Derek Sullivan: we may be standing on the shoulder of giants but some of us are looking at the stars
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Published to accompany the exhibition: "Derek Sullivan: We May Be Standing on the Shoulder of Giants but Some of Us Are Looking at the Stars", Southern Alberta Art Gallery, January 26 to March 2, 2008. Including an essay by Pamela Meredith.
February 2009, Alberta
Derek Sullivan: we may be standing on the shoulder of giants but some of us are looking at the stars
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Published to accompany the exhibition: "Derek Sullivan: We May Be Standing on the Shoulder of Giants but Some of Us Are Looking at the Stars", Southern Alberta Art Gallery, January 26 to March 2, 2008. Including an essay by Pamela Meredith.
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This publication accompanies the exhibition Silvia Kolbowski: Nothing and Everything, curated by Michèle Thériault and presented from January 29th to March 7th, 2009 at the Leonard & Bina Ellen Art Gallery, Concordia University.
March 2009, Montréal
Silvia Kolbowski: nothing and everything / rien et tout
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This publication accompanies the exhibition Silvia Kolbowski: Nothing and Everything, curated by Michèle Thériault and presented from January 29th to March 7th, 2009 at the Leonard & Bina Ellen Art Gallery, Concordia University.
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Cette quatrième édition de Mémemto regroupe les artistes en résidence à Est-Nord-Est de 2003 à 2007.
January 2008, Saint-Jean-Port-Joli
Mémemto iv: est-nord-est 2003-2006
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Cette quatrième édition de Mémemto regroupe les artistes en résidence à Est-Nord-Est de 2003 à 2007.
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Le livre reproduit recto verso 87 dessins de vautours réalisés par Rober Racine. On y retrouve deux essais : une réflexion de l’artiste, à la fois biographique, philosophique et poétique, sur le développement du motif du vautour dans son oeuvre et un essai de Louise Déry qui situe la portée de cette production dans l’oeuvre visuelle et littéraire de Rober Racine. La(...)
September 2011
Rober Racine: fantasmes fragiles
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Le livre reproduit recto verso 87 dessins de vautours réalisés par Rober Racine. On y retrouve deux essais : une réflexion de l’artiste, à la fois biographique, philosophique et poétique, sur le développement du motif du vautour dans son oeuvre et un essai de Louise Déry qui situe la portée de cette production dans l’oeuvre visuelle et littéraire de Rober Racine. La publication a été produite par la Galerie de l’UQAM pour accompagner la circulation internationale de Fantasmes fragiles, présentée en 2006 au Site Odéon °5 (Paris), au Musée d’art moderne et d’art contemporain de Nice, à La Nube di Oort (Rome) et à la Galerie de l’Ambassade du Canada à Tokyo. Cette publication a remporté un prix au concours Grafika 2007.
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Call Ampersand Response is a collaborative artwork made through an exchange of images via email. Between 2011 and 2017 Canadian artists Michael Dumontier and Micah Lexier conceived this activity as a way to share with each other their mutual interest in found images, line drawings and used books. The starting image was a circle on a rectangle; every subsequent image was(...)
September 2019
Michael Dumontier & Micah Lexier: Call Ampersand Response
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Call Ampersand Response is a collaborative artwork made through an exchange of images via email. Between 2011 and 2017 Canadian artists Michael Dumontier and Micah Lexier conceived this activity as a way to share with each other their mutual interest in found images, line drawings and used books. The starting image was a circle on a rectangle; every subsequent image was visually connected to the previous one. It was understood from the outset that they had to use images that could be scanned from physical items they already had at home (no images from the internet), such as children's books, technical manuals and assorted ephemera. The call-and-response nature of the enterprise can be appreciated in the pairs of facing pages that present themselves as you go through the book. This second edition, expanding on the Nieves edition of 2013, includes the entire project of 196 exchanges that make up Dumontier and Lexier's clever, competitive, meandering conversation.
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Risk Colour Book is the result of an encounter between two bodies of work, both involved with the concept of risk. Whether we are dealing with an inventory of toxic pigments and their possible secondary effects or with a performance recreating the moment when a pedestrian is struck by a car, Gustavo Artigas explores the various possible kinds of risk, disasters and(...)
September 2009, Montréal
Risk colour book: Gustavo Artigas
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Risk Colour Book is the result of an encounter between two bodies of work, both involved with the concept of risk. Whether we are dealing with an inventory of toxic pigments and their possible secondary effects or with a performance recreating the moment when a pedestrian is struck by a car, Gustavo Artigas explores the various possible kinds of risk, disasters and accidents. Through recording, repetition and the staging of action, Artigas exposes the fragility of the body, subjected to a cunningly latent violence.
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Through the Forest collects over 100 works, dating from 1978 to the present, that emphasize Graham's interpolations in cultural history—in the forms of appendices, bookmarks and exhibition devices in the style of Donald Judd. This monograph also premiers Graham's first incursion into painting.
May 2010
Rodney Graham: Through the forest
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Through the Forest collects over 100 works, dating from 1978 to the present, that emphasize Graham's interpolations in cultural history—in the forms of appendices, bookmarks and exhibition devices in the style of Donald Judd. This monograph also premiers Graham's first incursion into painting.
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À des kilomètres du vanity-show qui se pratique dans la profession, Éric Gauthier vu par Denis Bilodeau : Architecture, trame, index, c’est beaucoup plus qu’un simple survol, livré au public projet par projet, en ordre prévisible. Ici, le chercheur et l’architecte, accomplissant là un patient travail intellectuel et analytique, ont fouillé ensemble la matière pour(...)
June 2010
Éric Gauthier vu par/by Denis Bilodeau : architecture, trame/grid, index
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À des kilomètres du vanity-show qui se pratique dans la profession, Éric Gauthier vu par Denis Bilodeau : Architecture, trame, index, c’est beaucoup plus qu’un simple survol, livré au public projet par projet, en ordre prévisible. Ici, le chercheur et l’architecte, accomplissant là un patient travail intellectuel et analytique, ont fouillé ensemble la matière pour l’organiser différemment, sur le principe d’un index conçu par le commissaire.
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Publication du Centre Clark dans le cadre de l'exposition La Doublure présentée à la galerie de l'UQAM en 2012.
La doublure, Sébastien Cliche
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Publication du Centre Clark dans le cadre de l'exposition La Doublure présentée à la galerie de l'UQAM en 2012.
The chatter of culture
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Published in conjunction with an exhibition by Robyn Laba held May 26 - June 23, 2007, and an exhibition by Lorna Brown and David Zink Yi held April 7 - May 12, 2007, at Artspeak, Vancouver.
January 2008, Vancouver
The chatter of culture
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Published in conjunction with an exhibition by Robyn Laba held May 26 - June 23, 2007, and an exhibition by Lorna Brown and David Zink Yi held April 7 - May 12, 2007, at Artspeak, Vancouver.