textual records
AP206.S2.073
Description:
File was originally housed in a binder along with content arranged in AP206.S2.072 and AP206.S2.074. This file includes the following papers: "Human Settlements: An Appropriate Approach," 1986 "A New Capital for Haryana," 1993 "Art Appreciation" "Growth of Chandigarh, its Services, and the Validity of its Concepts" "Don't leave it to Stars," 1992 "The Future of Chandigarh," 1992 "Art," 1989 Letter to editor of newspaper, 1990 "Peacocks in Chandigarh," 1990
1986-1998
Published and unpublished papers (folder 2 of 3)
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AP206.S2.073
Description:
File was originally housed in a binder along with content arranged in AP206.S2.072 and AP206.S2.074. This file includes the following papers: "Human Settlements: An Appropriate Approach," 1986 "A New Capital for Haryana," 1993 "Art Appreciation" "Growth of Chandigarh, its Services, and the Validity of its Concepts" "Don't leave it to Stars," 1992 "The Future of Chandigarh," 1992 "Art," 1989 Letter to editor of newspaper, 1990 "Peacocks in Chandigarh," 1990
textual records
1986-1998
Commissioned by the CCA, for three years, French photographer Serge Hambourg recorded over four hundred historic mills and factories throughout New England. By capturing their surroundings as well as by focusing on the stark beauty of their interiors and exteriors, the images trace the evolution of this building type. The photographs included in the exhibition range from(...)
Octagonal gallery ante-room
6 December 1989 to 11 February 1990
Mills and Factories of New England: Photographs by Serge Hambourg
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Description:
Commissioned by the CCA, for three years, French photographer Serge Hambourg recorded over four hundred historic mills and factories throughout New England. By capturing their surroundings as well as by focusing on the stark beauty of their interiors and exteriors, the images trace the evolution of this building type. The photographs included in the exhibition range from(...)
Octagonal gallery ante-room
ARCH288569
Description:
This sketchbook includes notes about the Galician Centre of Contemporary Art in Santiago de Compostela and the Centro Cultural de la Defensa in Madrid, Spain. It also contains sketches of people.
August 1988
Sketchbook 273: Moledo - Famalição - V. Nova Arousa
Actions:
ARCH288569
Description:
This sketchbook includes notes about the Galician Centre of Contemporary Art in Santiago de Compostela and the Centro Cultural de la Defensa in Madrid, Spain. It also contains sketches of people.
textual records
DR2012:0012:086:006
Description:
Assorted documents in English, including three copies of the spring 1991 issue of Canadian art, along with multiple clippings and reprographic copies therefrom, with references to the Canadian Centre for Architecture garden.
1991
Press coverage related to projects
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DR2012:0012:086:006
Description:
Assorted documents in English, including three copies of the spring 1991 issue of Canadian art, along with multiple clippings and reprographic copies therefrom, with references to the Canadian Centre for Architecture garden.
textual records
1991
drawings
Sketchbook 443: Serralves
AP178.S2.1998.001
Description:
This sketchbook includes sketches and notes for the Museum of Contemporary Art of the Serralves Foundation in Porto, Portugal. It also contains sketches of people and of a man on a horse.
January-February 1998
Sketchbook 443: Serralves
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AP178.S2.1998.001
Description:
This sketchbook includes sketches and notes for the Museum of Contemporary Art of the Serralves Foundation in Porto, Portugal. It also contains sketches of people and of a man on a horse.
drawings
January-February 1998
drawings
AP178.S2.1999.001
Description:
This sketchbook includes sketches and notes for the Museum of Contemporary Art of the Serralves Foundation in Porto, Portugal, as well as for the Portugal Pavillon for the Hannover Expo in 2000.
January-February 1999
Sketchbook 456: Serralves - Hanover
Actions:
AP178.S2.1999.001
Description:
This sketchbook includes sketches and notes for the Museum of Contemporary Art of the Serralves Foundation in Porto, Portugal, as well as for the Portugal Pavillon for the Hannover Expo in 2000.
drawings
January-February 1999
16 March 2024, 7:30pm
drawings
AP178.S2.1991.010
Description:
This sketchbook includes sketches for the Santa Maria church and parish centre, the Galician Centre of Contemporary Art, the Serralves Museum. It about contains portraits of people and notes of Chiado.
November 1991
Sketchbook 323: Bar Serralves - Barcelona - Haia
Actions:
AP178.S2.1991.010
Description:
This sketchbook includes sketches for the Santa Maria church and parish centre, the Galician Centre of Contemporary Art, the Serralves Museum. It about contains portraits of people and notes of Chiado.
drawings
November 1991
Project
AP075.S1.1983.PR01
Description:
Project series documents Cornelia Hahn Oberlander's design for the interior and exterior landscape of National Gallery of Canada in Ottawa. Oberlander worked on this project from 1983-1995 with architects Moshe Safdie and John C. Parkin. Oberlander's overall concept for the landscaping was based on the building organizational pattern of a city. She created "a pathway system that connected the front of the National Gallery to Nepean Point behind the gallery." [1] Oberlander landscape design includes the design of three exterior area and a courtyard. Each space is design in relations to the art displayed in the immediate indoor gallery: the Taiga Garden "flanks the gallery's interior glass-and-concrete collonade that leads to the Canadian and Aboriginal Art galleries." [2]; the Minimalist Courtyard relates to the modern art collection gallery; the zigzag-shaped pathway passes between the National War Museum and the new gallery; and interior courtyard links the restored ninetheeth-century Rideau Chapel relocated inside the National Gallery and provides and church-like atmosphere. The project series contains textual records, including specifications, correspondence, documentation, financial documents, plant lists, press clippings about the project, and Oberlander's concept development notes. The project is also recorded through photographic materials, such as slides and photographs of the construction of the building and the landscape work and the photographs of the completed project. The project series also includes conceptual drawings, design develepment drawings, working drawings and presentation drawings, including landscape plans, planting plans, grading and irrigation plans and building plans used as reference. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 165. [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 166.
1983-2005
National Gallery of Canada, Ottawa, Ontario (1983-1990)
Actions:
AP075.S1.1983.PR01
Description:
Project series documents Cornelia Hahn Oberlander's design for the interior and exterior landscape of National Gallery of Canada in Ottawa. Oberlander worked on this project from 1983-1995 with architects Moshe Safdie and John C. Parkin. Oberlander's overall concept for the landscaping was based on the building organizational pattern of a city. She created "a pathway system that connected the front of the National Gallery to Nepean Point behind the gallery." [1] Oberlander landscape design includes the design of three exterior area and a courtyard. Each space is design in relations to the art displayed in the immediate indoor gallery: the Taiga Garden "flanks the gallery's interior glass-and-concrete collonade that leads to the Canadian and Aboriginal Art galleries." [2]; the Minimalist Courtyard relates to the modern art collection gallery; the zigzag-shaped pathway passes between the National War Museum and the new gallery; and interior courtyard links the restored ninetheeth-century Rideau Chapel relocated inside the National Gallery and provides and church-like atmosphere. The project series contains textual records, including specifications, correspondence, documentation, financial documents, plant lists, press clippings about the project, and Oberlander's concept development notes. The project is also recorded through photographic materials, such as slides and photographs of the construction of the building and the landscape work and the photographs of the completed project. The project series also includes conceptual drawings, design develepment drawings, working drawings and presentation drawings, including landscape plans, planting plans, grading and irrigation plans and building plans used as reference. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 165. [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 166.
Project
1983-2005
drawings
AP178.S2.1988.009
Description:
This sketchbook includes notes about the Galician Centre of Contemporary Art in Santiago de Compostela and the Centro Cultural de la Defensa in Madrid, Spain. It also contains sketches of people.
August 1988
Sketchbook 273: Moledo - Famalição - V. Nova Arousa
Actions:
AP178.S2.1988.009
Description:
This sketchbook includes notes about the Galician Centre of Contemporary Art in Santiago de Compostela and the Centro Cultural de la Defensa in Madrid, Spain. It also contains sketches of people.
drawings
August 1988