56712 Results
Level of archival description:
Project
Project
Actions:
Reference number:
AP178.S1.1994.PR09
Description:
This project series documents the Casa Van Middelem-Dupont in Oudenbourg, Belgium. While the records were held in the office’s archives this project was assigned the number 61/90. The office assigned the date 1994 to this project. The project files document the repurposing of a 200 year old farmhouse and stables, as well as the addition of new buildings. Siza collaborated with Roberto Cremascoli, Andrea Smaniotto, Ueli Krauss, Daniela Antonucci, and Maurice Custer on the project. The project is divided into a residential unit, a guest house, and an art gallery. The original farmhouse was transformed into an art gallery and the new buildings serve as housing. The housing units located on agricultural land form a U shape around the courtyard. The forms and materials of the new units were selected in order to respect Flemish architectural typologies. The buildings were designed in 1994 and completed in 2001. Documenting this project are studies, design development drawings, working drawings, structural drawings, and technical drawings. Textual material includes project documentation. Photographic material documents the models, construction work, and the built project.
AP178.S1.1994.PR09
Description:
This project series documents the Casa Van Middelem-Dupont in Oudenbourg, Belgium. While the records were held in the office’s archives this project was assigned the number 61/90. The office assigned the date 1994 to this project. The project files document the repurposing of a 200 year old farmhouse and stables, as well as the addition of new buildings. Siza collaborated with Roberto Cremascoli, Andrea Smaniotto, Ueli Krauss, Daniela Antonucci, and Maurice Custer on the project. The project is divided into a residential unit, a guest house, and an art gallery. The original farmhouse was transformed into an art gallery and the new buildings serve as housing. The housing units located on agricultural land form a U shape around the courtyard. The forms and materials of the new units were selected in order to respect Flemish architectural typologies. The buildings were designed in 1994 and completed in 2001. Documenting this project are studies, design development drawings, working drawings, structural drawings, and technical drawings. Textual material includes project documentation. Photographic material documents the models, construction work, and the built project.
People:
Date:
1992-2000
1992-2000
Title:
Casa Van Middelem-Dupont [Van Middelem-Dupont house], Oudenbourg, Belgium (1994)
Actions:
AP178.S1.1994.PR09
Description:
This project series documents the Casa Van Middelem-Dupont in Oudenbourg, Belgium. While the records were held in the office’s archives this project was assigned the number 61/90. The office assigned the date 1994 to this project. The project files document the repurposing of a 200 year old farmhouse and stables, as well as the addition of new buildings. Siza collaborated with Roberto Cremascoli, Andrea Smaniotto, Ueli Krauss, Daniela Antonucci, and Maurice Custer on the project. The project is divided into a residential unit, a guest house, and an art gallery. The original farmhouse was transformed into an art gallery and the new buildings serve as housing. The housing units located on agricultural land form a U shape around the courtyard. The forms and materials of the new units were selected in order to respect Flemish architectural typologies. The buildings were designed in 1994 and completed in 2001. Documenting this project are studies, design development drawings, working drawings, structural drawings, and technical drawings. Textual material includes project documentation. Photographic material documents the models, construction work, and the built project.
Casa Van Middelem-Dupont [Van Middelem-Dupont house], Oudenbourg, Belgium (1994)
Actions:
AP178.S1.1994.PR09
Description:
This project series documents the Casa Van Middelem-Dupont in Oudenbourg, Belgium. While the records were held in the office’s archives this project was assigned the number 61/90. The office assigned the date 1994 to this project. The project files document the repurposing of a 200 year old farmhouse and stables, as well as the addition of new buildings. Siza collaborated with Roberto Cremascoli, Andrea Smaniotto, Ueli Krauss, Daniela Antonucci, and Maurice Custer on the project. The project is divided into a residential unit, a guest house, and an art gallery. The original farmhouse was transformed into an art gallery and the new buildings serve as housing. The housing units located on agricultural land form a U shape around the courtyard. The forms and materials of the new units were selected in order to respect Flemish architectural typologies. The buildings were designed in 1994 and completed in 2001. Documenting this project are studies, design development drawings, working drawings, structural drawings, and technical drawings. Textual material includes project documentation. Photographic material documents the models, construction work, and the built project.
Level of archival description:
Project
Project
Date:
1992-2000
1992-2000
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH268479
Description:
Contains images of drawings and views of buildings and projects, like the City Tower and the Yale University Art Center in New Haven, by the architect Louis I. Kahn.
ARCH268479
Description:
Contains images of drawings and views of buildings and projects, like the City Tower and the Yale University Art Center in New Haven, by the architect Louis I. Kahn.
People:
Title:
Images of drawings and views of buildings and projects
Actions:
ARCH268479
Description:
Contains images of drawings and views of buildings and projects, like the City Tower and the Yale University Art Center in New Haven, by the architect Louis I. Kahn.
Images of drawings and views of buildings and projects
Actions:
ARCH268479
Description:
Contains images of drawings and views of buildings and projects, like the City Tower and the Yale University Art Center in New Haven, by the architect Louis I. Kahn.
Form:
photographs
photographs
People:
Form:
drawings
drawings
Actions:
Reference number:
AP140.S2.SS1.D60.SD2.P29
Description:
schedules, early conceptual and design development drawings including sketch and schematic plans, sections, elevations and axonometrics for the Museum of New Art and Sculpture and for the Sculpture Court
AP140.S2.SS1.D60.SD2.P29
Description:
schedules, early conceptual and design development drawings including sketch and schematic plans, sections, elevations and axonometrics for the Museum of New Art and Sculpture and for the Sculpture Court
People:
Date:
circa 1979-1989
circa 1979-1989
Title:
Schedules, early conceptual and design development drawings including sketch and schematic plans, Tate Gallery New Museums, London, United Kingdom
Actions:
AP140.S2.SS1.D60.SD2.P29
Description:
schedules, early conceptual and design development drawings including sketch and schematic plans, sections, elevations and axonometrics for the Museum of New Art and Sculpture and for the Sculpture Court
Schedules, early conceptual and design development drawings including sketch and schematic plans, Tate Gallery New Museums, London, United Kingdom
Actions:
AP140.S2.SS1.D60.SD2.P29
Description:
schedules, early conceptual and design development drawings including sketch and schematic plans, sections, elevations and axonometrics for the Museum of New Art and Sculpture and for the Sculpture Court
Form:
drawings
drawings
Date:
circa 1979-1989
circa 1979-1989
People:
Form:
photographs
Quantity:
3 photograph(s)
photographs
Quantity:
3 photograph(s)
Actions:
Reference number:
PH1998:0014:001-003
PH1998:0014:001-003
People:
Subject:
architecture
architecture
Date:
after 1923
after 1923
Form:
photographs
Quantity:
3 photograph(s)
photographs
Quantity:
3 photograph(s)
Date:
after 1923
after 1923
People:
Subject:
architecture
architecture
Level of archival description:
Series
Series
Title:
Collection personnelle
Collection personnelle
Reference number:
AP001.S2
Description:
Cette série contient les collections personnelles d'Ernest Cormier comprenant des livres, peintures, gravures, et cartes postales. La bibliothèque de Cormier illustre ses intérêts en art, décoration, musique, littérature, langues, histoire, et mathématiques. La bibliothèque comprend aussi la littérature technique relative à l'architecture et à l'ingénierie. La série inclut des notes écrites par Cormier relatives à sa bibliothèque, et des documents trouvés dans ses livres.
AP001.S2
Description:
Cette série contient les collections personnelles d'Ernest Cormier comprenant des livres, peintures, gravures, et cartes postales. La bibliothèque de Cormier illustre ses intérêts en art, décoration, musique, littérature, langues, histoire, et mathématiques. La bibliothèque comprend aussi la littérature technique relative à l'architecture et à l'ingénierie. La série inclut des notes écrites par Cormier relatives à sa bibliothèque, et des documents trouvés dans ses livres.
People:
Date:
non daté, 1885-1977
non daté, 1885-1977
Title:
Collection personnelle
Actions:
AP001.S2
Description:
Cette série contient les collections personnelles d'Ernest Cormier comprenant des livres, peintures, gravures, et cartes postales. La bibliothèque de Cormier illustre ses intérêts en art, décoration, musique, littérature, langues, histoire, et mathématiques. La bibliothèque comprend aussi la littérature technique relative à l'architecture et à l'ingénierie. La série inclut des notes écrites par Cormier relatives à sa bibliothèque, et des documents trouvés dans ses livres.
Collection personnelle
Actions:
AP001.S2
Description:
Cette série contient les collections personnelles d'Ernest Cormier comprenant des livres, peintures, gravures, et cartes postales. La bibliothèque de Cormier illustre ses intérêts en art, décoration, musique, littérature, langues, histoire, et mathématiques. La bibliothèque comprend aussi la littérature technique relative à l'architecture et à l'ingénierie. La série inclut des notes écrites par Cormier relatives à sa bibliothèque, et des documents trouvés dans ses livres.
Level of archival description:
Série
Série
Date:
non daté, 1885-1977
non daté, 1885-1977
People:
Form:
events
events
Actions:
Description:
Making Mamak is a toolkit for all cultural workers, social organizers, and community members. The toolkit is devised to help commit to local, community-based forms of creating and gathering. Learning from arts collectives in the urban centres of Malaysia, one can develop kinships with one’s own community, formulate mutual aid, appropriate collective spaces, and start(...)
Making Mamak is a toolkit for all cultural workers, social organizers, and community members. The toolkit is devised to help commit to local, community-based forms of creating and gathering. Learning from arts collectives in the urban centres of Malaysia, one can develop kinships with one’s own community, formulate mutual aid, appropriate collective spaces, and start(...)
Date:
2024
2024
Title:
Making Mamak: Collective Ecologies of Urban Space
Actions:
Description:
Making Mamak is a toolkit for all cultural workers, social organizers, and community members. The toolkit is devised to help commit to local, community-based forms of creating and gathering. Learning from arts collectives in the urban centres of Malaysia, one can develop kinships with one’s own community, formulate mutual aid, appropriate collective spaces, and start(...)
Making Mamak: Collective Ecologies of Urban Space
Actions:
Description:
Making Mamak is a toolkit for all cultural workers, social organizers, and community members. The toolkit is devised to help commit to local, community-based forms of creating and gathering. Learning from arts collectives in the urban centres of Malaysia, one can develop kinships with one’s own community, formulate mutual aid, appropriate collective spaces, and start(...)
Form:
events
events
Date:
2024 to
2024
2024 to
2024
Form:
webpages
webpages
Actions:
Summary:
Making Mamak is a toolkit for all cultural workers, social organizers, and community members. The toolkit is devised to help commit to local, community-based forms of creating and gathering. Learning from arts collectives in the urban centres of Malaysia, one can develop kinships with one’s own community, formulate mutual aid, appropriate collective spaces, and start grounded social movements.
Title:
Making Mamak: Collective Ecologies of Urban Space
Actions:
Summary:
Making Mamak: Collective Ecologies of Urban Space
Actions:
Summary:
Making Mamak is a toolkit for all cultural workers, social organizers, and community members. The toolkit is devised to help commit to local, community-based forms of creating and gathering. Learning from arts collectives in the urban centres of Malaysia, one can develop kinships with one’s own community, formulate mutual aid, appropriate collective spaces, and start grounded social movements.
Form:
webpages
webpages
Level of archival description:
Project
Project
Actions:
Reference number:
AP180.S1.1992.PR01
Description:
This project series documents the redesign for the entrance area and galleries of the contemporary art gallery Galleria AAM Architettura Arte Moderna in Milan, Italy. This project was realized. Riva worked on this project from 1992-1993. The project series contains studies and design development drawings, including sketches, furnishings details, and elevations. Documents received with the accession of the fond also identified this project as Galleria negozio Moschini, which is the name of the gallery's founder, Francesco Moschini.
AP180.S1.1992.PR01
Description:
This project series documents the redesign for the entrance area and galleries of the contemporary art gallery Galleria AAM Architettura Arte Moderna in Milan, Italy. This project was realized. Riva worked on this project from 1992-1993. The project series contains studies and design development drawings, including sketches, furnishings details, and elevations. Documents received with the accession of the fond also identified this project as Galleria negozio Moschini, which is the name of the gallery's founder, Francesco Moschini.
People:
Date:
1992
1992
Title:
Galleria AAM Architettura Arte Moderna [Gallery AAM Architettura Arte Moderna], Milan, Italy (1992-1993)
Actions:
AP180.S1.1992.PR01
Description:
This project series documents the redesign for the entrance area and galleries of the contemporary art gallery Galleria AAM Architettura Arte Moderna in Milan, Italy. This project was realized. Riva worked on this project from 1992-1993. The project series contains studies and design development drawings, including sketches, furnishings details, and elevations. Documents received with the accession of the fond also identified this project as Galleria negozio Moschini, which is the name of the gallery's founder, Francesco Moschini.
Galleria AAM Architettura Arte Moderna [Gallery AAM Architettura Arte Moderna], Milan, Italy (1992-1993)
Actions:
AP180.S1.1992.PR01
Description:
This project series documents the redesign for the entrance area and galleries of the contemporary art gallery Galleria AAM Architettura Arte Moderna in Milan, Italy. This project was realized. Riva worked on this project from 1992-1993. The project series contains studies and design development drawings, including sketches, furnishings details, and elevations. Documents received with the accession of the fond also identified this project as Galleria negozio Moschini, which is the name of the gallery's founder, Francesco Moschini.
Level of archival description:
Project
Project
Date:
1992
1992
People:
Level of archival description:
Project
Project
Reference number:
AP066.S5.D2
Description:
Le dossier documente une exposition qui s'est tenue au R.C. Harris Water Filtration Plant, Toronto, en Ontario, en 1988, du 22 juin au 30 septembre 1988. L'exposition collective comptait 18 artistes et des architectes et était organisé par le "Visual Arts Ontario". Le dossier contient des dessins, des documents textuels, des documents photographiques et des maquettes. Description de l'exposition: "… individuals were invited to participate in what was billed as 'a prestigious showcase of art, architecture and design which will transform the roof-tops, grounds, and magnificent interiors of the R.C. Harris Water Filtration Plant into a unique museum of contemporary art.' Eighteen artists were invited to participate including John Baldessari, Jonathan Borogsky, Ludger Gerdes, Rebecca Horn, Komar and Melamid, Nancy Sperio, François Girard, Bruce Kuwabara, John Scott, Joanne Tod, Andreas Gehr, Morphosis, Aldo Rossi, Jacques Rousseau, Stacey Spiegel, Team Zoo and Krzyztof Wodiczko." Jennifer Fisher and Beth Seaton,"Waterworks: Visual Arts Ontario", Parachute, nº 52, novembre 1988, p. 59-60. Description du projet: "Parts of the site, …, have provided forms for casting concrete lawn chairs-like shapes - petrified recordings of the topography - fabricated of lake water, beach sand and pebbles, rods and wires." Ibidem
AP066.S5.D2
Description:
Le dossier documente une exposition qui s'est tenue au R.C. Harris Water Filtration Plant, Toronto, en Ontario, en 1988, du 22 juin au 30 septembre 1988. L'exposition collective comptait 18 artistes et des architectes et était organisé par le "Visual Arts Ontario". Le dossier contient des dessins, des documents textuels, des documents photographiques et des maquettes. Description de l'exposition: "… individuals were invited to participate in what was billed as 'a prestigious showcase of art, architecture and design which will transform the roof-tops, grounds, and magnificent interiors of the R.C. Harris Water Filtration Plant into a unique museum of contemporary art.' Eighteen artists were invited to participate including John Baldessari, Jonathan Borogsky, Ludger Gerdes, Rebecca Horn, Komar and Melamid, Nancy Sperio, François Girard, Bruce Kuwabara, John Scott, Joanne Tod, Andreas Gehr, Morphosis, Aldo Rossi, Jacques Rousseau, Stacey Spiegel, Team Zoo and Krzyztof Wodiczko." Jennifer Fisher and Beth Seaton,"Waterworks: Visual Arts Ontario", Parachute, nº 52, novembre 1988, p. 59-60. Description du projet: "Parts of the site, …, have provided forms for casting concrete lawn chairs-like shapes - petrified recordings of the topography - fabricated of lake water, beach sand and pebbles, rods and wires." Ibidem
People:
Date:
22 juin-30 septembre 1988
22 juin-30 septembre 1988
Title:
Installation "Waterworks", Toronto - "Horizons"
Actions:
AP066.S5.D2
Description:
Le dossier documente une exposition qui s'est tenue au R.C. Harris Water Filtration Plant, Toronto, en Ontario, en 1988, du 22 juin au 30 septembre 1988. L'exposition collective comptait 18 artistes et des architectes et était organisé par le "Visual Arts Ontario". Le dossier contient des dessins, des documents textuels, des documents photographiques et des maquettes. Description de l'exposition: "… individuals were invited to participate in what was billed as 'a prestigious showcase of art, architecture and design which will transform the roof-tops, grounds, and magnificent interiors of the R.C. Harris Water Filtration Plant into a unique museum of contemporary art.' Eighteen artists were invited to participate including John Baldessari, Jonathan Borogsky, Ludger Gerdes, Rebecca Horn, Komar and Melamid, Nancy Sperio, François Girard, Bruce Kuwabara, John Scott, Joanne Tod, Andreas Gehr, Morphosis, Aldo Rossi, Jacques Rousseau, Stacey Spiegel, Team Zoo and Krzyztof Wodiczko." Jennifer Fisher and Beth Seaton,"Waterworks: Visual Arts Ontario", Parachute, nº 52, novembre 1988, p. 59-60. Description du projet: "Parts of the site, …, have provided forms for casting concrete lawn chairs-like shapes - petrified recordings of the topography - fabricated of lake water, beach sand and pebbles, rods and wires." Ibidem
Installation "Waterworks", Toronto - "Horizons"
Actions:
AP066.S5.D2
Description:
Le dossier documente une exposition qui s'est tenue au R.C. Harris Water Filtration Plant, Toronto, en Ontario, en 1988, du 22 juin au 30 septembre 1988. L'exposition collective comptait 18 artistes et des architectes et était organisé par le "Visual Arts Ontario". Le dossier contient des dessins, des documents textuels, des documents photographiques et des maquettes. Description de l'exposition: "… individuals were invited to participate in what was billed as 'a prestigious showcase of art, architecture and design which will transform the roof-tops, grounds, and magnificent interiors of the R.C. Harris Water Filtration Plant into a unique museum of contemporary art.' Eighteen artists were invited to participate including John Baldessari, Jonathan Borogsky, Ludger Gerdes, Rebecca Horn, Komar and Melamid, Nancy Sperio, François Girard, Bruce Kuwabara, John Scott, Joanne Tod, Andreas Gehr, Morphosis, Aldo Rossi, Jacques Rousseau, Stacey Spiegel, Team Zoo and Krzyztof Wodiczko." Jennifer Fisher and Beth Seaton,"Waterworks: Visual Arts Ontario", Parachute, nº 52, novembre 1988, p. 59-60. Description du projet: "Parts of the site, …, have provided forms for casting concrete lawn chairs-like shapes - petrified recordings of the topography - fabricated of lake water, beach sand and pebbles, rods and wires." Ibidem
Level of archival description:
Dossier 2
Dossier 2
Date:
22 juin-30 septembre 1988
22 juin-30 septembre 1988
People:
Level of archival description:
Project
Project
Title:
Streetwork
Streetwork
Reference number:
AP041.S1.1977.D1
Description:
Streetwork was an installation/construction designed for the Art Gallery of Ontario, consisting of a wooden wall being “inserted” into the gallery, designed to transverse the gallery and pass through the existing wall that separated the gallery from the street. The “wall” becomes an arcade on the street and a “partition” inside; the existing building doesn’t so much contain the wall as combine with it. The construction opens the envelope of the building and draws the museum out onto the street. It was also presented at the Musée d'art contemporain in Montréal, in 1978. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 50-53)
AP041.S1.1977.D1
Description:
Streetwork was an installation/construction designed for the Art Gallery of Ontario, consisting of a wooden wall being “inserted” into the gallery, designed to transverse the gallery and pass through the existing wall that separated the gallery from the street. The “wall” becomes an arcade on the street and a “partition” inside; the existing building doesn’t so much contain the wall as combine with it. The construction opens the envelope of the building and draws the museum out onto the street. It was also presented at the Musée d'art contemporain in Montréal, in 1978. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 50-53)
People:
Date:
1977-1979
1977-1979
Title:
Streetwork
Actions:
AP041.S1.1977.D1
Description:
Streetwork was an installation/construction designed for the Art Gallery of Ontario, consisting of a wooden wall being “inserted” into the gallery, designed to transverse the gallery and pass through the existing wall that separated the gallery from the street. The “wall” becomes an arcade on the street and a “partition” inside; the existing building doesn’t so much contain the wall as combine with it. The construction opens the envelope of the building and draws the museum out onto the street. It was also presented at the Musée d'art contemporain in Montréal, in 1978. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 50-53)
Streetwork
Actions:
AP041.S1.1977.D1
Description:
Streetwork was an installation/construction designed for the Art Gallery of Ontario, consisting of a wooden wall being “inserted” into the gallery, designed to transverse the gallery and pass through the existing wall that separated the gallery from the street. The “wall” becomes an arcade on the street and a “partition” inside; the existing building doesn’t so much contain the wall as combine with it. The construction opens the envelope of the building and draws the museum out onto the street. It was also presented at the Musée d'art contemporain in Montréal, in 1978. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 50-53)
Level of archival description:
Project
Project
Date:
1977-1979
1977-1979
People:
