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LACUNA/AE. Identità e Architettura Moderna a Venezia is a photobook documenting the urban transformations of Venice, which occurred in the second half of the XX century. Over 100 photographs by 18 Italian photographers offer insight into understanding the city’s former industrial areas reconverted into social housing by some of the greatest Italian and international(...)
Lacuna/ae: identità e architettura moderna a Venezia
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LACUNA/AE. Identità e Architettura Moderna a Venezia is a photobook documenting the urban transformations of Venice, which occurred in the second half of the XX century. Over 100 photographs by 18 Italian photographers offer insight into understanding the city’s former industrial areas reconverted into social housing by some of the greatest Italian and international architects of the time, such as Giancarlo De Carlo, Gino Valle and Vittorio Gregotti.
Photography Collections
The participatory city
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''The Participatory City'' is the first international and interdisciplinary collection of texts encompassing the whole spectrum of the debate within a wide geographical framework. Offering international perspectives on the question of urban participation, the contributors to this volume examine participatory dimensions of social housing, land-use policies, migrant rights,(...)
The participatory city
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''The Participatory City'' is the first international and interdisciplinary collection of texts encompassing the whole spectrum of the debate within a wide geographical framework. Offering international perspectives on the question of urban participation, the contributors to this volume examine participatory dimensions of social housing, land-use policies, migrant rights, environmental problems and health issues through the exploration of case studies from Chicago, Detroit, London, Mexico City and Bangalore.
Urban Theory
Detail 7/8 2017
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The laws of the series. In the 1920s, a group of architects in Milan came together to form a movement that would later be known as Razionalismo. Architecture, they were convinced, must adhere to the rules of reason. They propagated the notion of “pure rhythm”, which was reflected in the repetition of individual elements as a fundamental design principle. Today, the(...)
Detail 7/8 2017
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The laws of the series. In the 1920s, a group of architects in Milan came together to form a movement that would later be known as Razionalismo. Architecture, they were convinced, must adhere to the rules of reason. They propagated the notion of “pure rhythm”, which was reflected in the repetition of individual elements as a fundamental design principle. Today, the relevance of serial production methods in architecture reach far beyond their significance at the time of Razionalismo. Repetitive structures can not only be found characterising the aesthetic appearance of buildings, they often play a decisive role in complex planning and construction processes, such as in the combination of individual modules or other industrially prefabricated elements. In our July/August issue, we present contemporary buildings that embrace the notion of the series in a variety of ways. For our Documentation section, Burkhard Franke explores examples in which aspects of repetition is used both as a design element and with respect to construction methodologies. A new social housing project by Florian Nagler in Munich, for instance, is a hybrid construction made with prefabricated wood elements. Meanwhile, a student housing complex in Berlin that Holzer Kobler Architekturen built using shipping containers resist any sense of monotony despite their stacked arrangement. For the exemplary French social housing buildings by Poggi & More near Bordeaux and by PPA architectures in Toulouse, modular components likewise contributed to the reduction of construction costs. Are buildings produced according to serial fabrication methods invariably cost effective? In our Technology feature, Frank Kaltenbach has compiled an overview of recent solutions in refugee housing. The majority of them needed to be built within a short time period and under high budgetary constraints. The ways in which serial production methods seem to be predestined for such demanding projects can be discovered in this issue.
Magazines
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"Caracas litoral, Venezuela" looks at the challenges, obstacles, and opportunities facing the reconstruction of coastal communities near Caracas, after mudslides devastated these areas in December 1999. Already in the midst of informal land development, affluent weekend residents from Caracas had awkwardly occupied this dramatic and precarious strip of coastland between(...)
September 2005, New York
New urbanism 6 : Caracas litoral, Venezuela / El litoral de Caracas, Venezuela
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"Caracas litoral, Venezuela" looks at the challenges, obstacles, and opportunities facing the reconstruction of coastal communities near Caracas, after mudslides devastated these areas in December 1999. Already in the midst of informal land development, affluent weekend residents from Caracas had awkwardly occupied this dramatic and precarious strip of coastland between the Gulf of Mexico and the Avila Mountain - also shared with the national airport and second largest seaport. In a city where most of the urban population lives in informal housing, the contested nature of redevelopment - emergent social, economic, and cultural patterns confronting traditional patterns of settlement - could easily be predicted. Fully bilingual, in English and Spanish, this book explores opportunities that unite the various constituencies through innovative programming, sustainable geological/hydrological infrastructure, and economically viable housing and commercial development.
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The documentary film "What It Takes to Make A Home" (2020, conceived by Giovanna Borasi of the CCA and directed by Daniel Schwartz) follows a conversation between two architects whose work addresses homelessness. Michael Maltzan in Los Angeles and Alexander Hagner in Vienna have both designed long-term housing, exploring and embodying various strategies for social(...)
Humans and cities
October 2020
Questions on dwelling, discourse 01: What it takes to make a home
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The documentary film "What It Takes to Make A Home" (2020, conceived by Giovanna Borasi of the CCA and directed by Daniel Schwartz) follows a conversation between two architects whose work addresses homelessness. Michael Maltzan in Los Angeles and Alexander Hagner in Vienna have both designed long-term housing, exploring and embodying various strategies for social integration, mental health, and inclusive architectural-urban schemes. Questions on Dwelling screened the film in full and held a conversation at feldfünf Berlin with actors engaged in homelessness in Berlin. In that conversation, they tried to address the successes and failures of the film, architecture’s role and complicity in exacerbating the financialization of housing, the criminalization of urban space, and its entanglement with the privatization of the city. The transcript of that conversation was documented in this bilingual booklet.
Humans and cities
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Berlin architecture firm Bplus.xyz's political campaign to enshrine adaptive re-use across Europe, Toronto’s experiment in pairing affordable housing and social medicine, Urbz Mumbai’s mission to improve and empower India’s largest slum – all are brilliant examples of design and policy coming together to effect positive change for communities. We feature these incredible(...)
Azure 309
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Berlin architecture firm Bplus.xyz's political campaign to enshrine adaptive re-use across Europe, Toronto’s experiment in pairing affordable housing and social medicine, Urbz Mumbai’s mission to improve and empower India’s largest slum – all are brilliant examples of design and policy coming together to effect positive change for communities. We feature these incredible pursuits and more in our Mar/Apr 2025 issue. Plus, we report from Iqaluit, where a growing number of Canadian architects are contributing to the architectural infrastructure.
Magazines
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It has been 30 years since the release of the first ‘AV Monographs’ yearbook, a publication that gathers the best architecture built in Spain, taking stock of the most important debates, trends, and events of the cultural, economic, and social panorama in each period. With its latest edition, a new phase begins in which more pages are devoted to the selection of 24(...)
AV Monographs 261-262 : Espana 2024
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It has been 30 years since the release of the first ‘AV Monographs’ yearbook, a publication that gathers the best architecture built in Spain, taking stock of the most important debates, trends, and events of the cultural, economic, and social panorama in each period. With its latest edition, a new phase begins in which more pages are devoted to the selection of 24 buildings. Featured are the Royal Collections Gallery by Mansilla + Tuñón in Madrid, the Pallars Building by BAAS in Barcelona, social housing by Harquitectes in Gavà, and the Hortensia Herrero Art Center by ERRE arquitectura in Valencia. For the first time, space is also devoted to work by Spanish studios abroad.
Magazines
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This book has been designed to present several Ipostudio architecture projects produced in different periods that feature assonances and shared conceptual characteristics and principles. Ipostudio is a working group that was founded in Florence 40 years ago. It carries out architectural design in the sphere of civil architecture, specializing in the areas of social and(...)
Ipostudio: Unborn architecture. Projects that never saw the light, 1983-2023
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This book has been designed to present several Ipostudio architecture projects produced in different periods that feature assonances and shared conceptual characteristics and principles. Ipostudio is a working group that was founded in Florence 40 years ago. It carries out architectural design in the sphere of civil architecture, specializing in the areas of social and health structures, schools, special types of residence, and social housing. The works presented in this book are stillborn projects that never saw the light. Now, many years later, it seems only fair to give them another chance and, in a sense, a new life. The primary intention of this book is to tell the story of the origin and development of the design process.
Architecture Monographs
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The French firm Lacaton & Vassal, established in Paris in 1987 by Anne Lacaton and Jean-Philippe Vassal, has designed private and social housing, cultural and academic institutions and public spaces that reflects its advocacy of social justice and sustainability. Here, the winners of the 2021 Pritzker Prize present their oeuvre of four decades through three guiding(...)
Lacaton & Vassal: Free space, transformation, habiter
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The French firm Lacaton & Vassal, established in Paris in 1987 by Anne Lacaton and Jean-Philippe Vassal, has designed private and social housing, cultural and academic institutions and public spaces that reflects its advocacy of social justice and sustainability. Here, the winners of the 2021 Pritzker Prize present their oeuvre of four decades through three guiding concepts. Free Space signifies their concern to achieve a generosity of scale; Transformation expresses their adage “never demolish, always add, transform, extend”; and Habiter describes their insistence on making space one’s own. Accordingly, this volume presents nine built works by the architects, showing the life and inhabitants of each building so as to convey its animation and adaptation as a tenanted structure.
Architecture Monographs
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Institutional critique is an artistic practice that reflects critically on its own housing in galleries and museums and on the concept and social function of art itself. Such concerns have always been a part of modern art but took on new urgency at the end of the 1960s, when -driven by the social up heaval of the time and enabled by the tools and techniques of conceptual(...)
Institutional critique : an anthology of artists' writings
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Institutional critique is an artistic practice that reflects critically on its own housing in galleries and museums and on the concept and social function of art itself. Such concerns have always been a part of modern art but took on new urgency at the end of the 1960s, when -driven by the social up heaval of the time and enabled by the tools and techniques of conceptual art - institutional critique emerged as a genre. This anthology traces the development of institutional critique as an artistic concern from the 1960's to the present by gathering writings and representative art projects of artists from across Europe and throughout the Americas who developed and extended the genre.
Art Theory