6340 Results
Level of archival description:
Project
Project
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Reference number:
AP075.S1.2001.PR01
Description:
Project series documents Cornelia Hahn Oberlander's proposal for the landscape master plan of Alberta Children's Hospital in Calgary. Oberlander worked on this project in the early 2000s. Oberlander was in charged of developping the concept for the landscape master plan and create a healing garden. Her concept included a site entry with a strong presence of the nature to reassure the visitor, the use of native plants to keep the landscape of the hospital in harmony with site natural landscape, the use of plants that encourage and support wildlife to allow sick children to appreciate nature, outdoor seating areas and pathways with lighting to be used even at nightime, and environments for play and learning for sick children and their relatives. A participatory method was also applied for the design of the master plan throughout workshops organized with the children of the hospital in which they were invited to draw what they wanted for the healing garden. The project series contains landscape plans, site plans, landscape concept plans, site concept plans and presentation drawings. The project is also documented through Oberlander's concept notes, correspondence, including correspondence with client, Oberlander's landscape proposal, landscape concept presentation documents, financial documents, research material, and photographs of the site for the hospital.
AP075.S1.2001.PR01
Description:
Project series documents Cornelia Hahn Oberlander's proposal for the landscape master plan of Alberta Children's Hospital in Calgary. Oberlander worked on this project in the early 2000s. Oberlander was in charged of developping the concept for the landscape master plan and create a healing garden. Her concept included a site entry with a strong presence of the nature to reassure the visitor, the use of native plants to keep the landscape of the hospital in harmony with site natural landscape, the use of plants that encourage and support wildlife to allow sick children to appreciate nature, outdoor seating areas and pathways with lighting to be used even at nightime, and environments for play and learning for sick children and their relatives. A participatory method was also applied for the design of the master plan throughout workshops organized with the children of the hospital in which they were invited to draw what they wanted for the healing garden. The project series contains landscape plans, site plans, landscape concept plans, site concept plans and presentation drawings. The project is also documented through Oberlander's concept notes, correspondence, including correspondence with client, Oberlander's landscape proposal, landscape concept presentation documents, financial documents, research material, and photographs of the site for the hospital.
People:
Date:
2000-2004
2000-2004
Title:
Alberta Children's Hospital, Calgary, Alberta (2001)
Actions:
AP075.S1.2001.PR01
Description:
Project series documents Cornelia Hahn Oberlander's proposal for the landscape master plan of Alberta Children's Hospital in Calgary. Oberlander worked on this project in the early 2000s. Oberlander was in charged of developping the concept for the landscape master plan and create a healing garden. Her concept included a site entry with a strong presence of the nature to reassure the visitor, the use of native plants to keep the landscape of the hospital in harmony with site natural landscape, the use of plants that encourage and support wildlife to allow sick children to appreciate nature, outdoor seating areas and pathways with lighting to be used even at nightime, and environments for play and learning for sick children and their relatives. A participatory method was also applied for the design of the master plan throughout workshops organized with the children of the hospital in which they were invited to draw what they wanted for the healing garden. The project series contains landscape plans, site plans, landscape concept plans, site concept plans and presentation drawings. The project is also documented through Oberlander's concept notes, correspondence, including correspondence with client, Oberlander's landscape proposal, landscape concept presentation documents, financial documents, research material, and photographs of the site for the hospital.
Alberta Children's Hospital, Calgary, Alberta (2001)
Actions:
AP075.S1.2001.PR01
Description:
Project series documents Cornelia Hahn Oberlander's proposal for the landscape master plan of Alberta Children's Hospital in Calgary. Oberlander worked on this project in the early 2000s. Oberlander was in charged of developping the concept for the landscape master plan and create a healing garden. Her concept included a site entry with a strong presence of the nature to reassure the visitor, the use of native plants to keep the landscape of the hospital in harmony with site natural landscape, the use of plants that encourage and support wildlife to allow sick children to appreciate nature, outdoor seating areas and pathways with lighting to be used even at nightime, and environments for play and learning for sick children and their relatives. A participatory method was also applied for the design of the master plan throughout workshops organized with the children of the hospital in which they were invited to draw what they wanted for the healing garden. The project series contains landscape plans, site plans, landscape concept plans, site concept plans and presentation drawings. The project is also documented through Oberlander's concept notes, correspondence, including correspondence with client, Oberlander's landscape proposal, landscape concept presentation documents, financial documents, research material, and photographs of the site for the hospital.
Level of archival description:
Project
Project
Date:
2000-2004
2000-2004
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1995.PR03
Description:
This project series documents a competition entry for the University of Waterloo Centre for Environmental Sciences and Engineering in Waterloo, Ontario in 1995. The office identified the project number as 9502. This project consisted of a proposal to create a new, environmentally sustainable campus building within the scope of the University's master plan. The integrated complex would consist of the five-storey Research Laboratories building and the four-storey Earth Sciences office building, interconnected by the three-storey Interior Street. Corridors in the Research Laboratories building would separate visitors from the rigorously controlled environments of the labs and act as a hub of student activity. Glazed walls would allow visibility into the labs from the corridor. The office building, with a café and museum at its ground level, would have loft-like offices with operable windows for more eco-friendly temperature control. Other ecological features were proposed including a breathing, green wall, the use of local, sustainable materials and a bio-reactor plant, among others. This proposal was never built. The project is recorded through drawings, presentation paintings, a model and some accompanying textual records dating from on or around 1995. The drawings are predominantly original sketches and presentation drawings.
AP056.S1.1995.PR03
Description:
This project series documents a competition entry for the University of Waterloo Centre for Environmental Sciences and Engineering in Waterloo, Ontario in 1995. The office identified the project number as 9502. This project consisted of a proposal to create a new, environmentally sustainable campus building within the scope of the University's master plan. The integrated complex would consist of the five-storey Research Laboratories building and the four-storey Earth Sciences office building, interconnected by the three-storey Interior Street. Corridors in the Research Laboratories building would separate visitors from the rigorously controlled environments of the labs and act as a hub of student activity. Glazed walls would allow visibility into the labs from the corridor. The office building, with a café and museum at its ground level, would have loft-like offices with operable windows for more eco-friendly temperature control. Other ecological features were proposed including a breathing, green wall, the use of local, sustainable materials and a bio-reactor plant, among others. This proposal was never built. The project is recorded through drawings, presentation paintings, a model and some accompanying textual records dating from on or around 1995. The drawings are predominantly original sketches and presentation drawings.
People:
Date:
1995
1995
Title:
University of Waterloo Centre for Environmental Sciences and Engineering Competition, Waterloo, Ontario (1995)
Actions:
AP056.S1.1995.PR03
Description:
This project series documents a competition entry for the University of Waterloo Centre for Environmental Sciences and Engineering in Waterloo, Ontario in 1995. The office identified the project number as 9502. This project consisted of a proposal to create a new, environmentally sustainable campus building within the scope of the University's master plan. The integrated complex would consist of the five-storey Research Laboratories building and the four-storey Earth Sciences office building, interconnected by the three-storey Interior Street. Corridors in the Research Laboratories building would separate visitors from the rigorously controlled environments of the labs and act as a hub of student activity. Glazed walls would allow visibility into the labs from the corridor. The office building, with a café and museum at its ground level, would have loft-like offices with operable windows for more eco-friendly temperature control. Other ecological features were proposed including a breathing, green wall, the use of local, sustainable materials and a bio-reactor plant, among others. This proposal was never built. The project is recorded through drawings, presentation paintings, a model and some accompanying textual records dating from on or around 1995. The drawings are predominantly original sketches and presentation drawings.
University of Waterloo Centre for Environmental Sciences and Engineering Competition, Waterloo, Ontario (1995)
Actions:
AP056.S1.1995.PR03
Description:
This project series documents a competition entry for the University of Waterloo Centre for Environmental Sciences and Engineering in Waterloo, Ontario in 1995. The office identified the project number as 9502. This project consisted of a proposal to create a new, environmentally sustainable campus building within the scope of the University's master plan. The integrated complex would consist of the five-storey Research Laboratories building and the four-storey Earth Sciences office building, interconnected by the three-storey Interior Street. Corridors in the Research Laboratories building would separate visitors from the rigorously controlled environments of the labs and act as a hub of student activity. Glazed walls would allow visibility into the labs from the corridor. The office building, with a café and museum at its ground level, would have loft-like offices with operable windows for more eco-friendly temperature control. Other ecological features were proposed including a breathing, green wall, the use of local, sustainable materials and a bio-reactor plant, among others. This proposal was never built. The project is recorded through drawings, presentation paintings, a model and some accompanying textual records dating from on or around 1995. The drawings are predominantly original sketches and presentation drawings.
Level of archival description:
Project
Project
Date:
1995
1995
People:
Form:
drawings
drawings
![Sketches for Supersuperficie [Supersurface]](/img-collection/2u1vTDs3fKmeySlHpMqf8wxq5w4=/500x764/485665.jpg)
Reference number:
ARCH400360
Description:
Sketches introducing new architectural tools and four hypotheses presented in the film relating to the human machine, the control of environments, the homogenization of the earth, and nomadism as an alternative model of life on earth – “freed from need, freed from work”.
ARCH400360
Description:
Sketches introducing new architectural tools and four hypotheses presented in the film relating to the human machine, the control of environments, the homogenization of the earth, and nomadism as an alternative model of life on earth – “freed from need, freed from work”.
People:
Date:
1972
1972
Title:
Sketches for Supersuperficie [Supersurface]
Actions:
ARCH400360
Description:
Sketches introducing new architectural tools and four hypotheses presented in the film relating to the human machine, the control of environments, the homogenization of the earth, and nomadism as an alternative model of life on earth – “freed from need, freed from work”.
Sketches for Supersuperficie [Supersurface]
Actions:
ARCH400360
Description:
Sketches introducing new architectural tools and four hypotheses presented in the film relating to the human machine, the control of environments, the homogenization of the earth, and nomadism as an alternative model of life on earth – “freed from need, freed from work”.
Form:
drawings
drawings
Date:
1972
1972
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.2002.PR01
Description:
The project series documents a series of performances entitled "Il Mestiere Dell'Architetto". The first edition was performed by Pettena in Maiano, near Florence in 2002. It consisted of a series of images of Pettena rock climbing that represents the work of the architect "and the role of those who work in the discipline, what is represented here is the need to make choices and at the same time the difficulty of doing so, of taking routes that, while they may appear impassable, are actually the very essence of the artist’s thought and language [...]." [1] Another version was performed in 2004 at the Ex-Meccanotessile complex, in Florence, 2004, and consisted of a series of photographs of a man climbing the interior roof structure of the building. Unlike the 2002 edition of this performance, "not even nature offers its support to those who, despite moving with caution, often find themselves in a situation of impasse." [2] A final version of the performance was created in 2012 by Pettena. The digitally created installation consisted of a gradually fading shape of a climber drawn in leaves that slowly disperse. In this installation, compared to the two previous ones, the architect "seems to find here a solution and ultimate freedom through the final choice of ‘giving in’ to the prevalence of natural environment." [3] The project series contains a sketch and photographs of the 2002 performance, photographs of the 2004 performance, and a drawing for the 2012 performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-2002/ (last accessed 22 January 2020). [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-ii-2004/ (last accessed 22 January 2020). [3] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-the-craft-of-the-architect-3-2012/ (last accessed 27 January 2020).
AP207.S1.2002.PR01
Description:
The project series documents a series of performances entitled "Il Mestiere Dell'Architetto". The first edition was performed by Pettena in Maiano, near Florence in 2002. It consisted of a series of images of Pettena rock climbing that represents the work of the architect "and the role of those who work in the discipline, what is represented here is the need to make choices and at the same time the difficulty of doing so, of taking routes that, while they may appear impassable, are actually the very essence of the artist’s thought and language [...]." [1] Another version was performed in 2004 at the Ex-Meccanotessile complex, in Florence, 2004, and consisted of a series of photographs of a man climbing the interior roof structure of the building. Unlike the 2002 edition of this performance, "not even nature offers its support to those who, despite moving with caution, often find themselves in a situation of impasse." [2] A final version of the performance was created in 2012 by Pettena. The digitally created installation consisted of a gradually fading shape of a climber drawn in leaves that slowly disperse. In this installation, compared to the two previous ones, the architect "seems to find here a solution and ultimate freedom through the final choice of ‘giving in’ to the prevalence of natural environment." [3] The project series contains a sketch and photographs of the 2002 performance, photographs of the 2004 performance, and a drawing for the 2012 performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-2002/ (last accessed 22 January 2020). [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-ii-2004/ (last accessed 22 January 2020). [3] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-the-craft-of-the-architect-3-2012/ (last accessed 27 January 2020).
People:
Date:
2002-2015
2002-2015
Title:
Il Mestiere Dell'Architetto [The Craft of the Architect] (2002)
Actions:
AP207.S1.2002.PR01
Description:
The project series documents a series of performances entitled "Il Mestiere Dell'Architetto". The first edition was performed by Pettena in Maiano, near Florence in 2002. It consisted of a series of images of Pettena rock climbing that represents the work of the architect "and the role of those who work in the discipline, what is represented here is the need to make choices and at the same time the difficulty of doing so, of taking routes that, while they may appear impassable, are actually the very essence of the artist’s thought and language [...]." [1] Another version was performed in 2004 at the Ex-Meccanotessile complex, in Florence, 2004, and consisted of a series of photographs of a man climbing the interior roof structure of the building. Unlike the 2002 edition of this performance, "not even nature offers its support to those who, despite moving with caution, often find themselves in a situation of impasse." [2] A final version of the performance was created in 2012 by Pettena. The digitally created installation consisted of a gradually fading shape of a climber drawn in leaves that slowly disperse. In this installation, compared to the two previous ones, the architect "seems to find here a solution and ultimate freedom through the final choice of ‘giving in’ to the prevalence of natural environment." [3] The project series contains a sketch and photographs of the 2002 performance, photographs of the 2004 performance, and a drawing for the 2012 performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-2002/ (last accessed 22 January 2020). [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-ii-2004/ (last accessed 22 January 2020). [3] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-the-craft-of-the-architect-3-2012/ (last accessed 27 January 2020).
Il Mestiere Dell'Architetto [The Craft of the Architect] (2002)
Actions:
AP207.S1.2002.PR01
Description:
The project series documents a series of performances entitled "Il Mestiere Dell'Architetto". The first edition was performed by Pettena in Maiano, near Florence in 2002. It consisted of a series of images of Pettena rock climbing that represents the work of the architect "and the role of those who work in the discipline, what is represented here is the need to make choices and at the same time the difficulty of doing so, of taking routes that, while they may appear impassable, are actually the very essence of the artist’s thought and language [...]." [1] Another version was performed in 2004 at the Ex-Meccanotessile complex, in Florence, 2004, and consisted of a series of photographs of a man climbing the interior roof structure of the building. Unlike the 2002 edition of this performance, "not even nature offers its support to those who, despite moving with caution, often find themselves in a situation of impasse." [2] A final version of the performance was created in 2012 by Pettena. The digitally created installation consisted of a gradually fading shape of a climber drawn in leaves that slowly disperse. In this installation, compared to the two previous ones, the architect "seems to find here a solution and ultimate freedom through the final choice of ‘giving in’ to the prevalence of natural environment." [3] The project series contains a sketch and photographs of the 2002 performance, photographs of the 2004 performance, and a drawing for the 2012 performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-2002/ (last accessed 22 January 2020). [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-ii-2004/ (last accessed 22 January 2020). [3] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-the-craft-of-the-architect-3-2012/ (last accessed 27 January 2020).
Level of archival description:
Project
Project
Date:
2002-2015
2002-2015
People:
Form:
photographs
photographs
Actions:
Reference number:
AP149.S4.SS2.002
Description:
Group consists of sets of slides of visual material for lectures on research project of the Minimum Cost Housing Group. The group includes: - a set on open spaces in urban environment, related to the fifth Human Settlement Training Packages by Mininum Cost Housing Group - a set of slides on sanitation and sanitation systems previsously stored in a folder entitled "Sanitation" - a set of slides on doors in India and Mexico previously stored in a folder entitled "Doors", - a set entitled ''People'' - and a set on technology for housing developement, low cost houses construction, including slides on the Minimum Cost Housing Group's housing project, such as Ecol Operation, Maison Lessard project and Saddle Lake project, previously stored in a folder entitled "Technology".
AP149.S4.SS2.002
Description:
Group consists of sets of slides of visual material for lectures on research project of the Minimum Cost Housing Group. The group includes: - a set on open spaces in urban environment, related to the fifth Human Settlement Training Packages by Mininum Cost Housing Group - a set of slides on sanitation and sanitation systems previsously stored in a folder entitled "Sanitation" - a set of slides on doors in India and Mexico previously stored in a folder entitled "Doors", - a set entitled ''People'' - and a set on technology for housing developement, low cost houses construction, including slides on the Minimum Cost Housing Group's housing project, such as Ecol Operation, Maison Lessard project and Saddle Lake project, previously stored in a folder entitled "Technology".
People:
Date:
1970s-1990s
1970s-1990s
Title:
Visual material for lectures on subject researchs
Actions:
AP149.S4.SS2.002
Description:
Group consists of sets of slides of visual material for lectures on research project of the Minimum Cost Housing Group. The group includes: - a set on open spaces in urban environment, related to the fifth Human Settlement Training Packages by Mininum Cost Housing Group - a set of slides on sanitation and sanitation systems previsously stored in a folder entitled "Sanitation" - a set of slides on doors in India and Mexico previously stored in a folder entitled "Doors", - a set entitled ''People'' - and a set on technology for housing developement, low cost houses construction, including slides on the Minimum Cost Housing Group's housing project, such as Ecol Operation, Maison Lessard project and Saddle Lake project, previously stored in a folder entitled "Technology".
Visual material for lectures on subject researchs
Actions:
AP149.S4.SS2.002
Description:
Group consists of sets of slides of visual material for lectures on research project of the Minimum Cost Housing Group. The group includes: - a set on open spaces in urban environment, related to the fifth Human Settlement Training Packages by Mininum Cost Housing Group - a set of slides on sanitation and sanitation systems previsously stored in a folder entitled "Sanitation" - a set of slides on doors in India and Mexico previously stored in a folder entitled "Doors", - a set entitled ''People'' - and a set on technology for housing developement, low cost houses construction, including slides on the Minimum Cost Housing Group's housing project, such as Ecol Operation, Maison Lessard project and Saddle Lake project, previously stored in a folder entitled "Technology".
Form:
photographs
photographs
Date:
1970s-1990s
1970s-1990s
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Aditya Prakash fonds
Aditya Prakash fonds
Reference number:
AP206
Synopsis:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
AP206
Synopsis:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
People:
Date:
1947-2008
1947-2008
Title:
Aditya Prakash fonds
Actions:
AP206
Synopsis:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
Aditya Prakash fonds
Actions:
AP206
Synopsis:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1947-2008
1947-2008
People:
Form:
articles
articles
Title:
Pioneers of the Bijlmermeer
Pioneers of the Bijlmermeer
Actions:
Keyword(s):
Bijlmermeer, Journeys: How Travelling Fruit, Ideas and Buildings Rearrange Our Environment
Bijlmermeer, Journeys: How Travelling Fruit, Ideas and Buildings Rearrange Our Environment
Published:
30 April 2016
30 April 2016
Form:
events
events
Title:
Gilles Clément
Gilles Clément
Actions:
Description:
French horticultural engineer and landscape architect Gilles Clément presents his projects and theories in the context of the CCA exhibition Environment: Approaches for Tomorrow (2006). The exhibition proposes a shift in perspective that takes the environment, and not human demands on the environment, as the starting point for reflection. Clément has designed numerous(...)
French horticultural engineer and landscape architect Gilles Clément presents his projects and theories in the context of the CCA exhibition Environment: Approaches for Tomorrow (2006). The exhibition proposes a shift in perspective that takes the environment, and not human demands on the environment, as the starting point for reflection. Clément has designed numerous(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
19 October 2006
19 October 2006
Title:
Gilles Clément
Actions:
Description:
French horticultural engineer and landscape architect Gilles Clément presents his projects and theories in the context of the CCA exhibition Environment: Approaches for Tomorrow (2006). The exhibition proposes a shift in perspective that takes the environment, and not human demands on the environment, as the starting point for reflection. Clément has designed numerous(...)
Gilles Clément
Actions:
Description:
French horticultural engineer and landscape architect Gilles Clément presents his projects and theories in the context of the CCA exhibition Environment: Approaches for Tomorrow (2006). The exhibition proposes a shift in perspective that takes the environment, and not human demands on the environment, as the starting point for reflection. Clément has designed numerous(...)
Form:
events
events
Date:
19 October 2006
19 October 2006
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Level of archival description:
Series
Series
Title:
Professional papers
Professional papers
Reference number:
AP206.S3
Description:
The Professional papers series, circa 1950-2008, records the professional activities of Aditya Prakash throughout his career up until his death in 2008. His work in architecture, art, photography, academia and theatre are documented through textual records, drawings, photographic materials, ephemera, books, serials and sound recordings. The earliest materials in this series show Prakash’s interest in architectural photography early in his career through photographs, slides, and negatives taken by him. These materials, dating from before 1970, show most prominently his projects, people, villages and cityscapes. Materials dating from after 1968 show Prakash’s move into academia and his solo architectural career. During this time, the records document Prakash’s research interests on subjects such as urbanization, Chandigarh, the Modular and the environment, through drawings, newspaper articles, government and committee reports, correspondence and presentation materials. Likewise, his teaching is recorded through overhead transparencies, drawings and notes. The series also shows Prakash’s involvement in the professional community, including event photographs, correspondence and records documenting conferences, events and his discussion group Our Get Togethers. Correspondence with architect Charles Correa and frequent letters between Prakash and writer Mulk Raj Anand are of note here. Apart from his architectural career, Prakash’s work as a modern artist is well recorded through drawings, sketchbooks, and photographic reproductions of his art, mostly dating from after 1980. His interest in art as well as his community involvement are documented through exhibition ephemera, correspondence, and exhibition reviews and writings on his artwork. His role as the president of the Lalit Kala Akademi is also documented through publications, event photographs and correspondence. Finally, Prakash’s involvement in theatre, specifically with his amateur theatre troop Abhinet, is captured through scripts, photographs of performances and play reviews.
AP206.S3
Description:
The Professional papers series, circa 1950-2008, records the professional activities of Aditya Prakash throughout his career up until his death in 2008. His work in architecture, art, photography, academia and theatre are documented through textual records, drawings, photographic materials, ephemera, books, serials and sound recordings. The earliest materials in this series show Prakash’s interest in architectural photography early in his career through photographs, slides, and negatives taken by him. These materials, dating from before 1970, show most prominently his projects, people, villages and cityscapes. Materials dating from after 1968 show Prakash’s move into academia and his solo architectural career. During this time, the records document Prakash’s research interests on subjects such as urbanization, Chandigarh, the Modular and the environment, through drawings, newspaper articles, government and committee reports, correspondence and presentation materials. Likewise, his teaching is recorded through overhead transparencies, drawings and notes. The series also shows Prakash’s involvement in the professional community, including event photographs, correspondence and records documenting conferences, events and his discussion group Our Get Togethers. Correspondence with architect Charles Correa and frequent letters between Prakash and writer Mulk Raj Anand are of note here. Apart from his architectural career, Prakash’s work as a modern artist is well recorded through drawings, sketchbooks, and photographic reproductions of his art, mostly dating from after 1980. His interest in art as well as his community involvement are documented through exhibition ephemera, correspondence, and exhibition reviews and writings on his artwork. His role as the president of the Lalit Kala Akademi is also documented through publications, event photographs and correspondence. Finally, Prakash’s involvement in theatre, specifically with his amateur theatre troop Abhinet, is captured through scripts, photographs of performances and play reviews.
People:
Date:
circa 1950-2008
circa 1950-2008
Title:
Professional papers
Actions:
AP206.S3
Description:
The Professional papers series, circa 1950-2008, records the professional activities of Aditya Prakash throughout his career up until his death in 2008. His work in architecture, art, photography, academia and theatre are documented through textual records, drawings, photographic materials, ephemera, books, serials and sound recordings. The earliest materials in this series show Prakash’s interest in architectural photography early in his career through photographs, slides, and negatives taken by him. These materials, dating from before 1970, show most prominently his projects, people, villages and cityscapes. Materials dating from after 1968 show Prakash’s move into academia and his solo architectural career. During this time, the records document Prakash’s research interests on subjects such as urbanization, Chandigarh, the Modular and the environment, through drawings, newspaper articles, government and committee reports, correspondence and presentation materials. Likewise, his teaching is recorded through overhead transparencies, drawings and notes. The series also shows Prakash’s involvement in the professional community, including event photographs, correspondence and records documenting conferences, events and his discussion group Our Get Togethers. Correspondence with architect Charles Correa and frequent letters between Prakash and writer Mulk Raj Anand are of note here. Apart from his architectural career, Prakash’s work as a modern artist is well recorded through drawings, sketchbooks, and photographic reproductions of his art, mostly dating from after 1980. His interest in art as well as his community involvement are documented through exhibition ephemera, correspondence, and exhibition reviews and writings on his artwork. His role as the president of the Lalit Kala Akademi is also documented through publications, event photographs and correspondence. Finally, Prakash’s involvement in theatre, specifically with his amateur theatre troop Abhinet, is captured through scripts, photographs of performances and play reviews.
Professional papers
Actions:
AP206.S3
Description:
The Professional papers series, circa 1950-2008, records the professional activities of Aditya Prakash throughout his career up until his death in 2008. His work in architecture, art, photography, academia and theatre are documented through textual records, drawings, photographic materials, ephemera, books, serials and sound recordings. The earliest materials in this series show Prakash’s interest in architectural photography early in his career through photographs, slides, and negatives taken by him. These materials, dating from before 1970, show most prominently his projects, people, villages and cityscapes. Materials dating from after 1968 show Prakash’s move into academia and his solo architectural career. During this time, the records document Prakash’s research interests on subjects such as urbanization, Chandigarh, the Modular and the environment, through drawings, newspaper articles, government and committee reports, correspondence and presentation materials. Likewise, his teaching is recorded through overhead transparencies, drawings and notes. The series also shows Prakash’s involvement in the professional community, including event photographs, correspondence and records documenting conferences, events and his discussion group Our Get Togethers. Correspondence with architect Charles Correa and frequent letters between Prakash and writer Mulk Raj Anand are of note here. Apart from his architectural career, Prakash’s work as a modern artist is well recorded through drawings, sketchbooks, and photographic reproductions of his art, mostly dating from after 1980. His interest in art as well as his community involvement are documented through exhibition ephemera, correspondence, and exhibition reviews and writings on his artwork. His role as the president of the Lalit Kala Akademi is also documented through publications, event photographs and correspondence. Finally, Prakash’s involvement in theatre, specifically with his amateur theatre troop Abhinet, is captured through scripts, photographs of performances and play reviews.
Level of archival description:
Series
Series
Date:
circa 1950-2008
circa 1950-2008
People:
Form:
articles
articles
Actions:
Issue:
Journeys and translation
Journeys and translation
Keyword(s):
Cucumber, Journeys: How travelling fruit, ideas and buildings rearrange our environment, Lev Bratishenko
Cucumber, Journeys: How travelling fruit, ideas and buildings rearrange our environment, Lev Bratishenko
Published:
26 February 2016
26 February 2016
Issue:
Journeys and translation
Journeys and translation
