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Cette quatrième édition de Mémemto regroupe les artistes en résidence à Est-Nord-Est de 2003 à 2007.
January 2008, Saint-Jean-Port-Joli
Mémemto iv: est-nord-est 2003-2006
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Cette quatrième édition de Mémemto regroupe les artistes en résidence à Est-Nord-Est de 2003 à 2007.
David Altmejd: the index
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Catalogue d'une exposition organisée par la Galerie de l'UQAM et présentée au Pavillon du Canada dans le cadre de la 52e Biennale de Venise, Italie, du 10 juin au 21 novembre 2007.
June 2007, Montréal
David Altmejd: the index
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Catalogue d'une exposition organisée par la Galerie de l'UQAM et présentée au Pavillon du Canada dans le cadre de la 52e Biennale de Venise, Italie, du 10 juin au 21 novembre 2007.
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Marcel Dzama is a prolific artist who works in multiple disciplines, including sculpture, watercolour, ink, collage, and film. His art depicts anachronistic, fanciful, and subversive worlds that contain human figures, animals, and mythical hybrid creatures. Using a visual language strongly influenced by fables and masquerades, his complex narratives transport the viewer(...)
Marcel Dzama: drawing on a revolution
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Marcel Dzama is a prolific artist who works in multiple disciplines, including sculpture, watercolour, ink, collage, and film. His art depicts anachronistic, fanciful, and subversive worlds that contain human figures, animals, and mythical hybrid creatures. Using a visual language strongly influenced by fables and masquerades, his complex narratives transport the viewer into an enigmatic world of life and death, calm and violence, where irony, ridicule, and sexual themes disguise allusions to contemporary social and political issues. This catalogue of drawings, dioramas, and other works is published on the occasion of an exhibition of Dzamas work at La Casa Encendida in Madrid.
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Published on the occasion of his fifth solo exhibition at David Zwirner gallery in New York, Even the Ghost of the Past presents new work by the influential young Canadian artist Marcel Dzama--including a DVD of original short films. A favorite among the art, literary and indie music scenes, Dzama is best known for his figurative compositions of pen and watercolor on(...)
Marcel Dzama: even the ghost of the past
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Published on the occasion of his fifth solo exhibition at David Zwirner gallery in New York, Even the Ghost of the Past presents new work by the influential young Canadian artist Marcel Dzama--including a DVD of original short films. A favorite among the art, literary and indie music scenes, Dzama is best known for his figurative compositions of pen and watercolor on manila-colored paper. Bearing a characteristic palette of muted browns, greys, greens and reds, Dzama's drawings are populated by an expansive cast of human, animal and hybrid characters. In recent years, Dzama has extended his practice to include work in multiple media. A recent exhibition, for example, transformed the gallery into an odeum of imagination, replete with drawings, sculptures, dioramas and films. Featuring an interview with the artist by filmmaker Spike Jonze and designed in collaboration with the artist as two hardback books twin-bound into one with a custom drawing on the cover, Even the Ghost of the Past is destined to become an instant collector's item.
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December 2008
Geoffrey Farmer
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Catalogue de l'exposition Geoffrey Farmer, organisée au Musée d'art contemporain de Montréal, présentée du 8 février au 20 avril 2008.
January 2008, Montréal
Geoffrey Farmer
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Catalogue de l'exposition Geoffrey Farmer, organisée au Musée d'art contemporain de Montréal, présentée du 8 février au 20 avril 2008.
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Catalogue d'exposition au centre d'art contemporain de Malaga.
November 2008, Malaga
Rodney Graham: a glass of beer
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Catalogue d'exposition au centre d'art contemporain de Malaga.
Tim Lee: cap street project
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To accompany Tim Lee's Capp Street Project, this monograph includes two texts written by the artist over the course of his residency on the musician Neil Young and the comedian Steve Martin. This publication also includes an essay by Jens Hoffmann on the relationship between art and comedy and a text by Claire Fitzsimmons on the works produced over the course of Lee's(...)
June 2008, San Francisco
Tim Lee: cap street project
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To accompany Tim Lee's Capp Street Project, this monograph includes two texts written by the artist over the course of his residency on the musician Neil Young and the comedian Steve Martin. This publication also includes an essay by Jens Hoffmann on the relationship between art and comedy and a text by Claire Fitzsimmons on the works produced over the course of Lee's residency, with illustrations of the new commissions for the Wattis Institute. Designed by Stripe/Jon Sueda.
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Call Ampersand Response is a collaborative artwork made through an exchange of images via email. Between 2011 and 2017 Canadian artists Michael Dumontier and Micah Lexier conceived this activity as a way to share with each other their mutual interest in found images, line drawings and used books. The starting image was a circle on a rectangle; every subsequent image was(...)
September 2019
Michael Dumontier & Micah Lexier: Call Ampersand Response
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Call Ampersand Response is a collaborative artwork made through an exchange of images via email. Between 2011 and 2017 Canadian artists Michael Dumontier and Micah Lexier conceived this activity as a way to share with each other their mutual interest in found images, line drawings and used books. The starting image was a circle on a rectangle; every subsequent image was visually connected to the previous one. It was understood from the outset that they had to use images that could be scanned from physical items they already had at home (no images from the internet), such as children's books, technical manuals and assorted ephemera. The call-and-response nature of the enterprise can be appreciated in the pairs of facing pages that present themselves as you go through the book. This second edition, expanding on the Nieves edition of 2013, includes the entire project of 196 exchanges that make up Dumontier and Lexier's clever, competitive, meandering conversation.
Ana Rewakowicz
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Cette première monographie sur l'œuvre de Rewakowicz interroge de diverses manières toute la question de l'identité reliée à l'habitat et au vêtement. En contraste avec la masse stable qu'est la sculpture et l'architecture monumentale, les costumes et structures de l'artiste sont gonflables et mobiles, et s'intéressent aux lieu et aux personnes qui les activent. En(...)
January 2006, Sherbrooke
Ana Rewakowicz
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Cette première monographie sur l'œuvre de Rewakowicz interroge de diverses manières toute la question de l'identité reliée à l'habitat et au vêtement. En contraste avec la masse stable qu'est la sculpture et l'architecture monumentale, les costumes et structures de l'artiste sont gonflables et mobiles, et s'intéressent aux lieu et aux personnes qui les activent. En utilisant des matériaux tels le latex, le polyéthylène, le papier d'aluminium et des panneaux solaires, Rewakowicz apprivoise les technologies afin de créer des expériences publiques et des vêtements fonctionnels qui peuvent se transformer en architecture portable, voire nomade.
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Le livre reproduit recto verso 87 dessins de vautours réalisés par Rober Racine. On y retrouve deux essais : une réflexion de l’artiste, à la fois biographique, philosophique et poétique, sur le développement du motif du vautour dans son oeuvre et un essai de Louise Déry qui situe la portée de cette production dans l’oeuvre visuelle et littéraire de Rober Racine. La(...)
September 2011
Rober Racine: fantasmes fragiles
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Le livre reproduit recto verso 87 dessins de vautours réalisés par Rober Racine. On y retrouve deux essais : une réflexion de l’artiste, à la fois biographique, philosophique et poétique, sur le développement du motif du vautour dans son oeuvre et un essai de Louise Déry qui situe la portée de cette production dans l’oeuvre visuelle et littéraire de Rober Racine. La publication a été produite par la Galerie de l’UQAM pour accompagner la circulation internationale de Fantasmes fragiles, présentée en 2006 au Site Odéon °5 (Paris), au Musée d’art moderne et d’art contemporain de Nice, à La Nube di Oort (Rome) et à la Galerie de l’Ambassade du Canada à Tokyo. Cette publication a remporté un prix au concours Grafika 2007.