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The renaissance of wood in architecture began in the early 1990s following the Earth Summit in Rio de Janeiro. A lively interest in sustainable materials made wood particularly attractive and it became an important feature in the developing global ecology. Wood as a building material for the home has become independent from the aesthetic designs of a well-known Swedish(...)
Wood houses : spaces for contemporary living and working
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The renaissance of wood in architecture began in the early 1990s following the Earth Summit in Rio de Janeiro. A lively interest in sustainable materials made wood particularly attractive and it became an important feature in the developing global ecology. Wood as a building material for the home has become independent from the aesthetic designs of a well-known Swedish furniture chain, and it now stands for a healthy interior environment, free of harmful toxic substances, with naturally balanced humidity and comfortable, regulated temperatures. This volume documents in full technical detail some 25 timber buildings in three main areas: residential buildings, holiday homes, and living and working. The individual projects cover a large range of sizes, budgets, and types of construction, and they also show wood in combination with such materials as stone, concrete, and steel. The featured work comes from Germany, Austria, Switzerland, France, Belgium, Finland, Ireland, USA, Canada, China, Australia and Brazil, and the architects include Philip Gumuchdjian, Mario Botta, Kengo Kuma and Baumschlager + Eberle.
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October 2004, Basel
Timber Construction
Queer forms
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In "Queer forms," Ramzi Fawaz explores how the central values of 1970s movements for women’s and gay liberation-- including consciousness-raising, separatism, and coming out of the closet?were translated into a range of American popular culture forms. Throughout this period, feminist and gay activists fought social and political battles to expand, transform, or wholly(...)
Queer forms
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In "Queer forms," Ramzi Fawaz explores how the central values of 1970s movements for women’s and gay liberation-- including consciousness-raising, separatism, and coming out of the closet?were translated into a range of American popular culture forms. Throughout this period, feminist and gay activists fought social and political battles to expand, transform, or wholly explode definitions of so-called "normal" gender and sexuality. In doing so, they inspired artists, writers, and filmmakers to invent new ways of formally representing, or giving shape to, non-normative genders and sexualities. This included placing women, queers, and gender outlaws of all stripes into exhilarating new environments?from the streets of an increasingly gay San Francisco to a post-apocalyptic commune, from an Upper East Side New York City apartment to an all-female version of Earth-- and finding new ways to formally render queer genders and sexualities by articulating them to figures, outlines, or icons that could be imagined in the mind’s eye and interpreted by diverse publics.
Critical Theory
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Over the millennia, humans have used pigments to decorate, narrate, and instruct. Charred bone, ground earth, stones, bugs, and blood were the first pigments. New pigments were manufactured by simple processes such as corrosion and calcination until the Industrial Revolution introduced colors outside the spectrum of the natural world. "Pigments" brings together leading(...)
Colour Theory and Design
June 2024
Pigments
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Over the millennia, humans have used pigments to decorate, narrate, and instruct. Charred bone, ground earth, stones, bugs, and blood were the first pigments. New pigments were manufactured by simple processes such as corrosion and calcination until the Industrial Revolution introduced colors outside the spectrum of the natural world. "Pigments" brings together leading art historians and conservators to trace the history of the materials used to create color and their invention across diverse cultures and time periods. This richly illustrated book features incisive historical essays and case studies that shed light on the many forms of pigments—the organic and inorganic; the edible and the toxic; and those that are more precious than gold. It shows how pigments were as central to the earliest art forms and global trade networks as they are to commerce, ornamentation, and artistic expression today. The book reveals the innate instability and mutability of most pigments and discusses how few artworks or objects look as they did when they were first created.
Colour Theory and Design
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" Techno textiles 2 " explores an exciting area of art, design and technology that defines 21st-century way of life. Here are new textiles for fabrics that shrink or expand to fit; textiles developed from carbon, steel, glass and ceramics; materials that protect the wearer from every environmental extreme, anywhere on earth or in space. So far and so fast has textile(...)
Techno textiles 2 : revolutionary fabrics for fashion and design
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" Techno textiles 2 " explores an exciting area of art, design and technology that defines 21st-century way of life. Here are new textiles for fabrics that shrink or expand to fit; textiles developed from carbon, steel, glass and ceramics; materials that protect the wearer from every environmental extreme, anywhere on earth or in space. So far and so fast has textile technology developed in the last five or so years that many of the ideas flagged in the first edition of " Techno textiles " have now become reality, and countless new ones have been conceived. " Techno Textiles 2 " has been thoroughly revised and updated to showcase the latest developments in the field, and includes 80 per cent new illustrations, all in colour. The book is divided into three sections : "Innovations" which explores how the newest textiles are dreamt up and made. "Applications" – from fashion and design, to architecture and art. "Reference" which includes a glossary, biographies, directories of addresses and public collections, and an extensive bibliography.
Materials and Lighting
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Megan Craig and Edward S. Casey provide a collaborative phenomenological exploration of thought in motion, interspersing lively first-person accounts with broader philosophical inquiry. Their investigation, structured around the four ancient elements—water, air, earth, and fire—ranges across swimming, boats, balloons, planes, cars, trains, and other modes of transport.(...)
Thinking in transit: Explorations of life in motion
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Megan Craig and Edward S. Casey provide a collaborative phenomenological exploration of thought in motion, interspersing lively first-person accounts with broader philosophical inquiry. Their investigation, structured around the four ancient elements—water, air, earth, and fire—ranges across swimming, boats, balloons, planes, cars, trains, and other modes of transport. Craig and Casey invite readers to recall their own experiences of travel and how thinking changes in tandem with shifting environments and whatever conveys a person from place to place. They also consider how changing climates and evolving technologies, with new rhythms and materialities, have shaped human thinking in its many varieties. ''Thinking in Transit'' celebrates forms of movement and motion that carry the body and mind out of their habituated routines. This book urges a change in how philosophers have traditionally framed the setting for serious thought: from the austere, solitary space of a study to populated places of interaction and passage.
Journeys
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In ''The Aesthetics of Ambiguity: Understanding and Addressing Monoculture'' Pascal Gielen and Nav Haq argue that multiculturalism is paradoxically based on monocultural thinking. The publication explores this paradox by exploring monoculture in a variety of contemporary contexts. The book sets out to analyse monoculture using a multifaceted approach, by bringing together(...)
The aesthetics of ambiguity: Understanding and adressing monoculture
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In ''The Aesthetics of Ambiguity: Understanding and Addressing Monoculture'' Pascal Gielen and Nav Haq argue that multiculturalism is paradoxically based on monocultural thinking. The publication explores this paradox by exploring monoculture in a variety of contemporary contexts. The book sets out to analyse monoculture using a multifaceted approach, by bringing together historical, social, cultural and ideological perspectives, using the dual role of art as tool for reconciliation and division in societies. ''The Aesthetics of Ambiguity'' gives stage to artists, thinkers and institutional practices who dare to play with the rules of a broader society and thus generate ambiguity ‘at large’. The book represents a quest for (more) ambiguity in order to avoid rigid borders or black-and-white polarities between cultures, as well as between practices of art and scientific thinking. By doing so, the artists, activists and researchers featured in this book plea for a politics and aesthetics of ambiguity to deal with the complexity of our living together on Earth.
Art Theory
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Kai Wiedenhöfer : wall
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"You cannot shake hands across a nine meter wall", says a Palestinian pensioner who lives in the shadow of the Separation Barrier currently being built by the Israeli government. Since October 2003, photographer Kai Wiedenhöfer, who has been documenting the Israeli-Palestinian conflict for more than a decade, has been meeting with inhabitants of the Occupied Palestinian(...)
Kai Wiedenhöfer : wall
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"You cannot shake hands across a nine meter wall", says a Palestinian pensioner who lives in the shadow of the Separation Barrier currently being built by the Israeli government. Since October 2003, photographer Kai Wiedenhöfer, who has been documenting the Israeli-Palestinian conflict for more than a decade, has been meeting with inhabitants of the Occupied Palestinian Territories living in the path of the barrier. Every six months, he has been returning to the territories to document the construction of the 650 kilometers of walls, fences, ditches and earth mounds, which form the border between the State of Israel and a future Palestinian entity. The series of images in this book are all 6 x 17 cm panoramics which depict the wall and fragments of life in its shadow. In 1989, the Berlin-based photographer documented the fall of the wall in his own city. Recent German history has convinced Wiedenhöfer that separation barriers offer no realistic solutions to political conflict.
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January 2007, Göttingen
Photography monographs
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''Pairs'' is a student-led journal at the Harvard GSD dedicated to conversations about design that are down to earth and unguarded. Each issue is conceptualized by an editorial team that proposes guests and objects to be in dialogue with one another. ''Pairs'' is non-thematic, meant instead for provisional thoughts and ideas in progress. Each issue seeks to organize a(...)
Pairs 01
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''Pairs'' is a student-led journal at the Harvard GSD dedicated to conversations about design that are down to earth and unguarded. Each issue is conceptualized by an editorial team that proposes guests and objects to be in dialogue with one another. ''Pairs'' is non-thematic, meant instead for provisional thoughts and ideas in progress. Each issue seeks to organize a diversity of threads and concerns that are perceived to be relevant to our moment. Thus, ''Pairs'' creates a space for understanding and a greater degree of exchange, both between the design disciplines and with a larger public. This inaugural issue of ''Pairs'' contains conversations with designers, academics and critics that take on the present from a variety of perspectives. There are reflections on major personal, disciplinary, or political turning points. There are reevaluations of moments in the past that shed light on social questions at the top of our minds. There are also discussions on gardening, book-making, publishing, and the conversation itself.
Magazines
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Living on a damaged planet challenges who we are and where we live. This timely anthology calls on twenty eminent humanists and scientists to revitalize curiosity, observation, and transdisciplinary conversation about life on earth. As human-induced environmental change threatens multispecies livability, "Arts of living on a damaged planet" puts forward a bold proposal:(...)
Environment and environmental theory
May 2017
Arts of living on a damaged planet: ghosts of the Anthropocene
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Living on a damaged planet challenges who we are and where we live. This timely anthology calls on twenty eminent humanists and scientists to revitalize curiosity, observation, and transdisciplinary conversation about life on earth. As human-induced environmental change threatens multispecies livability, "Arts of living on a damaged planet" puts forward a bold proposal: entangled histories, situated narratives, and thick descriptions offer urgent "arts of living." Included are essays by scholars in anthropology, ecology, science studies, art, literature, and bioinformatics who posit critical and creative tools for collaborative survival in a more-than-human Anthropocene. The essays are organized around two key figures that also serve as the publication's two openings: Ghosts, or landscapes haunted by the violences of modernity; and Monsters, or interspecies and intraspecies sociality. Ghosts and Monsters are tentacular, windy, and arboreal arts that invite readers to encounter ants, lichen, rocks, electrons, flying foxes, salmon, chestnut trees, mud volcanoes, border zones, graves, radioactive waste--in short, the wonders and terrors of an unintended epoch.
Environment and environmental theory
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Spanning from 3,500 BCE to the present, and organized along a global timeline, this unique guide was written by experts in their fields who emphasize the connections, contrasts, and influences of architectural movements throughout history and around the world. Fully updated and revised to reflect current scholarship, this third edition features expanded chapter(...)
April 2017
A global history of architecture, third edition
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Spanning from 3,500 BCE to the present, and organized along a global timeline, this unique guide was written by experts in their fields who emphasize the connections, contrasts, and influences of architectural movements throughout history and around the world. Fully updated and revised to reflect current scholarship, this third edition features expanded chapter introductions that set the stage for a global view, as well as: an expanded section on contemporary global architecture, more coverage of non-Western cultures, particularly South Asia, South East Asia Pre-Columbian America, and Africa. New drawings and maps by the iconic Francis D.K. Ching, as well as more stunning photographs. An updated companion website with digital learning tools and Google Earth mapping service coordinates that make it easier to find sites. Art and architecture enthusiasts, and anyone interested in architectural history, will have 5,000 years of the built environment perpetually at their fingertips with "A global history of architecture, third edition".