Smokehouse Associates
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Between 1968 and 1970, the artist collective Smokehouse Associates transformed Harlem with vibrant, community-oriented abstract murals and sculptures. Established by William T. Williams and including Melvin Edwards, Guy Ciarcia, and Billy Rose, Smokehouse grew to encompass a range of creative practitioners united around the revolutionary potential of public(...)
September 2022
Smokehouse Associates
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$69.95
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Between 1968 and 1970, the artist collective Smokehouse Associates transformed Harlem with vibrant, community-oriented abstract murals and sculptures. Established by William T. Williams and including Melvin Edwards, Guy Ciarcia, and Billy Rose, Smokehouse grew to encompass a range of creative practitioners united around the revolutionary potential of public art. Published over fifty years after the collective’s founding, this volume offers the first critical examination of the group’s work. With previously unpublished images and ephemera and a rich chronology, it serves as a sourcebook that expands the narrative of public art and social practice in the United States to include the contributions of artists of African descent.
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With this latest book Absalon Kirkeby presents a range of image types as seen through the extended eye, accessing a state of intimate reality riddled with meaning. X-rays, objects turned into patterns, machines, traces and signs, luminous red, yellow and blue, doors and urban sites all create a sense and narrative of a place that elucidates something revelatory. Kirkeby(...)
Absalon Kirkeby: Still fantasy
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With this latest book Absalon Kirkeby presents a range of image types as seen through the extended eye, accessing a state of intimate reality riddled with meaning. X-rays, objects turned into patterns, machines, traces and signs, luminous red, yellow and blue, doors and urban sites all create a sense and narrative of a place that elucidates something revelatory. Kirkeby employs digitally manipulated photography to engage the quotidian with a surreal and dreamlike gaze, evoking artificial experiences of physical gestures and tactility through means of mediation and abstraction. The work highlights themes on the opacity and complex experience of life today, offering subtle comments on contemporary society.
Photography monographs
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The now-legendary 1975 New Topographics show represented a true "seismic shift" in American landscape photography, moving past the romantic legacy of Ansel Adams and Edward Weston to the minimalist-influenced work typified by Lewis Baltz and Joe Deal. This catalog of 2011's Seismic Shift exhibition offers a comprehensive narrative of California photographic history made(...)
Seismic shift : Lewis Baltz, Joe Deal and California Landscape photography, 1944-1984
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The now-legendary 1975 New Topographics show represented a true "seismic shift" in American landscape photography, moving past the romantic legacy of Ansel Adams and Edward Weston to the minimalist-influenced work typified by Lewis Baltz and Joe Deal. This catalog of 2011's Seismic Shift exhibition offers a comprehensive narrative of California photographic history made by the 43 featured artists; it includes 58 reproductions (mostly black-and-white) and essays by curator Colin Westerbeck, photographic historian Susan Laxton and regionalist Jason Weems. The exhibition is one of over 60 funded by the Getty Research Institute's initiative looking at Southern California art 1945-1980, called Pacific Standard Time.
Photography Collections
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By tracing the history of manipulated photography from the earliest days of the medium to the release of Photoshop 1.0 in 1990, Mia Fineman offers a corrective to the dominant narrative of photography's development, in which champions of photographic "purity," such as Paul Strand, Edward Weston, and Henri Cartier-Bresson, get all the glory, while devotees of manipulation,(...)
Faking it: manipulated photography before photoshop
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By tracing the history of manipulated photography from the earliest days of the medium to the release of Photoshop 1.0 in 1990, Mia Fineman offers a corrective to the dominant narrative of photography's development, in which champions of photographic "purity," such as Paul Strand, Edward Weston, and Henri Cartier-Bresson, get all the glory, while devotees of manipulation, including Henry Peach Robinson, Edward Steichen, and John Heartfield, are treated as conspicuous anomalies. Among the techniques discussed on these pages--abundantly illustrated with works from an international array of public and private collections--are multiple exposure, combination printing, photomontage, composite portraiture, over-painting, hand coloring, and retouching.
Theory of Photography
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The Swedish artist couple Mamma Andersson and Jockum Nordstrom have been at the forefront of contemporary figurative painting since the late 1980s. Updating Vuillard for a post-Hitchcock age, Andersson paints beguilingly eerie untenanted interiors and landscapes. Nordstrom's detailed collages, paintings and drawings occupy a more folkloric realm peopled by historical and(...)
Mamma Andersson and Jockum Nordstrum: who is sleeping on my pillow
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The Swedish artist couple Mamma Andersson and Jockum Nordstrom have been at the forefront of contemporary figurative painting since the late 1980s. Updating Vuillard for a post-Hitchcock age, Andersson paints beguilingly eerie untenanted interiors and landscapes. Nordstrom's detailed collages, paintings and drawings occupy a more folkloric realm peopled by historical and contemporary characters enacting sexual and social roles across broad narrative panoramas. This publication showcases Andersson and Nordstrom's work from the late 1980s to the present day in over 200 full-color plates. Alongside these, it also includes family snapshots and source materials, a poem by Stig Claesson and an interview with Nordstrom by Marcel Dzama.
Contemporary Art Monographs
Knoll: A modernist universe
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The history of Knoll is the history of modern design. Founded in 1938 by Hans Knoll and joined by his wife, Florence Knoll, the company is credited for bringing European modern design to America. Throughout its history Knoll has been at the forefront of cutting-edge design, the first company to produce Mies van der Rohe’s and Marcel Breuer’s tubular furniture for a(...)
Knoll: A modernist universe
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The history of Knoll is the history of modern design. Founded in 1938 by Hans Knoll and joined by his wife, Florence Knoll, the company is credited for bringing European modern design to America. Throughout its history Knoll has been at the forefront of cutting-edge design, the first company to produce Mies van der Rohe’s and Marcel Breuer’s tubular furniture for a receptive domestic market, making Bauhaus ideals a reality to an American audience. More recently Knoll has produced instant classics from Frank Gehry and Richard Meier. Comprehensive in narrative and scope, this monograph presents images and texts on furniture, furnishings, systems, and graphics.
Industrial Design
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This new volume showcases the thrilling circus photography of the American photographer Frederick W. Glasier, who photographed the circus during its 1890-1925 heyday. Now considered as masterful a chronicler of time and place as his contemporaries Atget and Sander, Glasier made photos which bring the three-ring pageant of the circus to life with an irresistible narrative(...)
Circus : the photographs of Frederick W. Glasier
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This new volume showcases the thrilling circus photography of the American photographer Frederick W. Glasier, who photographed the circus during its 1890-1925 heyday. Now considered as masterful a chronicler of time and place as his contemporaries Atget and Sander, Glasier made photos which bring the three-ring pageant of the circus to life with an irresistible narrative rhythm. With 73 gloriously reproduced images from the 1,700 glass plate negatives from the collections of the John & Mable Ringling Museum of Art at Florida State University, informative anecdotal captions by the circus historian (and co-editor of this volume) Deborah Walk, and a fascinating essay by Luc Sante.
Photography monographs
books
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A photograph of an image of a woman with a triangular slice where her eyes should be, a two-page aerial shot of a forest, a train coming straight at us: Bertrand Fleuret's artist's book Landmasses and Railways juxtaposes such enigmatic and striking black-and-white images to create a pleasantly unsettling, difficult-to-decipher narrative. Edited by photographer Jason(...)
Bertrand Fleuret landmasses and railways
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A photograph of an image of a woman with a triangular slice where her eyes should be, a two-page aerial shot of a forest, a train coming straight at us: Bertrand Fleuret's artist's book Landmasses and Railways juxtaposes such enigmatic and striking black-and-white images to create a pleasantly unsettling, difficult-to-decipher narrative. Edited by photographer Jason Fulford, whose own influential publications are helping to define a new generation of photobooks, this exquisitely designed 200-page volume is dreamlike, taking us on a journey through rural and urban landscapes, construction and decay, chaos and clarity. Bertrand Fleuret, currently based in Berlin, was born in Versailles in 1969.
books
November 2009
Photography monographs
Nobuyoshi Araki: road
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For this series, Nobuyoshi Araki photographed the same street corner from his second-storey window during daylight hours and through every season of the year. In so doing, he diligently transfers the slow-paced life of a quiet Japanese neighbourhood into image form. The narrative that unfolds is one of schoolchildren walking home alone or in groups, men and women with(...)
Nobuyoshi Araki: road
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For this series, Nobuyoshi Araki photographed the same street corner from his second-storey window during daylight hours and through every season of the year. In so doing, he diligently transfers the slow-paced life of a quiet Japanese neighbourhood into image form. The narrative that unfolds is one of schoolchildren walking home alone or in groups, men and women with office jobs hurrying to work, utility and delivery trucks, mothers with strollers, loitering grandmothers, joggers, bicycles, dogs, umbrellas, and much more. Sometimes the sun shines, or the pavement is wet, while at other times the street is filled with snow. In short, it is a hypnotic portrait of the everyday.
Photography monographs
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High modernism is now as far from us as antiquity was for the Renaissance. Such is the premise of Fredric Jameson’s major new work in which modernist works, this time in painting (Rubens) and music (Wagner and Mahler), are pitted against late-modernist ones (in film) as well as a variety of postmodern experiments (from SF to The Wire, from “Eurotrash” in opera to Altman(...)
The ancients and the postmoderns: on the historicity of forms
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High modernism is now as far from us as antiquity was for the Renaissance. Such is the premise of Fredric Jameson’s major new work in which modernist works, this time in painting (Rubens) and music (Wagner and Mahler), are pitted against late-modernist ones (in film) as well as a variety of postmodern experiments (from SF to The Wire, from “Eurotrash” in opera to Altman and East German literature): all of which attempt, in their different ways, to invent new forms to grasp a specific social totality. Throughout the historical periods, argues Jameson, the question of narrative persists through its multiple formal changes and metamorphoses
Critical Theory