2692 Results
Form:
books
books
Title:
Beyond the cube : the architecture of space frames and polyhedra / J. François Gabriel, editor.
Beyond the cube : the architecture of space frames and polyhedra / J. François Gabriel, editor.
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Description:
xiv, 510 pages : illustrations (some color) ; 29 cm
Description:
xiv, 510 pages : illustrations (some color) ; 29 cm
Subject:
Publication:
New York : John Wiley, ©1997.
New York : John Wiley, ©1997.
Title:
Beyond the cube : the architecture of space frames and polyhedra / J. François Gabriel, editor.
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Description:
xiv, 510 pages : illustrations (some color) ; 29 cm
Beyond the cube : the architecture of space frames and polyhedra / J. François Gabriel, editor.
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Description:
xiv, 510 pages : illustrations (some color) ; 29 cm
Form:
books
books
Publication:
New York : John Wiley, ©1997.
New York : John Wiley, ©1997.
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$65.95
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Summary:
Buildings tell stories. Castles, country homes, churches, and monasteries are "documents" of the people who built them, owned them, lived and died in them, inherited and saved or destroyed them, and recorded their histories. Literature and Architecture in Early Modern England examines the relationship between sixteenth and seventeenth-century architectural and literary(...)
$65.95
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Summary:
Buildings tell stories. Castles, country homes, churches, and monasteries are "documents" of the people who built them, owned them, lived and died in them, inherited and saved or destroyed them, and recorded their histories. Literature and Architecture in Early Modern England examines the relationship between sixteenth and seventeenth-century architectural and literary(...)
Title:
Literature and architecture in early Modern England
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$65.95
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Buildings tell stories. Castles, country homes, churches, and monasteries are "documents" of the people who built them, owned them, lived and died in them, inherited and saved or destroyed them, and recorded their histories. Literature and Architecture in Early Modern England examines the relationship between sixteenth and seventeenth-century architectural and literary works. By becoming more sensitive to the narrative functions of architecture, Anne M. Myers argues, we begin to understand how a range of writers viewed and made use of the material built environment that surrounded the production of early modern texts in England. Scholars have long found themselves in the position of excusing or explaining England's failure to achieve the equivalent of the Italian Renaissance in the visual arts. Myers proposes that architecture inspired an unusual amount of historiographic and literary production, including poetry, drama, architectural treatises, and diaries. Works by William Camden, Henry Wotton, Ben Jonson, Andrew Marvell, George Herbert, Anne Clifford, and John Evelyn, when considered as a group, are texts that overturn the engrained critical notion that a Protestant fear of idolatry sentenced the visual arts and architecture in England to a state of suspicion and neglect.
Literature and architecture in early Modern England
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$65.95
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Summary:
Buildings tell stories. Castles, country homes, churches, and monasteries are "documents" of the people who built them, owned them, lived and died in them, inherited and saved or destroyed them, and recorded their histories. Literature and Architecture in Early Modern England examines the relationship between sixteenth and seventeenth-century architectural and literary works. By becoming more sensitive to the narrative functions of architecture, Anne M. Myers argues, we begin to understand how a range of writers viewed and made use of the material built environment that surrounded the production of early modern texts in England. Scholars have long found themselves in the position of excusing or explaining England's failure to achieve the equivalent of the Italian Renaissance in the visual arts. Myers proposes that architecture inspired an unusual amount of historiographic and literary production, including poetry, drama, architectural treatises, and diaries. Works by William Camden, Henry Wotton, Ben Jonson, Andrew Marvell, George Herbert, Anne Clifford, and John Evelyn, when considered as a group, are texts that overturn the engrained critical notion that a Protestant fear of idolatry sentenced the visual arts and architecture in England to a state of suspicion and neglect.
Subject:
Architectural Theory
Architectural Theory
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$68.00
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Summary:
This volume explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II—before fossil-fuel powered air-conditioning became widely available—Daniel(...)
$68.00
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Summary:
This volume explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II—before fossil-fuel powered air-conditioning became widely available—Daniel(...)
Title:
Modern architecture and climate: Design before air conditioning
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$68.00
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This volume explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II—before fossil-fuel powered air-conditioning became widely available—Daniel Barber brings to light a vibrant and dynamic architectural discussion involving design, materials, and shading systems as means of interior climate control. He looks at projects by well-known architects such as Richard Neutra, Le Corbusier, Lúcio Costa, Mies van der Rohe, and Skidmore, Owings, and Merrill, and the work of climate-focused architects such as MMM Roberto, Olgyay and Olgyay, and Cliff May. Drawing on the editorial projects of James Marston Fitch, Elizabeth Gordon, and others, he demonstrates how images and diagrams produced by architects helped conceptualize climate knowledge, alongside the work of meteorologists, physicists, engineers, and social scientists. Barber describes how this novel type of environmental media catalyzed new ways of thinking about climate and architectural design.
Modern architecture and climate: Design before air conditioning
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$68.00
(available to order)
Summary:
This volume explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II—before fossil-fuel powered air-conditioning became widely available—Daniel Barber brings to light a vibrant and dynamic architectural discussion involving design, materials, and shading systems as means of interior climate control. He looks at projects by well-known architects such as Richard Neutra, Le Corbusier, Lúcio Costa, Mies van der Rohe, and Skidmore, Owings, and Merrill, and the work of climate-focused architects such as MMM Roberto, Olgyay and Olgyay, and Cliff May. Drawing on the editorial projects of James Marston Fitch, Elizabeth Gordon, and others, he demonstrates how images and diagrams produced by architects helped conceptualize climate knowledge, alongside the work of meteorologists, physicists, engineers, and social scientists. Barber describes how this novel type of environmental media catalyzed new ways of thinking about climate and architectural design.
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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Description:
xii, 267 pages : illustrations, maps ; 24 cm
Description:
xii, 267 pages : illustrations, maps ; 24 cm
Subject:
- Canals Social aspects Panama.,
- Canals Panama Design and construction.,
- Canaux Aspect social Panamá.,
- Social policy,
- Canals Design and construction,
- Canals Social aspects,
- Panama Canal (Panama) History.,
- Panama Canal (Panama) In popular culture.,
- Panama Canal (Panama) Social policy.,
- Canal de Panamá (Panamá) Histoire.,
- Canal de Panamá (Panamá) Dans la culture populaire.,
- Canal de Panamá (Panamá) Politique sociale.,
- Panama,
- Panama Panama Canal,
- Panamakanal,
- History
(See more)
Publication:
Madison, Wis. : University of Wisconsin Press, ©2008.
Madison, Wis. : University of Wisconsin Press, ©2008.
Title:
Seaway to the future : American social visions and the construction of the Panama Canal / Alexander Missal.
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Description:
xii, 267 pages : illustrations, maps ; 24 cm
Seaway to the future : American social visions and the construction of the Panama Canal / Alexander Missal.
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Description:
xii, 267 pages : illustrations, maps ; 24 cm
Form:
books
books
Publication:
Madison, Wis. : University of Wisconsin Press, ©2008.
Madison, Wis. : University of Wisconsin Press, ©2008.
Subject:
- Canals Social aspects Panama.,
- Canals Panama Design and construction.,
- Canaux Aspect social Panamá.,
- Social policy,
- Canals Design and construction,
- Canals Social aspects,
- Panama Canal (Panama) History.,
- Panama Canal (Panama) In popular culture.,
- Panama Canal (Panama) Social policy.,
- Canal de Panamá (Panamá) Histoire.,
- Canal de Panamá (Panamá) Dans la culture populaire.,
- Canal de Panamá (Panamá) Politique sociale.,
- Panama,
- Panama Panama Canal,
- Panamakanal,
- History
(See more)
Form:
books
books
Holdings:
Description:
125 pages : illustrations ; 24 cm
Description:
125 pages : illustrations ; 24 cm
Subject:
- Pei, I. M., 1917-2019 Interviews.,
- Pei, I. M. (Ieoh Ming) Interviews.,
- Pei, I. M., 1917- Entretiens.,
- Pei, I. M., 1917-2019,
- Pei, Ieoh M.,
- Architects United States Interviews.,
- Architecture United States History 20th century.,
- Architectes États-Unis Entretiens.,
- Architecture États-Unis Histoire 20e siècle.,
- Architecture,
- Architects,
- Architektur,
- Chinese American architects Interviews.,
- Architects United States 20th century Interviews.,
- United States,
- Interview,
- Biographies.,
- Interviews.,
- interviews.,
- History
(See more)
Publication:
Munich ; New York : Prestel, ©2000.
Munich ; New York : Prestel, ©2000.
Title:
Conversations with I.M. Pei : light is the key / by Gero von Boehm.
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Description:
125 pages : illustrations ; 24 cm
Conversations with I.M. Pei : light is the key / by Gero von Boehm.
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Description:
125 pages : illustrations ; 24 cm
Form:
books
books
Publication:
Munich ; New York : Prestel, ©2000.
Munich ; New York : Prestel, ©2000.
Subject:
- Pei, I. M., 1917-2019 Interviews.,
- Pei, I. M. (Ieoh Ming) Interviews.,
- Pei, I. M., 1917- Entretiens.,
- Pei, I. M., 1917-2019,
- Pei, Ieoh M.,
- Architects United States Interviews.,
- Architecture United States History 20th century.,
- Architectes États-Unis Entretiens.,
- Architecture États-Unis Histoire 20e siècle.,
- Architecture,
- Architects,
- Architektur,
- Chinese American architects Interviews.,
- Architects United States 20th century Interviews.,
- United States,
- Interview,
- Biographies.,
- Interviews.,
- interviews.,
- History
(See more)
Form:
books
books
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Description:
216 pages : color illustrations, color maps, plans (chiefly color) ; 27 cm
Description:
216 pages : color illustrations, color maps, plans (chiefly color) ; 27 cm
Author:
Subject:
- Building Greece History.,
- Architecture, Greek.,
- Architecture, Greek Mediterranean Region.,
- Building Rome.,
- Architecture, Roman.,
- Architecture, Roman Mediterranean Region.,
- Construction Grèce Histoire.,
- Architecture grecque.,
- Construction Rome.,
- Architecture romaine.,
- 21.62 history of architecture.,
- House and Home.,
- Building.,
- Architecture.,
- Classical antiquity.,
- Civil engineering.,
- Mediterranean Region.,
- Greece.,
- Rome (Empire),
- History.
(See more)
Publication:
Los Angeles, Calif. : J. Paul Getty Museum, 2010., ©2010
Los Angeles, Calif. : J. Paul Getty Museum, 2010., ©2010
Title:
Constructing the ancient world : architectural techniques of the Greeks and Romans / Carmelo G. Malacrino ; translated by Jay Hyams.
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Description:
216 pages : color illustrations, color maps, plans (chiefly color) ; 27 cm
Constructing the ancient world : architectural techniques of the Greeks and Romans / Carmelo G. Malacrino ; translated by Jay Hyams.
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Description:
216 pages : color illustrations, color maps, plans (chiefly color) ; 27 cm
Form:
books
books
Publication:
Los Angeles, Calif. : J. Paul Getty Museum, 2010., ©2010
Los Angeles, Calif. : J. Paul Getty Museum, 2010., ©2010
Subject:
- Building Greece History.,
- Architecture, Greek.,
- Architecture, Greek Mediterranean Region.,
- Building Rome.,
- Architecture, Roman.,
- Architecture, Roman Mediterranean Region.,
- Construction Grèce Histoire.,
- Architecture grecque.,
- Construction Rome.,
- Architecture romaine.,
- 21.62 history of architecture.,
- House and Home.,
- Building.,
- Architecture.,
- Classical antiquity.,
- Civil engineering.,
- Mediterranean Region.,
- Greece.,
- Rome (Empire),
- History.
(See more)
Form:
books
books
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Description:
xii, 295 pages : illustrations ; 24 cm.
Description:
xii, 295 pages : illustrations ; 24 cm.
Subject:
- Motion picture studios United States History 20th century.,
- Motion picture industry History 20th century.,
- Studios de cinéma États-Unis Histoire 20e siècle.,
- Cinéma Industrie Histoire 20e siècle.,
- Motion picture industry.,
- Motion picture studios.,
- Architektur,
- Filmstudio,
- Filmtechnik,
- Filmindustrin, USA.,
- United States.,
- Frankreich,
- USA,
- History.
(See more)
Publication:
New York : Columbia University Press, [2015]
New York : Columbia University Press, [2015]
Title:
Studios before the system : architecture, technology, and the emergence of cinematic space / Brian R. Jacobson.
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Description:
xii, 295 pages : illustrations ; 24 cm.
Studios before the system : architecture, technology, and the emergence of cinematic space / Brian R. Jacobson.
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Description:
xii, 295 pages : illustrations ; 24 cm.
Form:
books
books
Publication:
New York : Columbia University Press, [2015]
New York : Columbia University Press, [2015]
Subject:
- Motion picture studios United States History 20th century.,
- Motion picture industry History 20th century.,
- Studios de cinéma États-Unis Histoire 20e siècle.,
- Cinéma Industrie Histoire 20e siècle.,
- Motion picture industry.,
- Motion picture studios.,
- Architektur,
- Filmstudio,
- Filmtechnik,
- Filmindustrin, USA.,
- United States.,
- Frankreich,
- USA,
- History.
(See more)
Form:
books
books
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Description:
xvii, 214 pages : illustrations ; 25 cm
Description:
xvii, 214 pages : illustrations ; 25 cm
Subject:
- Historic buildings Conservation and restoration England.,
- Historic sites Conservation and restoration England.,
- Architecture, Medieval England.,
- Architecture England.,
- Monuments historiques Conservation et restauration Angleterre.,
- Lieux historiques Conservation et restauration Angleterre.,
- Architecture Angleterre.,
- Architecture médiévale Angleterre.,
- Architecture,
- Antiquities,
- Architecture, Medieval,
- Civilization,
- Historic buildings Conservation and restoration,
- Historic sites Conservation and restoration,
- Denkmalpflege,
- Patrimoine culturel Conservation et restauration Grande-Bretagne 19e siècle.,
- Médiévisme Grande-Bretagne 19e siècle.,
- Architecture médiévale Grande-Bretagne 19e siècle.,
- Geschichte (1832-1900),
- Geschichte (1837-1901),
- England Civilization 19th century.,
- England Antiquities.,
- Angleterre Civilisation 19e siècle.,
- Angleterre Antiquités.,
- England,
- Großbritannien,
- Grande-Bretagne Moeurs et coutumes 19e siècle.,
- Geschichte 1800-1900
(See more)
Publication:
Cambridge [Cambridgeshire] ; New York : Cambridge University Press, 1982.
Cambridge [Cambridgeshire] ; New York : Cambridge University Press, 1982.
Title:
The face of the past : the preservation of the medieval inheritance in Victorian England / Charles Dellheim.
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Description:
xvii, 214 pages : illustrations ; 25 cm
The face of the past : the preservation of the medieval inheritance in Victorian England / Charles Dellheim.
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Description:
xvii, 214 pages : illustrations ; 25 cm
Form:
books
books
Publication:
Cambridge [Cambridgeshire] ; New York : Cambridge University Press, 1982.
Cambridge [Cambridgeshire] ; New York : Cambridge University Press, 1982.
Subject:
- Historic buildings Conservation and restoration England.,
- Historic sites Conservation and restoration England.,
- Architecture, Medieval England.,
- Architecture England.,
- Monuments historiques Conservation et restauration Angleterre.,
- Lieux historiques Conservation et restauration Angleterre.,
- Architecture Angleterre.,
- Architecture médiévale Angleterre.,
- Architecture,
- Antiquities,
- Architecture, Medieval,
- Civilization,
- Historic buildings Conservation and restoration,
- Historic sites Conservation and restoration,
- Denkmalpflege,
- Patrimoine culturel Conservation et restauration Grande-Bretagne 19e siècle.,
- Médiévisme Grande-Bretagne 19e siècle.,
- Architecture médiévale Grande-Bretagne 19e siècle.,
- Geschichte (1832-1900),
- Geschichte (1837-1901),
- England Civilization 19th century.,
- England Antiquities.,
- Angleterre Civilisation 19e siècle.,
- Angleterre Antiquités.,
- England,
- Großbritannien,
- Grande-Bretagne Moeurs et coutumes 19e siècle.,
- Geschichte 1800-1900
(See more)
Form:
archives
archives
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Description:
143,342 digital files (517.39 GB), 24.24 linear meters of textual records, 17,086 photographic materials, 1125 drawings, 195 ephemera, 59 périodiques, 50 audio cassettes,...
Description:
143,342 digital files (517.39 GB), 24.24 linear meters of textual records, 17,086 photographic materials, 1125 drawings, 195 ephemera, 59 périodiques, 50 audio cassettes,...
Subject:
- Architecture France.,
- Architecture Soviet Union.,
- Architecture United States.,
- Architecture Morocco.,
- Architecture, French colonial.,
- Architectural historians.,
- Architecture Europe History 20th century.,
- Architecture, Modern 20th century.,
- Architecture URSS.,
- Architecture États-Unis.,
- Architecture Maroc.,
- Historiens de l'architecture.,
- Architecture 20e siècle.,
- architectural historians.,
- Architecture,
- Architecture, Modern,
- Europe,
- France,
- Morocco,
- Soviet Union,
- United States,
- fonds (collections),
- History
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Title:
Jean-Louis Cohen fonds, 1968-2023
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Description:
143,342 digital files (517.39 GB), 24.24 linear meters of textual records, 17,086 photographic materials, 1125 drawings, 195 ephemera, 59 périodiques, 50 audio cassettes,...
Jean-Louis Cohen fonds, 1968-2023
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Description:
143,342 digital files (517.39 GB), 24.24 linear meters of textual records, 17,086 photographic materials, 1125 drawings, 195 ephemera, 59 périodiques, 50 audio cassettes,...
Form:
archives
archives
Subject:
- Architecture France.,
- Architecture Soviet Union.,
- Architecture United States.,
- Architecture Morocco.,
- Architecture, French colonial.,
- Architectural historians.,
- Architecture Europe History 20th century.,
- Architecture, Modern 20th century.,
- Architecture URSS.,
- Architecture États-Unis.,
- Architecture Maroc.,
- Historiens de l'architecture.,
- Architecture 20e siècle.,
- architectural historians.,
- Architecture,
- Architecture, Modern,
- Europe,
- France,
- Morocco,
- Soviet Union,
- United States,
- fonds (collections),
- History
(See more)
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$32.95
(available to order)
Summary:
In Curating Consciousness, Marcia Brennan focuses on one of the transformational figures of twentieth-century curatorial culture, and the main protagonist of this unacknowledged curatorial practice. James Johnson Sweeney (1900–1986) was hired as the Director of Painting and Sculpture at the Museum of Modern Art in 1935. He went on to become the director of the Guggenheim(...)
$32.95
(available to order)
Summary:
In Curating Consciousness, Marcia Brennan focuses on one of the transformational figures of twentieth-century curatorial culture, and the main protagonist of this unacknowledged curatorial practice. James Johnson Sweeney (1900–1986) was hired as the Director of Painting and Sculpture at the Museum of Modern Art in 1935. He went on to become the director of the Guggenheim(...)
Title:
Curating consciousness: Mysticism and the Modern museum
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$32.95
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Summary:
In Curating Consciousness, Marcia Brennan focuses on one of the transformational figures of twentieth-century curatorial culture, and the main protagonist of this unacknowledged curatorial practice. James Johnson Sweeney (1900–1986) was hired as the Director of Painting and Sculpture at the Museum of Modern Art in 1935. He went on to become the director of the Guggenheim Museum and the Museum of Fine Arts, Houston. Throughout his career, Sweeney provocatively engaged motifs of mysticism in order to cast the modern museum as a secular temple of art. Sweeney believed that artworks could engender visionary perspectives and induce alternative modes of consciousness in their viewers; his career can be seen as an exercise in curating modernist consciousness itself. Brennan describes how these motifs informed Sweeney's curatorial and textual engagements with specific artists and projects, including Marcel Duchamp's intricately androgynous constructions, Alberto Burri's images of hermetic alchemy and blood miracles, Pierre Soulages's creative transmutations of sacred stones into gestural abstract paintings, Jean Tinguely's apocalyptic yet playful kinetic experiments, and Eduardo Chillida's translations of theology and philosophy into sculpted fields of sparkling light.
Curating consciousness: Mysticism and the Modern museum
Actions:
Price:
$32.95
(available to order)
Summary:
In Curating Consciousness, Marcia Brennan focuses on one of the transformational figures of twentieth-century curatorial culture, and the main protagonist of this unacknowledged curatorial practice. James Johnson Sweeney (1900–1986) was hired as the Director of Painting and Sculpture at the Museum of Modern Art in 1935. He went on to become the director of the Guggenheim Museum and the Museum of Fine Arts, Houston. Throughout his career, Sweeney provocatively engaged motifs of mysticism in order to cast the modern museum as a secular temple of art. Sweeney believed that artworks could engender visionary perspectives and induce alternative modes of consciousness in their viewers; his career can be seen as an exercise in curating modernist consciousness itself. Brennan describes how these motifs informed Sweeney's curatorial and textual engagements with specific artists and projects, including Marcel Duchamp's intricately androgynous constructions, Alberto Burri's images of hermetic alchemy and blood miracles, Pierre Soulages's creative transmutations of sacred stones into gestural abstract paintings, Jean Tinguely's apocalyptic yet playful kinetic experiments, and Eduardo Chillida's translations of theology and philosophy into sculpted fields of sparkling light.
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions