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In this book, Larry Ford casts a critical and practiced eye on sixteen contemporary urban centers to offer an expert's view of the best--and worst--of downtown America. Ford begins with a brief history of U.S. urban development. He then explains his criteria for evaluating downtowns before proceeding with an on-the-street examination of the featured sixteen cities.(...)
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In this book, Larry Ford casts a critical and practiced eye on sixteen contemporary urban centers to offer an expert's view of the best--and worst--of downtown America. Ford begins with a brief history of U.S. urban development. He then explains his criteria for evaluating downtowns before proceeding with an on-the-street examination of the featured sixteen cities.(...)
Title:
America's new downtown : revitalization or reinvention ?
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In this book, Larry Ford casts a critical and practiced eye on sixteen contemporary urban centers to offer an expert's view of the best--and worst--of downtown America. Ford begins with a brief history of U.S. urban development. He then explains his criteria for evaluating downtowns before proceeding with an on-the-street examination of the featured sixteen cities. Each is rated based on use of physical site, particularly for housing (unlike suburbs, Ford notes, most downtowns are located in challenging physical locales, such as harbors, rivers, hills, or peninsulas), street morphology, civic space, functional aspects (office space, retail stores, and convention centers), and the support districts in the fringe areas surrounding the downtown core. Ford concludes with a suggested model of downtown structure based upon the case studies and with a look at the possible effects of increasing globalization on the downtowns of the late twenty-first century. Featured cities: Atlanta, Baltimore, Charlotte, Cleveland, Columbus, Denver, Indianapolis, Minneapolis, Phoenix, Pittsburgh, Portland, Providence, San Antonio, San Diego, Seattle, and St. Louis.
America's new downtown : revitalization or reinvention ?
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In this book, Larry Ford casts a critical and practiced eye on sixteen contemporary urban centers to offer an expert's view of the best--and worst--of downtown America. Ford begins with a brief history of U.S. urban development. He then explains his criteria for evaluating downtowns before proceeding with an on-the-street examination of the featured sixteen cities. Each is rated based on use of physical site, particularly for housing (unlike suburbs, Ford notes, most downtowns are located in challenging physical locales, such as harbors, rivers, hills, or peninsulas), street morphology, civic space, functional aspects (office space, retail stores, and convention centers), and the support districts in the fringe areas surrounding the downtown core. Ford concludes with a suggested model of downtown structure based upon the case studies and with a look at the possible effects of increasing globalization on the downtowns of the late twenty-first century. Featured cities: Atlanta, Baltimore, Charlotte, Cleveland, Columbus, Denver, Indianapolis, Minneapolis, Phoenix, Pittsburgh, Portland, Providence, San Antonio, San Diego, Seattle, and St. Louis.
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books
books
Publication:
July 2003, Baltimore / London
July 2003, Baltimore / London
Subject:
Urban Theory
Urban Theory
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books
books
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$74.95
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This book aims to better understand the working process of the most interesting and challenging contemporary typographic designers, and to show a great variety of different examples of typography in the publishing world. It is a detailed look into editorial design, in books, magazines, newspapers, catalogues, annual reports and brochures. Type at Work presents:(...)
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This book aims to better understand the working process of the most interesting and challenging contemporary typographic designers, and to show a great variety of different examples of typography in the publishing world. It is a detailed look into editorial design, in books, magazines, newspapers, catalogues, annual reports and brochures. Type at Work presents:(...)
Title:
Type at work : the use of type in editorial design
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This book aims to better understand the working process of the most interesting and challenging contemporary typographic designers, and to show a great variety of different examples of typography in the publishing world. It is a detailed look into editorial design, in books, magazines, newspapers, catalogues, annual reports and brochures. Type at Work presents: ‘Conceptual and Visible Thinking’, in which typography is deliberately used to support the expression of a certain concept or idea; ‘Xplicit Typography’, in which the selected projects use type as image; and "unctional Knowledge" gathering projects whose main criteria are clarity and legibility. "Type at Work" is packed with visual inspiration and provides profound insight into the use of type. The book includes work by today’s best typographic designers around the world, including Cahan & Associates, Peter Bil'ak, Martin Venezky, EumoGràphic, Frost Design, Plazm, Tau Diseño, Max Kisman, Moniteurs, Typerware, Jon Barnbrook, Orange Juice and Mieke Gerritzen. Author Andreu Balius is co-founder of the Typerware studio in Barcelona and has received numerous international design awards.
Type at work : the use of type in editorial design
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This book aims to better understand the working process of the most interesting and challenging contemporary typographic designers, and to show a great variety of different examples of typography in the publishing world. It is a detailed look into editorial design, in books, magazines, newspapers, catalogues, annual reports and brochures. Type at Work presents: ‘Conceptual and Visible Thinking’, in which typography is deliberately used to support the expression of a certain concept or idea; ‘Xplicit Typography’, in which the selected projects use type as image; and "unctional Knowledge" gathering projects whose main criteria are clarity and legibility. "Type at Work" is packed with visual inspiration and provides profound insight into the use of type. The book includes work by today’s best typographic designers around the world, including Cahan & Associates, Peter Bil'ak, Martin Venezky, EumoGràphic, Frost Design, Plazm, Tau Diseño, Max Kisman, Moniteurs, Typerware, Jon Barnbrook, Orange Juice and Mieke Gerritzen. Author Andreu Balius is co-founder of the Typerware studio in Barcelona and has received numerous international design awards.
Form:
books
books
Publication:
March 2003, Amsterdam
March 2003, Amsterdam
Subject:
Graphic Design and Typography
Graphic Design and Typography
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books
books
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$97.95
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The desire to have a home of one’s own is still the leading motivation for those who wish to construct or purchase buildings. Row and twin houses and ribbon developments constitute an affordable alternative to the single-family house, especially for young families. In times of tight budgets and rising investment costs, they represent a sensible alternative to the(...)
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The desire to have a home of one’s own is still the leading motivation for those who wish to construct or purchase buildings. Row and twin houses and ribbon developments constitute an affordable alternative to the single-family house, especially for young families. In times of tight budgets and rising investment costs, they represent a sensible alternative to the(...)
Subject:
Residential Architecture
Residential Architecture
Publication:
July 2006, Basel Boston Berlin
July 2006, Basel Boston Berlin
Title:
In detail : semi-detached and terraced houses
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The desire to have a home of one’s own is still the leading motivation for those who wish to construct or purchase buildings. Row and twin houses and ribbon developments constitute an affordable alternative to the single-family house, especially for young families. In times of tight budgets and rising investment costs, they represent a sensible alternative to the freestanding single-family house, particularly in terms of their use of open space. That they can also be appealing, high-quality houses is shown by the selected international examples in this new volume in the series In Detail. The projects presented are organized by building material and clearly documented with an area map, ground plans, and interrelated sections. The documentation of examples is supplemented by technical articles offering concrete support and assistance for the planner and building sponsor. In addition to analyzing the typology of the high-density, single-family house, the volume introduces different planning and financing models as well as energy-saving building methods and construction with prefabricated parts.
In detail : semi-detached and terraced houses
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$97.95
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Summary:
The desire to have a home of one’s own is still the leading motivation for those who wish to construct or purchase buildings. Row and twin houses and ribbon developments constitute an affordable alternative to the single-family house, especially for young families. In times of tight budgets and rising investment costs, they represent a sensible alternative to the freestanding single-family house, particularly in terms of their use of open space. That they can also be appealing, high-quality houses is shown by the selected international examples in this new volume in the series In Detail. The projects presented are organized by building material and clearly documented with an area map, ground plans, and interrelated sections. The documentation of examples is supplemented by technical articles offering concrete support and assistance for the planner and building sponsor. In addition to analyzing the typology of the high-density, single-family house, the volume introduces different planning and financing models as well as energy-saving building methods and construction with prefabricated parts.
Form:
books
books
Publication:
July 2006, Basel Boston Berlin
July 2006, Basel Boston Berlin
Subject:
Residential Architecture
Residential Architecture
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books
books
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$44.95
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The architect and theorist Walter Curt Behrendt (1884-1945) worked on public housing and urban development as a designer and administrator for the German government after World War I. From 1925 to 1926 he edited the journal "Die Form" for the German Werkbund (...)
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The architect and theorist Walter Curt Behrendt (1884-1945) worked on public housing and urban development as a designer and administrator for the German government after World War I. From 1925 to 1926 he edited the journal "Die Form" for the German Werkbund (...)
Title:
The victory of the new building style
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The architect and theorist Walter Curt Behrendt (1884-1945) worked on public housing and urban development as a designer and administrator for the German government after World War I. From 1925 to 1926 he edited the journal "Die Form" for the German Werkbund and led an articulate and well-orchestrated campaign in support of the Modern Movement. A friend and colleague of Lewis Mumford, he immigrated in 1934 to the United States, where he taught courses on city planning and housing at Dartmouth College and the University of Buffalo. "The Victory of the New Building Style" (1927)—his principal theoretical work in German and the precursor to Modern Building, which he wrote in English—presents a revisionist conception of style that places equal emphasis on form and function. Behrendt calls for architects to return to basic geometries and to articulate explicitly the new social and economic realities. Now available in English for the first time, this incisive treatise boldly advocates international modernism to the general public. Introduction by Detlef Mertins and translation by Harry Francis Mallgrave
The victory of the new building style
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The architect and theorist Walter Curt Behrendt (1884-1945) worked on public housing and urban development as a designer and administrator for the German government after World War I. From 1925 to 1926 he edited the journal "Die Form" for the German Werkbund and led an articulate and well-orchestrated campaign in support of the Modern Movement. A friend and colleague of Lewis Mumford, he immigrated in 1934 to the United States, where he taught courses on city planning and housing at Dartmouth College and the University of Buffalo. "The Victory of the New Building Style" (1927)—his principal theoretical work in German and the precursor to Modern Building, which he wrote in English—presents a revisionist conception of style that places equal emphasis on form and function. Behrendt calls for architects to return to basic geometries and to articulate explicitly the new social and economic realities. Now available in English for the first time, this incisive treatise boldly advocates international modernism to the general public. Introduction by Detlef Mertins and translation by Harry Francis Mallgrave
Form:
books
books
Publication:
January 2000, Los Angeles
January 2000, Los Angeles
Subject:
Architectural Theory
Architectural Theory
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books
books
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$59.95
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Boston played a crucial role in the development of American photography, including criticism, collecting, and curating, in the second half of the twentieth century. This book accompanies a landmark exhibition at the DeCordova Museum that includes such important(...)
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Boston played a crucial role in the development of American photography, including criticism, collecting, and curating, in the second half of the twentieth century. This book accompanies a landmark exhibition at the DeCordova Museum that includes such important(...)
Subject:
Theory of Photography
Theory of Photography
Publication:
September 2000, Cambridge, Mass.
September 2000, Cambridge, Mass.
Title:
Photography in Boston : 1955-1985
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Boston played a crucial role in the development of American photography, including criticism, collecting, and curating, in the second half of the twentieth century. This book accompanies a landmark exhibition at the DeCordova Museum that includes such important American artists as Berenice Abbott, Harry Callahan, Paul Caponigro, Marie Cosindas, Harold Edgerton, Nan Goldin, Jerome Liebling, Nicholas Nixon, Barbara Norfleet, Olivia Parker, Rosamond Purcell, Aaron Siskind, and Minor White. The period from 1955 to 1985 reflects photography's acceptance as an art form, the influence of modernism, and the coalescence of a unique constellation of educational institutions, museums, and technological development in the Boston area that directly influenced artistic options for photography. Minor White's arrival at the Massachusetts Institute of Technology in 1965 to run the Center for Creative Photography and the Polaroid Corporation's innovative support of photographic art suggest how developments built upon one another to create a regional critical mass in photography. The book contains twenty-five color plates, sixty duotones, and essays by A. D. Coleman, Rachel Rosenfield Lafo, Arno Rafael Minkkinen, and Kim Sichel.
Photography in Boston : 1955-1985
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Boston played a crucial role in the development of American photography, including criticism, collecting, and curating, in the second half of the twentieth century. This book accompanies a landmark exhibition at the DeCordova Museum that includes such important American artists as Berenice Abbott, Harry Callahan, Paul Caponigro, Marie Cosindas, Harold Edgerton, Nan Goldin, Jerome Liebling, Nicholas Nixon, Barbara Norfleet, Olivia Parker, Rosamond Purcell, Aaron Siskind, and Minor White. The period from 1955 to 1985 reflects photography's acceptance as an art form, the influence of modernism, and the coalescence of a unique constellation of educational institutions, museums, and technological development in the Boston area that directly influenced artistic options for photography. Minor White's arrival at the Massachusetts Institute of Technology in 1965 to run the Center for Creative Photography and the Polaroid Corporation's innovative support of photographic art suggest how developments built upon one another to create a regional critical mass in photography. The book contains twenty-five color plates, sixty duotones, and essays by A. D. Coleman, Rachel Rosenfield Lafo, Arno Rafael Minkkinen, and Kim Sichel.
Form:
books
books
Publication:
September 2000, Cambridge, Mass.
September 2000, Cambridge, Mass.
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Title:
The lost vanguard
The lost vanguard
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$98.00
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The Lost Vanguard documents the work of modernist architects in the Soviet Union during the years following the 1917 revolution and civil war. In little more than a decade, some of the most radical buildings of the twentieth century were completed by a small group of architects who developed a new architectural language in support of new social goals of communal life.(...)
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The Lost Vanguard documents the work of modernist architects in the Soviet Union during the years following the 1917 revolution and civil war. In little more than a decade, some of the most radical buildings of the twentieth century were completed by a small group of architects who developed a new architectural language in support of new social goals of communal life.(...)
Subject:
Modernism
Modernism
Publication:
June 2007, New York
June 2007, New York
Title:
The lost vanguard
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The Lost Vanguard documents the work of modernist architects in the Soviet Union during the years following the 1917 revolution and civil war. In little more than a decade, some of the most radical buildings of the twentieth century were completed by a small group of architects who developed a new architectural language in support of new social goals of communal life. Rarely published and virtually inaccessible until the collapse of the Soviet regime, these important buildings have remained unknown and unappreciated. Richard Pare's photographs reveal the powerful forms of these structures, some still in use but many now abandoned and decayed. Massive industrial complexes like the Dnieper River Dam and MoGES, which supplies electricity to the city of Moscow; vast communal houses for workers, including Ginzburg's Narkomfin; commercial buildings and government offices; and smaller clubs and theaters were all built in this brief period. In an incisive essay, architectural historian Jean-Louis Cohen surveys the history of the period, providing a context for the emergence of this startling new architecture in parallel to contemporary experiments in Europe.
The lost vanguard
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The Lost Vanguard documents the work of modernist architects in the Soviet Union during the years following the 1917 revolution and civil war. In little more than a decade, some of the most radical buildings of the twentieth century were completed by a small group of architects who developed a new architectural language in support of new social goals of communal life. Rarely published and virtually inaccessible until the collapse of the Soviet regime, these important buildings have remained unknown and unappreciated. Richard Pare's photographs reveal the powerful forms of these structures, some still in use but many now abandoned and decayed. Massive industrial complexes like the Dnieper River Dam and MoGES, which supplies electricity to the city of Moscow; vast communal houses for workers, including Ginzburg's Narkomfin; commercial buildings and government offices; and smaller clubs and theaters were all built in this brief period. In an incisive essay, architectural historian Jean-Louis Cohen surveys the history of the period, providing a context for the emergence of this startling new architecture in parallel to contemporary experiments in Europe.
Form:
books
books
Publication:
June 2007, New York
June 2007, New York
Subject:
Modernism
Modernism
Form:
books
books
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$199.95
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Summary:
Until now, the few existing systematic texts on construction materials have primarily been directed at building engineers. An overview for architects, which also considers the importance of construction materials in the sensory perception of architecture—including tactile qualities, smell, color, and surface structure—has not been available. With the publication of the(...)
$199.95
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Summary:
Until now, the few existing systematic texts on construction materials have primarily been directed at building engineers. An overview for architects, which also considers the importance of construction materials in the sensory perception of architecture—including tactile qualities, smell, color, and surface structure—has not been available. With the publication of the(...)
Subject:
Materials and Lighting
Materials and Lighting
Publication:
August 2006, Basel / Boston / Berlin
August 2006, Basel / Boston / Berlin
Title:
Construction, materials, manual
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$199.95
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Until now, the few existing systematic texts on construction materials have primarily been directed at building engineers. An overview for architects, which also considers the importance of construction materials in the sensory perception of architecture—including tactile qualities, smell, color, and surface structure—has not been available. With the publication of the Construction Materials Manual, all that has changed. As a basic work aimed equally at the questions and perspectives of architects and building engineers, it will bring together all of the above-mentioned viewpoints. It addresses fundamental questions of sustainability, including life-span, environmental impact, and material cycles, while also presenting material innovations. All of the principal conventional and innovative construction materials are comprehensively documented, with attention to their production, manufacture, fabrication, treatment, surfaces, connections, and characteristics. International examples help to illustrate their use in architecture, where a building’s appearance is often defined by a single material. Thus, the Construction Materials Manual will support the daily work of architects and engineers in the choice of construction materials in a comprehensive and at the same time vivid and stimulating manner.
Construction, materials, manual
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$199.95
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Until now, the few existing systematic texts on construction materials have primarily been directed at building engineers. An overview for architects, which also considers the importance of construction materials in the sensory perception of architecture—including tactile qualities, smell, color, and surface structure—has not been available. With the publication of the Construction Materials Manual, all that has changed. As a basic work aimed equally at the questions and perspectives of architects and building engineers, it will bring together all of the above-mentioned viewpoints. It addresses fundamental questions of sustainability, including life-span, environmental impact, and material cycles, while also presenting material innovations. All of the principal conventional and innovative construction materials are comprehensively documented, with attention to their production, manufacture, fabrication, treatment, surfaces, connections, and characteristics. International examples help to illustrate their use in architecture, where a building’s appearance is often defined by a single material. Thus, the Construction Materials Manual will support the daily work of architects and engineers in the choice of construction materials in a comprehensive and at the same time vivid and stimulating manner.
Form:
books
books
Publication:
August 2006, Basel / Boston / Berlin
August 2006, Basel / Boston / Berlin
Subject:
Materials and Lighting
Materials and Lighting
Form:
books
books
Price:
$50.00
(available to order)
Summary:
The professional landscape for design in social innovation has reached a critical moment. Designers are now acting as mediators, synthesizers and key contributors of social and environmental challenges at a strategic level. Organizations are recognizing that designers bring a unique set of abilities and methods for developing human-centered artifacts, services,(...)
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The professional landscape for design in social innovation has reached a critical moment. Designers are now acting as mediators, synthesizers and key contributors of social and environmental challenges at a strategic level. Organizations are recognizing that designers bring a unique set of abilities and methods for developing human-centered artifacts, services,(...)
Title:
LEAP dialogues: career pathways in design for social innovation
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The professional landscape for design in social innovation has reached a critical moment. Designers are now acting as mediators, synthesizers and key contributors of social and environmental challenges at a strategic level. Organizations are recognizing that designers bring a unique set of abilities and methods for developing human-centered artifacts, services, environments and systems. Fueled in part by strong student demand, new graduate and undergraduate programs in social design are emerging across the nation. Graduates from these programs are entering the workforce with expanded skill sets and aspirations about their role(s) as creative individuals. This publication explores the new careers in the emergent field of design for social innovation with contributions from 84 leaders from across disciplines and sectors. These contributors encompass diverse points of view, stories and experiences about key issues, creating a multilayered picture of how this field is being shaped. The book addresses the spectrum of challenges and opportunities for those building careers in design for social innovation, and for the organizations looking to support those careers.
LEAP dialogues: career pathways in design for social innovation
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The professional landscape for design in social innovation has reached a critical moment. Designers are now acting as mediators, synthesizers and key contributors of social and environmental challenges at a strategic level. Organizations are recognizing that designers bring a unique set of abilities and methods for developing human-centered artifacts, services, environments and systems. Fueled in part by strong student demand, new graduate and undergraduate programs in social design are emerging across the nation. Graduates from these programs are entering the workforce with expanded skill sets and aspirations about their role(s) as creative individuals. This publication explores the new careers in the emergent field of design for social innovation with contributions from 84 leaders from across disciplines and sectors. These contributors encompass diverse points of view, stories and experiences about key issues, creating a multilayered picture of how this field is being shaped. The book addresses the spectrum of challenges and opportunities for those building careers in design for social innovation, and for the organizations looking to support those careers.
Form:
books
books
Publication:
July 2016
July 2016
Subject:
Design Theory
Design Theory
Form:
books
books
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$99.95
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Summary:
Craig Ellwood was one of the finest California architects of the postwar era. By the time he was thirty he had already contributed three of the seminal Case Study Houses and received the São Paulo Award for his Courtyard Apartments. Subsequently influenced by Mies, he went on to design a lengthy series of stark minimalist structures, peaking with the Pasadena Art Center.(...)
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Craig Ellwood was one of the finest California architects of the postwar era. By the time he was thirty he had already contributed three of the seminal Case Study Houses and received the São Paulo Award for his Courtyard Apartments. Subsequently influenced by Mies, he went on to design a lengthy series of stark minimalist structures, peaking with the Pasadena Art Center.(...)
Title:
Craig Ellwood : in the spirit of the time
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Craig Ellwood was one of the finest California architects of the postwar era. By the time he was thirty he had already contributed three of the seminal Case Study Houses and received the São Paulo Award for his Courtyard Apartments. Subsequently influenced by Mies, he went on to design a lengthy series of stark minimalist structures, peaking with the Pasadena Art Center. With the support of John Entenza, editor of the influential magazine Arts & Architecture, Ellwood was, until the late 1960s, widely considered to be one of the most innovative American architects of the period. This book documents all the Ellwood buildings that remain on the records, a total of some ninety structures. Its 600 illustrations include comprehensive archival photography (including Ellwood’s own pictures and others by Julius Shulman), original drawings, and, for those buildings that remain in good condition, recent images. Due to the loss of most of the original drawings, 80 floor plans have been redrawn for this publication, making this book as close a record of Ellwood’s complete works as is possible today.
Craig Ellwood : in the spirit of the time
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Summary:
Craig Ellwood was one of the finest California architects of the postwar era. By the time he was thirty he had already contributed three of the seminal Case Study Houses and received the São Paulo Award for his Courtyard Apartments. Subsequently influenced by Mies, he went on to design a lengthy series of stark minimalist structures, peaking with the Pasadena Art Center. With the support of John Entenza, editor of the influential magazine Arts & Architecture, Ellwood was, until the late 1960s, widely considered to be one of the most innovative American architects of the period. This book documents all the Ellwood buildings that remain on the records, a total of some ninety structures. Its 600 illustrations include comprehensive archival photography (including Ellwood’s own pictures and others by Julius Shulman), original drawings, and, for those buildings that remain in good condition, recent images. Due to the loss of most of the original drawings, 80 floor plans have been redrawn for this publication, making this book as close a record of Ellwood’s complete works as is possible today.
Form:
books
books
Publication:
October 1999, Barcelona
October 1999, Barcelona
Subject:
Architecture Monographs
Architecture Monographs
Form:
archives
archives
Holdings:
Description:
[22] leaves, bound : Whatman paper dated 1944 ; 32 cm
Description:
[22] leaves, bound : Whatman paper dated 1944 ; 32 cm
Author:
Subject:
Title:
[Album prepared for presentation to Arthur Thomas Bolton]. 1944.
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Holdings:
Description:
[22] leaves, bound : Whatman paper dated 1944 ; 32 cm
[Album prepared for presentation to Arthur Thomas Bolton]. 1944.
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Description:
[22] leaves, bound : Whatman paper dated 1944 ; 32 cm
Form:
archives
archives
Author:
Subject:
