8421 Results
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books
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Digital media–GIFs, films, TED Talks, tweets, and more–have become integral to daily life and, unsurprisingly, to Indigenous people’s strategies for addressing the historical and ongoing effects of colonization. In this volume, Thomas DuBois and Coppélie Cocq examine how Sámi people of Norway, Finland, and Sweden use media to advance a social, cultural, and political(...)
$45.00
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Summary:
Digital media–GIFs, films, TED Talks, tweets, and more–have become integral to daily life and, unsurprisingly, to Indigenous people’s strategies for addressing the historical and ongoing effects of colonization. In this volume, Thomas DuBois and Coppélie Cocq examine how Sámi people of Norway, Finland, and Sweden use media to advance a social, cultural, and political(...)
Title:
Sámi media and Indigenous agency in the Arctic North
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Digital media–GIFs, films, TED Talks, tweets, and more–have become integral to daily life and, unsurprisingly, to Indigenous people’s strategies for addressing the historical and ongoing effects of colonization. In this volume, Thomas DuBois and Coppélie Cocq examine how Sámi people of Norway, Finland, and Sweden use media to advance a social, cultural, and political agenda anchored in notions of cultural continuity and self-determination. Beginning in the 1970s, Sámi have used Sámi-language media—including commercially produced musical recordings, feature and documentary films, books of literature and poetry, and magazines—to communicate a sense of identity both within the Sámi community and within broader Nordic and international arenas. In more contemporary contexts, Sámi activists, artists, and cultural workers have used the media to undo layers of ignorance surrounding Sámi livelihoods and rights to self-determination. Downloadable songs, music festivals, films, videos, social media posts, images, and tweets are just some of the diverse media through which Sámi activists transform how Nordic majority populations view and understand Sámi minority communities and, more globally, how modern states regard and treat Indigenous populations.
Sámi media and Indigenous agency in the Arctic North
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Summary:
Digital media–GIFs, films, TED Talks, tweets, and more–have become integral to daily life and, unsurprisingly, to Indigenous people’s strategies for addressing the historical and ongoing effects of colonization. In this volume, Thomas DuBois and Coppélie Cocq examine how Sámi people of Norway, Finland, and Sweden use media to advance a social, cultural, and political agenda anchored in notions of cultural continuity and self-determination. Beginning in the 1970s, Sámi have used Sámi-language media—including commercially produced musical recordings, feature and documentary films, books of literature and poetry, and magazines—to communicate a sense of identity both within the Sámi community and within broader Nordic and international arenas. In more contemporary contexts, Sámi activists, artists, and cultural workers have used the media to undo layers of ignorance surrounding Sámi livelihoods and rights to self-determination. Downloadable songs, music festivals, films, videos, social media posts, images, and tweets are just some of the diverse media through which Sámi activists transform how Nordic majority populations view and understand Sámi minority communities and, more globally, how modern states regard and treat Indigenous populations.
Form:
books
books
Publication:
May 2020
May 2020
Subject:
Social
Social
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books
books
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Description:
xv, 205 pages, 96 unnumbered pages of plates : illustrations ; 20 cm
Description:
xv, 205 pages, 96 unnumbered pages of plates : illustrations ; 20 cm
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Berlin : Sternberg Press, [2015], ©2015
Berlin : Sternberg Press, [2015], ©2015
Title:
Black transparency : the right to know in the age of mass surveillance / Metahaven.
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xv, 205 pages, 96 unnumbered pages of plates : illustrations ; 20 cm
Black transparency : the right to know in the age of mass surveillance / Metahaven.
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xv, 205 pages, 96 unnumbered pages of plates : illustrations ; 20 cm
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books
books
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Berlin : Sternberg Press, [2015], ©2015
Berlin : Sternberg Press, [2015], ©2015
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books
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282 pages : illustrations (some color) ; 29 cm
Description:
282 pages : illustrations (some color) ; 29 cm
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[Cambridge, Ontario] : Riverside Architectural Press, [2014], ©2014
[Cambridge, Ontario] : Riverside Architectural Press, [2014], ©2014
Title:
ACADIA 2014 design agency projects : projects of the 34th Annual Conference of the Association for Computer Aided Design in Architecture, October 23-25, 2014, Los Angeles, California / editors, David Gerber (University of Southern California), Alvin Huang (University of Southern California), Jose Sanchez (University of Southern California).
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282 pages : illustrations (some color) ; 29 cm
ACADIA 2014 design agency projects : projects of the 34th Annual Conference of the Association for Computer Aided Design in Architecture, October 23-25, 2014, Los Angeles, California / editors, David Gerber (University of Southern California), Alvin Huang (University of Southern California), Jose Sanchez (University of Southern California).
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282 pages : illustrations (some color) ; 29 cm
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books
books
Publication:
[Cambridge, Ontario] : Riverside Architectural Press, [2014], ©2014
[Cambridge, Ontario] : Riverside Architectural Press, [2014], ©2014
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Form:
audio
audio
Title:
A Girl is a Gun.
A Girl is a Gun.
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1 online resource.
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[Place of publication not identified] : Disintegrator, 2025.
[Place of publication not identified] : Disintegrator, 2025.
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audio
audio
Publication:
[Place of publication not identified] : Disintegrator, 2025.
[Place of publication not identified] : Disintegrator, 2025.
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books
books
Title:
ECCOS.
ECCOS.
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1 online resource
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[Place of publication not identified] : Rhizome, 2013.
[Place of publication not identified] : Rhizome, 2013.
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books
books
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[Place of publication not identified] : Rhizome, 2013.
[Place of publication not identified] : Rhizome, 2013.
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books
books
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$28.95
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Summary:
How do we think?” N. Katherine Hayles poses this question at the beginning of this bracing exploration of the idea that we think through, with, and alongside media. As the age of print passes and new technologies appear every day, this proposition has become far more complicated, particularly for the traditionally print-based disciplines in the humanities and qualitative(...)
$28.95
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Summary:
How do we think?” N. Katherine Hayles poses this question at the beginning of this bracing exploration of the idea that we think through, with, and alongside media. As the age of print passes and new technologies appear every day, this proposition has become far more complicated, particularly for the traditionally print-based disciplines in the humanities and qualitative(...)
Title:
How we think : digital media and contemporary technogenesis
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Summary:
How do we think?” N. Katherine Hayles poses this question at the beginning of this bracing exploration of the idea that we think through, with, and alongside media. As the age of print passes and new technologies appear every day, this proposition has become far more complicated, particularly for the traditionally print-based disciplines in the humanities and qualitative social sciences. With a rift growing between digital scholarship and its print-based counterpart, Hayles argues for contemporary technogenesis — the belief that humans and technics are coevolving — and advocates for what she calls comparative media studies, a new approach to locating digital work within print traditions and vice versa.
How we think : digital media and contemporary technogenesis
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$28.95
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Summary:
How do we think?” N. Katherine Hayles poses this question at the beginning of this bracing exploration of the idea that we think through, with, and alongside media. As the age of print passes and new technologies appear every day, this proposition has become far more complicated, particularly for the traditionally print-based disciplines in the humanities and qualitative social sciences. With a rift growing between digital scholarship and its print-based counterpart, Hayles argues for contemporary technogenesis — the belief that humans and technics are coevolving — and advocates for what she calls comparative media studies, a new approach to locating digital work within print traditions and vice versa.
Form:
books
books
Publication:
May 2012
May 2012
Subject:
Epistemology
Epistemology
Form:
audio
audio
Description:
1 online resource.
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Subject:
Publication:
[Place of publication not identified] : Aksioma Institute for Contemporary Art, 2024.
[Place of publication not identified] : Aksioma Institute for Contemporary Art, 2024.
Title:
(un)real data: Could We Stop Reproducing a Deepfake Past?.
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1 online resource.
(un)real data: Could We Stop Reproducing a Deepfake Past?.
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1 online resource.
Form:
audio
audio
Publication:
[Place of publication not identified] : Aksioma Institute for Contemporary Art, 2024.
[Place of publication not identified] : Aksioma Institute for Contemporary Art, 2024.
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audio
audio
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1 online resource.
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[Place of publication not identified] : Raven Row, 2016.
[Place of publication not identified] : Raven Row, 2016.
Title:
The Inoperative Community - Dan Kidner and Leslie Thornton in Conversation.
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1 online resource.
The Inoperative Community - Dan Kidner and Leslie Thornton in Conversation.
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1 online resource.
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audio
audio
Publication:
[Place of publication not identified] : Raven Row, 2016.
[Place of publication not identified] : Raven Row, 2016.
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books
books
Title:
The 2011 Pritzker Architecture Prize : Eduardo Souto De Moura / edited by Joana de Mira Corrêa.
The 2011 Pritzker Architecture Prize : Eduardo Souto De Moura / edited by Joana de Mira Corrêa.
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271 pages : color illustrations, plans ; 30 cm
Description:
271 pages : color illustrations, plans ; 30 cm
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Publication:
Hong Kong : Design Media Publishing Ltd., 2011, ©2010.
Hong Kong : Design Media Publishing Ltd., 2011, ©2010.
Title:
The 2011 Pritzker Architecture Prize : Eduardo Souto De Moura / edited by Joana de Mira Corrêa.
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271 pages : color illustrations, plans ; 30 cm
The 2011 Pritzker Architecture Prize : Eduardo Souto De Moura / edited by Joana de Mira Corrêa.
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271 pages : color illustrations, plans ; 30 cm
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books
books
Publication:
Hong Kong : Design Media Publishing Ltd., 2011, ©2010.
Hong Kong : Design Media Publishing Ltd., 2011, ©2010.
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books
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$37.50
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Summary:
Art, Culture, and Media Under the Third Reich explores the ways in which Nazi Germany used art and media to portray their country as a champion of Kultur and civilization. Rather than focusing strictly on the role of the arts in state-supported propaganda as other studies do, this volume reveals how multiple domains of cultural activity served to conceptually dehumanize(...)
$37.50
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Summary:
Art, Culture, and Media Under the Third Reich explores the ways in which Nazi Germany used art and media to portray their country as a champion of Kultur and civilization. Rather than focusing strictly on the role of the arts in state-supported propaganda as other studies do, this volume reveals how multiple domains of cultural activity served to conceptually dehumanize(...)
Title:
Art, culture, and media under the Third Reich
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Summary:
Art, Culture, and Media Under the Third Reich explores the ways in which Nazi Germany used art and media to portray their country as a champion of Kultur and civilization. Rather than focusing strictly on the role of the arts in state-supported propaganda as other studies do, this volume reveals how multiple domains of cultural activity served to conceptually dehumanize Jews and other groups, sowing the psychological seeds for the Holocaust to come. Topics covered by the essays range from the design of the Nuremberg Party Rally Grounds to Nazi experiments with radio. Contributors address nearly every facet of the arts and mass media under the Third Reich-efforts to define degenerate music; the promotion of race hatred and warfare through film, architecture, and public assemblies; visual iconography and style; views of the racially ideal garden and landscape; portrayal and reception of art and culture abroad; the treatment of exiled artists; and issues of territory, conquest, and cult. Anyone studying the history of Nazi Germany or the role of the arts in nationalist projects will benefit from this book.
Art, culture, and media under the Third Reich
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$37.50
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Summary:
Art, Culture, and Media Under the Third Reich explores the ways in which Nazi Germany used art and media to portray their country as a champion of Kultur and civilization. Rather than focusing strictly on the role of the arts in state-supported propaganda as other studies do, this volume reveals how multiple domains of cultural activity served to conceptually dehumanize Jews and other groups, sowing the psychological seeds for the Holocaust to come. Topics covered by the essays range from the design of the Nuremberg Party Rally Grounds to Nazi experiments with radio. Contributors address nearly every facet of the arts and mass media under the Third Reich-efforts to define degenerate music; the promotion of race hatred and warfare through film, architecture, and public assemblies; visual iconography and style; views of the racially ideal garden and landscape; portrayal and reception of art and culture abroad; the treatment of exiled artists; and issues of territory, conquest, and cult. Anyone studying the history of Nazi Germany or the role of the arts in nationalist projects will benefit from this book.
Form:
books
books
Publication:
October 2002, Chicago
October 2002, Chicago
Subject:
Architectural Theory
Architectural Theory
