Michael Gessner: Masse
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Michael Gessner’s Masse sheds sharp new light on the signifiers of surveillance embedded in everyday life. Conceived as a sociological exploration of mass behaviour in the digital age, the photo book invites contemplation on the myriad ways in which individuals are monitored – and in which they monitor themselves – as they transition through the blurred boundaries between(...)
Michael Gessner: Masse
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Michael Gessner’s Masse sheds sharp new light on the signifiers of surveillance embedded in everyday life. Conceived as a sociological exploration of mass behaviour in the digital age, the photo book invites contemplation on the myriad ways in which individuals are monitored – and in which they monitor themselves – as they transition through the blurred boundaries between the digital and the physical. Scattered throughout, a series of six abstract works depicts shards of a circuit board splintering into ever smaller fragments – as traces of the surveillance society come into focus, so too does the digital copy of the self become increasingly nuanced. Across Gessner’s works, the restrained seduction of his visual language, executed with unfaltering precision, contrasts starkly with the complexity of the subject his camera examines. Lured into a conceptual panopticon, the viewer looks in from the edge and gazes out from the centre of the mass; at once the observer and the observed.
Photography monographs
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Alone Street brings together two major bodies of work by Gregory Crewdson, Cathedral of the Pines (Aperture, 2016) and An Eclipse of Moths (Aperture, 2020), in a single, elegant, and affordable monograph. Both series expand on the artist’s obsessive exploration of the psychogeography of small-town, post-industrial New England and underscore the precision and depth of(...)
Gregory Crewdson: Alone street
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Alone Street brings together two major bodies of work by Gregory Crewdson, Cathedral of the Pines (Aperture, 2016) and An Eclipse of Moths (Aperture, 2020), in a single, elegant, and affordable monograph. Both series expand on the artist’s obsessive exploration of the psychogeography of small-town, post-industrial New England and underscore the precision and depth of Crewdson’s unique mode of photographic storytelling. In each image, light, color, and carefully crafted scenography evoke the feeling that, as art historian Alexander Nemerov has astutely described, “all that ever happened in these places seems crystallized in his tableaux, as if the quiet melancholy of Crewdson’s scenes gathered the unruly sorrows and other little-guessed feelings of people long-gone who once stood on those spots.” In addition to the full set of images from each series, Alone Street, presents a selection of behind-the-scenes images and storyboards, revealing the extensive preparation and planning that went into the making of each work.
Photography monographs
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This publication presents a compilation of photographs from African diasporic culture. With over one hundred works by Black artists from Canada, the Caribbean, Great Britain, the United States, South America, as well as throughout the African continent, this volume provides a timely exploration of Black identity on both sides of the Atlantic. Drawn from Dr. Kenneth(...)
Photography Collections
November 2021
As we rise: Photography from the Black Atlantic
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This publication presents a compilation of photographs from African diasporic culture. With over one hundred works by Black artists from Canada, the Caribbean, Great Britain, the United States, South America, as well as throughout the African continent, this volume provides a timely exploration of Black identity on both sides of the Atlantic. Drawn from Dr. Kenneth Montague’s Wedge Collection in Toronto—a Black-owned collection dedicated to artists of African descent—this book looks at the multifaceted ideas of Black life through the lenses of community, identity, and power. Artists such as Stan Douglas, LaToya Ruby Frazier, Barkley L. Hendricks, Texas Isaiah, Liz Johnson Artur, Seydou Keïta, Deana Lawson, Jamel Shabazz, and Carrie Mae Weems, touch on themes of agency, beauty, joy, belonging, subjectivity, and self-representation. Writings by Isolde Brielmaier, Ugochukwu-Smooth C. Nzewi, Mark Sealy, Teka Selman, and Deborah Willis among others provide insight and commentary on this monumental collection.
Photography Collections
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This is the first monograph on the life and work of the Czech born British architect Kaplicky (1937–2009). It is a fully comprehensive work based on a decade of research and is a distinctive portrait of one of the most distinguished architects and designers of the 20th and 21st centuries. At the same time it is an exploration into historical events, which influenced a(...)
Jan Kaplicky: For the future and for beauty
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This is the first monograph on the life and work of the Czech born British architect Kaplicky (1937–2009). It is a fully comprehensive work based on a decade of research and is a distinctive portrait of one of the most distinguished architects and designers of the 20th and 21st centuries. At the same time it is an exploration into historical events, which influenced a number of talented artists, writers and designers, some of whom were forced, like Kaplicky, to emigrate from Czechoslovakia in order to expand their skills and search for beauty through living in freedom in democratic countries. After immigrating to the United Kingdom in 1968, Kaplicky applied his imagination and diligence and enhanced his skills and aptitude, gaining admiration and respect following the co-founding of the innovative Future Systems studio in 1979. With his wide-ranging architectural and design œuvre Kaplicky affirmed greatness of his immense talent and ability.
Architecture Monographs
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From the creator of Paper Pilot and Paper Captain, Paper Astronaut is a beautifully illustrated voyage into deep space, combining stunning archival photographs and colorful technical drawings with expertly designed die-cut models that readers can actually cut out and assemble. Published for the fortieth anniversary of the moon landing in 1969—and introduced by Buzz(...)
Paper astronaut: paper spacecraft mission manual
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From the creator of Paper Pilot and Paper Captain, Paper Astronaut is a beautifully illustrated voyage into deep space, combining stunning archival photographs and colorful technical drawings with expertly designed die-cut models that readers can actually cut out and assemble. Published for the fortieth anniversary of the moon landing in 1969—and introduced by Buzz Aldrin—the book includes histories of twenty feats of aeronautic engineering drawn from half a century of space programs around the world, from Apollo 11 to the Soviet space station Mir and China’s Shenzou 7 capsule, and featuring the most iconic designs of fifty years of space exploration. Each spacecraft is accompanied by amazing stories, fascinating facts and statistics about the universe around them, and mesmerizing photographs of the vessels in space. Sixty-four pages of the book are devoted to finely crafted die-cut paper models of the featured rockets, presented with clear instructions for assembly and helpful advice for deploying your galactic fleet.
activity books
Photography and Italy
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Photography and Italy traces the history of photography in Italy from its beginnings to the present as she guides us through the history of Italy and its ancient sites and Renaissance landmarks. Pelizzari specifically considers the role of photography in the formation of Italian national identity during times of political struggle, such as the lead up to Unification in(...)
Photography and Italy
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Photography and Italy traces the history of photography in Italy from its beginnings to the present as she guides us through the history of Italy and its ancient sites and Renaissance landmarks. Pelizzari specifically considers the role of photography in the formation of Italian national identity during times of political struggle, such as the lead up to Unification in 1860, and later in the nationalist wars of Mussolini’s regime. While many Italians and foreigners— such as Fratelli Alinari or Carlo Ponti, John Ruskin or Kit Talbot—focused their lenses on architectural masterpieces, others documented the changing times and political heroes, creating icons of figures such as Garibaldi and the brigands. Pelizzari’s exploration of Italian visual traditions also includes the photographic collages of Bruno Munari, the neorealist work of photographers such as Franco Pinna, the bold stylized compositions of Mario Giacomelli, and the controversial images created by Oliviero Toscani for Benetton advertising in the 1980s.
Photography monographs
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In this book Michael Fried considers the work of four contemporary artists--video artist and photographer Anri Sala, sculptor Charles Ray, painter Joseph Marioni, and video artist and intervener in movies Douglas Gordon. He shows how their respective projects are best understood as engaging in a variety of ways with some of the core themes and issues associated with high(...)
Four honest outlaws: Sala, Ray, Marioni, Gordon
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In this book Michael Fried considers the work of four contemporary artists--video artist and photographer Anri Sala, sculptor Charles Ray, painter Joseph Marioni, and video artist and intervener in movies Douglas Gordon. He shows how their respective projects are best understood as engaging in a variety of ways with some of the core themes and issues associated with high modernism, and indeed with its prehistory in French painting and art criticism from Diderot on. 'Four Honest Outlaws' thus continues the author's exploration of the critical and philosophical territory opened up by his earlier book, 'Why Photography Matters as Art as Never Before.' It presents a vision of the most important contemporary art as not only not repudiating modernism in the name of postmodernism in any of the latter's many forms and manifestations, but also actually as committed to dialectically renewing certain crucial qualities and values that modernism and premodernism brought to the fore, above all those of presentness and anti-theatricality.
Art Theory
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In World’s Fair Gardens, Cathy Jean Maloney offers an exploration of the gardens and grounds of America’s nineteenth- and early-twentieth-century world’s fairs. Maloney describes the landscapes of nine of America’s great fairs from the 1876 Centennial Exhibition in Philadelphia to the 1940 World’s Fair of Tomorrow in New York, many of whose legacies are still evident. (...)
World's Fair gardens: shaping American landscapes
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In World’s Fair Gardens, Cathy Jean Maloney offers an exploration of the gardens and grounds of America’s nineteenth- and early-twentieth-century world’s fairs. Maloney describes the landscapes of nine of America’s great fairs from the 1876 Centennial Exhibition in Philadelphia to the 1940 World’s Fair of Tomorrow in New York, many of whose legacies are still evident. The fairs also created an arena for intense competition among nations. Foreign plant introductions included English rhododendrons in Philadelphia, Mexican cacti in New Orleans, and Japanese gardens at nearly all the fairs, a feat considering the formidable challenge of shipping live plants great distances in those times. Maloney also explores innovations from the "glazeless putty system" greenhouse in 1884 and cold storage systems in 1904 to modernistic glass fences in 1940. Complete with more than 50 color and 70 black-and-white illustrations, World’s Fair Gardens will appeal to historians, gardeners, urban planners, landscape architects, public park advocates, preservationists, and anyone interested in the history of these global festivals.
Gardens
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Detroit 1968 was first published in 1972 under the title New American People, and was the subject of Enrico Natali's 1969 solo exhibition at the Art Institute of Chicago. In his introduction to the 1972 edition, Hugh Edwards, former Curator of Photography at the Art Institute of Chicago, wrote: "All the photographs in the present collection were taken in 1967-1970 in(...)
Detroit 1968 : photographs by Enrico Natali
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Detroit 1968 was first published in 1972 under the title New American People, and was the subject of Enrico Natali's 1969 solo exhibition at the Art Institute of Chicago. In his introduction to the 1972 edition, Hugh Edwards, former Curator of Photography at the Art Institute of Chicago, wrote: "All the photographs in the present collection were taken in 1967-1970 in Detroit, which in no way restricts their presentation as a brief of how Americans look and live today. These scenes and incidents might have occurred anywhere in the United States in this time when regional characteristics are disappearing ... this is a view of a situation and condition, not a localization." Forty years later, we can now also appreciate the specificity of Natali's subject, as this body of work presents an insightful exploration of Detroit when it was on the cusp of losing half of its inhabitants, along with its status as America's industrial capital.
Photography monographs
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Bucky Inc. offers a deep exploration of Richard Buckminster Fuller’s work and thought to shed new light on the questions raised by our increasingly electronic world. It shows that Fuller’s entire career was a multi-dimensional reflection on the architecture of radio. He always insisted that the real site of architecture is the electromagnetic spectrum. His buildings were(...)
Buckminster Fuller inc.: architecture in the age of radio
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Bucky Inc. offers a deep exploration of Richard Buckminster Fuller’s work and thought to shed new light on the questions raised by our increasingly electronic world. It shows that Fuller’s entire career was a multi-dimensional reflection on the architecture of radio. He always insisted that the real site of architecture is the electromagnetic spectrum. His buildings were delicate mobile instruments for accessing the invisible universe of overlapping signals. Every detail was understood as a way of tuning into hidden waves. Architecture was built in, with, for and as radio. Bucky Inc. rethinks the legacy of one of the key protagonists of the twentieth-century. It draws extensively on Fuller’s archive to follow his radical thinking from toilets to telepathy, plastic to prosthetics, and data to deep-space. It shows how the critical arguments and material techniques of arguably the single most exposed designer of the last century were overlooked at the time but have become urgently relevant today.
Architecture Monographs