textual records, and models. Documents by Eisenman's office include material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196), which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036), which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). File contains photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028) and paint samples (DR1994:0038:035-037). File contains Cities of Artificial Excavation exhibition Catalogue Cover Design layouts and trial proofs. This group of material by Eisenman's office includes freehand drawings and collages for early proposals for the cover (DR1994:0029:001-003), ink drawings on Mylar of the floor plans of the four principal projects presented in the exhibition traced from diazotypes (diazotypes: DR1994:0029:014-019; ink drawings: DR1994:0029:004-010), and Iris colour prints of computer-aided drawings which Eisenman's staff used to test different colour schemes (DR1994:0029:020-030). Offset prints for the cover proposing different colour schemes were used to select the cover design used for publication (DR1994:0029:036-039).
Level of archival description:
File 106
File 106
Date:
1993-1994
1993-1994
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP143.S4.D108
Description:
The project series documents the executed project for Cites of Artificial Excavation, Madrid, Spain. Material in was produced between 1994 and 1995. In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models in this project series document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Eisenman uses a computer to superimpose, distort and multiply a Greek cross, while simultaneously modifying its plan and section. The computer enables the architect to generate geometric figures that are extremely difficult to produce by traditional means. It also constitutes a new phase in Eisenman's research into the depersonalization of the creative process, a central concern of his 'Cities of Artificial Excavation' (1978-1988). The Greek cross was one of the elements of the grid developed for the 'Museum of Artifical Excavation', and part of the project he submitted for the Internationale Bauausstellung in Berlin (1980-1986). The project series contains material by Eisenman's office including material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196) which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036) which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). Also included are photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028), and paint samples (DR1994:0038:035-037). The project series contains design development drawings, working drawings, photographic materials, publication drawings, reference drawings, textual records, and models.
AP143.S4.D108
Description:
The project series documents the executed project for Cites of Artificial Excavation, Madrid, Spain. Material in was produced between 1994 and 1995. In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models in this project series document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Eisenman uses a computer to superimpose, distort and multiply a Greek cross, while simultaneously modifying its plan and section. The computer enables the architect to generate geometric figures that are extremely difficult to produce by traditional means. It also constitutes a new phase in Eisenman's research into the depersonalization of the creative process, a central concern of his 'Cities of Artificial Excavation' (1978-1988). The Greek cross was one of the elements of the grid developed for the 'Museum of Artifical Excavation', and part of the project he submitted for the Internationale Bauausstellung in Berlin (1980-1986). The project series contains material by Eisenman's office including material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196) which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036) which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). Also included are photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028), and paint samples (DR1994:0038:035-037). The project series contains design development drawings, working drawings, photographic materials, publication drawings, reference drawings, textual records, and models.
People:
Date:
1994-1995
1994-1995
Title:
Cities of Artificial Excavation, Madrid
Actions:
AP143.S4.D108
Description:
The project series documents the executed project for Cites of Artificial Excavation, Madrid, Spain. Material in was produced between 1994 and 1995. In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models in this project series document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Eisenman uses a computer to superimpose, distort and multiply a Greek cross, while simultaneously modifying its plan and section. The computer enables the architect to generate geometric figures that are extremely difficult to produce by traditional means. It also constitutes a new phase in Eisenman's research into the depersonalization of the creative process, a central concern of his 'Cities of Artificial Excavation' (1978-1988). The Greek cross was one of the elements of the grid developed for the 'Museum of Artifical Excavation', and part of the project he submitted for the Internationale Bauausstellung in Berlin (1980-1986). The project series contains material by Eisenman's office including material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196) which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036) which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). Also included are photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028), and paint samples (DR1994:0038:035-037). The project series contains design development drawings, working drawings, photographic materials, publication drawings, reference drawings, textual records, and models.
Cities of Artificial Excavation, Madrid
Actions:
AP143.S4.D108
Description:
The project series documents the executed project for Cites of Artificial Excavation, Madrid, Spain. Material in was produced between 1994 and 1995. In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models in this project series document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Eisenman uses a computer to superimpose, distort and multiply a Greek cross, while simultaneously modifying its plan and section. The computer enables the architect to generate geometric figures that are extremely difficult to produce by traditional means. It also constitutes a new phase in Eisenman's research into the depersonalization of the creative process, a central concern of his 'Cities of Artificial Excavation' (1978-1988). The Greek cross was one of the elements of the grid developed for the 'Museum of Artifical Excavation', and part of the project he submitted for the Internationale Bauausstellung in Berlin (1980-1986). The project series contains material by Eisenman's office including material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196) which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036) which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). Also included are photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028), and paint samples (DR1994:0038:035-037). The project series contains design development drawings, working drawings, photographic materials, publication drawings, reference drawings, textual records, and models.
Level of archival description:
File 108
File 108
Date:
1994-1995
1994-1995
People:
Form:
textual records
textual records
Reference number:
AP140.S2.SS4.D1.P2
Description:
annotated drafts of introduction by John Jacobus, correspondence with John Jacobus and publisher Gerd Hatje, sketchbook with notes and sketches for book layout by James Stirling, including: folder 1/3 - letter from James Stirling to John Jacobus (28 April 1975) explaining the process of editing Jacobus' introduction, mollifying him regarding changes and noting that the text was reviewed by Ken Frampton and Kerry ? - letter from John Jacobus to James Stirling (22 May 1975?) "I'm still mad at you but that's a small thing." - 2nd draft of the introduction "approved by Jake" annotated in black and blue ink - 5th draft (June 1971) 2 photocopied copies - Draft of the introduction, inscribed "Mary" in red ink, with comments in pencil (by Mary Stirling ?) and further notes in red ink (by James Stirling ?) folder 2/3 - 5th draft (June 1971), inscribed "Jan" (struck through in red ink), "Fourth draft" (struck through in red ink and replaced with "Fifth), annotated in red ink over earlier nnotations (by James Stirling ?) - 5th draft (struck through in red ink), extensively edited and annotated in red ink by James Stirling - 5th draft, original typescript, annotated in black ink and graphite - 4th draft, inscribed "Jan 71," a photocopy of an already annotated and edited text - 4th draft, inscribed "3rd draft" (struck through in red ink), heavily edited in rd ink, graphite, green ink, including an additional 7 pages of notes "by Ken Frampton" dated "Fall of 1972 or 73" folder 3/3 - 3rd draft, original typescript, edited in black ink by James Stirling - 2nd draft, "approved by Jake," photocopy, edited in graphite over earlieer editing marks - several sets of early pages of the introduction, interspersed with accompanying letters from John Jacobus to James Stirling, all heavily annotated and struck through in red andorange marker, black ink, graphite, purple ink, yellow marker, red ink, purple pencil, with entirely new passages in black ink - 4th draft, dated "Jan 71," two photocopied copies including photocopied editing marks - final draft, inscribed "FINAL" and "Revised (in ink), to length(?) via Hatje," original typescript, edited in red ink, graphite, black ink, black marker, blue ink, green ink and strike throughs in black marker Red cloth-bound journal - 23.2 x 18.0 cm dated on inside cover "London - May - 1973" - page layouts for book - black ink, blue marker, red ink, graphite, blue ink
AP140.S2.SS4.D1.P2
Description:
annotated drafts of introduction by John Jacobus, correspondence with John Jacobus and publisher Gerd Hatje, sketchbook with notes and sketches for book layout by James Stirling, including: folder 1/3 - letter from James Stirling to John Jacobus (28 April 1975) explaining the process of editing Jacobus' introduction, mollifying him regarding changes and noting that the text was reviewed by Ken Frampton and Kerry ? - letter from John Jacobus to James Stirling (22 May 1975?) "I'm still mad at you but that's a small thing." - 2nd draft of the introduction "approved by Jake" annotated in black and blue ink - 5th draft (June 1971) 2 photocopied copies - Draft of the introduction, inscribed "Mary" in red ink, with comments in pencil (by Mary Stirling ?) and further notes in red ink (by James Stirling ?) folder 2/3 - 5th draft (June 1971), inscribed "Jan" (struck through in red ink), "Fourth draft" (struck through in red ink and replaced with "Fifth), annotated in red ink over earlier nnotations (by James Stirling ?) - 5th draft (struck through in red ink), extensively edited and annotated in red ink by James Stirling - 5th draft, original typescript, annotated in black ink and graphite - 4th draft, inscribed "Jan 71," a photocopy of an already annotated and edited text - 4th draft, inscribed "3rd draft" (struck through in red ink), heavily edited in rd ink, graphite, green ink, including an additional 7 pages of notes "by Ken Frampton" dated "Fall of 1972 or 73" folder 3/3 - 3rd draft, original typescript, edited in black ink by James Stirling - 2nd draft, "approved by Jake," photocopy, edited in graphite over earlieer editing marks - several sets of early pages of the introduction, interspersed with accompanying letters from John Jacobus to James Stirling, all heavily annotated and struck through in red andorange marker, black ink, graphite, purple ink, yellow marker, red ink, purple pencil, with entirely new passages in black ink - 4th draft, dated "Jan 71," two photocopied copies including photocopied editing marks - final draft, inscribed "FINAL" and "Revised (in ink), to length(?) via Hatje," original typescript, edited in red ink, graphite, black ink, black marker, blue ink, green ink and strike throughs in black marker Red cloth-bound journal - 23.2 x 18.0 cm dated on inside cover "London - May - 1973" - page layouts for book - black ink, blue marker, red ink, graphite, blue ink
People:
Title:
annotated drafts of introduction, correspondence, sketchbook with notes and sketches for book layout
Actions:
AP140.S2.SS4.D1.P2
Description:
annotated drafts of introduction by John Jacobus, correspondence with John Jacobus and publisher Gerd Hatje, sketchbook with notes and sketches for book layout by James Stirling, including: folder 1/3 - letter from James Stirling to John Jacobus (28 April 1975) explaining the process of editing Jacobus' introduction, mollifying him regarding changes and noting that the text was reviewed by Ken Frampton and Kerry ? - letter from John Jacobus to James Stirling (22 May 1975?) "I'm still mad at you but that's a small thing." - 2nd draft of the introduction "approved by Jake" annotated in black and blue ink - 5th draft (June 1971) 2 photocopied copies - Draft of the introduction, inscribed "Mary" in red ink, with comments in pencil (by Mary Stirling ?) and further notes in red ink (by James Stirling ?) folder 2/3 - 5th draft (June 1971), inscribed "Jan" (struck through in red ink), "Fourth draft" (struck through in red ink and replaced with "Fifth), annotated in red ink over earlier nnotations (by James Stirling ?) - 5th draft (struck through in red ink), extensively edited and annotated in red ink by James Stirling - 5th draft, original typescript, annotated in black ink and graphite - 4th draft, inscribed "Jan 71," a photocopy of an already annotated and edited text - 4th draft, inscribed "3rd draft" (struck through in red ink), heavily edited in rd ink, graphite, green ink, including an additional 7 pages of notes "by Ken Frampton" dated "Fall of 1972 or 73" folder 3/3 - 3rd draft, original typescript, edited in black ink by James Stirling - 2nd draft, "approved by Jake," photocopy, edited in graphite over earlieer editing marks - several sets of early pages of the introduction, interspersed with accompanying letters from John Jacobus to James Stirling, all heavily annotated and struck through in red andorange marker, black ink, graphite, purple ink, yellow marker, red ink, purple pencil, with entirely new passages in black ink - 4th draft, dated "Jan 71," two photocopied copies including photocopied editing marks - final draft, inscribed "FINAL" and "Revised (in ink), to length(?) via Hatje," original typescript, edited in red ink, graphite, black ink, black marker, blue ink, green ink and strike throughs in black marker Red cloth-bound journal - 23.2 x 18.0 cm dated on inside cover "London - May - 1973" - page layouts for book - black ink, blue marker, red ink, graphite, blue ink
annotated drafts of introduction, correspondence, sketchbook with notes and sketches for book layout
Actions:
AP140.S2.SS4.D1.P2
Description:
annotated drafts of introduction by John Jacobus, correspondence with John Jacobus and publisher Gerd Hatje, sketchbook with notes and sketches for book layout by James Stirling, including: folder 1/3 - letter from James Stirling to John Jacobus (28 April 1975) explaining the process of editing Jacobus' introduction, mollifying him regarding changes and noting that the text was reviewed by Ken Frampton and Kerry ? - letter from John Jacobus to James Stirling (22 May 1975?) "I'm still mad at you but that's a small thing." - 2nd draft of the introduction "approved by Jake" annotated in black and blue ink - 5th draft (June 1971) 2 photocopied copies - Draft of the introduction, inscribed "Mary" in red ink, with comments in pencil (by Mary Stirling ?) and further notes in red ink (by James Stirling ?) folder 2/3 - 5th draft (June 1971), inscribed "Jan" (struck through in red ink), "Fourth draft" (struck through in red ink and replaced with "Fifth), annotated in red ink over earlier nnotations (by James Stirling ?) - 5th draft (struck through in red ink), extensively edited and annotated in red ink by James Stirling - 5th draft, original typescript, annotated in black ink and graphite - 4th draft, inscribed "Jan 71," a photocopy of an already annotated and edited text - 4th draft, inscribed "3rd draft" (struck through in red ink), heavily edited in rd ink, graphite, green ink, including an additional 7 pages of notes "by Ken Frampton" dated "Fall of 1972 or 73" folder 3/3 - 3rd draft, original typescript, edited in black ink by James Stirling - 2nd draft, "approved by Jake," photocopy, edited in graphite over earlieer editing marks - several sets of early pages of the introduction, interspersed with accompanying letters from John Jacobus to James Stirling, all heavily annotated and struck through in red andorange marker, black ink, graphite, purple ink, yellow marker, red ink, purple pencil, with entirely new passages in black ink - 4th draft, dated "Jan 71," two photocopied copies including photocopied editing marks - final draft, inscribed "FINAL" and "Revised (in ink), to length(?) via Hatje," original typescript, edited in red ink, graphite, black ink, black marker, blue ink, green ink and strike throughs in black marker Red cloth-bound journal - 23.2 x 18.0 cm dated on inside cover "London - May - 1973" - page layouts for book - black ink, blue marker, red ink, graphite, blue ink
Form:
textual records
textual records
People:
Form:
drawings, textual records, born digital
drawings, textual records, born digital
Actions:
Reference number:
AP181.S1.006
Description:
Original directory name: "05_Konsulenten". File contains records created and shared by COOP HIMMELB(L)AU and the various consultants on the project. These include PRO-Elektroplan GmbH, Bollinger+Grohmann, Dr. Pfeiler GmbH, Kersken + Kirchner GmbH., KBP Beratende Ingenieure GmbH, pbb planungsbüro balke, Ingenieurgemeinschaft BDP, a.g Licht, Realgruen Landschaftsarchitekten ,Lang + Burkhardt Verkehrsplanung und Städtebau, Emmer Pfenninger Partner AG, IB Rüdiger Schönenberg, Thomas A. Weisse + Partner. Bulk dates run from 2003-2006. Consultant expertise ranges from electricity, (electrical conveyor technology, Foerdertechnik) to structural physics (bauphysik), including open space planning (Freiflächenplanung), interior design (Inneneinrichtung), fire protection (Brandschutz), stage technology (Buehnentechnik), kitchen planning (Küchenplanung), facade engineering (Fassadentechnik), light design and planning (Lichtplaner), and solar panels for the roof. The records, largely plans, show the specific parts on which each of these consultants was working. The bulk of the records may be found under the “k_SSF_Ausführungsplanung/G_Pläne” directory which contains close to half of the records in this file. These are plans and views of the different areas and components of the BMW Welt building. These often include a CAD and a PDF version, some of which are annotated digitally or by hand prior to being digitized. CAD files include 2D drawings or 3D models, wireframes, screen captures, renderings, and plotter files. Records also include project management files, lists of the components of each room, engineering and analyses reports, many of which were digitized. Related to electrical and building engineering, there are a few databases in "c_PRO_Elektro_Foerdertechnik" and "b_KBP_Haustechnik". These contain information on the rooms and their technical requirements, such as equipment for plumbing, heat and ventilation, refrigeration systems, building automation, etc. Some database reports are also part of the records. Various sub-directories are named “quelldaten” (source data), which are typically zipped archives and often contain duplicate files. Duplicates were kept due to possible dependencies. Finally, the more than 7,000 plotter files across most directories suggest that printing physical copies of digital drawings for consultation was common practice. Early files (1997-2000) are AutoCAD Compiled Shape/Font File, AutoCAD Font Mapping Table, TrueType Font, and AutoCAD Colour-Dependant Plot Style Table. CAD files may depend on these to display drawings accurately. Most common file formats: Hewlett Packard Vector Graphic Plotter File, AutoCAD Drawing, Acrobat PDF 1.3 - Portable Document Format, Acrobat PDF 1.4 - Portable Document Format, ZIP Format
AP181.S1.006
Description:
Original directory name: "05_Konsulenten". File contains records created and shared by COOP HIMMELB(L)AU and the various consultants on the project. These include PRO-Elektroplan GmbH, Bollinger+Grohmann, Dr. Pfeiler GmbH, Kersken + Kirchner GmbH., KBP Beratende Ingenieure GmbH, pbb planungsbüro balke, Ingenieurgemeinschaft BDP, a.g Licht, Realgruen Landschaftsarchitekten ,Lang + Burkhardt Verkehrsplanung und Städtebau, Emmer Pfenninger Partner AG, IB Rüdiger Schönenberg, Thomas A. Weisse + Partner. Bulk dates run from 2003-2006. Consultant expertise ranges from electricity, (electrical conveyor technology, Foerdertechnik) to structural physics (bauphysik), including open space planning (Freiflächenplanung), interior design (Inneneinrichtung), fire protection (Brandschutz), stage technology (Buehnentechnik), kitchen planning (Küchenplanung), facade engineering (Fassadentechnik), light design and planning (Lichtplaner), and solar panels for the roof. The records, largely plans, show the specific parts on which each of these consultants was working. The bulk of the records may be found under the “k_SSF_Ausführungsplanung/G_Pläne” directory which contains close to half of the records in this file. These are plans and views of the different areas and components of the BMW Welt building. These often include a CAD and a PDF version, some of which are annotated digitally or by hand prior to being digitized. CAD files include 2D drawings or 3D models, wireframes, screen captures, renderings, and plotter files. Records also include project management files, lists of the components of each room, engineering and analyses reports, many of which were digitized. Related to electrical and building engineering, there are a few databases in "c_PRO_Elektro_Foerdertechnik" and "b_KBP_Haustechnik". These contain information on the rooms and their technical requirements, such as equipment for plumbing, heat and ventilation, refrigeration systems, building automation, etc. Some database reports are also part of the records. Various sub-directories are named “quelldaten” (source data), which are typically zipped archives and often contain duplicate files. Duplicates were kept due to possible dependencies. Finally, the more than 7,000 plotter files across most directories suggest that printing physical copies of digital drawings for consultation was common practice. Early files (1997-2000) are AutoCAD Compiled Shape/Font File, AutoCAD Font Mapping Table, TrueType Font, and AutoCAD Colour-Dependant Plot Style Table. CAD files may depend on these to display drawings accurately. Most common file formats: Hewlett Packard Vector Graphic Plotter File, AutoCAD Drawing, Acrobat PDF 1.3 - Portable Document Format, Acrobat PDF 1.4 - Portable Document Format, ZIP Format
People:
Date:
1996-2008
1996-2008
Title:
Consultants files for construction planning phase, BMW Welt, Munich
Actions:
AP181.S1.006
Description:
Original directory name: "05_Konsulenten". File contains records created and shared by COOP HIMMELB(L)AU and the various consultants on the project. These include PRO-Elektroplan GmbH, Bollinger+Grohmann, Dr. Pfeiler GmbH, Kersken + Kirchner GmbH., KBP Beratende Ingenieure GmbH, pbb planungsbüro balke, Ingenieurgemeinschaft BDP, a.g Licht, Realgruen Landschaftsarchitekten ,Lang + Burkhardt Verkehrsplanung und Städtebau, Emmer Pfenninger Partner AG, IB Rüdiger Schönenberg, Thomas A. Weisse + Partner. Bulk dates run from 2003-2006. Consultant expertise ranges from electricity, (electrical conveyor technology, Foerdertechnik) to structural physics (bauphysik), including open space planning (Freiflächenplanung), interior design (Inneneinrichtung), fire protection (Brandschutz), stage technology (Buehnentechnik), kitchen planning (Küchenplanung), facade engineering (Fassadentechnik), light design and planning (Lichtplaner), and solar panels for the roof. The records, largely plans, show the specific parts on which each of these consultants was working. The bulk of the records may be found under the “k_SSF_Ausführungsplanung/G_Pläne” directory which contains close to half of the records in this file. These are plans and views of the different areas and components of the BMW Welt building. These often include a CAD and a PDF version, some of which are annotated digitally or by hand prior to being digitized. CAD files include 2D drawings or 3D models, wireframes, screen captures, renderings, and plotter files. Records also include project management files, lists of the components of each room, engineering and analyses reports, many of which were digitized. Related to electrical and building engineering, there are a few databases in "c_PRO_Elektro_Foerdertechnik" and "b_KBP_Haustechnik". These contain information on the rooms and their technical requirements, such as equipment for plumbing, heat and ventilation, refrigeration systems, building automation, etc. Some database reports are also part of the records. Various sub-directories are named “quelldaten” (source data), which are typically zipped archives and often contain duplicate files. Duplicates were kept due to possible dependencies. Finally, the more than 7,000 plotter files across most directories suggest that printing physical copies of digital drawings for consultation was common practice. Early files (1997-2000) are AutoCAD Compiled Shape/Font File, AutoCAD Font Mapping Table, TrueType Font, and AutoCAD Colour-Dependant Plot Style Table. CAD files may depend on these to display drawings accurately. Most common file formats: Hewlett Packard Vector Graphic Plotter File, AutoCAD Drawing, Acrobat PDF 1.3 - Portable Document Format, Acrobat PDF 1.4 - Portable Document Format, ZIP Format
Consultants files for construction planning phase, BMW Welt, Munich
Actions:
AP181.S1.006
Description:
Original directory name: "05_Konsulenten". File contains records created and shared by COOP HIMMELB(L)AU and the various consultants on the project. These include PRO-Elektroplan GmbH, Bollinger+Grohmann, Dr. Pfeiler GmbH, Kersken + Kirchner GmbH., KBP Beratende Ingenieure GmbH, pbb planungsbüro balke, Ingenieurgemeinschaft BDP, a.g Licht, Realgruen Landschaftsarchitekten ,Lang + Burkhardt Verkehrsplanung und Städtebau, Emmer Pfenninger Partner AG, IB Rüdiger Schönenberg, Thomas A. Weisse + Partner. Bulk dates run from 2003-2006. Consultant expertise ranges from electricity, (electrical conveyor technology, Foerdertechnik) to structural physics (bauphysik), including open space planning (Freiflächenplanung), interior design (Inneneinrichtung), fire protection (Brandschutz), stage technology (Buehnentechnik), kitchen planning (Küchenplanung), facade engineering (Fassadentechnik), light design and planning (Lichtplaner), and solar panels for the roof. The records, largely plans, show the specific parts on which each of these consultants was working. The bulk of the records may be found under the “k_SSF_Ausführungsplanung/G_Pläne” directory which contains close to half of the records in this file. These are plans and views of the different areas and components of the BMW Welt building. These often include a CAD and a PDF version, some of which are annotated digitally or by hand prior to being digitized. CAD files include 2D drawings or 3D models, wireframes, screen captures, renderings, and plotter files. Records also include project management files, lists of the components of each room, engineering and analyses reports, many of which were digitized. Related to electrical and building engineering, there are a few databases in "c_PRO_Elektro_Foerdertechnik" and "b_KBP_Haustechnik". These contain information on the rooms and their technical requirements, such as equipment for plumbing, heat and ventilation, refrigeration systems, building automation, etc. Some database reports are also part of the records. Various sub-directories are named “quelldaten” (source data), which are typically zipped archives and often contain duplicate files. Duplicates were kept due to possible dependencies. Finally, the more than 7,000 plotter files across most directories suggest that printing physical copies of digital drawings for consultation was common practice. Early files (1997-2000) are AutoCAD Compiled Shape/Font File, AutoCAD Font Mapping Table, TrueType Font, and AutoCAD Colour-Dependant Plot Style Table. CAD files may depend on these to display drawings accurately. Most common file formats: Hewlett Packard Vector Graphic Plotter File, AutoCAD Drawing, Acrobat PDF 1.3 - Portable Document Format, Acrobat PDF 1.4 - Portable Document Format, ZIP Format
Form:
drawings, textual records, born digital
drawings, textual records, born digital
Date:
1996-2008
1996-2008
People:
