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''Ukrainian railroad ladies'' is a series of portraits of traffic controllers and safety officers at railroads of Ukraine. This project is also an exploration of why these professions still exist in the 21st century, given the almost entire automatization of railroad crossings in the country. It is a study of the anthropological and social aspects of this phenomenon and(...)
Sasha Maslov: Ukrainian railroad ladies
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''Ukrainian railroad ladies'' is a series of portraits of traffic controllers and safety officers at railroads of Ukraine. This project is also an exploration of why these professions still exist in the 21st century, given the almost entire automatization of railroad crossings in the country. It is a study of the anthropological and social aspects of this phenomenon and the overall role of Ukraine’s railroad system. While working on the project, Sasha Maslov – known for his social documentary portraits, where the main focus is always the hero in his substantive environment – has traveled all over Ukraine. ''Ukrainian railroad ladies'' is more than 50 photos of women who work on Ukrainian Railways. They seem to be a symbol of certain things in the country that don’t change, standing firm in the present as a defiant nod to the past. Unfazed by the passing of trains and time, they are here to stay.
Photography monographs
books
Space is the place
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This catalogue for the traveling exhibition Space Is the Place (whose title refers to a movie about the super-experimental and influential jazz musician, Sun Ra) takes an inspired look at the theme of space exploration. Encompassing the concept of infinite potential, as well as historical outer-space successes and failures, it features installations, paintings, works on(...)
November 2007
Space is the place
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This catalogue for the traveling exhibition Space Is the Place (whose title refers to a movie about the super-experimental and influential jazz musician, Sun Ra) takes an inspired look at the theme of space exploration. Encompassing the concept of infinite potential, as well as historical outer-space successes and failures, it features installations, paintings, works on paper, and sound and video works made during the past 15 years by Laurie Anderson, Nina Katchadourian, Oleg Kulik, Julian LaVerdiere, Aleksandra Mir and Damian Ortega, among others, and investigates global attitudes from the time the Soviets launched Sputnik nearly 50 years ago to the era of the explosion of the Columbia space shuttle in 2003. While the featured artworks are united by the theme of outer space, the open-ended parameters of the subject also invite consideration of the technological, environmental and sociopolitical forces affecting life on earth today.
books
November 2007
The craftsman
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Provocative and enlightening, Richard Sennett's "The Craftsman" is an exploration of craftsmanship - the desire to do a job well for its own sake - as a template for living. Most of us have to work. But is work just a means to an end? In trying to make a living, have we lost touch with the idea of making things well? Pure competition, Sennett shows, will never produce(...)
October 2014
The craftsman
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Provocative and enlightening, Richard Sennett's "The Craftsman" is an exploration of craftsmanship - the desire to do a job well for its own sake - as a template for living. Most of us have to work. But is work just a means to an end? In trying to make a living, have we lost touch with the idea of making things well? Pure competition, Sennett shows, will never produce good work. Instead, the values of the craftsman, whether in a Stradivari violin workshop or a modern laboratory, can enrich our lives and change the way we anchor ourselves in the world around us. The past lives of crafts and craftsmen show us ways of working - using tools, acquiring skills, thinking about materials - which provide rewarding alternative ways for people to utilise their talents. We need to recognize this if motivations are to be understood and lives made as fulfilling as possible.
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From his images of the Chateau of Versailles under restoration to the faded grandeur of Havana, to scenes of devastation from Chernobyl after the nuclear explosion and a New Orleans ravaged by Hurricane Katrina, Robert Polidori is drawn to detritus, shattered worlds and elegant ruin. Often considered an architectural photographer, Polidori captures more than buildings:(...)
Robert Polidori: chronophagia
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From his images of the Chateau of Versailles under restoration to the faded grandeur of Havana, to scenes of devastation from Chernobyl after the nuclear explosion and a New Orleans ravaged by Hurricane Katrina, Robert Polidori is drawn to detritus, shattered worlds and elegant ruin. Often considered an architectural photographer, Polidori captures more than buildings: his highly detailed views of interiors evoke both the intimate and the mysterious, where in the humanity of these photos is felt in its very absence, in the traces left behind in vacant spaces once inhabited. Chronophagia is a sampling of Polidori's many famous projects. This volume contains the artist's own selection of more than 100 photographs, from the classics to several rarely seen images. The result is a beautifully edited compendium of Polidori's 28-year career and a visual exploration of the liminal space between past and present, of worlds on the brink of disappearance.
Photography monographs
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At the foot of the Argentine Andes, bulldozers are destroying forests and homes to create soy fields in an area already strewn with rubble from previous waves of destruction and violence. Based on ethnographic research in this region where the mountains give way to the Gran Chaco lowlands, Gastón R. Gordillo shows how geographic space is inseparable from the material,(...)
Rubble: the afterlife of destruction
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At the foot of the Argentine Andes, bulldozers are destroying forests and homes to create soy fields in an area already strewn with rubble from previous waves of destruction and violence. Based on ethnographic research in this region where the mountains give way to the Gran Chaco lowlands, Gastón R. Gordillo shows how geographic space is inseparable from the material, historical, and affective ruptures embodied in debris. His exploration of the significance of rubble encompasses lost cities, derelict train stations, overgrown Jesuit missions and Spanish forts, stranded steamships, mass graves, and razed forests. Examining the effects of these and other forms of debris on the people living on nearby ranches and farms, and in towns, Gordillo emphasizes that for the rural poor, the rubble left in the wake of capitalist and imperialist endeavors is not romanticized ruin but the material manifestation of the violence and dislocation that created it.
Architecture ecologies
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The anatomy of our bodies invites sitting; but do we design seats in the same way? Has our means of sitting been colonized by modern design? And how is the culturally various act of sitting itself reflected in this functional commodity? Italian artist Matteo Guarnaccia’s (born 1993) ''Cross cultural chairs'' is a research-based design project ''about the cultural context(...)
Cross cultural chairs: 8 chairs from 8 countries. Diversifying modern seating
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The anatomy of our bodies invites sitting; but do we design seats in the same way? Has our means of sitting been colonized by modern design? And how is the culturally various act of sitting itself reflected in this functional commodity? Italian artist Matteo Guarnaccia’s (born 1993) ''Cross cultural chairs'' is a research-based design project ''about the cultural context of furniture, understanding how globalization is shaping design around the world.'' He writes, ''it’s an exploration that lies between social and technical aspects of chairs.'' To execute this project, Guarnaccia visited eight different countries to conduct research and talk to local design studios, ultimately collaborating with them to portray each culture in the form of a chair. Cross Cultural Chairs plumbs the hidden depths of furniture design and the ways in which cultural norms assert themselves through functional commodities, opening up a conversation about identity, community and expression through chairs.
Industrial Design
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This cookbook by Taiwanese artist Pei-Ying Lin (born 1986) is an illustrated guide that showcases how ever-changing viruses affect our sense of taste. The core concept of ''Virophilia'' involves experiencing the viruses in food. Her performances combine different selections of recipes that use the viruses in different ways. The audience eats while listening to stories(...)
Pei-Ying Lin: Virophilia, 2070 revised edition of the postnatural cookbook
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This cookbook by Taiwanese artist Pei-Ying Lin (born 1986) is an illustrated guide that showcases how ever-changing viruses affect our sense of taste. The core concept of ''Virophilia'' involves experiencing the viruses in food. Her performances combine different selections of recipes that use the viruses in different ways. The audience eats while listening to stories about the viruses. Since 2055, viruses have become an important part of our everyday food culture. Those born before 2015 may still remember the fear of the natural order that the coronavirus brought us, but since 2055 we have known that such fear is also irresistibly tasty. Viruses that were once exclusive to the research and medical realms are now constitutive of our natural habitat. Pei-Ying Lin, currently based in the Netherlands, has recently been focusing on boundaries (invisible/visible, living/nonliving) and building tools and methods that facilitate their exploration.
Contemporary Art Monographs
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Not just another book on architecture and design: Atmosphere invites, encourages and motivates. It goes beyond the basic components of form, colour and material to identify and explore seven atmospheric layers that not only exist simultaneously but owing to their fleeting nature can easily merge to form new combinations, over and over again: Almost Alive, Fields of(...)
Industrial Design
September 2007, Basel, Boston, Berlin
Atmosphere: The shape of things to come
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Not just another book on architecture and design: Atmosphere invites, encourages and motivates. It goes beyond the basic components of form, colour and material to identify and explore seven atmospheric layers that not only exist simultaneously but owing to their fleeting nature can easily merge to form new combinations, over and over again: Almost Alive, Fields of Colour, Drawing the Line, In the Mix, Form Follows Fold, Handicraft 2.0, Down to Earth. Atmosphere is a seven-part exploration of the themes that spark creative work. It delves into a renewed interest in handicrafts, into creases and crinkles as generators of form, into nature as an inexhaustible source of inspiration. Learn how designers deal with the chill perfection of CAD and how they counter a period of baroque extravagance. Each chapter is lavishly illustrated with recent work by top designers, architects and artists. Atmosphere will pump oxygen into future projects including yours.
Industrial Design
On Cosmogonic Eros
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Ludwig Klages' 1922 book, ''On Cosmogonic Eros'' ( ''Vom kosmogonischen Eros''), delves into the realms of mythology, the esotericism of ancient mystery cults, and the science of consciousness to construct a profound metaphysics of life. At its core, Klages presents Eros as an "Eros of distance," from which springs forth the essence of ecstasy and de-selfing. This(...)
On Cosmogonic Eros
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Ludwig Klages' 1922 book, ''On Cosmogonic Eros'' ( ''Vom kosmogonischen Eros''), delves into the realms of mythology, the esotericism of ancient mystery cults, and the science of consciousness to construct a profound metaphysics of life. At its core, Klages presents Eros as an "Eros of distance," from which springs forth the essence of ecstasy and de-selfing. This intriguing concept suggests that experiencing separation and distance can lead to extraordinary states of transcendent bliss and a dissolution of the self. Furthermore, Klages argues that this ecstatic experience serves as the foundation for the emergence of symbolism, the cult of the dead, ancestor worship, as well as the creation of original poetry and art. Klages' work offers a concise and engaging exploration of these key concepts, intertwining mythology, esoteric knowledge, and the study of consciousness to illuminate the enigmatic nature of life and the transformative power of Eros.
Critical Theory
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a+u’s March issue interrogates sacredness and how it manifests in architectural space. Taking examples from religious works of architecture in different parts of the globe, such as Saint Pius Church in Switzerland and Bait Ur Rouf mosque in Bangladesh, this issue endeavors to establish a language of light and shadow, materiality, and scale. The notion of "sacred space" is(...)
A+U 654 25:03 Reinterpretations of Sacredness Generative AI within Architecture
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a+u’s March issue interrogates sacredness and how it manifests in architectural space. Taking examples from religious works of architecture in different parts of the globe, such as Saint Pius Church in Switzerland and Bait Ur Rouf mosque in Bangladesh, this issue endeavors to establish a language of light and shadow, materiality, and scale. The notion of "sacred space" is further complicated by the introduction of AI. Guest editor Erwin Viray, using the theme of "sacred space," introduces generative AI tools that not only illuminate the direction that architectural design may take, but also confront human sensibilities and shared ideas about architectural space. Continuing this exploration, 14 nonreligious projects, such as Luis Barragán’s Barragán House, Álvaro Siza’s Tidal Pools of Leça da Palmeira, and Anne Holtrop’s Pearl Museum, ponder how this sense of sacredness, feelings of awe and serenity, can be introduced into our everyday lives.
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