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journals and magazines
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Cabinet is an award-winning quarterly magazine of art and culture that confounds expectations of what is typically meant by the words "art," "culture," and sometimes even "magazine." Like the 17th-century cabinet of curiosities to which its name alludes, Cabinet is as interested in the margins of culture as its center. Presenting wide-ranging, multi-disciplinary content(...)
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Cabinet is an award-winning quarterly magazine of art and culture that confounds expectations of what is typically meant by the words "art," "culture," and sometimes even "magazine." Like the 17th-century cabinet of curiosities to which its name alludes, Cabinet is as interested in the margins of culture as its center. Presenting wide-ranging, multi-disciplinary content(...)
Title:
Cabinet 17: laughter, spring 2005
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Cabinet is an award-winning quarterly magazine of art and culture that confounds expectations of what is typically meant by the words "art," "culture," and sometimes even "magazine." Like the 17th-century cabinet of curiosities to which its name alludes, Cabinet is as interested in the margins of culture as its center. Presenting wide-ranging, multi-disciplinary content in each issue through the varied formats of regular columns, essays, interviews, and special artist projects, Cabinet's hybrid sensibility merges the popular appeal of an arts periodical, the visually engaging style of a design magazine, and the in-depth exploration of a scholarly journal. Playful and serious, exuberant and committed, Cabinet's omnivorous appetite for understanding the world makes each of its issues a valuable sourcebook of ideas for a wide range of readers, from artists and designers to scientists and historians. In an age of increasing specialization, Cabinet looks to previous models of the well-rounded thinker to forge a new type of magazine for the intellectually curious reader of the future.
Cabinet 17: laughter, spring 2005
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Cabinet is an award-winning quarterly magazine of art and culture that confounds expectations of what is typically meant by the words "art," "culture," and sometimes even "magazine." Like the 17th-century cabinet of curiosities to which its name alludes, Cabinet is as interested in the margins of culture as its center. Presenting wide-ranging, multi-disciplinary content in each issue through the varied formats of regular columns, essays, interviews, and special artist projects, Cabinet's hybrid sensibility merges the popular appeal of an arts periodical, the visually engaging style of a design magazine, and the in-depth exploration of a scholarly journal. Playful and serious, exuberant and committed, Cabinet's omnivorous appetite for understanding the world makes each of its issues a valuable sourcebook of ideas for a wide range of readers, from artists and designers to scientists and historians. In an age of increasing specialization, Cabinet looks to previous models of the well-rounded thinker to forge a new type of magazine for the intellectually curious reader of the future.
Form:
journals and magazines
journals and magazines
Publication:
April 2005, New York
April 2005, New York
Subject:
Magazines
Magazines
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journals and magazines
journals and magazines
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Summary:
Cabinet is an award-winning quarterly magazine of art and culture that confounds expectations of what is typically meant by the words "art," "culture," and sometimes even "magazine." Like the 17th-century cabinet of curiosities to which its name alludes, Cabinet is as interested in the margins of culture as its center. Presenting wide-ranging, multi-disciplinary content(...)
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Summary:
Cabinet is an award-winning quarterly magazine of art and culture that confounds expectations of what is typically meant by the words "art," "culture," and sometimes even "magazine." Like the 17th-century cabinet of curiosities to which its name alludes, Cabinet is as interested in the margins of culture as its center. Presenting wide-ranging, multi-disciplinary content(...)
Title:
Cabinet 16: the sea, winter 2005
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Cabinet is an award-winning quarterly magazine of art and culture that confounds expectations of what is typically meant by the words "art," "culture," and sometimes even "magazine." Like the 17th-century cabinet of curiosities to which its name alludes, Cabinet is as interested in the margins of culture as its center. Presenting wide-ranging, multi-disciplinary content in each issue through the varied formats of regular columns, essays, interviews, and special artist projects, Cabinet's hybrid sensibility merges the popular appeal of an arts periodical, the visually engaging style of a design magazine, and the in-depth exploration of a scholarly journal. Playful and serious, exuberant and committed, Cabinet's omnivorous appetite for understanding the world makes each of its issues a valuable sourcebook of ideas for a wide range of readers, from artists and designers to scientists and historians. In an age of increasing specialization, Cabinet looks to previous models of the well-rounded thinker to forge a new type of magazine for the intellectually curious reader of the future.
Cabinet 16: the sea, winter 2005
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Cabinet is an award-winning quarterly magazine of art and culture that confounds expectations of what is typically meant by the words "art," "culture," and sometimes even "magazine." Like the 17th-century cabinet of curiosities to which its name alludes, Cabinet is as interested in the margins of culture as its center. Presenting wide-ranging, multi-disciplinary content in each issue through the varied formats of regular columns, essays, interviews, and special artist projects, Cabinet's hybrid sensibility merges the popular appeal of an arts periodical, the visually engaging style of a design magazine, and the in-depth exploration of a scholarly journal. Playful and serious, exuberant and committed, Cabinet's omnivorous appetite for understanding the world makes each of its issues a valuable sourcebook of ideas for a wide range of readers, from artists and designers to scientists and historians. In an age of increasing specialization, Cabinet looks to previous models of the well-rounded thinker to forge a new type of magazine for the intellectually curious reader of the future.
Form:
journals and magazines
journals and magazines
Publication:
January 2005, New York
January 2005, New York
Subject:
Magazines
Magazines
Form:
books
books
Title:
Cabinet 14: doubles,
Cabinet 14: doubles,
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Cabinet is an award-winning quarterly magazine of art and culture that confounds expectations of what is typically meant by the words "art," "culture," and sometimes even "magazine." Like the 17th-century cabinet of curiosities to which its name alludes, Cabinet is as interested in the margins of culture as its center. Presenting wide-ranging, multi-disciplinary content(...)
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Summary:
Cabinet is an award-winning quarterly magazine of art and culture that confounds expectations of what is typically meant by the words "art," "culture," and sometimes even "magazine." Like the 17th-century cabinet of curiosities to which its name alludes, Cabinet is as interested in the margins of culture as its center. Presenting wide-ranging, multi-disciplinary content(...)
Title:
Cabinet 14: doubles,
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Cabinet is an award-winning quarterly magazine of art and culture that confounds expectations of what is typically meant by the words "art," "culture," and sometimes even "magazine." Like the 17th-century cabinet of curiosities to which its name alludes, Cabinet is as interested in the margins of culture as its center. Presenting wide-ranging, multi-disciplinary content in each issue through the varied formats of regular columns, essays, interviews, and special artist projects, Cabinet's hybrid sensibility merges the popular appeal of an arts periodical, the visually engaging style of a design magazine, and the in-depth exploration of a scholarly journal. Playful and serious, exuberant and committed, Cabinet's omnivorous appetite for understanding the world makes each of its issues a valuable sourcebook of ideas for a wide range of readers, from artists and designers to scientists and historians. In an age of increasing specialization, Cabinet looks to previous models of the well-rounded thinker to forge a new type of magazine for the intellectually curious reader of the future.
Cabinet 14: doubles,
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Cabinet is an award-winning quarterly magazine of art and culture that confounds expectations of what is typically meant by the words "art," "culture," and sometimes even "magazine." Like the 17th-century cabinet of curiosities to which its name alludes, Cabinet is as interested in the margins of culture as its center. Presenting wide-ranging, multi-disciplinary content in each issue through the varied formats of regular columns, essays, interviews, and special artist projects, Cabinet's hybrid sensibility merges the popular appeal of an arts periodical, the visually engaging style of a design magazine, and the in-depth exploration of a scholarly journal. Playful and serious, exuberant and committed, Cabinet's omnivorous appetite for understanding the world makes each of its issues a valuable sourcebook of ideas for a wide range of readers, from artists and designers to scientists and historians. In an age of increasing specialization, Cabinet looks to previous models of the well-rounded thinker to forge a new type of magazine for the intellectually curious reader of the future.
Form:
books
books
Publication:
February 2004, New York
February 2004, New York
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
The virtual tourist in Renaissance Rome: printing and collecting the speculum romanae magnificentiae
The virtual tourist in Renaissance Rome: printing and collecting the speculum romanae magnificentiae
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In 1540 Antonio Lafreri, a native of Besancon transplanted to Rome, began publishing maps and other printed images that depicted major monuments and antiquities in Rome. These prints - of statues and ruined landscapes, inscriptions and ornaments, reconstructed monuments and urban denizens - evoked ancient Rome and appealed to the taste for classical antiquity that defined(...)
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In 1540 Antonio Lafreri, a native of Besancon transplanted to Rome, began publishing maps and other printed images that depicted major monuments and antiquities in Rome. These prints - of statues and ruined landscapes, inscriptions and ornaments, reconstructed monuments and urban denizens - evoked ancient Rome and appealed to the taste for classical antiquity that defined(...)
Title:
The virtual tourist in Renaissance Rome: printing and collecting the speculum romanae magnificentiae
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In 1540 Antonio Lafreri, a native of Besancon transplanted to Rome, began publishing maps and other printed images that depicted major monuments and antiquities in Rome. These prints - of statues and ruined landscapes, inscriptions and ornaments, reconstructed monuments and urban denizens - evoked ancient Rome and appealed to the taste for classical antiquity that defined the Renaissance. \Collections of these prints came to be known as the "Speculum Romanae Magnificentiae", the "Mirror of Roman Magnificence." Published in conjunction with an exhibition of the University of Chicago Library's "Speculum Romanae Magnificentiae", the largest collection of its kind in the world, "The Virtual Tourist in Renaissance Rome" places these prints in their historical context and examines their publishing history. Editor Rebecca Zorach traces their journey from their creators and publishers to pilgrims, collectors, antiquarians, and dealers - "virtual tourists" who, over several centuries, revisited and reinvented the Renaissance image of Rome. A marvelous exploration of a rich collection of engravings and etchings, this illustrated volume will fascinate anyone interested in Renaissance Rome, the history of print collecting, the reception of antiquity, and tourism.
The virtual tourist in Renaissance Rome: printing and collecting the speculum romanae magnificentiae
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Summary:
In 1540 Antonio Lafreri, a native of Besancon transplanted to Rome, began publishing maps and other printed images that depicted major monuments and antiquities in Rome. These prints - of statues and ruined landscapes, inscriptions and ornaments, reconstructed monuments and urban denizens - evoked ancient Rome and appealed to the taste for classical antiquity that defined the Renaissance. \Collections of these prints came to be known as the "Speculum Romanae Magnificentiae", the "Mirror of Roman Magnificence." Published in conjunction with an exhibition of the University of Chicago Library's "Speculum Romanae Magnificentiae", the largest collection of its kind in the world, "The Virtual Tourist in Renaissance Rome" places these prints in their historical context and examines their publishing history. Editor Rebecca Zorach traces their journey from their creators and publishers to pilgrims, collectors, antiquarians, and dealers - "virtual tourists" who, over several centuries, revisited and reinvented the Renaissance image of Rome. A marvelous exploration of a rich collection of engravings and etchings, this illustrated volume will fascinate anyone interested in Renaissance Rome, the history of print collecting, the reception of antiquity, and tourism.
Form:
books
books
Publication:
February 2008
February 2008
Subject:
History until 1900, Italy
History until 1900, Italy
Form:
books
books
Title:
Francis Alÿs Fabiola
Francis Alÿs Fabiola
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Mexico City–based artist Francis Alÿs (b. 1959) has assembled a group of paintings depicting Saint Fabiola, a 4th-century saint who gave up all earthly possessions and devoted herself to the practice of Christian asceticism. All of the pictures in the collection are based on an original work—now lost—by the 19th-century French artist Jean-Jacques Henner. Alÿs's collection(...)
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Mexico City–based artist Francis Alÿs (b. 1959) has assembled a group of paintings depicting Saint Fabiola, a 4th-century saint who gave up all earthly possessions and devoted herself to the practice of Christian asceticism. All of the pictures in the collection are based on an original work—now lost—by the 19th-century French artist Jean-Jacques Henner. Alÿs's collection(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
March 2008, New York, New Haven, London
March 2008, New York, New Haven, London
Title:
Francis Alÿs Fabiola
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Mexico City–based artist Francis Alÿs (b. 1959) has assembled a group of paintings depicting Saint Fabiola, a 4th-century saint who gave up all earthly possessions and devoted herself to the practice of Christian asceticism. All of the pictures in the collection are based on an original work—now lost—by the 19th-century French artist Jean-Jacques Henner. Alÿs's collection of Fabiola portraits, numbering in the hundreds and painted by amateurs and professionals alike, is the focus of this intriguing book. Not only does it examine the artist’s exploration of collecting practices, but the publication also offers an unusual window into aesthetic, sociological, and anthropological values of the past century. In addition to cataloguing each of the Fabiola works, the book includes Saint Jerome’s eulogy for Fabiola (the primary source for Fabiola’s biography), followed by an interpretive text on evolving hagiographies and saints’ vitae, an analysis of the role of iconographic imagery in the practice of Catholicism, and art historical essays that focus on Alÿs’s practice.
Francis Alÿs Fabiola
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Mexico City–based artist Francis Alÿs (b. 1959) has assembled a group of paintings depicting Saint Fabiola, a 4th-century saint who gave up all earthly possessions and devoted herself to the practice of Christian asceticism. All of the pictures in the collection are based on an original work—now lost—by the 19th-century French artist Jean-Jacques Henner. Alÿs's collection of Fabiola portraits, numbering in the hundreds and painted by amateurs and professionals alike, is the focus of this intriguing book. Not only does it examine the artist’s exploration of collecting practices, but the publication also offers an unusual window into aesthetic, sociological, and anthropological values of the past century. In addition to cataloguing each of the Fabiola works, the book includes Saint Jerome’s eulogy for Fabiola (the primary source for Fabiola’s biography), followed by an interpretive text on evolving hagiographies and saints’ vitae, an analysis of the role of iconographic imagery in the practice of Catholicism, and art historical essays that focus on Alÿs’s practice.
Form:
books
books
Publication:
March 2008, New York, New Haven, London
March 2008, New York, New Haven, London
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$60.00
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Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of (...)
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Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of (...)
Title:
Architecture and modernity : a critique
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Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of this rich tradition, appear naive and unbalanced in comparison. In this exploration of the relationship between modernity, dwelling, and architecture, Hilde Heynen attempts to bridge this gap between the discourse of the modern movement and cultural theories of modernity. On one hand, she discusses architecture from the perspective of critical theory, and on the other she modifies positions within critical theory by linking them with architecture. She assesses architecture as a cultural field that structures daily life and that embodies major contradictions inherent in modernity, arguing that architecture nonetheless has a certain capacity to adopt a critical stance vis-à-vis modernity. The book provides architectural students with an introduction to the discourse of critical theory. The subchapters on Walter Benjamin, Ernst Bloch, Theodor Adorno, and the Venice School (Tafuri, Dal Co, Cacciari) can be studied independently.
Architecture and modernity : a critique
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Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of this rich tradition, appear naive and unbalanced in comparison. In this exploration of the relationship between modernity, dwelling, and architecture, Hilde Heynen attempts to bridge this gap between the discourse of the modern movement and cultural theories of modernity. On one hand, she discusses architecture from the perspective of critical theory, and on the other she modifies positions within critical theory by linking them with architecture. She assesses architecture as a cultural field that structures daily life and that embodies major contradictions inherent in modernity, arguing that architecture nonetheless has a certain capacity to adopt a critical stance vis-à-vis modernity. The book provides architectural students with an introduction to the discourse of critical theory. The subchapters on Walter Benjamin, Ernst Bloch, Theodor Adorno, and the Venice School (Tafuri, Dal Co, Cacciari) can be studied independently.
Form:
books
books
Publication:
November 1998, Cambridge, Mass.
November 1998, Cambridge, Mass.
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
How artists see cities
How artists see cities
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How Artists See is a breakthrough series of interactive, inquiry-based books designed to teach children about the world by looking at art and about art by looking at the world. Author Colleen Carroll's engaging, conversational text is filled with thought-provoking questions and imaginative activities that spark children's natural curiosity both about the subject of the(...)
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How Artists See is a breakthrough series of interactive, inquiry-based books designed to teach children about the world by looking at art and about art by looking at the world. Author Colleen Carroll's engaging, conversational text is filled with thought-provoking questions and imaginative activities that spark children's natural curiosity both about the subject of the(...)
Title:
How artists see cities
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How Artists See is a breakthrough series of interactive, inquiry-based books designed to teach children about the world by looking at art and about art by looking at the world. Author Colleen Carroll's engaging, conversational text is filled with thought-provoking questions and imaginative activities that spark children's natural curiosity both about the subject of the artwork they are looking at and about the way it was created. This direct, interactive approach to art-and to the world-promotes self-exploration, self-discovery, and self-expression. How Artists See Cities introduces basic artistic concepts, styles, and techniques. For children who want to know more about the artists whose works appear in each book, biographies are provided at the end, along with suggestions for further reading and an international list of museums where each artist's works can be seen. As children begin to understand the multitude of ways that artists see, they will deepen their appreciation of art and artists, of the world around them, and of their own unique vision.
How artists see cities
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How Artists See is a breakthrough series of interactive, inquiry-based books designed to teach children about the world by looking at art and about art by looking at the world. Author Colleen Carroll's engaging, conversational text is filled with thought-provoking questions and imaginative activities that spark children's natural curiosity both about the subject of the artwork they are looking at and about the way it was created. This direct, interactive approach to art-and to the world-promotes self-exploration, self-discovery, and self-expression. How Artists See Cities introduces basic artistic concepts, styles, and techniques. For children who want to know more about the artists whose works appear in each book, biographies are provided at the end, along with suggestions for further reading and an international list of museums where each artist's works can be seen. As children begin to understand the multitude of ways that artists see, they will deepen their appreciation of art and artists, of the world around them, and of their own unique vision.
Form:
books
books
Publication:
January 1900, New York
January 1900, New York
Subject:
Children's Books
Children's Books
Form:
books
books
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$35.50
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Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of (...)
$35.50
(available to order)
Summary:
Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of (...)
Title:
Architecture and modernity : a critique
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Price:
$35.50
(available to order)
Summary:
Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of this rich tradition, appear naive and unbalanced in comparison. In this exploration of the relationship between modernity, dwelling, and architecture, Hilde Heynen attempts to bridge this gap between the discourse of the modern movement and cultural theories of modernity. On one hand, she discusses architecture from the perspective of critical theory, and on the other she modifies positions within critical theory by linking them with architecture. She assesses architecture as a cultural field that structures daily life and that embodies major contradictions inherent in modernity, arguing that architecture nonetheless has a certain capacity to adopt a critical stance vis-à-vis modernity. The book provides architectural students with an introduction to the discourse of critical theory. The subchapters on Walter Benjamin, Ernst Bloch, Theodor Adorno, and the Venice School (Tafuri, Dal Co, Cacciari) can be studied independently.
Architecture and modernity : a critique
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Price:
$35.50
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Summary:
Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of this rich tradition, appear naive and unbalanced in comparison. In this exploration of the relationship between modernity, dwelling, and architecture, Hilde Heynen attempts to bridge this gap between the discourse of the modern movement and cultural theories of modernity. On one hand, she discusses architecture from the perspective of critical theory, and on the other she modifies positions within critical theory by linking them with architecture. She assesses architecture as a cultural field that structures daily life and that embodies major contradictions inherent in modernity, arguing that architecture nonetheless has a certain capacity to adopt a critical stance vis-à-vis modernity. The book provides architectural students with an introduction to the discourse of critical theory. The subchapters on Walter Benjamin, Ernst Bloch, Theodor Adorno, and the Venice School (Tafuri, Dal Co, Cacciari) can be studied independently.
Form:
books
books
Publication:
April 2000, Cambridge, Mass.
April 2000, Cambridge, Mass.
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$64.95
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Summary:
An exploration of the art and writing of Louise Bourgeois through the lens of her relationship with Freudian psychoanalysis. From 1952 to 1985, Louise Bourgeois (1911–2010) underwent extensive Freudian analysis that probed her family history, marriage, motherhood, and artistic ambition—and generated inspiration for her artwork. Examining the impact of psychoanalysis on(...)
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An exploration of the art and writing of Louise Bourgeois through the lens of her relationship with Freudian psychoanalysis. From 1952 to 1985, Louise Bourgeois (1911–2010) underwent extensive Freudian analysis that probed her family history, marriage, motherhood, and artistic ambition—and generated inspiration for her artwork. Examining the impact of psychoanalysis on(...)
Title:
Louise Bourgeois: Freud's daughter
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An exploration of the art and writing of Louise Bourgeois through the lens of her relationship with Freudian psychoanalysis. From 1952 to 1985, Louise Bourgeois (1911–2010) underwent extensive Freudian analysis that probed her family history, marriage, motherhood, and artistic ambition—and generated inspiration for her artwork. Examining the impact of psychoanalysis on Bourgeois’s work, this volume offers insight into her creative process. Philip Larratt-Smith, Bourgeois’s literary archivist, provides an overview of the artist’s life and work and the ways in which the psychoanalytic process informed her artistic practice. An essay by Juliet Mitchell offers a cutting-edge feminist psychoanalyst’s viewpoint on the artist’s long and complex relationship with therapy. In addition, a short text written by Bourgeois (first published in 1991) addresses Freud’s own relationship to art and artists. Featuring excerpts from Bourgeois’s copious diaries, rarely seen notebook pages, and archival family photographs, Louise Bourgeois, "Freud’s daughter" opens exciting new avenues for understanding an innovative, influential, and groundbreaking artist whose wide-ranging work includes not only renowned large-scale sculptures but also a plethora of paintings and prints.
Louise Bourgeois: Freud's daughter
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An exploration of the art and writing of Louise Bourgeois through the lens of her relationship with Freudian psychoanalysis. From 1952 to 1985, Louise Bourgeois (1911–2010) underwent extensive Freudian analysis that probed her family history, marriage, motherhood, and artistic ambition—and generated inspiration for her artwork. Examining the impact of psychoanalysis on Bourgeois’s work, this volume offers insight into her creative process. Philip Larratt-Smith, Bourgeois’s literary archivist, provides an overview of the artist’s life and work and the ways in which the psychoanalytic process informed her artistic practice. An essay by Juliet Mitchell offers a cutting-edge feminist psychoanalyst’s viewpoint on the artist’s long and complex relationship with therapy. In addition, a short text written by Bourgeois (first published in 1991) addresses Freud’s own relationship to art and artists. Featuring excerpts from Bourgeois’s copious diaries, rarely seen notebook pages, and archival family photographs, Louise Bourgeois, "Freud’s daughter" opens exciting new avenues for understanding an innovative, influential, and groundbreaking artist whose wide-ranging work includes not only renowned large-scale sculptures but also a plethora of paintings and prints.
Form:
books
books
Publication:
June 2021
June 2021
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$59.95
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Summary:
Quelles seraient les conséquences, dans l’espace urbain, de l’abolition de la voiture? « Post-car world » tente de répondre à cette question dans le contexte de la descente énergétique, à l’heure où la mobilité des personnes, des biens ainsi que du vivant représente le thème clé autour duquel reconfigurer le monde urbain. La question s’impose par son urgence dans la(...)
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Summary:
Quelles seraient les conséquences, dans l’espace urbain, de l’abolition de la voiture? « Post-car world » tente de répondre à cette question dans le contexte de la descente énergétique, à l’heure où la mobilité des personnes, des biens ainsi que du vivant représente le thème clé autour duquel reconfigurer le monde urbain. La question s’impose par son urgence dans la(...)
Title:
Post-car world : Futurs de la ville-territoire
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Quelles seraient les conséquences, dans l’espace urbain, de l’abolition de la voiture? « Post-car world » tente de répondre à cette question dans le contexte de la descente énergétique, à l’heure où la mobilité des personnes, des biens ainsi que du vivant représente le thème clé autour duquel reconfigurer le monde urbain. La question s’impose par son urgence dans la ville-territoire – soit la ville dispersée, à basse densité bâtie –, encore largement dépendante de l’usage de la voiture et oubliée des mesures favorisant les mobilités alternatives, engagées en revanche dans les villes denses. En prenant comme cas d’étude la métropole lémanique entre Genève et Lausanne, les auteurs développent une exploration à la fois cartographique, sociologique, historique, photographique et projectuelle de cette ville-territoire, visant à détecter ses potentiels de changement. En considérant la ville comme un palimpseste issu d’un processus d’incessantes modifications, une approche sociologique et une approche de recherche by design s’associent ici pour renverser le paradigme urbano-fonctionnel actuel et faire émerger différents futurs par les entrelacs des structures et restes matériels, des pratiques et des imaginaires sociaux.
Post-car world : Futurs de la ville-territoire
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Summary:
Quelles seraient les conséquences, dans l’espace urbain, de l’abolition de la voiture? « Post-car world » tente de répondre à cette question dans le contexte de la descente énergétique, à l’heure où la mobilité des personnes, des biens ainsi que du vivant représente le thème clé autour duquel reconfigurer le monde urbain. La question s’impose par son urgence dans la ville-territoire – soit la ville dispersée, à basse densité bâtie –, encore largement dépendante de l’usage de la voiture et oubliée des mesures favorisant les mobilités alternatives, engagées en revanche dans les villes denses. En prenant comme cas d’étude la métropole lémanique entre Genève et Lausanne, les auteurs développent une exploration à la fois cartographique, sociologique, historique, photographique et projectuelle de cette ville-territoire, visant à détecter ses potentiels de changement. En considérant la ville comme un palimpseste issu d’un processus d’incessantes modifications, une approche sociologique et une approche de recherche by design s’associent ici pour renverser le paradigme urbano-fonctionnel actuel et faire émerger différents futurs par les entrelacs des structures et restes matériels, des pratiques et des imaginaires sociaux.
Form:
books
books
Publication:
May 2021
May 2021
Subject:
Urban Theory
Urban Theory
