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Cet ouvrage poursuit la réflexion amorcée par les membres et collaborateurs de DARE-DARE avec le premier volet de Dis/location : projet d’articulation urbaine, qui a amené le centre à déménager ses bureaux en 2004 dans un abri installé provisoirement au square Viger jusqu’en 2006. Le livre retrace les principaux jalons qui ont mené à la réalisation de cette initiative(...)
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Cet ouvrage poursuit la réflexion amorcée par les membres et collaborateurs de DARE-DARE avec le premier volet de Dis/location : projet d’articulation urbaine, qui a amené le centre à déménager ses bureaux en 2004 dans un abri installé provisoirement au square Viger jusqu’en 2006. Le livre retrace les principaux jalons qui ont mené à la réalisation de cette initiative(...)
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Dis/location 1, projet d'articulation urbaine: Square Viger
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Cet ouvrage poursuit la réflexion amorcée par les membres et collaborateurs de DARE-DARE avec le premier volet de Dis/location : projet d’articulation urbaine, qui a amené le centre à déménager ses bureaux en 2004 dans un abri installé provisoirement au square Viger jusqu’en 2006. Le livre retrace les principaux jalons qui ont mené à la réalisation de cette initiative novatrice, montre la variété de pratiques artistiques diffusées et l’importance des questionnements qui en découlent. Le square Viger, lieu névralgique dans la géographie urbaine de Montréal, représente pour les auteurs de la publication – artistes, architectes, sociologues, journalistes – le point de départ d’une réflexion complexe sur les liens entre l’art et l’espace public envisagés dans leur dimension matérielle et symbolique.
Dis/location 1, projet d'articulation urbaine: Square Viger
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Cet ouvrage poursuit la réflexion amorcée par les membres et collaborateurs de DARE-DARE avec le premier volet de Dis/location : projet d’articulation urbaine, qui a amené le centre à déménager ses bureaux en 2004 dans un abri installé provisoirement au square Viger jusqu’en 2006. Le livre retrace les principaux jalons qui ont mené à la réalisation de cette initiative novatrice, montre la variété de pratiques artistiques diffusées et l’importance des questionnements qui en découlent. Le square Viger, lieu névralgique dans la géographie urbaine de Montréal, représente pour les auteurs de la publication – artistes, architectes, sociologues, journalistes – le point de départ d’une réflexion complexe sur les liens entre l’art et l’espace public envisagés dans leur dimension matérielle et symbolique.
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books
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December 2008
December 2008
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books
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$55.00
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Bringing together fifteen scholars of art and culture, ''Unsettling Canadian art history'' addresses the visual and material culture of settler colonialism, enslavement, and racialized diasporas in the contested white settler state of Canada. This collection offers new avenues for scholarship on art, archives, and creative practice by rethinking histories of Canadian(...)
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Bringing together fifteen scholars of art and culture, ''Unsettling Canadian art history'' addresses the visual and material culture of settler colonialism, enslavement, and racialized diasporas in the contested white settler state of Canada. This collection offers new avenues for scholarship on art, archives, and creative practice by rethinking histories of Canadian(...)
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Unsettling Canadian Art History
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Bringing together fifteen scholars of art and culture, ''Unsettling Canadian art history'' addresses the visual and material culture of settler colonialism, enslavement, and racialized diasporas in the contested white settler state of Canada. This collection offers new avenues for scholarship on art, archives, and creative practice by rethinking histories of Canadian colonialisms from Black, Indigenous, racialized, feminist, queer, trans, and Two-Spirit perspectives. Writing across many positionalities, contributors offer chapters that disrupt colonial archives of art and culture, excavating and reconstructing radical Black, Indigenous, and racialized diasporic creation and experience. Exploring the racist frameworks that continue to erase histories of violence and resistance, this book imagines the expansive possibilities of a decolonial future. ''Unsettling Canadian art history'' affirms the importance of collaborative conversations and work in the effort to unsettle scholarship in Canadian art and culture.
Unsettling Canadian Art History
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Bringing together fifteen scholars of art and culture, ''Unsettling Canadian art history'' addresses the visual and material culture of settler colonialism, enslavement, and racialized diasporas in the contested white settler state of Canada. This collection offers new avenues for scholarship on art, archives, and creative practice by rethinking histories of Canadian colonialisms from Black, Indigenous, racialized, feminist, queer, trans, and Two-Spirit perspectives. Writing across many positionalities, contributors offer chapters that disrupt colonial archives of art and culture, excavating and reconstructing radical Black, Indigenous, and racialized diasporic creation and experience. Exploring the racist frameworks that continue to erase histories of violence and resistance, this book imagines the expansive possibilities of a decolonial future. ''Unsettling Canadian art history'' affirms the importance of collaborative conversations and work in the effort to unsettle scholarship in Canadian art and culture.
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books
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June 2022
June 2022
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books
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Les artistes dont le travail est évoqué ou cité dans les dessins du Livre noir de l’art conceptuel ne sont pas tous strictement conceptuels, mais il est notable que la plupart de ceux qui l’étaient ne le sont plus. Ces dessins s’adressent à tous ceux qui les envient d’avoir réussi à arrêter et voudraient les imiter. Ils ont pour objectif de donner au lecteur une idée du(...)
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Les artistes dont le travail est évoqué ou cité dans les dessins du Livre noir de l’art conceptuel ne sont pas tous strictement conceptuels, mais il est notable que la plupart de ceux qui l’étaient ne le sont plus. Ces dessins s’adressent à tous ceux qui les envient d’avoir réussi à arrêter et voudraient les imiter. Ils ont pour objectif de donner au lecteur une idée du(...)
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Le livre noir de l'art conceptuel
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Les artistes dont le travail est évoqué ou cité dans les dessins du Livre noir de l’art conceptuel ne sont pas tous strictement conceptuels, mais il est notable que la plupart de ceux qui l’étaient ne le sont plus. Ces dessins s’adressent à tous ceux qui les envient d’avoir réussi à arrêter et voudraient les imiter. Ils ont pour objectif de donner au lecteur une idée du pétrin dans lequel sont pris les artistes aujourd’hui. Il y a une histoire drôle qui pose la différence entre un type qui tombe du vingtième étage – AAAAAaaa… Paf! – et celui qui tombe du deuxième étage – Paf… aaaAAAAA! L’ordre dans lequel est donné le palindrome a son importance. De même que la deuxième chute n’est grotesque qu’en comparaison avec celle, fatale, qui la précède, les générations d’artistes qui succèdent au grand bazar conceptuel ne peuvent ignorer les questionnements autoréflexifs d’un art retourné sur lui-même. Si certains considèrent cette situation comme une impasse formelle, trop sévèrement prescriptive, et choisissent de faire demi-tour, d’autres s’obstinent, sondant fébrilement les murs à la recherche d’un improbable passage.
Le livre noir de l'art conceptuel
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Les artistes dont le travail est évoqué ou cité dans les dessins du Livre noir de l’art conceptuel ne sont pas tous strictement conceptuels, mais il est notable que la plupart de ceux qui l’étaient ne le sont plus. Ces dessins s’adressent à tous ceux qui les envient d’avoir réussi à arrêter et voudraient les imiter. Ils ont pour objectif de donner au lecteur une idée du pétrin dans lequel sont pris les artistes aujourd’hui. Il y a une histoire drôle qui pose la différence entre un type qui tombe du vingtième étage – AAAAAaaa… Paf! – et celui qui tombe du deuxième étage – Paf… aaaAAAAA! L’ordre dans lequel est donné le palindrome a son importance. De même que la deuxième chute n’est grotesque qu’en comparaison avec celle, fatale, qui la précède, les générations d’artistes qui succèdent au grand bazar conceptuel ne peuvent ignorer les questionnements autoréflexifs d’un art retourné sur lui-même. Si certains considèrent cette situation comme une impasse formelle, trop sévèrement prescriptive, et choisissent de faire demi-tour, d’autres s’obstinent, sondant fébrilement les murs à la recherche d’un improbable passage.
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books
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March 2011
March 2011
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books
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Title:
A platform to...
A platform to...
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"DeRAIL Platform for Art + Architecture", a registered non profit and independent arts producer, is an alternative platform for dialogue and collaboration across disciplinary, geographical, and ideological boundaries. DeRAIL commissions and produces place-specific art projects to foster new conversations about public space design and contemporary city building. We bring(...)
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"DeRAIL Platform for Art + Architecture", a registered non profit and independent arts producer, is an alternative platform for dialogue and collaboration across disciplinary, geographical, and ideological boundaries. DeRAIL commissions and produces place-specific art projects to foster new conversations about public space design and contemporary city building. We bring(...)
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August 2018
August 2018
Title:
A platform to...
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"DeRAIL Platform for Art + Architecture", a registered non profit and independent arts producer, is an alternative platform for dialogue and collaboration across disciplinary, geographical, and ideological boundaries. DeRAIL commissions and produces place-specific art projects to foster new conversations about public space design and contemporary city building. We bring an urban landscape to life through contemporary art by moving beyond the walls of a traditional gallery space to offer a new experience to both citizens as participants and artists as contributors.
A platform to...
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"DeRAIL Platform for Art + Architecture", a registered non profit and independent arts producer, is an alternative platform for dialogue and collaboration across disciplinary, geographical, and ideological boundaries. DeRAIL commissions and produces place-specific art projects to foster new conversations about public space design and contemporary city building. We bring an urban landscape to life through contemporary art by moving beyond the walls of a traditional gallery space to offer a new experience to both citizens as participants and artists as contributors.
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books
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Publication:
August 2018
August 2018
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books
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$10.00
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Canada is a country whose national narrative is difficult to define, even for Canadians. This question is further complicated when looking at emerging artists who have grown up under intense globalization. In Canada, specific identities are difficult to pinpoint and, when they are, they are often portrayed as problematic stereotypes bound up in a colonialist history. (...)
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Canada is a country whose national narrative is difficult to define, even for Canadians. This question is further complicated when looking at emerging artists who have grown up under intense globalization. In Canada, specific identities are difficult to pinpoint and, when they are, they are often portrayed as problematic stereotypes bound up in a colonialist history. (...)
Title:
Alternorthern: an exhibition of nine emerging Canadian artists
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Canada is a country whose national narrative is difficult to define, even for Canadians. This question is further complicated when looking at emerging artists who have grown up under intense globalization. In Canada, specific identities are difficult to pinpoint and, when they are, they are often portrayed as problematic stereotypes bound up in a colonialist history. “Alternorthern” was conceived in the tension that exists between nationalism, globalization, and individualism: the exhibition is a product of both cultural values and cultural hybridism. The nine artists in this exhibition function similarly in that they use their own identities to make gestures that transgress time and space. Each artist in the exhibition is Canadian, yet each creates work that speaks to issues pertinent to both Canadian and global geographic and political landscapes. The exhibition will open during the 2010 Olympics, when many of the stereotypes, symbols, themes, and political workings of Canada will be disseminated into the U.S. media. As Canada is in the throes of presenting its tourist identity on the international stage, this exhibition can function as a way of transgressing this identity. Thus, the curators see this exhibition not as a response to the event of the Olympics but as an opportunity to subvert and play with cultural dialogue that will exist during this time.
Alternorthern: an exhibition of nine emerging Canadian artists
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Summary:
Canada is a country whose national narrative is difficult to define, even for Canadians. This question is further complicated when looking at emerging artists who have grown up under intense globalization. In Canada, specific identities are difficult to pinpoint and, when they are, they are often portrayed as problematic stereotypes bound up in a colonialist history. “Alternorthern” was conceived in the tension that exists between nationalism, globalization, and individualism: the exhibition is a product of both cultural values and cultural hybridism. The nine artists in this exhibition function similarly in that they use their own identities to make gestures that transgress time and space. Each artist in the exhibition is Canadian, yet each creates work that speaks to issues pertinent to both Canadian and global geographic and political landscapes. The exhibition will open during the 2010 Olympics, when many of the stereotypes, symbols, themes, and political workings of Canada will be disseminated into the U.S. media. As Canada is in the throes of presenting its tourist identity on the international stage, this exhibition can function as a way of transgressing this identity. Thus, the curators see this exhibition not as a response to the event of the Olympics but as an opportunity to subvert and play with cultural dialogue that will exist during this time.
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books
books
Publication:
January 2010
January 2010
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books
books
Title:
Escape Plan - Xavier Mayhem
Escape Plan - Xavier Mayhem
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$35.00
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This book was intended for lost designers or for any other form of employed workforce. If you still believe the old adage “time is money,” then you might also think that this text is not for you. But let yourself go, for a moment. In this book, look for what you need. Office workers and Officers are therefore invited to read.
$35.00
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Summary:
This book was intended for lost designers or for any other form of employed workforce. If you still believe the old adage “time is money,” then you might also think that this text is not for you. But let yourself go, for a moment. In this book, look for what you need. Office workers and Officers are therefore invited to read.
Title:
Escape Plan - Xavier Mayhem
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$35.00
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Summary:
This book was intended for lost designers or for any other form of employed workforce. If you still believe the old adage “time is money,” then you might also think that this text is not for you. But let yourself go, for a moment. In this book, look for what you need. Office workers and Officers are therefore invited to read.
Escape Plan - Xavier Mayhem
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$35.00
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Summary:
This book was intended for lost designers or for any other form of employed workforce. If you still believe the old adage “time is money,” then you might also think that this text is not for you. But let yourself go, for a moment. In this book, look for what you need. Office workers and Officers are therefore invited to read.
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books
books
Publication:
October 2012
October 2012
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books
books
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$35.00
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Sous la thématique « De la faillibilité et de l’échec », les expériences vécues au parc sans nom et les projets mis de l'avant par DARE-DARE sont revisités, faisant valoir l'approche «en laboratoire» du centre d'artistes. Théoriciens, artistes et membres de DARE-DARE font part de leurs réflexions sur les infiltrations d’un organisme d’art actuel dans une structure(...)
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Sous la thématique « De la faillibilité et de l’échec », les expériences vécues au parc sans nom et les projets mis de l'avant par DARE-DARE sont revisités, faisant valoir l'approche «en laboratoire» du centre d'artistes. Théoriciens, artistes et membres de DARE-DARE font part de leurs réflexions sur les infiltrations d’un organisme d’art actuel dans une structure(...)
Title:
Dis/location 2, projet d'articulation urbaine : le parc sans nom
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Sous la thématique « De la faillibilité et de l’échec », les expériences vécues au parc sans nom et les projets mis de l'avant par DARE-DARE sont revisités, faisant valoir l'approche «en laboratoire» du centre d'artistes. Théoriciens, artistes et membres de DARE-DARE font part de leurs réflexions sur les infiltrations d’un organisme d’art actuel dans une structure telle que la Ville de Montréal, ainsi que des échos des pratiques spatiales dans des contextes urbains singuliers ailleurs dans le monde.
Dis/location 2, projet d'articulation urbaine : le parc sans nom
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Sous la thématique « De la faillibilité et de l’échec », les expériences vécues au parc sans nom et les projets mis de l'avant par DARE-DARE sont revisités, faisant valoir l'approche «en laboratoire» du centre d'artistes. Théoriciens, artistes et membres de DARE-DARE font part de leurs réflexions sur les infiltrations d’un organisme d’art actuel dans une structure telle que la Ville de Montréal, ainsi que des échos des pratiques spatiales dans des contextes urbains singuliers ailleurs dans le monde.
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books
books
Publication:
November 2012
November 2012
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books
books
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$44.95
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This book documents the historical and contemporary contributions that First Peoples, radicalized, differently abled, and LGBTQ artists and administrators have made to the media arts in Canada.
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This book documents the historical and contemporary contributions that First Peoples, radicalized, differently abled, and LGBTQ artists and administrators have made to the media arts in Canada.
Title:
Other places: reflections on media arts in Canada
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This book documents the historical and contemporary contributions that First Peoples, radicalized, differently abled, and LGBTQ artists and administrators have made to the media arts in Canada.
Other places: reflections on media arts in Canada
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$44.95
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Summary:
This book documents the historical and contemporary contributions that First Peoples, radicalized, differently abled, and LGBTQ artists and administrators have made to the media arts in Canada.
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books
books
Publication:
January 2020
January 2020
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books
books
Title:
La Mission de Saint-Albert.
La Mission de Saint-Albert.
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Description:
14 pages : illustrations ; 24 cm
Description:
14 pages : illustrations ; 24 cm
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Publication:
[Place of publication not identified] : [publisher not identified], [1939?] (Edmonton : Impr. La Survivance)
[Place of publication not identified] : [publisher not identified], [1939?] (Edmonton : Impr. La Survivance)
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books
books
Publication:
[Place of publication not identified] : [publisher not identified], [1939?] (Edmonton : Impr. La Survivance)
[Place of publication not identified] : [publisher not identified], [1939?] (Edmonton : Impr. La Survivance)
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Form:
journals and magazines
journals and magazines
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Description:
9 volumes ; 26 cm
Description:
9 volumes ; 26 cm
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Publication:
Ottawa : Canadian Council on Urban and Regional Research, [1967?-1976]
Ottawa : Canadian Council on Urban and Regional Research, [1967?-1976]
Title:
Urban & regional references : supplement / Canadian Council on Urban and Regional Research = Références urbaines & régionales : supplément / Conseil Canadien de Recherches Urbaines et Régionales.
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9 volumes ; 26 cm
Urban & regional references : supplement / Canadian Council on Urban and Regional Research = Références urbaines & régionales : supplément / Conseil Canadien de Recherches Urbaines et Régionales.
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Description:
9 volumes ; 26 cm
Form:
journals and magazines
journals and magazines
Publication:
Ottawa : Canadian Council on Urban and Regional Research, [1967?-1976]
Ottawa : Canadian Council on Urban and Regional Research, [1967?-1976]
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