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High modernism is now as far from us as antiquity was for the Renaissance. Such is the premise of Fredric Jameson’s major new work in which modernist works, this time in painting (Rubens) and music (Wagner and Mahler), are pitted against late-modernist ones (in film) as well as a variety of postmodern experiments (from SF to The Wire, from “Eurotrash” in opera to Altman(...)
The ancients and the postmoderns: on the historicity of forms
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High modernism is now as far from us as antiquity was for the Renaissance. Such is the premise of Fredric Jameson’s major new work in which modernist works, this time in painting (Rubens) and music (Wagner and Mahler), are pitted against late-modernist ones (in film) as well as a variety of postmodern experiments (from SF to The Wire, from “Eurotrash” in opera to Altman and East German literature): all of which attempt, in their different ways, to invent new forms to grasp a specific social totality. Throughout the historical periods, argues Jameson, the question of narrative persists through its multiple formal changes and metamorphoses
Critical Theory
World map room
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In this, Yuichi Yokoyama's long-awaited original graphic novel, published simultaneously in Japan and France, a stripped-back plot and minimal characterizations allow the artistry of Yokoyama's ethereal drawings to shine through. The events within the narrative are spare and enigmatic: Yokoyama is as much fascinated by shapes and visual effects as he is by character and(...)
World map room
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In this, Yuichi Yokoyama's long-awaited original graphic novel, published simultaneously in Japan and France, a stripped-back plot and minimal characterizations allow the artistry of Yokoyama's ethereal drawings to shine through. The events within the narrative are spare and enigmatic: Yokoyama is as much fascinated by shapes and visual effects as he is by character and plot. First, the protagonists visit a city; then, our heroes watch airplanes departing and arriving at an airport; next, they go on board a ship and cross a river. Eventually, they arrive at a building where a man welcomes and guides them to the "world map room," where they inspect a library.
Illustration
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The archives of the 1990s. Every person is a memory. Memory which may be conjured up by joining the dots between what the subject has experienced over the years, starting from a personal history—which allows for a certain clinical-narrative accuracy—only to then go on to delve into the collective sphere, investigating and recounting private and institutional archives(...)
Archivio n° 05: The Nineties Issue
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The archives of the 1990s. Every person is a memory. Memory which may be conjured up by joining the dots between what the subject has experienced over the years, starting from a personal history—which allows for a certain clinical-narrative accuracy—only to then go on to delve into the collective sphere, investigating and recounting private and institutional archives that accompany us through the presentation of the facts. Home to the facts are the eras: that's why over the following issues Archivio will identify four decade-long containers, starting off from that closest to us and that furthest away, so that archives may be created: the 1990s.
Magazines
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Every day, throughout that tumultuous spring of 2020, Dutch artist Erik Kessels and French artist Thomas Sauvin sent one another idiosyncratic, uncaptioned photographs, catalyzing an organic, free-associative exchange of some 120 archival images. Author Kingston Trinder then composed an equally free-associative, altogether-whimsical narrative with which to further entwine(...)
Talk soon: Erik Kessels and Thomas Sauvin
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Every day, throughout that tumultuous spring of 2020, Dutch artist Erik Kessels and French artist Thomas Sauvin sent one another idiosyncratic, uncaptioned photographs, catalyzing an organic, free-associative exchange of some 120 archival images. Author Kingston Trinder then composed an equally free-associative, altogether-whimsical narrative with which to further entwine the duo’s eclectic photographs. These two archives of vernacular photography, one from the East, the other from the West, achieve a dialogue through the recurrence of photographic practices, aesthetics and subjects.'Talk Soon', a tearaway postcard book with a spiral binding, allows readers to endlessly juxtapose the delightful photographs selected by the two quarantined artists.
Photography monographs
On tyranny, graphic edition
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Timothy Snyder’s New York Times bestseller 'On Tyranny' uses the darkest moments in twentieth-century history, from Nazism to Communism, to teach twenty lessons on resisting modern-day authoritarianism. In this graphic edition, Nora Krug draws from her highly inventive art style - at once a graphic memoir, collage-style scrapbook, historical narrative, and trove of(...)
On tyranny, graphic edition
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Timothy Snyder’s New York Times bestseller 'On Tyranny' uses the darkest moments in twentieth-century history, from Nazism to Communism, to teach twenty lessons on resisting modern-day authoritarianism. In this graphic edition, Nora Krug draws from her highly inventive art style - at once a graphic memoir, collage-style scrapbook, historical narrative, and trove of memories - to breathe new life, color, and power into Snyder’s riveting historical references, turning a quick-read pocket guide of lessons into a visually striking rumination. In a time of great uncertainty and instability, this edition of 'On Tyranny' emphasizes the importance of being active, conscious, and deliberate participants in resistance.
Social
Information
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This anthology provides the first art-historical reassessment of information-based art in relation to data structures and exhibition curation. It examines such landmark exhibitions as "Information" at The Museum of Modern Art, New York, in 1970, and the equally influential "Les Immatériaux," initiated by the philosopher Jean-François Lyotard at the Centre Pompidou, Paris,(...)
Information
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This anthology provides the first art-historical reassessment of information-based art in relation to data structures and exhibition curation. It examines such landmark exhibitions as "Information" at The Museum of Modern Art, New York, in 1970, and the equally influential "Les Immatériaux," initiated by the philosopher Jean-François Lyotard at the Centre Pompidou, Paris, in 1984. It reexamines work by artists of the 1960s to early 1980s, from Les Levine and N. E. Thing Co. to General Idea and Jenny Holzer, whose prescient grasp of information's significance resonates today. It also reinscribes into the narrative of art history technologically critical artworks that for years have circulated within new media festivals rather than in galleries.
Art Theory
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''Francesca Woodman: The artist’s books'' collects for the first time every page of all eight of Francesca Woodman’s unique artist’s books in one comprehensive volume, including two newly discovered books which have never been seen before, alongside better-known titles such as ''Some Disordered Interior Geometries''. The basis of these works is in tattered nineteenth- and(...)
Francesca Woodman: The artist's books
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''Francesca Woodman: The artist’s books'' collects for the first time every page of all eight of Francesca Woodman’s unique artist’s books in one comprehensive volume, including two newly discovered books which have never been seen before, alongside better-known titles such as ''Some Disordered Interior Geometries''. The basis of these works is in tattered nineteenth- and early-twentieth-century journals and notebooks that Woodman collected from bookshops and flea markets in Rome in the late 1970s. She later transformed these found volumes, attaching her prints, transparencies, and written annotations to their evocative pages. These books demonstrate a sophisticated relationship to narrative and sequence and offer a new understanding of the scope of Woodman’s engagement with the book form.
Contemporary Art Monographs
Ville Palladiane
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Ville Palladiane takes shape through details, margins, atmospheres, and traces of contemporary life within the historic villas designed by Andrea Palladio. A complex and classical theme - at times seemingly obvious - was approached by students with curiosity, enthusiasm, and a touch of genuine naïveté, resulting in a visual narrative that captures Palladio’s timeless, yet(...)
Ville Palladiane
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Ville Palladiane takes shape through details, margins, atmospheres, and traces of contemporary life within the historic villas designed by Andrea Palladio. A complex and classical theme - at times seemingly obvious - was approached by students with curiosity, enthusiasm, and a touch of genuine naïveté, resulting in a visual narrative that captures Palladio’s timeless, yet strikingly modern, architectural universe. This volume is part of Prospettive, a photographic documentation project by the Istituto Centrale per il Catalogo e la Documentazione, curated by Carlo Birrozzi and Alessandro Coco. Produced during the 2023–24 Architectural Photography course led by Alberto Sinigaglia at ISIA Urbino, the work contributes to ICCD’s ongoing exploration of architectural themes through student perspectives.
Photography monographs
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This book starts with the premise that waste is inevitable in human society—and ends with a meditation on its inevitability. The Idea of Waste explores how we have grappled with both the material reality and the specter of this shapeshifting phenomenon throughout history—utilizing it, dreaming of overcoming it, yet never escaping it. John Scanlan explores what waste is(...)
The idea of waste: On the limits of human life
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This book starts with the premise that waste is inevitable in human society—and ends with a meditation on its inevitability. The Idea of Waste explores how we have grappled with both the material reality and the specter of this shapeshifting phenomenon throughout history—utilizing it, dreaming of overcoming it, yet never escaping it. John Scanlan explores what waste is and why it seems to be intrinsic to human life, at every turn, in every age and epoch. Finally, he demonstrates how waste never disappears, but rather only proliferates anew. Scanlan’s compelling narrative shows waste to be both an enduring material consequence of human activity and an idea or state of being.
Social
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For most of modern history, to be an artist and a mother was to embody a contradiction in terms. This "awful dichotomy," as painter Alice Neel put it, pitted artmaking against caretaking and argued that the best art was made at the expense of family and futurity. But in San Francisco in the 1950s and 1960s, a group of artists gathered around Ruth Asawa (1926–2013) began(...)
Ruth Asawa and the artist-mother at midcentury
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For most of modern history, to be an artist and a mother was to embody a contradiction in terms. This "awful dichotomy," as painter Alice Neel put it, pitted artmaking against caretaking and argued that the best art was made at the expense of family and futurity. But in San Francisco in the 1950s and 1960s, a group of artists gathered around Ruth Asawa (1926–2013) began to reject this dominant narrative. In Ruth Asawa and the Artist-Mother at Midcentury, Jordan Troeller analyzes this remarkable moment. Insisting that their labor as mothers fueled their labor as artists, these women redefined key aesthetic concerns of their era, including autonomy, medium specificity, and originality.
Art Theory