Alice Neel: I am the century
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''Alice Neel: I Am the Century'' accompanies the first major retrospective in Italy dedicated to the US artist Alice Neel (1900–1984), presented by Pinacoteca Agnelli, Turin. Conceived as both a critical and a narrative journey, this publication offers an in-depth exploration of Neel's artistic and personal life, expanding on the exhibition through a rich selection of(...)
Contemporary Art Monographs
December 2025
Alice Neel: I am the century
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''Alice Neel: I Am the Century'' accompanies the first major retrospective in Italy dedicated to the US artist Alice Neel (1900–1984), presented by Pinacoteca Agnelli, Turin. Conceived as both a critical and a narrative journey, this publication offers an in-depth exploration of Neel's artistic and personal life, expanding on the exhibition through a rich selection of essays and visual material. Merging realism with surrealism and empathy with unflinching clarity, Neel captured the psychological and emotional depth of her sitters. The publication emphasizes her capacity to chronicle life's stages and relationships—childhood and adulthood, sexuality and intimacy, community and political consciousness—through works that continue to resonate with contemporary audiences. Positioning Neel as both artist and witness, ''I Am the Century'' underscores her enduring humanism and her singular vision of the "human comedy," offering readers a comprehensive entry point into a body of work that is still influencing new generations of artists.
Contemporary Art Monographs
Violent images
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Through the lens of various disciplines, ''Violent Images'' investigates the politics of visual violence and its potential to provoke, subvert, and transform social, political, and media discourses. The artists and scholars invited to contribute to this image-text publication discuss "The Whiteness of Silicon Valley's Digital Ecologies" (Stephanie Polsky); "Gender and(...)
Environment and environmental theory
November 2025
Violent images
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Through the lens of various disciplines, ''Violent Images'' investigates the politics of visual violence and its potential to provoke, subvert, and transform social, political, and media discourses. The artists and scholars invited to contribute to this image-text publication discuss "The Whiteness of Silicon Valley's Digital Ecologies" (Stephanie Polsky); "Gender and Violence in News Media and Photography" (Roland Bleiker and Emma Hutchison); transgressive image-making practices (Monica M. Haller), and more. All the contributors critically examine established and emerging visual concepts of violence, suggesting that our engagement with them is inherently political and more pressing than ever. Continuing Giulia Cordin and Eva Leitolf's exploration begun with ''Landscape with(out) Locus'', ''Violent Images'' explores the intricate relationship between visual culture and the social and economic conditions that influence and are influenced by it. It illustrates the need for a more critical and engaged approach to visual representation and communication in the context of local and global conflicts and crises.
Environment and environmental theory
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"Soft eyes", the late Henry Wessel once wrote in describing the way he went about looking for photographs, “is a physical sensation. You are not looking for something. You are open, receptive. At some point you are in front of something that you cannot ignore.” In this smart and tender act of homage, Wessel’s photographs (many of them previously unpublished) are combined(...)
Photography monographs
September 2025
Soft Eyes
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"Soft eyes", the late Henry Wessel once wrote in describing the way he went about looking for photographs, “is a physical sensation. You are not looking for something. You are open, receptive. At some point you are in front of something that you cannot ignore.” In this smart and tender act of homage, Wessel’s photographs (many of them previously unpublished) are combined with the work of two younger California photographers, Austin Leong and Adrian Martinez, and the resulting work is a surprising exploration of influence as well as a study of the sorts of connective tissue that provide a throughline in photography’s long and fascinating history of lineage. In some sense, "Soft Eyes" is a case of two photographers chasing a dead man’s shadows, but Leong and Martinez are both disciplined and devoted, and Wessel’s shadows are all over his old stomping grounds of Northern and Southern California, eternally pooling in expected and unexpected places and hiding in plain sight under the bleaching California sun.
Photography monographs
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Once hailed as icons of radical experimentation and creative ambition, the concrete structures of the mid-to-late 20th century, which have become a defining subject of Stefano Perego’s photographic exploration, continue to stir both admiration and debate. Through the scope of his lens, Perego invites readers to reflect on the era that has shaped these relics of visionary(...)
Concrete mon amour: The raw imprint of modernism
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Once hailed as icons of radical experimentation and creative ambition, the concrete structures of the mid-to-late 20th century, which have become a defining subject of Stefano Perego’s photographic exploration, continue to stir both admiration and debate. Through the scope of his lens, Perego invites readers to reflect on the era that has shaped these relics of visionary modernism and the ideals they embody. Whether celebrated landmarks or forgotten outliers, enduring symbols of artistic ingenuity or imposing expressions of misappropriated power, Concrete, mon amour unpacks the intricate narratives embedded in these architectural giants. It considers their paradoxical nature: raw yet deliberate, unadorned yet unapologetically evocative. By capturing their permanence in diverse settings—urban or remote, pristine or weathered—this book compels a deeper interrogation into what sustains their continued relevance—their sheer monumentality, the audacity of their forms, or the honesty of their materials. Ultimately, the significance of these once-revolutionary visions lies not in answers but in the questions they leave behind.
Brutalism
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This collaborative exploration invites us to pause and reconsider what truly shapes the spaces we inhabit. Rooted in the belief that domesticity is not a static setting for everyday life but a living and evolving experience, the book expands from the scope of the architectural lens. By reintroducing home as something felt, remembered, imagined, and continuously made, this(...)
Architectural Theory
March 2026
They asked me to design a house, I asked them to design a home
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This collaborative exploration invites us to pause and reconsider what truly shapes the spaces we inhabit. Rooted in the belief that domesticity is not a static setting for everyday life but a living and evolving experience, the book expands from the scope of the architectural lens. By reintroducing home as something felt, remembered, imagined, and continuously made, this publication tackles the issues of dwelling, belonging and shared living with architects, interior architects, educators, designers, and practitioners whose work touches on care, intimacy, and everyday rituals. Divided into two correlated parts- Reflections and Exercises- the book brings together twenty-one contributes including essays, conversations, and interactive exercises.While Reflections invites you on a journey through alternating perceptions and experiences of domestic life,Exercises opens a space to explore home yourself: not just as a concept, but as a personal, unfolding experience. Inherently tied to space. Closely connected to the decorative.A reminder of the presence of hospitality. A shared exercise in practicing domesticity.?
Architectural Theory
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Take Rem Koolhaas’s lauded new Seattle Public Library, and remove it from its context. Would it be as beautiful? Would it lose something of its meaning (not to mention the books off the shelves), if you picked it up and placed it elsewhere? Is it even possible for a building to have no relation whatsoever to the place where it is erected? Is it pointless to talk about(...)
Open house : towards a new architecture
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Take Rem Koolhaas’s lauded new Seattle Public Library, and remove it from its context. Would it be as beautiful? Would it lose something of its meaning (not to mention the books off the shelves), if you picked it up and placed it elsewhere? Is it even possible for a building to have no relation whatsoever to the place where it is erected? Is it pointless to talk about architecture as a pure intellectual enterprise, without grounding it in its surroundings? These are among the important questions raised by the German architecture scholar Florentine Sack in this exploration of the philosophical, aesthetic, and subjective links between a building and its environment. Drawing upon traditions as old as that of the Japanese house through models of classical Western modernism, she brings the notion of unity to bear on contemporary architecture, referring to exemplary buildings by Koolhaas, Herzog & de Meuron, Peter Zumthor, Kazuyo Sejima, Ryue Nishizawa, and many others.
Residential Architecture
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"20:21 - Emerging Hong Kong Architects" presents a spectrum of 20 architectural works from 20 Hong Kong architects selected from an open competition "Emerging Hong Kong Architects" organized by Hong Kong Institute of Architects in April 2003. Architects participating in the competition were asked to respond to 'architecture' amidst this complex 21st century where(...)
April 2005, Hong Kong
20:21 - Emerging Hong Kong architects
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"20:21 - Emerging Hong Kong Architects" presents a spectrum of 20 architectural works from 20 Hong Kong architects selected from an open competition "Emerging Hong Kong Architects" organized by Hong Kong Institute of Architects in April 2003. Architects participating in the competition were asked to respond to 'architecture' amidst this complex 21st century where multi-disciplinary frontiers are more obscure than ever, space topographies are transforming, and active hybridization is in the making. In the book, the architects write about their aspirations in their profession, present their views on architecture, and explore future scenarios; each of different modulations and sensibilities expressed in their own architectural language, and some articulated through the exploration process with various art forms. In a joint effort to navigate through the vista of architecture, this is the first publication from Hong Kong Institute of Architects bringing together a multitude of the established, the upcoming and the heretofore unknown young architects in Hong Kong. Publication in English and Chinese.
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From "Magic and myth-work to care and repair" is a two-part book bringing together fourteen essays broadly concerned with the "fiction of the self" and with practices and explorations beyond that fiction. Each part of the book approaches this theme from a different angle. The first part, entitled "On magic and myth-work," deals with practices of transformation and with(...)
From magic and myth-work to care and repair
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From "Magic and myth-work to care and repair" is a two-part book bringing together fourteen essays broadly concerned with the "fiction of the self" and with practices and explorations beyond that fiction. Each part of the book approaches this theme from a different angle. The first part, entitled "On magic and myth-work," deals with practices of transformation and with contemporary myth-making in relation to landscape, performance, and writing. The second part, “On Care and Repair,” gathers together essays that are more personal, but that also look to various technologies (or devices) of self-care alongside ideas of collaboration and the collective. Crucial throughout this exploration are questions of agency and self-narration, but also how these connect to larger issues around historical trauma, neoliberalism, and ecological crisis. The essays reference many other texts and fellow travellers, and also draw on the author's own experiences (and teaching) within various art and theory worlds, as well as with performance, magical practices, gaming, and Buddhism.
Art Theory
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"Interaction of color" is often presented as an overarching theory of color, but it is actually a method of learning how to better see and understand color—many of the color exercises illustrated in "Interaction of color" were devised by Albers’s students: cutting and pasting, looking, pondering, and learning. This workbook companion is a teaching tool designed to enable(...)
Interacting with color: A practical guide to Joself Alber's color experiments
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"Interaction of color" is often presented as an overarching theory of color, but it is actually a method of learning how to better see and understand color—many of the color exercises illustrated in "Interaction of color" were devised by Albers’s students: cutting and pasting, looking, pondering, and learning. This workbook companion is a teaching tool designed to enable readers to engage in the kinds of tactile creativity and exploration that characterized Albers’s own classroom. Focusing on eight of the most important lessons in "Interaction of color", this book invites readers to learn by doing, using only simple materials. Core instructions for each exercise are enhanced by additional tips, references to Albers’s original text and illustrations, and stories about how Albers presented the ideas in class. The book and exercises are sufficiently nuanced to challenge and inspire seasoned artists, designers, and educators while also being readily accessible to younger readers and less-experienced practitioners.
Colour Theory and Design
Women in revolt!
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''The Women in Revolt!'' exhibition book is a crucial exploration of the wealth and diversity of work by women artists working in the 1970s and 1980s during a period of seismic social and political change. Across a wide variety of mediums including painting, drawing, sculpture, performance, film and photography, this extensive exhibition catalogue reflects on how(...)
Women in revolt!
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''The Women in Revolt!'' exhibition book is a crucial exploration of the wealth and diversity of work by women artists working in the 1970s and 1980s during a period of seismic social and political change. Across a wide variety of mediums including painting, drawing, sculpture, performance, film and photography, this extensive exhibition catalogue reflects on how women's needs were marginalised within mainstream culture and reveals how artists used radical ideas and methods to confront issues that will resonate with contemporary audiences — from access to healthcare and class struggles to ecological disaster, racism and misogyny. Featuring essays on feminist film distribution, the visibility of Black and South Asian women artists, Section 28 and the AIDS pandemic, Greenham Common and the peace movement, and the intersection of punk, feminism and art, ''Women in Revolt!'' celebrates the full diversity of what was a highly creative, politically engaged and determined community of women that paved the way for future generations and, ultimately, changed the face of British culture.
Art Theory