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What is the role of architecture if not to realize a shared vision of the “good life,” a vision that in the age of architectural modernism shaped—and was shaped by—a range of ideas about the home? With "The good life", Iñaki Ábalos serves as our guide for a tour of seven iconic twentieth-century homes that represent various concepts for living. Some of the homes were(...)
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What is the role of architecture if not to realize a shared vision of the “good life,” a vision that in the age of architectural modernism shaped—and was shaped by—a range of ideas about the home? With "The good life", Iñaki Ábalos serves as our guide for a tour of seven iconic twentieth-century homes that represent various concepts for living. Some of the homes were(...)
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The good life: a guided visit to the houses of modernity
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What is the role of architecture if not to realize a shared vision of the “good life,” a vision that in the age of architectural modernism shaped—and was shaped by—a range of ideas about the home? With "The good life", Iñaki Ábalos serves as our guide for a tour of seven iconic twentieth-century homes that represent various concepts for living. Some of the homes were actually built, while others were merely planned, painted, or created as part of a film set. We see Mies van der Rohe’s House with Three Patios, Martin Heidegger’s cabin in the Black Forest, Picasso’s Villa La Californie in Cannes, and the New York loft that Andy Warhol called The Factory. From the ultramodern geometric houses and gardens in Jacques Tati’s Mon Oncle, we travel to the famed hobby-kit house in Buster Keaton’s One Week and on to the sunny swimming pool and home in David Hockney’s painting A Bigger Splash. Ábalos guides readers through the key philosophical precepts that likely guided the creation of these homes, making insightful points about the relationship between ideas about a particular modern way of living and approaches to architecture and design. What he concludes is that modernism marks less a coherent triumph of positivism, as is often assumed, than a loose celebration of the radical pluralism of the twentieth century.
The good life: a guided visit to the houses of modernity
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What is the role of architecture if not to realize a shared vision of the “good life,” a vision that in the age of architectural modernism shaped—and was shaped by—a range of ideas about the home? With "The good life", Iñaki Ábalos serves as our guide for a tour of seven iconic twentieth-century homes that represent various concepts for living. Some of the homes were actually built, while others were merely planned, painted, or created as part of a film set. We see Mies van der Rohe’s House with Three Patios, Martin Heidegger’s cabin in the Black Forest, Picasso’s Villa La Californie in Cannes, and the New York loft that Andy Warhol called The Factory. From the ultramodern geometric houses and gardens in Jacques Tati’s Mon Oncle, we travel to the famed hobby-kit house in Buster Keaton’s One Week and on to the sunny swimming pool and home in David Hockney’s painting A Bigger Splash. Ábalos guides readers through the key philosophical precepts that likely guided the creation of these homes, making insightful points about the relationship between ideas about a particular modern way of living and approaches to architecture and design. What he concludes is that modernism marks less a coherent triumph of positivism, as is often assumed, than a loose celebration of the radical pluralism of the twentieth century.
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books
books
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October 2017
October 2017
Subject:
Modernism
Modernism
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books
books
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In her new book, Mary Ann Caws explores a rich variety of gathering places, past and present, which have been conducive to the release and sustenance of creative energies. ''Creative Gatherings'' surveys meeting locations across Europe and the United States, from cityscapes to island hideouts, from private homes to public cafes and artists’ colonies. Examples include(...)
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In her new book, Mary Ann Caws explores a rich variety of gathering places, past and present, which have been conducive to the release and sustenance of creative energies. ''Creative Gatherings'' surveys meeting locations across Europe and the United States, from cityscapes to island hideouts, from private homes to public cafes and artists’ colonies. Examples include(...)
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Creative gatherings: meeting places of modernism
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In her new book, Mary Ann Caws explores a rich variety of gathering places, past and present, which have been conducive to the release and sustenance of creative energies. ''Creative Gatherings'' surveys meeting locations across Europe and the United States, from cityscapes to island hideouts, from private homes to public cafes and artists’ colonies. Examples include Florence Griswold’s house in Old Lyme, Connecticut, meeting place of the Old Lyme Art Colony; Prague’s Le Louvre café, haunt of Kafka and Einstein; Picasso’s modernist hangout in Barcelona, Els Quatre Gats; Charleston, gathering place of Virginia Woolf and Vanessa and Duncan Bell; and the cafés of Saint-Germain-des-Prés and Montparnasse: the hangouts of Apollinaire, Sartre, and Patti Smith.
Creative gatherings: meeting places of modernism
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In her new book, Mary Ann Caws explores a rich variety of gathering places, past and present, which have been conducive to the release and sustenance of creative energies. ''Creative Gatherings'' surveys meeting locations across Europe and the United States, from cityscapes to island hideouts, from private homes to public cafes and artists’ colonies. Examples include Florence Griswold’s house in Old Lyme, Connecticut, meeting place of the Old Lyme Art Colony; Prague’s Le Louvre café, haunt of Kafka and Einstein; Picasso’s modernist hangout in Barcelona, Els Quatre Gats; Charleston, gathering place of Virginia Woolf and Vanessa and Duncan Bell; and the cafés of Saint-Germain-des-Prés and Montparnasse: the hangouts of Apollinaire, Sartre, and Patti Smith.
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books
books
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July 2019
July 2019
Subject:
Architectural Theory
Architectural Theory
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books
books
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$68.95
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The aesthetic of architect Hector Guimard (1867–1942) has long characterized French Art Nouveau in the popular imagination. This groundbreaking book showcases all aspects of his artistry and recognizes the fundamental modernity of his work. Known for, among other things, the decorative entrances to the Paris Métro and the associated lettering, he often looked to nature(...)
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The aesthetic of architect Hector Guimard (1867–1942) has long characterized French Art Nouveau in the popular imagination. This groundbreaking book showcases all aspects of his artistry and recognizes the fundamental modernity of his work. Known for, among other things, the decorative entrances to the Paris Métro and the associated lettering, he often looked to nature(...)
Title:
Hector Guimard: Art Nouveau to modernism
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The aesthetic of architect Hector Guimard (1867–1942) has long characterized French Art Nouveau in the popular imagination. This groundbreaking book showcases all aspects of his artistry and recognizes the fundamental modernity of his work. Known for, among other things, the decorative entrances to the Paris Métro and the associated lettering, he often looked to nature for inspiration, and combined materials such as stone and cast iron in unique ways to create designs composed of curves and waves that evoked movement. Guimard broke away from his classical Beaux-Arts training to advocate a modern, abstract style; he also pioneered the use of standardized models for his design objects and experimented with prefabricated designs in his social housing commissions, advancing the technology of the time.
Hector Guimard: Art Nouveau to modernism
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The aesthetic of architect Hector Guimard (1867–1942) has long characterized French Art Nouveau in the popular imagination. This groundbreaking book showcases all aspects of his artistry and recognizes the fundamental modernity of his work. Known for, among other things, the decorative entrances to the Paris Métro and the associated lettering, he often looked to nature for inspiration, and combined materials such as stone and cast iron in unique ways to create designs composed of curves and waves that evoked movement. Guimard broke away from his classical Beaux-Arts training to advocate a modern, abstract style; he also pioneered the use of standardized models for his design objects and experimented with prefabricated designs in his social housing commissions, advancing the technology of the time.
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books
books
Publication:
May 2021
May 2021
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$47.95
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Leipzig-born photographer Margret Hoppe is a promising new voice in European photographic art. This new book features her series Apres une Architecture, a photographic perspective of Le Corbusier's architecture that refers to his concept of a modern architecture laid-out in the book Vers une architecture (Toward an Architecture) of 1923. Hoppe's images show Le Corbusier's(...)
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Leipzig-born photographer Margret Hoppe is a promising new voice in European photographic art. This new book features her series Apres une Architecture, a photographic perspective of Le Corbusier's architecture that refers to his concept of a modern architecture laid-out in the book Vers une architecture (Toward an Architecture) of 1923. Hoppe's images show Le Corbusier's(...)
Title:
Margret Hoppe: the promise of modernism
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Leipzig-born photographer Margret Hoppe is a promising new voice in European photographic art. This new book features her series Apres une Architecture, a photographic perspective of Le Corbusier's architecture that refers to his concept of a modern architecture laid-out in the book Vers une architecture (Toward an Architecture) of 1923. Hoppe's images show Le Corbusier's use of exposed concrete, the clarity of his geometric shapes and the emblematic polychrome surfaces as symbols of his buildings.
Margret Hoppe: the promise of modernism
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Leipzig-born photographer Margret Hoppe is a promising new voice in European photographic art. This new book features her series Apres une Architecture, a photographic perspective of Le Corbusier's architecture that refers to his concept of a modern architecture laid-out in the book Vers une architecture (Toward an Architecture) of 1923. Hoppe's images show Le Corbusier's use of exposed concrete, the clarity of his geometric shapes and the emblematic polychrome surfaces as symbols of his buildings.
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books
books
Publication:
August 2015
August 2015
Subject:
Photography monographs
Photography monographs
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books
books
Title:
Mid-century modernism and the American body: race, gender, and the politics of power in design
Mid-century modernism and the American body: race, gender, and the politics of power in design
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In the world of interior design, mid-century Modernism has left an indelible mark still seen and felt today in countless open-concept floor plans and spare, geometric furnishings. Yet despite our continued fascination, we rarely consider how this iconic design sensibility was marketed to the diverse audiences of its era. Examining advice manuals, advertisements in Life(...)
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In the world of interior design, mid-century Modernism has left an indelible mark still seen and felt today in countless open-concept floor plans and spare, geometric furnishings. Yet despite our continued fascination, we rarely consider how this iconic design sensibility was marketed to the diverse audiences of its era. Examining advice manuals, advertisements in Life(...)
Title:
Mid-century modernism and the American body: race, gender, and the politics of power in design
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In the world of interior design, mid-century Modernism has left an indelible mark still seen and felt today in countless open-concept floor plans and spare, geometric furnishings. Yet despite our continued fascination, we rarely consider how this iconic design sensibility was marketed to the diverse audiences of its era. Examining advice manuals, advertisements in Life and Ebony, furniture, art, and more, 'Mid-Century Modernism and the American Body' offers a powerful new look at how codes of race, gender, and identity influenced — and were influenced by — Modern design and shaped its presentation to consumers.
Mid-century modernism and the American body: race, gender, and the politics of power in design
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In the world of interior design, mid-century Modernism has left an indelible mark still seen and felt today in countless open-concept floor plans and spare, geometric furnishings. Yet despite our continued fascination, we rarely consider how this iconic design sensibility was marketed to the diverse audiences of its era. Examining advice manuals, advertisements in Life and Ebony, furniture, art, and more, 'Mid-Century Modernism and the American Body' offers a powerful new look at how codes of race, gender, and identity influenced — and were influenced by — Modern design and shaped its presentation to consumers.
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books
books
Publication:
April 2021
April 2021
Subject:
Architectural Theory
Architectural Theory
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books
books
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Description:
xviii, 608 pages : illustrations ; 26 cm
Description:
xviii, 608 pages : illustrations ; 26 cm
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Publication:
London ; New York : Routledge, 2000.
London ; New York : Routledge, 2000.
Title:
The city reader / edited by Richard T. LeGates and Frederic Stout.
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Description:
xviii, 608 pages : illustrations ; 26 cm
The city reader / edited by Richard T. LeGates and Frederic Stout.
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xviii, 608 pages : illustrations ; 26 cm
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books
books
Publication:
London ; New York : Routledge, 2000.
London ; New York : Routledge, 2000.
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books
books
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xiii, 352 pages frontispiece, plates, portraits 23 cm
Description:
xiii, 352 pages frontispiece, plates, portraits 23 cm
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Publication:
London, G. Routledge & Sons [1938]
London, G. Routledge & Sons [1938]
Title:
Scaffolding in the sky, a semi-architectural autobiography.
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xiii, 352 pages frontispiece, plates, portraits 23 cm
Scaffolding in the sky, a semi-architectural autobiography.
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xiii, 352 pages frontispiece, plates, portraits 23 cm
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books
books
Publication:
London, G. Routledge & Sons [1938]
London, G. Routledge & Sons [1938]
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books
books
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$94.00
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Summary:
The massive reshaping of French cities that took place between 1958 and 1981 is commonly regarded as a unique episode in which modernist ideals were tested on an unprecedented scale. Yet the history of postwar French modernism has never fully accounted for the influence of one of architecture’s most important institutional patrons, the French Communist Party (PCF).(...)
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The massive reshaping of French cities that took place between 1958 and 1981 is commonly regarded as a unique episode in which modernist ideals were tested on an unprecedented scale. Yet the history of postwar French modernism has never fully accounted for the influence of one of architecture’s most important institutional patrons, the French Communist Party (PCF).(...)
Title:
A concrete alliance: Communism and modern architecture in postwar France
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The massive reshaping of French cities that took place between 1958 and 1981 is commonly regarded as a unique episode in which modernist ideals were tested on an unprecedented scale. Yet the history of postwar French modernism has never fully accounted for the influence of one of architecture’s most important institutional patrons, the French Communist Party (PCF). Drawing political theory and architectural history into conversation, Vanessa Grossman probes the shifting but enduring alliance between modern architecture and the PCF in the aftermath of the political crisis of 1958, prompted by the Algerian War of Independence and Charles de Gaulle’s rise to power.
A concrete alliance: Communism and modern architecture in postwar France
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$94.00
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Summary:
The massive reshaping of French cities that took place between 1958 and 1981 is commonly regarded as a unique episode in which modernist ideals were tested on an unprecedented scale. Yet the history of postwar French modernism has never fully accounted for the influence of one of architecture’s most important institutional patrons, the French Communist Party (PCF). Drawing political theory and architectural history into conversation, Vanessa Grossman probes the shifting but enduring alliance between modern architecture and the PCF in the aftermath of the political crisis of 1958, prompted by the Algerian War of Independence and Charles de Gaulle’s rise to power.
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books
books
Publication:
November 2024
November 2024
Subject:
Modernism
Modernism
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books
books
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$69.50
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Summary:
The fragment is an essential part of a structure that carries within it the genetic code of the whole. Yigal Gawze's photographs distill the essence of the Bauhaus through one aspect of the school's wider impacts, capturing the abstraction, simplicity, and optimism of early modernism in the city of Tel Aviv. Concentrating on the subtle effects of natural light on(...)
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The fragment is an essential part of a structure that carries within it the genetic code of the whole. Yigal Gawze's photographs distill the essence of the Bauhaus through one aspect of the school's wider impacts, capturing the abstraction, simplicity, and optimism of early modernism in the city of Tel Aviv. Concentrating on the subtle effects of natural light on(...)
Title:
Form and light: from Bauhaus to Tel Aviv
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The fragment is an essential part of a structure that carries within it the genetic code of the whole. Yigal Gawze's photographs distill the essence of the Bauhaus through one aspect of the school's wider impacts, capturing the abstraction, simplicity, and optimism of early modernism in the city of Tel Aviv. Concentrating on the subtle effects of natural light on architecture, Gawze highlights the encounter between a building style originating in Europe and the glare of the Mediterranean. His images culminate in a portrait of place, revealing the poetic essence of the White City's architecture and the role light takes in shaping it.
Form and light: from Bauhaus to Tel Aviv
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$69.50
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The fragment is an essential part of a structure that carries within it the genetic code of the whole. Yigal Gawze's photographs distill the essence of the Bauhaus through one aspect of the school's wider impacts, capturing the abstraction, simplicity, and optimism of early modernism in the city of Tel Aviv. Concentrating on the subtle effects of natural light on architecture, Gawze highlights the encounter between a building style originating in Europe and the glare of the Mediterranean. His images culminate in a portrait of place, revealing the poetic essence of the White City's architecture and the role light takes in shaping it.
Form:
books
books
Publication:
March 2019
March 2019
Subject:
Modernism
Modernism
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books
books
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350 pages : illustrations (some color) ; 30 cm
Description:
350 pages : illustrations (some color) ; 30 cm
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[Boston] : David R. Godine, ©1976., New York : Whitney Museum of American Art.
[Boston] : David R. Godine, ©1976., New York : Whitney Museum of American Art.
Title:
200 years of American sculpture / Tom Armstrong, Wayne Craven, Norman Feder, Barbara Haskell, Rosalind E. Krauss, Daniel Robbins, Marcia Tucker.
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Description:
350 pages : illustrations (some color) ; 30 cm
200 years of American sculpture / Tom Armstrong, Wayne Craven, Norman Feder, Barbara Haskell, Rosalind E. Krauss, Daniel Robbins, Marcia Tucker.
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350 pages : illustrations (some color) ; 30 cm
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books
books
Publication:
[Boston] : David R. Godine, ©1976., New York : Whitney Museum of American Art.
[Boston] : David R. Godine, ©1976., New York : Whitney Museum of American Art.
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