drawings
Quantity:
21 reprographic copy(ies)
ARCH268432
Description:
5 photocopies of sketches and 14 fragments of a diazotype. Photocopies of sketches of Chandigarh include one showing three city centers (1952). The diazotype reproduces drawings by the architect (1943). Also includes 2 texts by Le Corbusier. Texts are a record of speeches given by Le Corbusier while in Chandigarh and include the architects’ “Presentation of the enamel gate of Punjab Legislature” and a presentation on modern housing (June 1953).
1943-1953
Photocopies of sketches of Chandigarh and 2 texts by Le Corbusier
Actions:
ARCH268432
Description:
5 photocopies of sketches and 14 fragments of a diazotype. Photocopies of sketches of Chandigarh include one showing three city centers (1952). The diazotype reproduces drawings by the architect (1943). Also includes 2 texts by Le Corbusier. Texts are a record of speeches given by Le Corbusier while in Chandigarh and include the architects’ “Presentation of the enamel gate of Punjab Legislature” and a presentation on modern housing (June 1953).
drawings
Quantity:
21 reprographic copy(ies)
1943-1953
Series
Architectural projects
AP206.S1
Description:
The Architectural projects series, 1957-2007, records 82 architectural projects of Aditya Prakash throughout his career as an architect in Chandigarh, India. Most of these projects were completed with his daughter, Chetna Prakash, through his private practice, Arcon Architects, from 1982-2007. These projects include private residences, housing complexes, university campuses, schools, factories, theatres, sport and yoga centres, offices and furniture, among others. The projects include built work, competition entries and proposals, though it is not always clear which projects were realized. While many projects were located in Chandigarh, the series documents projects across northern India, particularly in Jammu and Kashmir, Punjab, Haryana, Himachal Pradesh and Uttar Pradesh. The projects in this series were identified based on their unique locations and dates. Some projects, located at the same site, consisted of multiple buildings and were designed and/or constructed over long periods of time. The materials for projects like this are described together in one project series, instead of being separated out by building or time period. These projects are recorded largely through original drawings, which include sketches, plans, elevations, sections, perspectives, details, axonometric views and working drawings. However, materials for each project are sparse, often consisting of only 1-10 drawings. Textual records and photographs are also included in the materials for a few projects. The photographs show completed work, while the textual records primarily consist of client correspondence.
1957-2007
Architectural projects
Actions:
AP206.S1
Description:
The Architectural projects series, 1957-2007, records 82 architectural projects of Aditya Prakash throughout his career as an architect in Chandigarh, India. Most of these projects were completed with his daughter, Chetna Prakash, through his private practice, Arcon Architects, from 1982-2007. These projects include private residences, housing complexes, university campuses, schools, factories, theatres, sport and yoga centres, offices and furniture, among others. The projects include built work, competition entries and proposals, though it is not always clear which projects were realized. While many projects were located in Chandigarh, the series documents projects across northern India, particularly in Jammu and Kashmir, Punjab, Haryana, Himachal Pradesh and Uttar Pradesh. The projects in this series were identified based on their unique locations and dates. Some projects, located at the same site, consisted of multiple buildings and were designed and/or constructed over long periods of time. The materials for projects like this are described together in one project series, instead of being separated out by building or time period. These projects are recorded largely through original drawings, which include sketches, plans, elevations, sections, perspectives, details, axonometric views and working drawings. However, materials for each project are sparse, often consisting of only 1-10 drawings. Textual records and photographs are also included in the materials for a few projects. The photographs show completed work, while the textual records primarily consist of client correspondence.
Series
1957-2007
PH2000:0863
architecture
1863
View of the Golden Temple (also known as Darbar Sahib) from the causeway, Amritsar, India
Actions:
PH2000:0863
architecture
textual records
ARCH268018
Description:
Writings by Jagjit Singh Ghuman, Chief Town Planner and Head, Town and Country Planning Department, Government of Punjab, concerning the development of the Indus Valley Civilization and Chandigarh, India. Texts include the following papers given by Ghuman at the International Conference on Impact of Development on Life and Culture (1988): - “The Indus Valley Civilization: 3000 B.C. / Historical Evolution and Cultural Changes” (1988). - “Chandigarh New City Master Plan: / Its Growth and Impact on Life and Culture” (1988).
1988
Writings by Jagjit Singh Ghuman
Actions:
ARCH268018
Description:
Writings by Jagjit Singh Ghuman, Chief Town Planner and Head, Town and Country Planning Department, Government of Punjab, concerning the development of the Indus Valley Civilization and Chandigarh, India. Texts include the following papers given by Ghuman at the International Conference on Impact of Development on Life and Culture (1988): - “The Indus Valley Civilization: 3000 B.C. / Historical Evolution and Cultural Changes” (1988). - “Chandigarh New City Master Plan: / Its Growth and Impact on Life and Culture” (1988).
textual records
1988
The beginning of the 1950s was a moment of global upheaval. From India to Morocco, from Guatemala to Indochina, the process of decolonization gained momentum and the Cold War began. Architects working or acting as experts in the non-Western areas of the globe could no longer plan as if sites were terrains vague and people were mute subjects. The end of colonial(...)
Main galleries Keyword(s):
Casablanca, Chandigarh, Le Corbusier, Jeanneret, Morocco, Punjab, India, Morocco, modernism, Africa, Takashi Homma, Yto Barrada
26 November 2013 to 20 April 2014
How architects, experts, politicians, international agencies and citizens negotiate modern planning: Casablanca Chandigarh
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Description:
The beginning of the 1950s was a moment of global upheaval. From India to Morocco, from Guatemala to Indochina, the process of decolonization gained momentum and the Cold War began. Architects working or acting as experts in the non-Western areas of the globe could no longer plan as if sites were terrains vague and people were mute subjects. The end of colonial(...)
Main galleries Keyword(s):
Casablanca, Chandigarh, Le Corbusier, Jeanneret, Morocco, Punjab, India, Morocco, modernism, Africa, Takashi Homma, Yto Barrada
photographs
Quantity:
12 photograph(s)
ARCH269447
Description:
Group consists of photographs of Pierre Jeanneret and others at Chandigarh, India, including photographs of Jeet Malhotra and a child using the boat designed by Pierre Jeanneret at Chandigarh Lake in 1960, Jeet Malhotra with Nehru in 1954 or with Le Corbusier at the Secretariat in construction in 1958. There are also photographs of Pierre Jeanneret with Nehry and other government officials in 1956 or with his architects' team in 1960 and 1961. The group also includes a photograph of Jane Drew and Maxwell Fry at Chandigarh in 1951 and a photograph of Jacqueline Jeanneret and her family at Punjab Garden in 1964.
between 1951 and 1964
Photographs of Pierre Jeanneret and others at Chandigarh, India
Actions:
ARCH269447
Description:
Group consists of photographs of Pierre Jeanneret and others at Chandigarh, India, including photographs of Jeet Malhotra and a child using the boat designed by Pierre Jeanneret at Chandigarh Lake in 1960, Jeet Malhotra with Nehru in 1954 or with Le Corbusier at the Secretariat in construction in 1958. There are also photographs of Pierre Jeanneret with Nehry and other government officials in 1956 or with his architects' team in 1960 and 1961. The group also includes a photograph of Jane Drew and Maxwell Fry at Chandigarh in 1951 and a photograph of Jacqueline Jeanneret and her family at Punjab Garden in 1964.
photographs
Quantity:
12 photograph(s)
between 1951 and 1964
PH1980:0008:058
architecture
before 1875
View of the Golden Temple (also known as Darbar Sahib) and a tower under restoration, Amritsar, India
Actions:
PH1980:0008:058
architecture
View of the Golden Temple (also known as Darbar Sahib) and minarets on the right, Amritsar, India
PH1980:0008:059
architecture
before 1875
View of the Golden Temple (also known as Darbar Sahib) and minarets on the right, Amritsar, India
Actions:
PH1980:0008:059
architecture
1st December 2022
Shaughnessy House Keyword(s):
research fellow 2022, seminar, research, Manu P. Sobti, Chandigarh, Pierre Jeanneret, landscape, photography, 1st december 2022
1 December 2022, 6pm
Shaughnessy House Keyword(s):
research fellow 2022, seminar, research, Manu P. Sobti, Chandigarh, Pierre Jeanneret, landscape, photography, 1st december 2022
books
Description:
111 pages : illustrations ; 31 cm
Punjab : Panorama Punjab Foundation, 2018.
Panorama Punjab : international forum for art & culture, Patiala. Vol. 1.
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Holdings:
Description:
111 pages : illustrations ; 31 cm
books
Punjab : Panorama Punjab Foundation, 2018.