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This book is published in conjunction with the exhibition Moholy-Nagy/In Motion introducing works spanning the full oeuvre of Moholy-Nagy (1895-1946), an artist who brought new vision to the art of the 20th century. As a prominent member of the avant-garde art movements between the two World Wars, he developed an artistic ideal of creating works of light and motion. The(...)
$115.00
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This book is published in conjunction with the exhibition Moholy-Nagy/In Motion introducing works spanning the full oeuvre of Moholy-Nagy (1895-1946), an artist who brought new vision to the art of the 20th century. As a prominent member of the avant-garde art movements between the two World Wars, he developed an artistic ideal of creating works of light and motion. The(...)
Title:
Moholy-Nagy: laboratory of vision
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This book is published in conjunction with the exhibition Moholy-Nagy/In Motion introducing works spanning the full oeuvre of Moholy-Nagy (1895-1946), an artist who brought new vision to the art of the 20th century. As a prominent member of the avant-garde art movements between the two World Wars, he developed an artistic ideal of creating works of light and motion. The pursuit of his career as a creative artist and art educator took Moholy-Nagy from his native Hungary to Vienna, then on to Germany, the Netherlands and Great Britain and finally to the United States. Working in painting, photography, sculpture, film, graphic design, stage design and publishing, Moholy-Nagy’s career addressed many of the new issues confronting art in the 20th century, such as the relationship between art and industrial technology and the new media of information and communications. This exhibition marks Japan’s first full-scale retrospective of the art of Moholy-Nagy and spans the artist’s full career from its earliest years to its last in some 300 works and related materials and documents.
Moholy-Nagy: laboratory of vision
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This book is published in conjunction with the exhibition Moholy-Nagy/In Motion introducing works spanning the full oeuvre of Moholy-Nagy (1895-1946), an artist who brought new vision to the art of the 20th century. As a prominent member of the avant-garde art movements between the two World Wars, he developed an artistic ideal of creating works of light and motion. The pursuit of his career as a creative artist and art educator took Moholy-Nagy from his native Hungary to Vienna, then on to Germany, the Netherlands and Great Britain and finally to the United States. Working in painting, photography, sculpture, film, graphic design, stage design and publishing, Moholy-Nagy’s career addressed many of the new issues confronting art in the 20th century, such as the relationship between art and industrial technology and the new media of information and communications. This exhibition marks Japan’s first full-scale retrospective of the art of Moholy-Nagy and spans the artist’s full career from its earliest years to its last in some 300 works and related materials and documents.
Form:
books
books
Publication:
October 2011
October 2011
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Austrian phenomenon
Austrian phenomenon
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In the Austria of the 1960s, the visionary designs of architects and artists garnered international attention. Described as the "Austrian phenomenon," these projects and installations contained the concentrated creativity of the Austrian architectural neo-avant-garde between 1956 and 1973. In Vienna, these avant-garde dreams came to be symbolized by Hans Hollein’s Retti(...)
$140.00
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In the Austria of the 1960s, the visionary designs of architects and artists garnered international attention. Described as the "Austrian phenomenon," these projects and installations contained the concentrated creativity of the Austrian architectural neo-avant-garde between 1956 and 1973. In Vienna, these avant-garde dreams came to be symbolized by Hans Hollein’s Retti(...)
Title:
Austrian phenomenon
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$140.00
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In the Austria of the 1960s, the visionary designs of architects and artists garnered international attention. Described as the "Austrian phenomenon," these projects and installations contained the concentrated creativity of the Austrian architectural neo-avant-garde between 1956 and 1973. In Vienna, these avant-garde dreams came to be symbolized by Hans Hollein’s Retti Candle Shop and Hermann Czech’s many cafés and bars, which are still successful today, including the Kleines Café (Little Café), Wunderbar, and Salzamt. The best-known protagonists of this scene include Hans Hollein, Walter Pichler, Raimund Abraham, Coop Himmelblau, Haus-Rucker-Co, Missing Link, and others. The book consists of two parts. The first contains "Documentation" of important publications from the years 1958–1973 in international trade journals like Archigram, Domus, Architectural Record, and Casabella, in which the young architects sought attention for their programs. The second is "Reconstruction," a cross-section of images and texts from publications on the "Austrian phenomenon," elucidated and situated in the context of international architectural history by authors such as Friedrich Achleitner, Bart Lootsma, Stanislaus von Moos, Joseph Rykwert, Anthony Vidler, and others.
Austrian phenomenon
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In the Austria of the 1960s, the visionary designs of architects and artists garnered international attention. Described as the "Austrian phenomenon," these projects and installations contained the concentrated creativity of the Austrian architectural neo-avant-garde between 1956 and 1973. In Vienna, these avant-garde dreams came to be symbolized by Hans Hollein’s Retti Candle Shop and Hermann Czech’s many cafés and bars, which are still successful today, including the Kleines Café (Little Café), Wunderbar, and Salzamt. The best-known protagonists of this scene include Hans Hollein, Walter Pichler, Raimund Abraham, Coop Himmelblau, Haus-Rucker-Co, Missing Link, and others. The book consists of two parts. The first contains "Documentation" of important publications from the years 1958–1973 in international trade journals like Archigram, Domus, Architectural Record, and Casabella, in which the young architects sought attention for their programs. The second is "Reconstruction," a cross-section of images and texts from publications on the "Austrian phenomenon," elucidated and situated in the context of international architectural history by authors such as Friedrich Achleitner, Bart Lootsma, Stanislaus von Moos, Joseph Rykwert, Anthony Vidler, and others.
Form:
books
books
Publication:
December 2009
December 2009
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
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books
books
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$91.00
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The work of the Austrian architectural office Delugan-Meissl has on the one hand a cosmpolitan flair, yet on the other it is marked by a decidedly urban and sustainable design philosophy. Evident in their striking projects are specific features running like leitmotif through their work: their distinctive use of the landscape and of previously undeveloped sites, their(...)
$91.00
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The work of the Austrian architectural office Delugan-Meissl has on the one hand a cosmpolitan flair, yet on the other it is marked by a decidedly urban and sustainable design philosophy. Evident in their striking projects are specific features running like leitmotif through their work: their distinctive use of the landscape and of previously undeveloped sites, their(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
September 2001, Basel
September 2001, Basel
Title:
Delugan Meissl : concepts, projects, buildings
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The work of the Austrian architectural office Delugan-Meissl has on the one hand a cosmpolitan flair, yet on the other it is marked by a decidedly urban and sustainable design philosophy. Evident in their striking projects are specific features running like leitmotif through their work: their distinctive use of the landscape and of previously undeveloped sites, their blending of urban and natural elements, and their perception of facades as space and surfaces to be utilised. The resulting designs are bold and dynamic with an unusually international touch for Vienna. This book consists of two volumes: one volume documents the fundamental concepts underlying their architecture, and the second volume presents 25 projects. The volumes are attached to each other and with the ingenious system of cross-referencing, enhanced by a precise and skilful graphic design, a web of meaning emerges which not only provides insight into the methodology of Delugan-Meissl but also gives an overview of their projects in town-planning, transport buildings, competitions and residential buildings. In contrast to most architecture monographs, this highly unusual book concept provides a visual expression of the two approaches to their work.
Delugan Meissl : concepts, projects, buildings
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The work of the Austrian architectural office Delugan-Meissl has on the one hand a cosmpolitan flair, yet on the other it is marked by a decidedly urban and sustainable design philosophy. Evident in their striking projects are specific features running like leitmotif through their work: their distinctive use of the landscape and of previously undeveloped sites, their blending of urban and natural elements, and their perception of facades as space and surfaces to be utilised. The resulting designs are bold and dynamic with an unusually international touch for Vienna. This book consists of two volumes: one volume documents the fundamental concepts underlying their architecture, and the second volume presents 25 projects. The volumes are attached to each other and with the ingenious system of cross-referencing, enhanced by a precise and skilful graphic design, a web of meaning emerges which not only provides insight into the methodology of Delugan-Meissl but also gives an overview of their projects in town-planning, transport buildings, competitions and residential buildings. In contrast to most architecture monographs, this highly unusual book concept provides a visual expression of the two approaches to their work.
Form:
books
books
Publication:
September 2001, Basel
September 2001, Basel
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$60.00
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Summary:
Hans Hollein (1934–2014), Austria’s only Pritzker Prize laureate and a self-proclaimed avant-gardist of the 1960s, was a meticulous curator of his own work throughout his life. At the same time, the reception of this work was often overshadowed by Hollein’s immense personality. "Hollein calling: Architectural dialogues" explores the Hollein phenomenon from a contemporary(...)
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Hans Hollein (1934–2014), Austria’s only Pritzker Prize laureate and a self-proclaimed avant-gardist of the 1960s, was a meticulous curator of his own work throughout his life. At the same time, the reception of this work was often overshadowed by Hollein’s immense personality. "Hollein calling: Architectural dialogues" explores the Hollein phenomenon from a contemporary(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
January 2024
January 2024
Title:
Hollein calling: Architectural dialogues
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Hans Hollein (1934–2014), Austria’s only Pritzker Prize laureate and a self-proclaimed avant-gardist of the 1960s, was a meticulous curator of his own work throughout his life. At the same time, the reception of this work was often overshadowed by Hollein’s immense personality. "Hollein calling: Architectural dialogues" explores the Hollein phenomenon from a contemporary perspective. In dialogue with the positions of a younger generation, this book revaluates and brings back into the current discourse Hollein’s thinking and designs. The first part offers interviews with fifteen European firms in which they talk about their relationship to Hollein and his oeuvre, ranging from profound knowledge or selective admiration of specific aspects to skepticism and criticism. Topics such as cultural identity, visual worlds, design tools, and architecture as an independent cultural production run as a thread through these conversations. The second part features a selection of Hollein’s buildings through sketches, models, photographs, prototypes, and documents from the Archive Hans Hollein, Az W and MAK, Vienna—many of which are published here for the first time—as well as new contextualizing texts. The two sections are connected by a grid of key terms formed from pertinent texts and images.
Hollein calling: Architectural dialogues
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Hans Hollein (1934–2014), Austria’s only Pritzker Prize laureate and a self-proclaimed avant-gardist of the 1960s, was a meticulous curator of his own work throughout his life. At the same time, the reception of this work was often overshadowed by Hollein’s immense personality. "Hollein calling: Architectural dialogues" explores the Hollein phenomenon from a contemporary perspective. In dialogue with the positions of a younger generation, this book revaluates and brings back into the current discourse Hollein’s thinking and designs. The first part offers interviews with fifteen European firms in which they talk about their relationship to Hollein and his oeuvre, ranging from profound knowledge or selective admiration of specific aspects to skepticism and criticism. Topics such as cultural identity, visual worlds, design tools, and architecture as an independent cultural production run as a thread through these conversations. The second part features a selection of Hollein’s buildings through sketches, models, photographs, prototypes, and documents from the Archive Hans Hollein, Az W and MAK, Vienna—many of which are published here for the first time—as well as new contextualizing texts. The two sections are connected by a grid of key terms formed from pertinent texts and images.
Form:
books
books
Publication:
January 2024
January 2024
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$37.95
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Summary:
The passage of time and the reality of an aging survivor population have made it increasingly urgent to document and give expression to testimony, experience, and memory of the Holocaust. At the same time, artists have struggled to find a language to describe and retell a legacy often considered "unimaginable." Contrary to those who insist that the Holocaust defies(...)
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Summary:
The passage of time and the reality of an aging survivor population have made it increasingly urgent to document and give expression to testimony, experience, and memory of the Holocaust. At the same time, artists have struggled to find a language to describe and retell a legacy often considered "unimaginable." Contrary to those who insist that the Holocaust defies(...)
Subject:
Architectural Theory
Architectural Theory
Publication:
December 2002, Bloomington and Indianapolis
December 2002, Bloomington and Indianapolis
Title:
Image and remembrance : representation and the Holocaust
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The passage of time and the reality of an aging survivor population have made it increasingly urgent to document and give expression to testimony, experience, and memory of the Holocaust. At the same time, artists have struggled to find a language to describe and retell a legacy often considered "unimaginable." Contrary to those who insist that the Holocaust defies representation, Image and Remembrance demonstrates that artistic representations are central to the practice of remembrance and commemoration. Including essays on representations of the Holocaust in film, architecture, painting, photography, memorials, and monuments, this thought-provoking volume considers ways in which visual artists have given form to the experience of the Holocaust and addresses the role that imagination plays in shaping historical memory. Among works discussed are Daniel Libeskind's Jewish Museum in Berlin, Rachel Whiteread's Holocaust Memorial in Vienna, Morris Louis's series of paintings Charred Journal, photographer Shimon Attie's Writing on the Wall, and Mikael Levin's series Untitled. Image and Remembrance provides a thoughtful site for personal reflection and commemoration as well as a context for reconsidering the processes of art making and the cultural significance of artistic images.
Image and remembrance : representation and the Holocaust
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$37.95
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The passage of time and the reality of an aging survivor population have made it increasingly urgent to document and give expression to testimony, experience, and memory of the Holocaust. At the same time, artists have struggled to find a language to describe and retell a legacy often considered "unimaginable." Contrary to those who insist that the Holocaust defies representation, Image and Remembrance demonstrates that artistic representations are central to the practice of remembrance and commemoration. Including essays on representations of the Holocaust in film, architecture, painting, photography, memorials, and monuments, this thought-provoking volume considers ways in which visual artists have given form to the experience of the Holocaust and addresses the role that imagination plays in shaping historical memory. Among works discussed are Daniel Libeskind's Jewish Museum in Berlin, Rachel Whiteread's Holocaust Memorial in Vienna, Morris Louis's series of paintings Charred Journal, photographer Shimon Attie's Writing on the Wall, and Mikael Levin's series Untitled. Image and Remembrance provides a thoughtful site for personal reflection and commemoration as well as a context for reconsidering the processes of art making and the cultural significance of artistic images.
Form:
books
books
Publication:
December 2002, Bloomington and Indianapolis
December 2002, Bloomington and Indianapolis
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$36.95
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Summary:
Aloïs Riegl is one of the greatest of all modern art historians. The most important member of the so-called 'Vienna School,' Riegl developed a highly refined technique of visual or formal analysis, as opposed to the iconological method, with its emphasis on decoding motifs through recourse to texts. Riegl also pioneered understanding of the changing role of the viewer,(...)
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Summary:
Aloïs Riegl is one of the greatest of all modern art historians. The most important member of the so-called 'Vienna School,' Riegl developed a highly refined technique of visual or formal analysis, as opposed to the iconological method, with its emphasis on decoding motifs through recourse to texts. Riegl also pioneered understanding of the changing role of the viewer,(...)
Title:
Historical grammar of the visual arts
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Aloïs Riegl is one of the greatest of all modern art historians. The most important member of the so-called 'Vienna School,' Riegl developed a highly refined technique of visual or formal analysis, as opposed to the iconological method, with its emphasis on decoding motifs through recourse to texts. Riegl also pioneered understanding of the changing role of the viewer, the significance of non–high art objects or what would now be called visual or material culture, and theories of art and art history, including his much-debated neologism Kunstwollen (the will of art). At last, his 'Historical Grammar of the Visual Arts', which brings together the diverse threads of his thought, is available to an English-language audience, in a superlative translation by Jacqueline E. Jung. In one of the earliest and perhaps the most brilliant of all art historical 'surveys,' Riegl addresses the different visual arts within a sweeping conception of the history of culture. His account derives from Hegelian models but decisively opens onto alternative pathways that continue to complicate attempts to reduce art merely to the artist’s intentions or its social and historical functions.
Historical grammar of the visual arts
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Aloïs Riegl is one of the greatest of all modern art historians. The most important member of the so-called 'Vienna School,' Riegl developed a highly refined technique of visual or formal analysis, as opposed to the iconological method, with its emphasis on decoding motifs through recourse to texts. Riegl also pioneered understanding of the changing role of the viewer, the significance of non–high art objects or what would now be called visual or material culture, and theories of art and art history, including his much-debated neologism Kunstwollen (the will of art). At last, his 'Historical Grammar of the Visual Arts', which brings together the diverse threads of his thought, is available to an English-language audience, in a superlative translation by Jacqueline E. Jung. In one of the earliest and perhaps the most brilliant of all art historical 'surveys,' Riegl addresses the different visual arts within a sweeping conception of the history of culture. His account derives from Hegelian models but decisively opens onto alternative pathways that continue to complicate attempts to reduce art merely to the artist’s intentions or its social and historical functions.
Form:
books
books
Publication:
April 2021
April 2021
Subject:
Art Theory
Art Theory
Form:
books
books
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$64.95
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Vienna-based architect Martin Feiersinger and his brother, artist and photographer Werner Feiersinger, have traveled extensively across Northern Italy in order to document the region’s modern architecture after World War II. "Italomodern 1 and 2" are the result of their travels, the most authoritative survey of Northern Italy’s architecture between 1946 and 1976. In their(...)
$64.95
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Summary:
Vienna-based architect Martin Feiersinger and his brother, artist and photographer Werner Feiersinger, have traveled extensively across Northern Italy in order to document the region’s modern architecture after World War II. "Italomodern 1 and 2" are the result of their travels, the most authoritative survey of Northern Italy’s architecture between 1946 and 1976. In their(...)
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Publication:
October 2016
October 2016
Title:
Italomodern I: architecture in northern Italy 1946-1976
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Vienna-based architect Martin Feiersinger and his brother, artist and photographer Werner Feiersinger, have traveled extensively across Northern Italy in order to document the region’s modern architecture after World War II. "Italomodern 1 and 2" are the result of their travels, the most authoritative survey of Northern Italy’s architecture between 1946 and 1976. In their study, they have focused exclusively on distinctive buildings rather than entire urban structures, and they have selected the included projects as exemplary representations of neorealism, rationalism, brutalism, and organic styles. "Italomodern 1" features 84 buildings and "Italomodern 2" contains an additional 132 buildings. All of them are represented with photographs, a concise text, the exact address, and selected floor plans, sections, or elevations. The images present a subjective point of view, showing each building in its present state. An appendix provides rich information on the architects and other selected buildings and further reading for each firm. The books offer a glimpse into an era when society’s aspirations found expression in the built environment. Each volume is self-contained and also makes an insightful and useful guide for architecture lovers and travelers.
Italomodern I: architecture in northern Italy 1946-1976
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Vienna-based architect Martin Feiersinger and his brother, artist and photographer Werner Feiersinger, have traveled extensively across Northern Italy in order to document the region’s modern architecture after World War II. "Italomodern 1 and 2" are the result of their travels, the most authoritative survey of Northern Italy’s architecture between 1946 and 1976. In their study, they have focused exclusively on distinctive buildings rather than entire urban structures, and they have selected the included projects as exemplary representations of neorealism, rationalism, brutalism, and organic styles. "Italomodern 1" features 84 buildings and "Italomodern 2" contains an additional 132 buildings. All of them are represented with photographs, a concise text, the exact address, and selected floor plans, sections, or elevations. The images present a subjective point of view, showing each building in its present state. An appendix provides rich information on the architects and other selected buildings and further reading for each firm. The books offer a glimpse into an era when society’s aspirations found expression in the built environment. Each volume is self-contained and also makes an insightful and useful guide for architecture lovers and travelers.
Form:
books
books
Publication:
October 2016
October 2016
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Form:
books
books
Price:
$95.95
(available to order)
Summary:
"Central European Avant-Gardes" presents the first interpretive overview of the complex webs of interaction among the artists and intellectuals of early twentieth-century Central Europe. The key stylistic transformation of the period was from Expressionism to Constructivism, as artists and writers, against a volatile background of war and revolution, saw the opportunity(...)
$95.95
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"Central European Avant-Gardes" presents the first interpretive overview of the complex webs of interaction among the artists and intellectuals of early twentieth-century Central Europe. The key stylistic transformation of the period was from Expressionism to Constructivism, as artists and writers, against a volatile background of war and revolution, saw the opportunity(...)
Title:
Central European avant-gardes : exchange and transformation, 1910-1930
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"Central European Avant-Gardes" presents the first interpretive overview of the complex webs of interaction among the artists and intellectuals of early twentieth-century Central Europe. The key stylistic transformation of the period was from Expressionism to Constructivism, as artists and writers, against a volatile background of war and revolution, saw the opportunity literally to construct a new world through their work. The borders between the visual arts, photography, film, architecture, poetry, and typography were obliterated, as artists sought to transcend the forces of traditionalism to forge an elemental visual language that would overcome national and linguistic boundaries. Yet at the same time that these artists advocated pluralism and unity, their work engaged issues such as nationalism and tradition that still resonate in artistic circles today. The book, which accompanies a major exhibition organized by the Los Angeles County Museum of Art and curated by Timothy Benson, assisted by Monika Krol, is arranged around events and situations rather than by linear, art historical categories. It features hundreds of color plates and reproductions of documents; discussions of movements from Artificialism to Zenitism; essays on figures, publications, and exhibitions; and shorter "city views" of Belgrade, Berlin, Bucharest, Budapest, Cracow, Dessau, Ljubljana, £ódz, Poznañ, Prague, Vienna, Warsaw, Weimar, and Zagreb.
Central European avant-gardes : exchange and transformation, 1910-1930
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$95.95
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Summary:
"Central European Avant-Gardes" presents the first interpretive overview of the complex webs of interaction among the artists and intellectuals of early twentieth-century Central Europe. The key stylistic transformation of the period was from Expressionism to Constructivism, as artists and writers, against a volatile background of war and revolution, saw the opportunity literally to construct a new world through their work. The borders between the visual arts, photography, film, architecture, poetry, and typography were obliterated, as artists sought to transcend the forces of traditionalism to forge an elemental visual language that would overcome national and linguistic boundaries. Yet at the same time that these artists advocated pluralism and unity, their work engaged issues such as nationalism and tradition that still resonate in artistic circles today. The book, which accompanies a major exhibition organized by the Los Angeles County Museum of Art and curated by Timothy Benson, assisted by Monika Krol, is arranged around events and situations rather than by linear, art historical categories. It features hundreds of color plates and reproductions of documents; discussions of movements from Artificialism to Zenitism; essays on figures, publications, and exhibitions; and shorter "city views" of Belgrade, Berlin, Bucharest, Budapest, Cracow, Dessau, Ljubljana, £ódz, Poznañ, Prague, Vienna, Warsaw, Weimar, and Zagreb.
Form:
books
books
Publication:
May 2002, Cambridge, Mass.
May 2002, Cambridge, Mass.
Subject:
Modernism
Modernism
Form:
books
books
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$61.95
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Summary:
**OUT OF PRINT / EPUISÉ** Urban places can only be considered a success if they are being used. Here an overview of thriving squares and urban spaces in European architecture. What would a town be without squares? It is precisely these open spaces which give the built areas their meaning, function and character. Squares provide a breathing space within the structure(...)
$61.95
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**OUT OF PRINT / EPUISÉ** Urban places can only be considered a success if they are being used. Here an overview of thriving squares and urban spaces in European architecture. What would a town be without squares? It is precisely these open spaces which give the built areas their meaning, function and character. Squares provide a breathing space within the structure(...)
Title:
Plätze - urban squares : recent European promenades, squares and city centres
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$61.95
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**OUT OF PRINT / EPUISÉ** Urban places can only be considered a success if they are being used. Here an overview of thriving squares and urban spaces in European architecture. What would a town be without squares? It is precisely these open spaces which give the built areas their meaning, function and character. Squares provide a breathing space within the structure of the city, separating and joining. They are the stage for urban actors, the heart of the political and social life of an urban community, and as such designing new squares or redesigning existing ones is one of the most delightful tasks for architects, urban planners and landscape architects. Open-air and multi-functional, squares are always unique and more strongly defined by their surroundings than buildings. This book presents the best and most attractive squares which have been presented in individual Topos magazines since 1993. It contains successful examples from Barcelona, Lyon, Reykjavik, Verona, Dublin and Vienna. Some of the examples, for instance, the Schouwerburgplein in Rotterdam, the Place des Terraux in Lyon or the Gustav-Adolf-Torg in Malmö were much discussed even criticized. Yet they bear the confident signature of their designer and a distinctive interplay of material and form, art and commerce, work and fun.
Plätze - urban squares : recent European promenades, squares and city centres
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$61.95
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Summary:
**OUT OF PRINT / EPUISÉ** Urban places can only be considered a success if they are being used. Here an overview of thriving squares and urban spaces in European architecture. What would a town be without squares? It is precisely these open spaces which give the built areas their meaning, function and character. Squares provide a breathing space within the structure of the city, separating and joining. They are the stage for urban actors, the heart of the political and social life of an urban community, and as such designing new squares or redesigning existing ones is one of the most delightful tasks for architects, urban planners and landscape architects. Open-air and multi-functional, squares are always unique and more strongly defined by their surroundings than buildings. This book presents the best and most attractive squares which have been presented in individual Topos magazines since 1993. It contains successful examples from Barcelona, Lyon, Reykjavik, Verona, Dublin and Vienna. Some of the examples, for instance, the Schouwerburgplein in Rotterdam, the Place des Terraux in Lyon or the Gustav-Adolf-Torg in Malmö were much discussed even criticized. Yet they bear the confident signature of their designer and a distinctive interplay of material and form, art and commerce, work and fun.
Form:
books
books
Publication:
March 2002, Munich / Basel
March 2002, Munich / Basel
Subject:
Urban Theory
Urban Theory
Form:
books
books
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$45.95
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Summary:
Today, R. M. Schindler's Kings Road House is celebrated as an icon of early modern architecture, but this wasn't the case when it was finished in 1922. Though Schindler and his wife Pauline recognized its genius early on, its radical appearance was - and remains - incomprehensible to many. This book is an incisive examination of the house, placing it in the context of the(...)
$45.95
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Summary:
Today, R. M. Schindler's Kings Road House is celebrated as an icon of early modern architecture, but this wasn't the case when it was finished in 1922. Though Schindler and his wife Pauline recognized its genius early on, its radical appearance was - and remains - incomprehensible to many. This book is an incisive examination of the house, placing it in the context of the(...)
Title:
Schindler, Kings Road, and Southern California modernism
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Summary:
Today, R. M. Schindler's Kings Road House is celebrated as an icon of early modern architecture, but this wasn't the case when it was finished in 1922. Though Schindler and his wife Pauline recognized its genius early on, its radical appearance was - and remains - incomprehensible to many. This book is an incisive examination of the house, placing it in the context of the architect's career and clarifying its influence on modern architecture and its practitioners. Little-known aspects of Schindler's life, his relationship with his mentors, and the development of his unique theories about space enrich the narrative. Robert Sweeney focuses on the construction of the house and the people who lived, worked, and performed there, demonstrating the building's significance in the social history of Southern California. He includes new research on Schindler's educational and personal background in Vienna and a discussion of the critical influence of Pauline Schindler in formulating the social underpinnings of the house. Judith Sheine's essay places the house in the context of Schindler's career, in which it established the basis of the spatial development of his work. She also examines the influence of the house on the work of numerous architects from Frank Lloyd Wright to Frank Gehry.
Schindler, Kings Road, and Southern California modernism
Actions:
Price:
$45.95
(available to order)
Summary:
Today, R. M. Schindler's Kings Road House is celebrated as an icon of early modern architecture, but this wasn't the case when it was finished in 1922. Though Schindler and his wife Pauline recognized its genius early on, its radical appearance was - and remains - incomprehensible to many. This book is an incisive examination of the house, placing it in the context of the architect's career and clarifying its influence on modern architecture and its practitioners. Little-known aspects of Schindler's life, his relationship with his mentors, and the development of his unique theories about space enrich the narrative. Robert Sweeney focuses on the construction of the house and the people who lived, worked, and performed there, demonstrating the building's significance in the social history of Southern California. He includes new research on Schindler's educational and personal background in Vienna and a discussion of the critical influence of Pauline Schindler in formulating the social underpinnings of the house. Judith Sheine's essay places the house in the context of Schindler's career, in which it established the basis of the spatial development of his work. She also examines the influence of the house on the work of numerous architects from Frank Lloyd Wright to Frank Gehry.
Form:
books
books
Publication:
October 2012
October 2012
Subject:
Architecture Monographs
Architecture Monographs
