29652 Results
Level of archival description:
Series
Series
Title:
Project records from Mr. Koz
Project records from Mr. Koz
Actions:
Reference number:
AP168.S2
Description:
The Project records from Mr. Koz series, 1996, consists of records produced by Seiichi Kozu of Studio KOZ, a local architect who managed the physical construction and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The series consists of 20 drawings and/or reprographic copies, 19 layouts, 16 slides, and a small amount of promotional material including three posters and one promotional pamphlet. Records date from 1996. For Interrupted Projections, in collaboration with Tokyo-based architect Seiichi Kozu (Mr. Koz) of Studio KOZ, Denari used traditional construction techniques to build a structure inside the gallery space that blended floor, wall and ceiling into a continuous curved surface. This surface displayed printed logos for fictional corporations, designed specifically for the exhibition. The majority of drawings and reprographic copies in the series relate to the construction of the principal architectural installation built on the third floor of Gallery MA. This includes plans and sections for the third floor, as well as working drawings that detail specifications such as dimensions, materials, layouts, and assembly techniques. The series also contains a set of five drawings that include first and second floor plans and sections of Gallery MA. The majority of writing on the drawings is Japanese, aside from one reprographic copy with third floor plans and sections that contains notes in English about elements of the installation such as lighting and the placement and size of fictional company logos. Photographic materials in the series comprise 16 slides that contain images of the built installation, as well as images of the exhibition open to the public, including slides of visitors interacting with the NaviCam. The series also includes printed layouts of the 3D digital renderings for the Interrupted Projections model alongside a pantone sheet, which were used as a reference during the construction process. Promotional material in the series includes three small posters for the exhibition, as well as a brochure that highlights selected works from the show.
AP168.S2
Description:
The Project records from Mr. Koz series, 1996, consists of records produced by Seiichi Kozu of Studio KOZ, a local architect who managed the physical construction and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The series consists of 20 drawings and/or reprographic copies, 19 layouts, 16 slides, and a small amount of promotional material including three posters and one promotional pamphlet. Records date from 1996. For Interrupted Projections, in collaboration with Tokyo-based architect Seiichi Kozu (Mr. Koz) of Studio KOZ, Denari used traditional construction techniques to build a structure inside the gallery space that blended floor, wall and ceiling into a continuous curved surface. This surface displayed printed logos for fictional corporations, designed specifically for the exhibition. The majority of drawings and reprographic copies in the series relate to the construction of the principal architectural installation built on the third floor of Gallery MA. This includes plans and sections for the third floor, as well as working drawings that detail specifications such as dimensions, materials, layouts, and assembly techniques. The series also contains a set of five drawings that include first and second floor plans and sections of Gallery MA. The majority of writing on the drawings is Japanese, aside from one reprographic copy with third floor plans and sections that contains notes in English about elements of the installation such as lighting and the placement and size of fictional company logos. Photographic materials in the series comprise 16 slides that contain images of the built installation, as well as images of the exhibition open to the public, including slides of visitors interacting with the NaviCam. The series also includes printed layouts of the 3D digital renderings for the Interrupted Projections model alongside a pantone sheet, which were used as a reference during the construction process. Promotional material in the series includes three small posters for the exhibition, as well as a brochure that highlights selected works from the show.
People:
Date:
1996
1996
Title:
Project records from Mr. Koz
Actions:
AP168.S2
Description:
The Project records from Mr. Koz series, 1996, consists of records produced by Seiichi Kozu of Studio KOZ, a local architect who managed the physical construction and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The series consists of 20 drawings and/or reprographic copies, 19 layouts, 16 slides, and a small amount of promotional material including three posters and one promotional pamphlet. Records date from 1996. For Interrupted Projections, in collaboration with Tokyo-based architect Seiichi Kozu (Mr. Koz) of Studio KOZ, Denari used traditional construction techniques to build a structure inside the gallery space that blended floor, wall and ceiling into a continuous curved surface. This surface displayed printed logos for fictional corporations, designed specifically for the exhibition. The majority of drawings and reprographic copies in the series relate to the construction of the principal architectural installation built on the third floor of Gallery MA. This includes plans and sections for the third floor, as well as working drawings that detail specifications such as dimensions, materials, layouts, and assembly techniques. The series also contains a set of five drawings that include first and second floor plans and sections of Gallery MA. The majority of writing on the drawings is Japanese, aside from one reprographic copy with third floor plans and sections that contains notes in English about elements of the installation such as lighting and the placement and size of fictional company logos. Photographic materials in the series comprise 16 slides that contain images of the built installation, as well as images of the exhibition open to the public, including slides of visitors interacting with the NaviCam. The series also includes printed layouts of the 3D digital renderings for the Interrupted Projections model alongside a pantone sheet, which were used as a reference during the construction process. Promotional material in the series includes three small posters for the exhibition, as well as a brochure that highlights selected works from the show.
Project records from Mr. Koz
Actions:
AP168.S2
Description:
The Project records from Mr. Koz series, 1996, consists of records produced by Seiichi Kozu of Studio KOZ, a local architect who managed the physical construction and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The series consists of 20 drawings and/or reprographic copies, 19 layouts, 16 slides, and a small amount of promotional material including three posters and one promotional pamphlet. Records date from 1996. For Interrupted Projections, in collaboration with Tokyo-based architect Seiichi Kozu (Mr. Koz) of Studio KOZ, Denari used traditional construction techniques to build a structure inside the gallery space that blended floor, wall and ceiling into a continuous curved surface. This surface displayed printed logos for fictional corporations, designed specifically for the exhibition. The majority of drawings and reprographic copies in the series relate to the construction of the principal architectural installation built on the third floor of Gallery MA. This includes plans and sections for the third floor, as well as working drawings that detail specifications such as dimensions, materials, layouts, and assembly techniques. The series also contains a set of five drawings that include first and second floor plans and sections of Gallery MA. The majority of writing on the drawings is Japanese, aside from one reprographic copy with third floor plans and sections that contains notes in English about elements of the installation such as lighting and the placement and size of fictional company logos. Photographic materials in the series comprise 16 slides that contain images of the built installation, as well as images of the exhibition open to the public, including slides of visitors interacting with the NaviCam. The series also includes printed layouts of the 3D digital renderings for the Interrupted Projections model alongside a pantone sheet, which were used as a reference during the construction process. Promotional material in the series includes three small posters for the exhibition, as well as a brochure that highlights selected works from the show.
Level of archival description:
Series
Series
Date:
1996
1996
People:
Level of archival description:
Sub-series
Sub-series
Title:
Broadcast
Broadcast
Actions:
Reference number:
AP165.S5.SS1
Description:
The Broadcast sub-series, circa 1990 – 2000, consists of 31 video recordings that consist of television broadcasts of Hoberman and his work in transformable design. This includes educational series about Hoberman’s innovation in folding structures, national and international news coverage of Hoberman’s projects and exhibitions, and other collected broadcasts. Material consists of Betacam SP cassettes, MiniDV cassettes, U-matic cassettes and Betacam cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series are about Hoberman and/or feature his work in a number of different spaces around the world. It includes television programs featuring Hoberman such as Mister Rogers and The Discovery Channel’s “Invention” series; news coverage from networks such as ABC News and CNN, including footage of President Clinton with the Hoberman Sphere on Eyewitness News, August 16, 1988, and international broadcasts in Japan, Germany, and the Netherlands; and footage of Hoberman’s Innovative Lives Presentation at the Lemelson Centre for the Study of Invention and Innovation at the Smithsonian in 1996.
AP165.S5.SS1
Description:
The Broadcast sub-series, circa 1990 – 2000, consists of 31 video recordings that consist of television broadcasts of Hoberman and his work in transformable design. This includes educational series about Hoberman’s innovation in folding structures, national and international news coverage of Hoberman’s projects and exhibitions, and other collected broadcasts. Material consists of Betacam SP cassettes, MiniDV cassettes, U-matic cassettes and Betacam cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series are about Hoberman and/or feature his work in a number of different spaces around the world. It includes television programs featuring Hoberman such as Mister Rogers and The Discovery Channel’s “Invention” series; news coverage from networks such as ABC News and CNN, including footage of President Clinton with the Hoberman Sphere on Eyewitness News, August 16, 1988, and international broadcasts in Japan, Germany, and the Netherlands; and footage of Hoberman’s Innovative Lives Presentation at the Lemelson Centre for the Study of Invention and Innovation at the Smithsonian in 1996.
People:
Date:
circa 1990-2000
circa 1990-2000
Title:
Broadcast
Actions:
AP165.S5.SS1
Description:
The Broadcast sub-series, circa 1990 – 2000, consists of 31 video recordings that consist of television broadcasts of Hoberman and his work in transformable design. This includes educational series about Hoberman’s innovation in folding structures, national and international news coverage of Hoberman’s projects and exhibitions, and other collected broadcasts. Material consists of Betacam SP cassettes, MiniDV cassettes, U-matic cassettes and Betacam cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series are about Hoberman and/or feature his work in a number of different spaces around the world. It includes television programs featuring Hoberman such as Mister Rogers and The Discovery Channel’s “Invention” series; news coverage from networks such as ABC News and CNN, including footage of President Clinton with the Hoberman Sphere on Eyewitness News, August 16, 1988, and international broadcasts in Japan, Germany, and the Netherlands; and footage of Hoberman’s Innovative Lives Presentation at the Lemelson Centre for the Study of Invention and Innovation at the Smithsonian in 1996.
Broadcast
Actions:
AP165.S5.SS1
Description:
The Broadcast sub-series, circa 1990 – 2000, consists of 31 video recordings that consist of television broadcasts of Hoberman and his work in transformable design. This includes educational series about Hoberman’s innovation in folding structures, national and international news coverage of Hoberman’s projects and exhibitions, and other collected broadcasts. Material consists of Betacam SP cassettes, MiniDV cassettes, U-matic cassettes and Betacam cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series are about Hoberman and/or feature his work in a number of different spaces around the world. It includes television programs featuring Hoberman such as Mister Rogers and The Discovery Channel’s “Invention” series; news coverage from networks such as ABC News and CNN, including footage of President Clinton with the Hoberman Sphere on Eyewitness News, August 16, 1988, and international broadcasts in Japan, Germany, and the Netherlands; and footage of Hoberman’s Innovative Lives Presentation at the Lemelson Centre for the Study of Invention and Innovation at the Smithsonian in 1996.
Level of archival description:
Sub-series 1
Sub-series 1
Date:
circa 1990-2000
circa 1990-2000
People:
Form:
drawings
drawings
Actions:
Reference number:
DR2004:1273
Description:
plans showing existing conditions and exhibition layout, many by David Price
DR2004:1273
Description:
plans showing existing conditions and exhibition layout, many by David Price
People:
Title:
128 / Survey / + / model / drwgs
Actions:
DR2004:1273
Description:
plans showing existing conditions and exhibition layout, many by David Price
128 / Survey / + / model / drwgs
Actions:
DR2004:1273
Description:
plans showing existing conditions and exhibition layout, many by David Price
Form:
drawings
drawings
People:
Form:
photographs
photographs
Title:
Negatives for many projects
Negatives for many projects
Reference number:
DR2004:0036
Description:
negatives for many of the projects ranging between New Aviary (AP144.S2.D31) and Walsall (AP144.S2.D173), including negatives for RIBA Exhibition, Heinz Gallery and AA Exhibition 1979 (AP144.S3.D15), and a file of negatives for unnumbered jobs and sites, German Exhibition blurbs, 4th year model CP, and ICA lecture
DR2004:0036
Description:
negatives for many of the projects ranging between New Aviary (AP144.S2.D31) and Walsall (AP144.S2.D173), including negatives for RIBA Exhibition, Heinz Gallery and AA Exhibition 1979 (AP144.S3.D15), and a file of negatives for unnumbered jobs and sites, German Exhibition blurbs, 4th year model CP, and ICA lecture
People:
Title:
Negatives for many projects
Actions:
DR2004:0036
Description:
negatives for many of the projects ranging between New Aviary (AP144.S2.D31) and Walsall (AP144.S2.D173), including negatives for RIBA Exhibition, Heinz Gallery and AA Exhibition 1979 (AP144.S3.D15), and a file of negatives for unnumbered jobs and sites, German Exhibition blurbs, 4th year model CP, and ICA lecture
Negatives for many projects
Actions:
DR2004:0036
Description:
negatives for many of the projects ranging between New Aviary (AP144.S2.D31) and Walsall (AP144.S2.D173), including negatives for RIBA Exhibition, Heinz Gallery and AA Exhibition 1979 (AP144.S3.D15), and a file of negatives for unnumbered jobs and sites, German Exhibition blurbs, 4th year model CP, and ICA lecture
Form:
photographs
photographs
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.2012.PR04
Description:
The project series documents "Breathing Architecture," an installation initially presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a square shaped sheet of plaster placed on a wall giving the impression that a portion of the gallery wall has been lifted to create an opening in order to allow it to breathe. This installation has similarities to Pettena's earlier project "Grass Architecture" for Trigon '72 and "Parete "Branchia"" in 1999. "[...] here the work, which on this occasion takes up the whole of a wall all by itself, has more the significance of a gesture, of a sculpture that retains memories of architecture, and at the same time of the school of conceptual art in which Pettena was also formed." [1] This installation was also later presented at the UMOCA in Salt Lake City, Utah, in 2013, and at the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte, in Meran, in 2017. The project series contains photographs of the first and the second editions of the installation and a drawing. It also contains photographs of the 2017 edition that also shows Pettena's other installation "Paper/Midwestern Ocean" presented in the same exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-breathing-architecture-2012-1/ (last accessed 27 January 2020)
AP207.S1.2012.PR04
Description:
The project series documents "Breathing Architecture," an installation initially presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a square shaped sheet of plaster placed on a wall giving the impression that a portion of the gallery wall has been lifted to create an opening in order to allow it to breathe. This installation has similarities to Pettena's earlier project "Grass Architecture" for Trigon '72 and "Parete "Branchia"" in 1999. "[...] here the work, which on this occasion takes up the whole of a wall all by itself, has more the significance of a gesture, of a sculpture that retains memories of architecture, and at the same time of the school of conceptual art in which Pettena was also formed." [1] This installation was also later presented at the UMOCA in Salt Lake City, Utah, in 2013, and at the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte, in Meran, in 2017. The project series contains photographs of the first and the second editions of the installation and a drawing. It also contains photographs of the 2017 edition that also shows Pettena's other installation "Paper/Midwestern Ocean" presented in the same exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-breathing-architecture-2012-1/ (last accessed 27 January 2020)
People:
Date:
2012-2015
2012-2015
Title:
Breathing Architecture (2012)
Actions:
AP207.S1.2012.PR04
Description:
The project series documents "Breathing Architecture," an installation initially presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a square shaped sheet of plaster placed on a wall giving the impression that a portion of the gallery wall has been lifted to create an opening in order to allow it to breathe. This installation has similarities to Pettena's earlier project "Grass Architecture" for Trigon '72 and "Parete "Branchia"" in 1999. "[...] here the work, which on this occasion takes up the whole of a wall all by itself, has more the significance of a gesture, of a sculpture that retains memories of architecture, and at the same time of the school of conceptual art in which Pettena was also formed." [1] This installation was also later presented at the UMOCA in Salt Lake City, Utah, in 2013, and at the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte, in Meran, in 2017. The project series contains photographs of the first and the second editions of the installation and a drawing. It also contains photographs of the 2017 edition that also shows Pettena's other installation "Paper/Midwestern Ocean" presented in the same exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-breathing-architecture-2012-1/ (last accessed 27 January 2020)
Breathing Architecture (2012)
Actions:
AP207.S1.2012.PR04
Description:
The project series documents "Breathing Architecture," an installation initially presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a square shaped sheet of plaster placed on a wall giving the impression that a portion of the gallery wall has been lifted to create an opening in order to allow it to breathe. This installation has similarities to Pettena's earlier project "Grass Architecture" for Trigon '72 and "Parete "Branchia"" in 1999. "[...] here the work, which on this occasion takes up the whole of a wall all by itself, has more the significance of a gesture, of a sculpture that retains memories of architecture, and at the same time of the school of conceptual art in which Pettena was also formed." [1] This installation was also later presented at the UMOCA in Salt Lake City, Utah, in 2013, and at the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte, in Meran, in 2017. The project series contains photographs of the first and the second editions of the installation and a drawing. It also contains photographs of the 2017 edition that also shows Pettena's other installation "Paper/Midwestern Ocean" presented in the same exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-breathing-architecture-2012-1/ (last accessed 27 January 2020)
Level of archival description:
Project
Project
Date:
2012-2015
2012-2015
People:
Form:
drawings, textual records, photographs
drawings, textual records, photographs
Reference number:
DR1995:0278:014-014
Description:
includes 5 folders and contains, photographs, publications, including 'The General Strike in Battersea 1926', and A.J. Cook, 'Nine Days', clippings, press release, codes, standards, invoice, estimates, notes, bibliography, exhibition record, financial statement, schedule, postcards, invitations, pamphlets, letterhead, exhibition catalogue, views of exhibition, exhibition floor plan, drawings, sketches, calculations, reference drawings, table showing mining agreements, and estimate for Talacre Centre Phase II (1976), Inter-Action Centre (AP144.S2.D82)
DR1995:0278:014-014
Description:
includes 5 folders and contains, photographs, publications, including 'The General Strike in Battersea 1926', and A.J. Cook, 'Nine Days', clippings, press release, codes, standards, invoice, estimates, notes, bibliography, exhibition record, financial statement, schedule, postcards, invitations, pamphlets, letterhead, exhibition catalogue, views of exhibition, exhibition floor plan, drawings, sketches, calculations, reference drawings, table showing mining agreements, and estimate for Talacre Centre Phase II (1976), Inter-Action Centre (AP144.S2.D82)
People:
Title:
Photographs, publications, including 'The General Strike in Battersea 1926
Actions:
DR1995:0278:014-014
Description:
includes 5 folders and contains, photographs, publications, including 'The General Strike in Battersea 1926', and A.J. Cook, 'Nine Days', clippings, press release, codes, standards, invoice, estimates, notes, bibliography, exhibition record, financial statement, schedule, postcards, invitations, pamphlets, letterhead, exhibition catalogue, views of exhibition, exhibition floor plan, drawings, sketches, calculations, reference drawings, table showing mining agreements, and estimate for Talacre Centre Phase II (1976), Inter-Action Centre (AP144.S2.D82)
Photographs, publications, including 'The General Strike in Battersea 1926
Actions:
DR1995:0278:014-014
Description:
includes 5 folders and contains, photographs, publications, including 'The General Strike in Battersea 1926', and A.J. Cook, 'Nine Days', clippings, press release, codes, standards, invoice, estimates, notes, bibliography, exhibition record, financial statement, schedule, postcards, invitations, pamphlets, letterhead, exhibition catalogue, views of exhibition, exhibition floor plan, drawings, sketches, calculations, reference drawings, table showing mining agreements, and estimate for Talacre Centre Phase II (1976), Inter-Action Centre (AP144.S2.D82)
Form:
drawings, textual records, photographs
drawings, textual records, photographs
People:
Form:
textual records, born digital
textual records, born digital
Actions:
Reference number:
AP142.S2.D4.P2
Description:
sketches, drawings, correspondence, appraisals, invoices, calculations, administrative records, financial records, price lists, layouts, a list of exhibited works, a list of donated works, an imprint, exhibition plans, an announcement card, invitations, an exhibition guide book, a pamphlet on the furniture of Aldo Rossi, a bibliography, a floppy disk, drafts for the exhibition and the exhibition catalogue, notes, photocopies of views of drawings and completed projects, negatives, and photographs, including contact sheets and views of completed projects by Aldo Rossi
AP142.S2.D4.P2
Description:
sketches, drawings, correspondence, appraisals, invoices, calculations, administrative records, financial records, price lists, layouts, a list of exhibited works, a list of donated works, an imprint, exhibition plans, an announcement card, invitations, an exhibition guide book, a pamphlet on the furniture of Aldo Rossi, a bibliography, a floppy disk, drafts for the exhibition and the exhibition catalogue, notes, photocopies of views of drawings and completed projects, negatives, and photographs, including contact sheets and views of completed projects by Aldo Rossi
People:
Title:
Sketches, drawings, correspondence, appraisals, invoices
Actions:
AP142.S2.D4.P2
Description:
sketches, drawings, correspondence, appraisals, invoices, calculations, administrative records, financial records, price lists, layouts, a list of exhibited works, a list of donated works, an imprint, exhibition plans, an announcement card, invitations, an exhibition guide book, a pamphlet on the furniture of Aldo Rossi, a bibliography, a floppy disk, drafts for the exhibition and the exhibition catalogue, notes, photocopies of views of drawings and completed projects, negatives, and photographs, including contact sheets and views of completed projects by Aldo Rossi
Sketches, drawings, correspondence, appraisals, invoices
Actions:
AP142.S2.D4.P2
Description:
sketches, drawings, correspondence, appraisals, invoices, calculations, administrative records, financial records, price lists, layouts, a list of exhibited works, a list of donated works, an imprint, exhibition plans, an announcement card, invitations, an exhibition guide book, a pamphlet on the furniture of Aldo Rossi, a bibliography, a floppy disk, drafts for the exhibition and the exhibition catalogue, notes, photocopies of views of drawings and completed projects, negatives, and photographs, including contact sheets and views of completed projects by Aldo Rossi
Form:
textual records, born digital
textual records, born digital
People:
Form:
photographs
photographs
Actions:
Reference number:
PH1983:0259
Description:
- Alternate title "Le séchage de la morue, Gaspésie" is the title that appeared on the label copy in the CCA exhibition "Parcours de photographes visiteurs au Québec: Sipprell, Moser, Volkerding et Kawamata". Alternate title "Drying Cod, Garpé Peninsula" is the artist's title as indicated on the list of objects for the same exhibition (see Exhibition Files, s.v. "Four Photographers Visit Québec").
PH1983:0259
Description:
- Alternate title "Le séchage de la morue, Gaspésie" is the title that appeared on the label copy in the CCA exhibition "Parcours de photographes visiteurs au Québec: Sipprell, Moser, Volkerding et Kawamata". Alternate title "Drying Cod, Garpé Peninsula" is the artist's title as indicated on the list of objects for the same exhibition (see Exhibition Files, s.v. "Four Photographers Visit Québec").
People:
Subject:
architecture
architecture
Date:
ca. 1929
ca. 1929
Title:
View of sheds and codfish drying on racks, Gaspé Peninsula, Québec, Canada
Actions:
PH1983:0259
Description:
- Alternate title "Le séchage de la morue, Gaspésie" is the title that appeared on the label copy in the CCA exhibition "Parcours de photographes visiteurs au Québec: Sipprell, Moser, Volkerding et Kawamata". Alternate title "Drying Cod, Garpé Peninsula" is the artist's title as indicated on the list of objects for the same exhibition (see Exhibition Files, s.v. "Four Photographers Visit Québec").
View of sheds and codfish drying on racks, Gaspé Peninsula, Québec, Canada
Actions:
PH1983:0259
Description:
- Alternate title "Le séchage de la morue, Gaspésie" is the title that appeared on the label copy in the CCA exhibition "Parcours de photographes visiteurs au Québec: Sipprell, Moser, Volkerding et Kawamata". Alternate title "Drying Cod, Garpé Peninsula" is the artist's title as indicated on the list of objects for the same exhibition (see Exhibition Files, s.v. "Four Photographers Visit Québec").
Form:
photographs
photographs
Date:
ca. 1929
ca. 1929
People:
Subject:
architecture
architecture
Level of archival description:
Project
Project
Title:
Ginkelvan
Ginkelvan
Reference number:
AP027.S1.D58
Description:
Design, development and manufacture of a new urban transit vehicle. This vehicle concept evolved from the Movement in Midtown Study. The first prototype was unveiled at an international transportation exhibition in Washington in 1972 and was also exhibited at the Rockefeller Center, New York. The second prototype was made under contract to the Town of Vail, Colorado. The design of the vehicle had significantly reduced weight and used energy efficient power system. It had a low floor and a wide door to facilitate access and egress of passengers and to make it compatible with an essentially pedestrian street.
AP027.S1.D58
Description:
Design, development and manufacture of a new urban transit vehicle. This vehicle concept evolved from the Movement in Midtown Study. The first prototype was unveiled at an international transportation exhibition in Washington in 1972 and was also exhibited at the Rockefeller Center, New York. The second prototype was made under contract to the Town of Vail, Colorado. The design of the vehicle had significantly reduced weight and used energy efficient power system. It had a low floor and a wide door to facilitate access and egress of passengers and to make it compatible with an essentially pedestrian street.
People:
Date:
1971-1974, 1975-1980
1971-1974, 1975-1980
Title:
Ginkelvan
Actions:
AP027.S1.D58
Description:
Design, development and manufacture of a new urban transit vehicle. This vehicle concept evolved from the Movement in Midtown Study. The first prototype was unveiled at an international transportation exhibition in Washington in 1972 and was also exhibited at the Rockefeller Center, New York. The second prototype was made under contract to the Town of Vail, Colorado. The design of the vehicle had significantly reduced weight and used energy efficient power system. It had a low floor and a wide door to facilitate access and egress of passengers and to make it compatible with an essentially pedestrian street.
Ginkelvan
Actions:
AP027.S1.D58
Description:
Design, development and manufacture of a new urban transit vehicle. This vehicle concept evolved from the Movement in Midtown Study. The first prototype was unveiled at an international transportation exhibition in Washington in 1972 and was also exhibited at the Rockefeller Center, New York. The second prototype was made under contract to the Town of Vail, Colorado. The design of the vehicle had significantly reduced weight and used energy efficient power system. It had a low floor and a wide door to facilitate access and egress of passengers and to make it compatible with an essentially pedestrian street.
Level of archival description:
File 58
File 58
Date:
1971-1974, 1975-1980
1971-1974, 1975-1980
People:
Form:
textual records
textual records
Actions:
Reference number:
PHCON2002:0016:002:012
Description:
Text for inclusion in the catalogue of Twenty-Six by Twenty-Six exhibition.
PHCON2002:0016:002:012
Description:
Text for inclusion in the catalogue of Twenty-Six by Twenty-Six exhibition.
People:
Date:
May 1971
May 1971
Title:
Telegram from Gordon Matta-Clark to Vassar College for Tree Dance
Actions:
PHCON2002:0016:002:012
Description:
Text for inclusion in the catalogue of Twenty-Six by Twenty-Six exhibition.
Telegram from Gordon Matta-Clark to Vassar College for Tree Dance
Actions:
PHCON2002:0016:002:012
Description:
Text for inclusion in the catalogue of Twenty-Six by Twenty-Six exhibition.
Form:
textual records
textual records
Date:
May 1971
May 1971
People:
