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In the post-war decades, Hong Kong architects, many of them having migrated from Mainland China or studied overseas, embraced modern principles when forced to face the problems of housing shortage, mass construction and limited budgets. Although economic efficiencies often prevailed over design, their buildings were rooted in their time and place, reflecting the local(...)
December 2022
Hong Kong modern: Architecture of the 1950s-1970s
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In the post-war decades, Hong Kong architects, many of them having migrated from Mainland China or studied overseas, embraced modern principles when forced to face the problems of housing shortage, mass construction and limited budgets. Although economic efficiencies often prevailed over design, their buildings were rooted in their time and place, reflecting the local climate, social values, materials, technique and use in an often unique and pragmatic fashion. With more than 300 buildings and ensembles documented, the new publication ''Hong Kong modern architecture of the 1950s-1970s'' by Walter Koditek gives a comprehensive overview on the architecture of that transformative period in combining full-page photographs with detailed background information and further b/w images explaining and illustrating the design and history of these buildings.
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Georg Rauh (1906–1965) enhanced the Eastern Swiss architectural landscape with his work. His oeuvre, comprising around 100 buildings, is characterized by the considered placement of volumes, sensible floor plans and a subtle choice of materials. A clear programme is discernible: reduction and functionality, fully in the spirit of Bauhaus teaching. The trained carpenter(...)
Georg Rauh: Das Bauhaus in der Schweiz
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Georg Rauh (1906–1965) enhanced the Eastern Swiss architectural landscape with his work. His oeuvre, comprising around 100 buildings, is characterized by the considered placement of volumes, sensible floor plans and a subtle choice of materials. A clear programme is discernible: reduction and functionality, fully in the spirit of Bauhaus teaching. The trained carpenter studied at the Bauhaus Dessau under Hannes Meyer and Ludwig Hilberseimer, before graduating in 1932 under Mies van der Rohe. After returning to Switzerland, he worked as a teacher at a vocational school and subsequently as an architect for social housing. This catalogue of works documents his architectural heritage and its key buildings, which are portrayed by comparing the original plans, as well as in images and photographs by Ladina Bischof.
Architecture Monographs
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Today, tourism is rooted in a model of environmental and cultural degradation. 'AV Proyectos' presents seven alternatives that anticipate a hopeful shift towards community-based rural life, from C733's Jaguar Park in Mexico to Ryue Nishizawa's Shishi-Iwa House in Japan. As Gonzalo Pardo and Andrés Rubio point out in the article accompanying this section, its harmful(...)
AV Proyectos 131 : Otro turismo
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Today, tourism is rooted in a model of environmental and cultural degradation. 'AV Proyectos' presents seven alternatives that anticipate a hopeful shift towards community-based rural life, from C733's Jaguar Park in Mexico to Ryue Nishizawa's Shishi-Iwa House in Japan. As Gonzalo Pardo and Andrés Rubio point out in the article accompanying this section, its harmful impact must be confronted by defending local tradition and identity. David Chipperfield has shared his experience and also highlighted the growing difficulty of accessing housing, which has created a social crisis in London and is now surfacing in Galicia. The issue continues with the construction of the French Lycée Library in Madrid by Alberto Campo Baeza, and an introduction to the creative process of designers Muller Van Severen.
Magazines
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Mien Ruys, who worked mostly in the Netherlands for almost 60 years, was one of the most influential landscape architects of the 20th Century. A leading proponent of modernist design, she introduced clean lines, geometric shapes and innovative materials. One of the few women members of CIAM, she collaborated regularly with architects including Aldo van Eyck and Gerrit(...)
Mien Ruys: The mother of modernist gardens
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Mien Ruys, who worked mostly in the Netherlands for almost 60 years, was one of the most influential landscape architects of the 20th Century. A leading proponent of modernist design, she introduced clean lines, geometric shapes and innovative materials. One of the few women members of CIAM, she collaborated regularly with architects including Aldo van Eyck and Gerrit Rietveld, often on much needed social housing schemes. Uniquely, she combined this modernist approach with an extensive knowledge of plants and planting, which she learnt in her father’ s Royal Moerheim Nursery in Dedemsvaart. At the nursery, she met Gertrude Jekyll - who greatly influenced Mien as she developed her own loose, natural style of planting - and created 30 experimental gardens from which lessons which can still be learnt.
Landscape Architecture, Monographs
Urban planning today
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American cities' penchants for single-use zoning and free-market development in pursuit of economic growth have produced problems that have long been recognized: grueling commutes and dependency on automobiles, social isolation, expensive public infrastructure, needless destruction of countryside. Eminent domain disputes rage on, despite recent Supreme Court decisions.(...)
Urban planning today
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American cities' penchants for single-use zoning and free-market development in pursuit of economic growth have produced problems that have long been recognized: grueling commutes and dependency on automobiles, social isolation, expensive public infrastructure, needless destruction of countryside. Eminent domain disputes rage on, despite recent Supreme Court decisions. Outdated public housing and failed single-function projects litter the landscape. Addressing these urgent problems and debating the public's role in urban planning, the contributors to Urban Planning Today report on real projects in Atlanta, Boston, Chicago, New York, Omaha, Portland, and Vancouver. They bring varying, and sometimes divergent, perspectives from backgrounds in urban design and development, city and regional planning, criticism, and law to bear on the mixed bag of results observed in these cities.
Urban Theory
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In this book, British architectural historian Iain Borden achieves the impossible – a ‘user manual’ for architecture. But the book’s title, "Manual", deriving from the handbooks for car mechanics, is not simply an ironic gesture: it indicates that this is a guide to architecture as a hands-on discipline; a guide to architecture through practice. Borden’s analysis of the(...)
Manual : the architecture and office of Allford Hall Monaghan Morris
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In this book, British architectural historian Iain Borden achieves the impossible – a ‘user manual’ for architecture. But the book’s title, "Manual", deriving from the handbooks for car mechanics, is not simply an ironic gesture: it indicates that this is a guide to architecture as a hands-on discipline; a guide to architecture through practice. Borden’s analysis of the work of Allford Hall Monaghan Morris, the architectural practice formed in London ten years ago, looks at projects ranging from medical practices, offices and social housing to transport interchanges, pool-houses and lofts. All of these projects are explored in detail, and in 224 fully-illustrated pages "Manual" describes a framework of pathways, tendencies and ideas derived from inspiration, testing and experiments.
Architecture Monographs
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This volume is a comprehensive monograph chronicling the personal and professional journey of the Indian architect and urban conservationist Brinda Somaya, from 1975 to the present. Belonging to the 'Bridge Generation', her work transcends stylistic vocabulary and draws its inspiration from Indian culture, the landscape of the subcontinent and principles of sustainable(...)
Architecture Monographs
September 2018
Brinda Somaya: Works and Continuities
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This volume is a comprehensive monograph chronicling the personal and professional journey of the Indian architect and urban conservationist Brinda Somaya, from 1975 to the present. Belonging to the 'Bridge Generation', her work transcends stylistic vocabulary and draws its inspiration from Indian culture, the landscape of the subcontinent and principles of sustainable design and intervention. The book explores a cross-section of Somaya's diverse typology of projects, including housing, institutions, conservation, urban design, social design and industrial works that represent a unique 'non-stylistic' grammar that has a sense of 'order and appropriateness'. Situating her work in a broader context, the essays in this volume offer multiple perspectives on Somaya's accomplishments, while the dialogues outline the concerns central to her work.
Architecture Monographs
Bartlett designs
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The Bartlett School of Architecture at UCL is one of the world’s leading places at which to study and teach architecture. This book is a collection of the very best of student work from the last decade. Through a detailed presentation of over 170 student projects, each succinctly explained by the individual tutors concerned, the book shows how architectural designs and(...)
Bartlett designs
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The Bartlett School of Architecture at UCL is one of the world’s leading places at which to study and teach architecture. This book is a collection of the very best of student work from the last decade. Through a detailed presentation of over 170 student projects, each succinctly explained by the individual tutors concerned, the book shows how architectural designs and ideas can creatively address some of the world’s most pressing urban and social problems through buildings and other forms of architectural invention. The wide range of projects on show deal inventively with such important issues as cultural identity, housing, climate change, health and public space, as well as architectural concerns with the imagination of exciting forms and aesthetic languages.
Architecture Monographs
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Jerome Markson’s nearly six-decade-long architectural practice began in a time of profound transformation during the post-war period. His buildings were harbingers of important shifts in sociopolitical attitudes, urban policies, and modes of architectural production. From speculative homes in fledgling suburbs, to bespoke private houses, to social housing in downtown(...)
The architecture of Jerome Markson: Toronto's inclusive modernity
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Jerome Markson’s nearly six-decade-long architectural practice began in a time of profound transformation during the post-war period. His buildings were harbingers of important shifts in sociopolitical attitudes, urban policies, and modes of architectural production. From speculative homes in fledgling suburbs, to bespoke private houses, to social housing in downtown Toronto, to luxury landmarks like the Market Square condominiums, as well as important cultural and institutional buildings, his architecture reflects his pursuit of a more open and inclusive expression of modernity, one that moved past late-Modernism's formal legibility in favour of an increasingly idiosyncratic formal, spatial, and material expression. This book is the first comprehensive critical assessment of Markson's diverse body of work, interwoven with an account of Toronto's emergence as a cosmopolitan city.
Canadian Architects
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The aesthetic of architect Hector Guimard (1867–1942) has long characterized French Art Nouveau in the popular imagination. This groundbreaking book showcases all aspects of his artistry and recognizes the fundamental modernity of his work. Known for, among other things, the decorative entrances to the Paris Métro and the associated lettering, he often looked to nature(...)
Hector Guimard: Art Nouveau to modernism
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The aesthetic of architect Hector Guimard (1867–1942) has long characterized French Art Nouveau in the popular imagination. This groundbreaking book showcases all aspects of his artistry and recognizes the fundamental modernity of his work. Known for, among other things, the decorative entrances to the Paris Métro and the associated lettering, he often looked to nature for inspiration, and combined materials such as stone and cast iron in unique ways to create designs composed of curves and waves that evoked movement. Guimard broke away from his classical Beaux-Arts training to advocate a modern, abstract style; he also pioneered the use of standardized models for his design objects and experimented with prefabricated designs in his social housing commissions, advancing the technology of the time.
Architecture Monographs