Project
AP075.S1.1983.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Canada Place, located in Vancouver's downton harbour front in the Burrad Inlet, British Columbia. She worked on this project from 1983-1986 with architectural firms Downs/Archambault, Musson Cattell and Partners, Zeldler Roberts Partnership. The project was completed in 1986. The project was intented as a way of creating a link between the sea and the city. The project included a cruise ship terminal and a convention centre. Oberlander landscape design included an installation of planter boxes along the promenade deck of the pier with plants indigeneous to Burrad Inlet and a dry garden. The project series contains Oberlander's concept notes, research and reference material, correspondence, including correspondence with architects and clients, financial documents, plant selection documents, specifications and press clippings of arcticles on the project. Also comprises in the project series are photographs and design development drawings, including planting plans, plans of the differents types of planters, planters details and sections, and plans for the dry garden.
1983-2003
Canada Place, Vancouver, British Columbia (1983)
Actions:
AP075.S1.1983.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Canada Place, located in Vancouver's downton harbour front in the Burrad Inlet, British Columbia. She worked on this project from 1983-1986 with architectural firms Downs/Archambault, Musson Cattell and Partners, Zeldler Roberts Partnership. The project was completed in 1986. The project was intented as a way of creating a link between the sea and the city. The project included a cruise ship terminal and a convention centre. Oberlander landscape design included an installation of planter boxes along the promenade deck of the pier with plants indigeneous to Burrad Inlet and a dry garden. The project series contains Oberlander's concept notes, research and reference material, correspondence, including correspondence with architects and clients, financial documents, plant selection documents, specifications and press clippings of arcticles on the project. Also comprises in the project series are photographs and design development drawings, including planting plans, plans of the differents types of planters, planters details and sections, and plans for the dry garden.
Project
1983-2003
Project
AP075.S1.1990.PR11
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Feigl Residence, located on Drummond Drive, in the University Endowment Land, in Vancouver, British Columbia. Oberlander worked on this project in the early 1990s. Oberlander's project for the Feigl residence consisted in redesigning the garden initally executed in the late 1950s by Justice & Webb Landscape Architects. She later returned in 2007-2008 for the design and the planting of an "green shield" of trees to improve to view from the residence and block the noises from the neighbouring developments. The project series contains only nine drawing, including preliminary grading plans, site plans, and land surveys used as reference.The project series also comprises textual records, including concept notes by Oberlander, correspondence with client and contractors, photographs of the existing landscaping, and cost estimates. The 2007-2008 addition is documented through a series of sketches of the view on the garden from the house, correspondence with contractors and client.
1978-2008
Feigl Residence, Vancouver, British Columbia (1990-1991)
Actions:
AP075.S1.1990.PR11
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Feigl Residence, located on Drummond Drive, in the University Endowment Land, in Vancouver, British Columbia. Oberlander worked on this project in the early 1990s. Oberlander's project for the Feigl residence consisted in redesigning the garden initally executed in the late 1950s by Justice & Webb Landscape Architects. She later returned in 2007-2008 for the design and the planting of an "green shield" of trees to improve to view from the residence and block the noises from the neighbouring developments. The project series contains only nine drawing, including preliminary grading plans, site plans, and land surveys used as reference.The project series also comprises textual records, including concept notes by Oberlander, correspondence with client and contractors, photographs of the existing landscaping, and cost estimates. The 2007-2008 addition is documented through a series of sketches of the view on the garden from the house, correspondence with contractors and client.
Project
1978-2008
Project
AP178.S1.1983.PR01
Description:
This project series documents the Reconstrução da Igreja Madre de Salemi, the Piazza Alicia and the Recuperação do Plano Cascio in Salemi, Italy. While the records were held in the office’s archives this project was assigned the number [7]/80. The office assigned the dates 1983-1999 for this project. The reconstruction of the mother Church of Salemi, the construction of the Piazza Alicia, and the rehabilitation of Plano Cascio was part of an urban renewal for Salemi. In 1968, an earthquake destroyed the Igreja Madre de Salemi and damaged the area. The church was never rebuilt. In 1982, Roberto Collovà and Siza we're chosen by the Curia of Mazara del Vallo for the reconstruction of the church. Instead of rebuilding it, the architects decided to use the ruins to create something new that would represent the spirit of the church and the memory of the earthquake. Documenting this project are plans, project documentation, and correspondence. Photographic materials document construction work and the model.
1984-1992
Reconstrução da Igreja Madre de Salemi [Reconstruction of the Mother Church of Salemi], Salemi, Italy (1983-1999)
Actions:
AP178.S1.1983.PR01
Description:
This project series documents the Reconstrução da Igreja Madre de Salemi, the Piazza Alicia and the Recuperação do Plano Cascio in Salemi, Italy. While the records were held in the office’s archives this project was assigned the number [7]/80. The office assigned the dates 1983-1999 for this project. The reconstruction of the mother Church of Salemi, the construction of the Piazza Alicia, and the rehabilitation of Plano Cascio was part of an urban renewal for Salemi. In 1968, an earthquake destroyed the Igreja Madre de Salemi and damaged the area. The church was never rebuilt. In 1982, Roberto Collovà and Siza we're chosen by the Curia of Mazara del Vallo for the reconstruction of the church. Instead of rebuilding it, the architects decided to use the ruins to create something new that would represent the spirit of the church and the memory of the earthquake. Documenting this project are plans, project documentation, and correspondence. Photographic materials document construction work and the model.
Project
1984-1992
Project
AP178.S1.2000.PR10
Description:
This project series document the Biblioteca da Câmara Municipal de Viana do Castelo in Viana do Castelo, Portugal. While the records were held in the office’s archives this project was assigned the number 11/00. The office assigned the dates 2000-2008 to this project. The project site is located between the Alameda 5 de Outubro and the Lima river. The library was part of the waterfront development plan, directed by Fernando Távora. The development plan included a multiuse pavilion designed by Eduardo Souto de Moura, two office buildings, and an auditorium designed by Tàvora. The architects, with the help of José Bernardo Tavora and Adalberto Dias chose together location. The orthogonal two-story library respects the recommendations of the Portuguese Institute of Book and Libraries (IPLB). This project was realized and won the National Contemporary Architecture Award. Documenting this project are sketches, studies, plans, working drawings, technical drawings, and details. Textual material includes correspondence and project documentation. Photographic material documents construction work and models.
2000-2008
Biblioteca da Câmara Municipal de Viana do Castelo [Viana do Castelo Public Library], Viana do Castelo, Portugal (2000-2008)
Actions:
AP178.S1.2000.PR10
Description:
This project series document the Biblioteca da Câmara Municipal de Viana do Castelo in Viana do Castelo, Portugal. While the records were held in the office’s archives this project was assigned the number 11/00. The office assigned the dates 2000-2008 to this project. The project site is located between the Alameda 5 de Outubro and the Lima river. The library was part of the waterfront development plan, directed by Fernando Távora. The development plan included a multiuse pavilion designed by Eduardo Souto de Moura, two office buildings, and an auditorium designed by Tàvora. The architects, with the help of José Bernardo Tavora and Adalberto Dias chose together location. The orthogonal two-story library respects the recommendations of the Portuguese Institute of Book and Libraries (IPLB). This project was realized and won the National Contemporary Architecture Award. Documenting this project are sketches, studies, plans, working drawings, technical drawings, and details. Textual material includes correspondence and project documentation. Photographic material documents construction work and models.
Project
2000-2008
Project
AP178.S1.1995.PR12
Description:
This project series documents the design for the Instituto de Biofísica in Hombroich, Germany. While the records were held in the office’s archives this project was assigned the number 69/90. The office assigned the dates 1995-1996 to this project. The project was commissioned by the Insel Hombroich Foundation. Construction started in 1995, but was delayed until 2006. The project site was located on an old military camp and was used by the Foundation as part of a program for architects to build different types of building. The program for the Institute of Biophysics included office spaces, conference rooms, a meditation center, a music center and five guest apartments. Siza's design was kept and used later with a different interior layout for a new Pavilion for the Insel Hombroich Foundation (see project series AP178.S1.2001.PR02 in this fonds). The project was a collaboration with Rudolf Finsterwalder. Documenting this project are studies and working drawings. Textual materials include project documentation, correspondence and a development plan.
1991-2011
Instituto de Biofísica [Institute of Biophysics], Hombroich, Germany (1995-1996)
Actions:
AP178.S1.1995.PR12
Description:
This project series documents the design for the Instituto de Biofísica in Hombroich, Germany. While the records were held in the office’s archives this project was assigned the number 69/90. The office assigned the dates 1995-1996 to this project. The project was commissioned by the Insel Hombroich Foundation. Construction started in 1995, but was delayed until 2006. The project site was located on an old military camp and was used by the Foundation as part of a program for architects to build different types of building. The program for the Institute of Biophysics included office spaces, conference rooms, a meditation center, a music center and five guest apartments. Siza's design was kept and used later with a different interior layout for a new Pavilion for the Insel Hombroich Foundation (see project series AP178.S1.2001.PR02 in this fonds). The project was a collaboration with Rudolf Finsterwalder. Documenting this project are studies and working drawings. Textual materials include project documentation, correspondence and a development plan.
Project
1991-2011
Project
AP178.S1.1990.PR04
Description:
This project series documents the Ceramique Terrein Blocos de habitação e escritórios in Maastricht, The Netherlands. While the records were held in the office’s archives this project was assigned the number 6/90 A/B. The office assigned the date 1990 to this project. The project is located in the Ceramique district. The industrial area was revitalized during the nineties with buildings built by international architects, including Aldo Rossi's the Bonnefanten Museum and Jo Coenen's Centre Céramique. The building is divided into three independent buildings: Block 6, Block 7, and Block 8. Block 6 is made up of commercial space on the ground floor and residential units on the other six floors. Block 8 is the biggest unit of the project, with a double tower of 16 storeys. Block 7 is a four-storey building. The project was realized. Documenting this project are sketches and plans. Textual material includes correspondence and technical details. Photographic material documents the project site, construction work, and built project.
1991-2000
Ceramique Terrein Blocos de habitação e escritórios [Ceramic Terrain apartments and offices], Maastricht, The Netherlands (1990)
Actions:
AP178.S1.1990.PR04
Description:
This project series documents the Ceramique Terrein Blocos de habitação e escritórios in Maastricht, The Netherlands. While the records were held in the office’s archives this project was assigned the number 6/90 A/B. The office assigned the date 1990 to this project. The project is located in the Ceramique district. The industrial area was revitalized during the nineties with buildings built by international architects, including Aldo Rossi's the Bonnefanten Museum and Jo Coenen's Centre Céramique. The building is divided into three independent buildings: Block 6, Block 7, and Block 8. Block 6 is made up of commercial space on the ground floor and residential units on the other six floors. Block 8 is the biggest unit of the project, with a double tower of 16 storeys. Block 7 is a four-storey building. The project was realized. Documenting this project are sketches and plans. Textual material includes correspondence and technical details. Photographic material documents the project site, construction work, and built project.
Project
1991-2000
Project
Inter-Action Centre
AP144.S2.D82
Description:
File documents Inter-Action Centre, a completed project for a community centre commissioned by Ed Berman and the Inter-Action Trust, for a disused site at Talacre Public Open Space in Kentish Town, Camden, London. The construction was divided into two phases. Foundations, steel frame and trusses were constructed first and could be used for open-air community events while funds were being raised for the second phase. Phase II included cladding, fittings, finishes, services prefabricated units, and log cabins. The building was intended as a flexible short life-span building in which the interior spaces would be independent of the roof and exterior walls. Functional areas suggested by Cedric Price include: assembly halls, classrooms, rehearsal rooms, studios, areas for performance, media resources, lounging and dining, and a gym and a nursery. Cedric Price had been engaged by the concepts of flexible architecture, indeterminacy, impermanence, and the fusion of information technology, entertainment, and educational activities in earlier unrealized projects such as Fun Palace (AP144.S2.D46) and Oxford Corner House (AP144.S2.D59). Existing conditions drawings include photographs of the site; reprographic copies of electrical and drainage systems; ordinance surveys of Kentish Town; and landscape and playground layout. Conceptual drawings include sketches of overall massing; diagrammatic plans; drawings and diagrams of site conditions; notes for the structural framework; rendered interior elevations; plans showing impact of site context on building design; diagrammatic sketches of relationship between functional requirements and structural form. Schematic drawings include diagrammatic plans; sections of structural system and exterior wall; cladding details; and axonometric views of supports. Design development drawings and working drawings include plans, elevations, sections, details and axonometric views. Presentation drawings include watercolours and other renderings; reprographic copies, possibly for publication; and perspectives drawings. Some material from this file was published in "Inter-action Centre." 'RIBA Journal'. (November 1977), 458-465; "Intervista A Cedric Price: London Interaction Centre." 'Domus'. (April 1978), 17-21; "Kentish Town West Amalgam, London." 'Architectural Record'. (January 1973), 19; Lyall, Sutherland. 'The State of British Architecture'. (London: Architectural Press, 1980), 107-109; 130 and 'Cedric Price-Works II' (London: Architectural Press, 1984), 54, 62-63. Material in this file was produced between 1964 and 1992, but predominantly between 1970 and 1981. File contains technical drawings that are attributed to the following consultants, contractors, and manufacturers: Coseley Buildings Ltd; H.G. Deacon Ltd; Kayanson Engineers; H.J. Knights & Co. Ltd; Woodcemair; Metal Sections Ltd; Spaceway; Gascoigne, Gush & Dent (Engineering Ltd); UBM Engineering; J. Murphy & Sons Ltd; Maurice Pickering Associates, Architects & Landscape Consultants; David Lee Architect & Landscape Architect; J. Starkie Gardner Ltd; Dibben Structural Engineers; Zisman, Bowyer & Partners; Felix J. Samuely and Partners; Ruberoid Contracts Ltd; Whitbread London Limited; and Portakabin. Paul Hyett and Will Alsop were Cedric Price's main assistants for this project. 'Inter-Action Trust Limited', 'Inter-Action Centre', and 'Talacre Centre Limited' appear as the client(s) at various stages of this project. File contains cartographic materials, conceptual drawings, consultant drawings, design development drawings, models, panels, photographic materials, presentation drawings, an illustration, textual records, and working drawings.
1964-1992, predominant 1970-1981
Inter-Action Centre
Actions:
AP144.S2.D82
Description:
File documents Inter-Action Centre, a completed project for a community centre commissioned by Ed Berman and the Inter-Action Trust, for a disused site at Talacre Public Open Space in Kentish Town, Camden, London. The construction was divided into two phases. Foundations, steel frame and trusses were constructed first and could be used for open-air community events while funds were being raised for the second phase. Phase II included cladding, fittings, finishes, services prefabricated units, and log cabins. The building was intended as a flexible short life-span building in which the interior spaces would be independent of the roof and exterior walls. Functional areas suggested by Cedric Price include: assembly halls, classrooms, rehearsal rooms, studios, areas for performance, media resources, lounging and dining, and a gym and a nursery. Cedric Price had been engaged by the concepts of flexible architecture, indeterminacy, impermanence, and the fusion of information technology, entertainment, and educational activities in earlier unrealized projects such as Fun Palace (AP144.S2.D46) and Oxford Corner House (AP144.S2.D59). Existing conditions drawings include photographs of the site; reprographic copies of electrical and drainage systems; ordinance surveys of Kentish Town; and landscape and playground layout. Conceptual drawings include sketches of overall massing; diagrammatic plans; drawings and diagrams of site conditions; notes for the structural framework; rendered interior elevations; plans showing impact of site context on building design; diagrammatic sketches of relationship between functional requirements and structural form. Schematic drawings include diagrammatic plans; sections of structural system and exterior wall; cladding details; and axonometric views of supports. Design development drawings and working drawings include plans, elevations, sections, details and axonometric views. Presentation drawings include watercolours and other renderings; reprographic copies, possibly for publication; and perspectives drawings. Some material from this file was published in "Inter-action Centre." 'RIBA Journal'. (November 1977), 458-465; "Intervista A Cedric Price: London Interaction Centre." 'Domus'. (April 1978), 17-21; "Kentish Town West Amalgam, London." 'Architectural Record'. (January 1973), 19; Lyall, Sutherland. 'The State of British Architecture'. (London: Architectural Press, 1980), 107-109; 130 and 'Cedric Price-Works II' (London: Architectural Press, 1984), 54, 62-63. Material in this file was produced between 1964 and 1992, but predominantly between 1970 and 1981. File contains technical drawings that are attributed to the following consultants, contractors, and manufacturers: Coseley Buildings Ltd; H.G. Deacon Ltd; Kayanson Engineers; H.J. Knights & Co. Ltd; Woodcemair; Metal Sections Ltd; Spaceway; Gascoigne, Gush & Dent (Engineering Ltd); UBM Engineering; J. Murphy & Sons Ltd; Maurice Pickering Associates, Architects & Landscape Consultants; David Lee Architect & Landscape Architect; J. Starkie Gardner Ltd; Dibben Structural Engineers; Zisman, Bowyer & Partners; Felix J. Samuely and Partners; Ruberoid Contracts Ltd; Whitbread London Limited; and Portakabin. Paul Hyett and Will Alsop were Cedric Price's main assistants for this project. 'Inter-Action Trust Limited', 'Inter-Action Centre', and 'Talacre Centre Limited' appear as the client(s) at various stages of this project. File contains cartographic materials, conceptual drawings, consultant drawings, design development drawings, models, panels, photographic materials, presentation drawings, an illustration, textual records, and working drawings.
File 82
1964-1992, predominant 1970-1981
DR2000:0009
Description:
- Section 8 is for the Chapel of Faith, looking south, showing the Way of the Cross walkway, the waiting room and garden for the chapel, the ancillary rooms adjacent to and behind the chapel, the rooms below the main level and the driveway at the rear of the complex. Section 9 is for the columbaria, looking south, showing the stairs of the Way of the Cross walkway and the columbaria. Elevations 10-10 and 11-11 are for the east (rear) façades of the Chapel of Faith and section 12-12 is for the south façade of the ancillary rooms adjacent to the Chapel of the Holy Cross. There are two elevations for the west and north façades and section a-a for a lavatory and there is a sketch by the architect (?) for a pile at u.l. Section cuts 8-12 appear in ground plan DR2000:0007.
architecture, interior design
1 March 1937
Sections 8 to 12 and elevations for a lavatory for the Woodland Crematorium, Woodland Cemetery, Stockholm, Sweden
Actions:
DR2000:0009
Description:
- Section 8 is for the Chapel of Faith, looking south, showing the Way of the Cross walkway, the waiting room and garden for the chapel, the ancillary rooms adjacent to and behind the chapel, the rooms below the main level and the driveway at the rear of the complex. Section 9 is for the columbaria, looking south, showing the stairs of the Way of the Cross walkway and the columbaria. Elevations 10-10 and 11-11 are for the east (rear) façades of the Chapel of Faith and section 12-12 is for the south façade of the ancillary rooms adjacent to the Chapel of the Holy Cross. There are two elevations for the west and north façades and section a-a for a lavatory and there is a sketch by the architect (?) for a pile at u.l. Section cuts 8-12 appear in ground plan DR2000:0007.
architecture, interior design
photographs
DR2012:0012:077:001:005
Description:
File containing photographs, printouts, a negative film frame, a stat, and notes related to the following events, locations, and/or projects: - Memo series (5 gelatin silver prints); - Montreal streets (3 gelatin silver prints); - A Kingston construction (2 gelatin silver prints); - Place Desjardins (2 gelatin silver prints); - Beaudry-Leman house, Outremont (1 gelatin silver print); - City of Maisonneuve, former fire station (1 gelatin silver print); - Aerial view of the construction Place Bonaventure (1 gelatin silver print); - The house of an architect (1 gelatin silver print); - Église Notre-Dame-des-Champs, Repentigny (2 gelatin silver prints); - Église Notre-Dame-de-Fatima, Jonquière, (1 gelatin silver print); - Unidentified house (1 gelatin silver print, 1 black-and-white negative); - Pliny on my mind, nos. 1 and 2 (1 gelatin silver print).
1964, 1976, 1983
Photographic materials related to events and projects
Actions:
DR2012:0012:077:001:005
Description:
File containing photographs, printouts, a negative film frame, a stat, and notes related to the following events, locations, and/or projects: - Memo series (5 gelatin silver prints); - Montreal streets (3 gelatin silver prints); - A Kingston construction (2 gelatin silver prints); - Place Desjardins (2 gelatin silver prints); - Beaudry-Leman house, Outremont (1 gelatin silver print); - City of Maisonneuve, former fire station (1 gelatin silver print); - Aerial view of the construction Place Bonaventure (1 gelatin silver print); - The house of an architect (1 gelatin silver print); - Église Notre-Dame-des-Champs, Repentigny (2 gelatin silver prints); - Église Notre-Dame-de-Fatima, Jonquière, (1 gelatin silver print); - Unidentified house (1 gelatin silver print, 1 black-and-white negative); - Pliny on my mind, nos. 1 and 2 (1 gelatin silver print).
photographs
1964, 1976, 1983
DR1987:0034:001-033
Description:
- This album contains 17 drawings, 13 photographs and 2 prints which record the design and construction of the Palais de l'Industrie, Paris. The drawings, DR1987:0034:001 - DR1987:0034:0017, were probably executed in the office of J.M.V. Viel, one of the building's architects, who signed them on 1 February 1859. These drawings are rendered in pen and watercolour, and appear to be an official record of the building. The printed plan with additions in pen, DR1987:0034:0018, was signed by Viel in 1856. The photographs, DR1987:0034:019 - DR1987:0034:0030, are views of the interior and the main entrance under construction, ca. 1854, and views of the completed main entrance of 1855 or after, including details of relief sculpture and the stained-glass window.
architecture
ca. 1853-1859
Palais de l'Industrie: Atlas du Bâtiment
Actions:
DR1987:0034:001-033
Description:
- This album contains 17 drawings, 13 photographs and 2 prints which record the design and construction of the Palais de l'Industrie, Paris. The drawings, DR1987:0034:001 - DR1987:0034:0017, were probably executed in the office of J.M.V. Viel, one of the building's architects, who signed them on 1 February 1859. These drawings are rendered in pen and watercolour, and appear to be an official record of the building. The printed plan with additions in pen, DR1987:0034:0018, was signed by Viel in 1856. The photographs, DR1987:0034:019 - DR1987:0034:0030, are views of the interior and the main entrance under construction, ca. 1854, and views of the completed main entrance of 1855 or after, including details of relief sculpture and the stained-glass window.
ca. 1853-1859
architecture