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The spaces between buildings
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Ford begins by looking at the growth of four urban places, each representing a historical era as much as a geographic location: the Islamic medina; the city shaped by the Spanish renaissance; the nineteenth-century North American city; and the twentieth-century American city. His first(...)
The spaces between buildings
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Ford begins by looking at the growth of four urban places, each representing a historical era as much as a geographic location: the Islamic medina; the city shaped by the Spanish renaissance; the nineteenth-century North American city; and the twentieth-century American city. His first essay also discusses the evolution of the free-standing structure as a basic urban building type and the problems encountered in beautifying the often work-a-day back and side yards that have helped to create the image of the untidy American city. The second essay examines the urban trend toward viewing lawns, gardens, hedges, and trees as an essential adjunct to architecture. The final essay focuses on pedestrian and vehicular spaces. Here the author includes the landscape of the garage, sidewalks, streets, and alleys. In its exploration of how spaces become places, "The Spaces between Buildings" invites readers to see anew the spaces they encounter every day and often take for granted.
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August 2000, Baltimore
Architectural Theory
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Once hailed as icons of radical experimentation and creative ambition, the concrete structures of the mid-to-late 20th century, which have become a defining subject of Stefano Perego’s photographic exploration, continue to stir both admiration and debate. Through the scope of his lens, Perego invites readers to reflect on the era that has shaped these relics of visionary(...)
Concrete mon amour: The raw imprint of modernism
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Once hailed as icons of radical experimentation and creative ambition, the concrete structures of the mid-to-late 20th century, which have become a defining subject of Stefano Perego’s photographic exploration, continue to stir both admiration and debate. Through the scope of his lens, Perego invites readers to reflect on the era that has shaped these relics of visionary modernism and the ideals they embody. Whether celebrated landmarks or forgotten outliers, enduring symbols of artistic ingenuity or imposing expressions of misappropriated power, Concrete, mon amour unpacks the intricate narratives embedded in these architectural giants. It considers their paradoxical nature: raw yet deliberate, unadorned yet unapologetically evocative. By capturing their permanence in diverse settings—urban or remote, pristine or weathered—this book compels a deeper interrogation into what sustains their continued relevance—their sheer monumentality, the audacity of their forms, or the honesty of their materials. Ultimately, the significance of these once-revolutionary visions lies not in answers but in the questions they leave behind.
Brutalism
Marshall McLuhan : unbound
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The essay is for exploring; the book, for explaining. Such was McLuhan’s philosophy about these two forms. The essay is the freer form and one better suited to exploration than the longer meditation, the book. This startling new series puts the reader in the place of colleague and co-researcher. Instead of giving the reader just another collection of articles and(...)
Marshall McLuhan : unbound
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The essay is for exploring; the book, for explaining. Such was McLuhan’s philosophy about these two forms. The essay is the freer form and one better suited to exploration than the longer meditation, the book. This startling new series puts the reader in the place of colleague and co-researcher. Instead of giving the reader just another collection of articles and interviews, "McLuhan : unbound" gives you offprints of the original essays. See how the two McLuhans, the literary academic and the public media expert are really one. Some of these articles were written before the subsequent book was envisioned: they are preliminary forays into new territory. Some were written after the book and encapsulate major themes; some set out additional discoveries or matters left out of the book; some present material discovered as a result of writing the book. The McLuhan "Unbound" offprints series is not the last word in presenting McLuhan´s ideas and discoveries, but the first.
Critical Theory
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''Constructive Clarity: Max Bill and His Time, 1940–1952'', the second installment of art historian Angela Thomas’s multivolume biography, continues her meticulous exploration of the life and work of the influential artist. Max Bill was undoubtedly one of the most versatile artists of the twentieth century––a designer, painter, sculptor, architect, graphic designer,(...)
Constructive clarity: Max Bill and his time
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''Constructive Clarity: Max Bill and His Time, 1940–1952'', the second installment of art historian Angela Thomas’s multivolume biography, continues her meticulous exploration of the life and work of the influential artist. Max Bill was undoubtedly one of the most versatile artists of the twentieth century––a designer, painter, sculptor, architect, graphic designer, typographer, writer, curator, teacher, and politician––who influenced generations of artists. Picking up where the first volume left off,Thomas turns her attention to Bill’s life during World War II, exploring the ground-breaking artistic and intellectual networks to which Bill belonged: from his time at the Bauhaus in Dessau to his connections with the Parisian avant-garde and his lifelong friendship with Georges Vantongerloo. His importance as a writer, publisher, and exhibition organizer comes to the fore in this volume, as does his crucial influence on the development of Concrete art in South America and his active interest in urban planning and postwar reconstruction. contexts in which he worked.
Graphic Designers, Monographs
Alice Neel: I am the century
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''Alice Neel: I Am the Century'' accompanies the first major retrospective in Italy dedicated to the US artist Alice Neel (1900–1984), presented by Pinacoteca Agnelli, Turin. Conceived as both a critical and a narrative journey, this publication offers an in-depth exploration of Neel's artistic and personal life, expanding on the exhibition through a rich selection of(...)
Contemporary Art Monographs
December 2025
Alice Neel: I am the century
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''Alice Neel: I Am the Century'' accompanies the first major retrospective in Italy dedicated to the US artist Alice Neel (1900–1984), presented by Pinacoteca Agnelli, Turin. Conceived as both a critical and a narrative journey, this publication offers an in-depth exploration of Neel's artistic and personal life, expanding on the exhibition through a rich selection of essays and visual material. Merging realism with surrealism and empathy with unflinching clarity, Neel captured the psychological and emotional depth of her sitters. The publication emphasizes her capacity to chronicle life's stages and relationships—childhood and adulthood, sexuality and intimacy, community and political consciousness—through works that continue to resonate with contemporary audiences. Positioning Neel as both artist and witness, ''I Am the Century'' underscores her enduring humanism and her singular vision of the "human comedy," offering readers a comprehensive entry point into a body of work that is still influencing new generations of artists.
Contemporary Art Monographs
Violent images
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Through the lens of various disciplines, ''Violent Images'' investigates the politics of visual violence and its potential to provoke, subvert, and transform social, political, and media discourses. The artists and scholars invited to contribute to this image-text publication discuss "The Whiteness of Silicon Valley's Digital Ecologies" (Stephanie Polsky); "Gender and(...)
Environment and environmental theory
November 2025
Violent images
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Through the lens of various disciplines, ''Violent Images'' investigates the politics of visual violence and its potential to provoke, subvert, and transform social, political, and media discourses. The artists and scholars invited to contribute to this image-text publication discuss "The Whiteness of Silicon Valley's Digital Ecologies" (Stephanie Polsky); "Gender and Violence in News Media and Photography" (Roland Bleiker and Emma Hutchison); transgressive image-making practices (Monica M. Haller), and more. All the contributors critically examine established and emerging visual concepts of violence, suggesting that our engagement with them is inherently political and more pressing than ever. Continuing Giulia Cordin and Eva Leitolf's exploration begun with ''Landscape with(out) Locus'', ''Violent Images'' explores the intricate relationship between visual culture and the social and economic conditions that influence and are influenced by it. It illustrates the need for a more critical and engaged approach to visual representation and communication in the context of local and global conflicts and crises.
Environment and environmental theory
$93.00
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"Soft eyes", the late Henry Wessel once wrote in describing the way he went about looking for photographs, “is a physical sensation. You are not looking for something. You are open, receptive. At some point you are in front of something that you cannot ignore.” In this smart and tender act of homage, Wessel’s photographs (many of them previously unpublished) are combined(...)
Photography monographs
September 2025
Soft Eyes
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"Soft eyes", the late Henry Wessel once wrote in describing the way he went about looking for photographs, “is a physical sensation. You are not looking for something. You are open, receptive. At some point you are in front of something that you cannot ignore.” In this smart and tender act of homage, Wessel’s photographs (many of them previously unpublished) are combined with the work of two younger California photographers, Austin Leong and Adrian Martinez, and the resulting work is a surprising exploration of influence as well as a study of the sorts of connective tissue that provide a throughline in photography’s long and fascinating history of lineage. In some sense, "Soft Eyes" is a case of two photographers chasing a dead man’s shadows, but Leong and Martinez are both disciplined and devoted, and Wessel’s shadows are all over his old stomping grounds of Northern and Southern California, eternally pooling in expected and unexpected places and hiding in plain sight under the bleaching California sun.
Photography monographs
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Miles Davis's seminal recording, known as Birth of the Cool, is the starting point for this colorful, multi-disciplinary journey through 1950s West Coast America. 1950s West Coast style exuded "cool": from the smooth, hypnotic strains of a Miles Davis riff through Richard Neutra's elegant, modernist residences to the hard-edged paintings of Helen Lundeberg and Karl(...)
Birth of the cool: California art, design, and culture at midcentury
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Miles Davis's seminal recording, known as Birth of the Cool, is the starting point for this colorful, multi-disciplinary journey through 1950s West Coast America. 1950s West Coast style exuded "cool": from the smooth, hypnotic strains of a Miles Davis riff through Richard Neutra's elegant, modernist residences to the hard-edged paintings of Helen Lundeberg and Karl Benjamin. This richly illustrated volume casts a fresh eye on Fifties West Coast style with illuminating commentary from a variety of perspectives. Designed to echo the period it celebrates, this catalog explores modernist innovations in art, architecture, design, film and music. Prominent cultural critics write on an array of topics: Thomas Hine about the culture of cool; Elizabeth Smith on domestic aspects of the period's architecture; Francis Colpitt on hard-edged abstract painting; Dave Hickey on jazz, and Bruce Jenkins on the crossover between animation and experimental film. The result is a multi-faceted exploration of the 1950s West Coast zeitgeist in all its color, creativity, and cool.
Interior Design
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Although internationally known for his furniture, for his iconic Schröder House and for his relationship to the members of De Stijl, Gerrit Th. Rietveld developed a prolific career as an architect after his Neo-Plasticist phase in the 1920s. This double issue of 2G takes another look at Rietveld's domestic built work from his first Neo-Plasticist buildings of the(...)
Architecture Monographs
November 2006, Barcelona
2G 39/40 : Gerrit Th. Rietveld casas/houses
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Although internationally known for his furniture, for his iconic Schröder House and for his relationship to the members of De Stijl, Gerrit Th. Rietveld developed a prolific career as an architect after his Neo-Plasticist phase in the 1920s. This double issue of 2G takes another look at Rietveld's domestic built work from his first Neo-Plasticist buildings of the 1920s to his death in 1964. In it we discover a trajectory which, without renouncing the Neo-Plasticist precepts of his early days, gradually takes on a more domestic and everyday cast in direct rapport with his clients. Along with his endeavours as a cabinetmaker, the issue of suburban single-family housing constituted a fundamental mainstay in his trajectory, one in which the everyday is intermingled with spatial exploration. The revisit to this less-known oeuvre of Rietveld's is preceded by essays by Marijke Kuper (editor of this issue), Hans Ibelings and Wim Quist, and culminates in the nexus section with various texts by the architect himself.
Architecture Monographs
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This book is the first in-depth exploration of the revolutionary designers who defined American fashion in its emerging years and helped build an industry with global impact, yet have been largely forgotten. Focusing on female designers, the authors reclaim a place in history for the women who created not only for celebrities and socialites, but for millions of(...)
The hidden history of America fashion: rediscovering 20th century women designers
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This book is the first in-depth exploration of the revolutionary designers who defined American fashion in its emerging years and helped build an industry with global impact, yet have been largely forgotten. Focusing on female designers, the authors reclaim a place in history for the women who created not only for celebrities and socialites, but for millions of fashion-conscious customers across the United States. From one of America's first couturiers, Jessie Franklin Turner, to Zelda Wynn Valdes, the book captures the lost histories of the luminaries who paved the way in the world of American fashion design. This fully illustrated collection takes us from Hollywood to Broadway, from sportswear to sustainable fashion, and explores important crossovers between film, theater, and fashion. Uncovering fascinating histories of the design pioneers we should know about, the book enlarges the prevailing narrative of fashion history and will be an important reference for fashion students, historians, costume curators, and fashion enthusiasts alike.
Fashion Design