GA Houses 168
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Issue 168 features Brazil projects by spbr arquitetos, Brasil Arquitetura, Grupo SP, Terra e Tuma, Marcos Acayaba, MMBB Arquitetos + Carolina Bueno and Nitsche, as well as two projects in Japan by Ryue Nishizawa and Taichi Mitsua and one in Zurich by gus wüstemann arquitects.
GA Houses 168
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Issue 168 features Brazil projects by spbr arquitetos, Brasil Arquitetura, Grupo SP, Terra e Tuma, Marcos Acayaba, MMBB Arquitetos + Carolina Bueno and Nitsche, as well as two projects in Japan by Ryue Nishizawa and Taichi Mitsua and one in Zurich by gus wüstemann arquitects.
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New Geographies 11: Extraterrestrial explores the historical and contemporary consequence of our planetary relationship with space. It interprets this duality through the conceptual lens of “extraterrestrial,” which engages an entangled zone of expanding practices in geography, landscape, and architecture, stretching Earth to space, and conversely, space to Earth. This(...)
New Geographies 11: Extraterrestrial
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New Geographies 11: Extraterrestrial explores the historical and contemporary consequence of our planetary relationship with space. It interprets this duality through the conceptual lens of “extraterrestrial,” which engages an entangled zone of expanding practices in geography, landscape, and architecture, stretching Earth to space, and conversely, space to Earth. This issue questions the means through which space is forged as a condition extra to our own terra. Complicit within this imagination resides a deep political and economic logic that serves to territorialize outer space as an exception to, and extension of, Earth. These critical processes are revealed as not extra at all, but rather distinctly of terra. Through a series of written, photographic, and representational investigations, this edition of New Geographies builds on earlier studies of outer space from science, technology and society, as well as from the design disciplines, history, and critical geography. It reinforces the need for humanity’s changing relationship with outer space to be recorded, critiqued, and theorized from a breadth of academic traditions and projected within design discourse. This issue brings together experts contributing to the social, political, and cultural imaginary implicit in extraterrestrial. Three primary thematic territorial devices structure these explorations: a technologically constructed space between, a material culture constructed and discharged, and a space politically and economically reflective, all revealed through historical and contemporary society.
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Espace 124
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IA, art sans artistes ? / AI, art without artists? Le dernier numéro est disponible à la librairie ! / The latest issue is available at the bookstore!
Espace 124
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IA, art sans artistes ? / AI, art without artists? Le dernier numéro est disponible à la librairie ! / The latest issue is available at the bookstore!
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Spacing magazine 52
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This old city
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The Plan 119
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ZAHA HADID ARCHITECTS / IOTTI + PAVARANI ARCHITETTI / PETER MARINO ARCHITECTS / ANTONIO IASCONE / CANO LASSO ARCHITECTS / PATKAU ARCHITECTS / LAND ARQUITECTOS / BARKOW LEIBINGER ARCHITECTS / WORKAC /
The Plan 119
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ZAHA HADID ARCHITECTS / IOTTI + PAVARANI ARCHITETTI / PETER MARINO ARCHITECTS / ANTONIO IASCONE / CANO LASSO ARCHITECTS / PATKAU ARCHITECTS / LAND ARQUITECTOS / BARKOW LEIBINGER ARCHITECTS / WORKAC /
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Real Review 9
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The lastest issue is now available at the bookstore!
Real Review 9
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The lastest issue is now available at the bookstore!
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Vector Architects, founded by Gong Dong (Beijing, 1972) has become one of the key architectural offices in China. Their work is distinguished by its careful attention to context, a deep respect for landscape and the natural environment, the contemporary reinterpretation of Chinese building traditions, and the conscientious use of natural light as a project tool. With(...)
AV Monographs 220 : Vector Architects
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Vector Architects, founded by Gong Dong (Beijing, 1972) has become one of the key architectural offices in China. Their work is distinguished by its careful attention to context, a deep respect for landscape and the natural environment, the contemporary reinterpretation of Chinese building traditions, and the conscientious use of natural light as a project tool. With these ingredients the studio envisions and designs intimate and emotional spaces, as those that can be found in the sixteen projects, all of them in China, featured in this monograph. The list includes works like the Alila Yangshuo Hotel, the Seashore Library and Chapel, the Captain’s House, and the Changjiang Art Museum.
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The latest issue is now available at the bookstore!
Texte Zur Kunst 117 : property
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The latest issue is now available at the bookstore!
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Ciel variable 114
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Le dossier de ce numéro propose un regard sur l’action collective dans nos sociétés. Sur fond de conflits sociaux et de guerres, les oeuvres évoquent l’impact de nos agissements collectifs sur le bien commun en réexaminant et recontextualisant certaines images extraites de la masse d’images médiatiques qui tissent notre rapport au monde.
Ciel variable 114
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Le dossier de ce numéro propose un regard sur l’action collective dans nos sociétés. Sur fond de conflits sociaux et de guerres, les oeuvres évoquent l’impact de nos agissements collectifs sur le bien commun en réexaminant et recontextualisant certaines images extraites de la masse d’images médiatiques qui tissent notre rapport au monde.
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Au cours des années 1920, la photographie est devenue une « arme dans la lutte des classes », selon l’expression consacrée dans les milieux communistes. C’est en effet à ce moment que les travailleurs se saisirent d’appareils photographiques dans le but de documenter leur quotidien, leur travail et leurs loisirs, plus singulièrement leur engagement dans le mouvement(...)
Transbordeur 04 : photographie ouvrière
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Au cours des années 1920, la photographie est devenue une « arme dans la lutte des classes », selon l’expression consacrée dans les milieux communistes. C’est en effet à ce moment que les travailleurs se saisirent d’appareils photographiques dans le but de documenter leur quotidien, leur travail et leurs loisirs, plus singulièrement leur engagement dans le mouvement social. Cette nouvelle méthode d’agit-prop, consistant à déléguer aux ouvriers les moyens de production visuels, s’est étendue à différents pays – l’Allemagne et l’URSS en premier lieu, mais aussi la Tchécoslovaquie, la France, les États-Unis, etc. Dix ans après l’exposition tenue à Madrid, « A Hard and Merciless Light », et un an après l’exposition du Centre Pompidou « Photographie, arme de classe », ce numéro 4 de Transbordeur rend compte de l’actualité foisonnante de la recherche sur la photographie ouvrière en étendant le sujet tant sur le plan géographique que chronologique.
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