Isik Kaya: Second nature
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With the uprise of mobile devices, the infrastructural needs of the telecommunication industry have exploded, and since the 1980s, cell towers have started to fill the planet. The scenery changed dramatically when an antenna was transformed into an artificial pine tree for the first time in 1992. Since then, this kind of camouflage has evolved into a global phenomenon(...)
Isik Kaya: Second nature
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With the uprise of mobile devices, the infrastructural needs of the telecommunication industry have exploded, and since the 1980s, cell towers have started to fill the planet. The scenery changed dramatically when an antenna was transformed into an artificial pine tree for the first time in 1992. Since then, this kind of camouflage has evolved into a global phenomenon that raises fundamental questions about the relationship between humans and nature. The images from the series Second Nature focus on cell tower trees that became part of the Southern California landscape. The series depicts these artefacts of the digital age as, in Amy Clarke's words, a societal preference for fake aesthetics over ugly reality.
Photography monographs
Spacing winter 2018
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The winter 2018 edition of Spacing takes a swing at sports and how local athletics have shaped neighbourhoods, transportation planning, and Toronto’s narrative. Our contributors examine a variety of topic such as the spectacular local rise of lucha libre, how to accommodate the rise of new sports on old athletic facilities (cricket, bike polo), and how the City plans(...)
Spacing winter 2018
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The winter 2018 edition of Spacing takes a swing at sports and how local athletics have shaped neighbourhoods, transportation planning, and Toronto’s narrative. Our contributors examine a variety of topic such as the spectacular local rise of lucha libre, how to accommodate the rise of new sports on old athletic facilities (cricket, bike polo), and how the City plans traffic management during major sporting events. Other features tackled in the magazine include the changing nature of street trees, the rise of punk venues in 1980s Toronto, how the city worked with youth gangs in the 1940s, and the search for the fabled “Toronto House” painted by Group of Seven artist Lawren Harris.
Magazines
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''Reciprocal landscapes: stories of material movements'' traces five everyday landscape construction materials – fertilizer, stone, steel, trees, and wood – from seminal public landscapes in New York City, back to where they came from. Drawing from archival documents, photographs, and field trips, the author brings these two separate landscapes – the material’s source and(...)
Reciprocal landscapes: stories of material movements
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''Reciprocal landscapes: stories of material movements'' traces five everyday landscape construction materials – fertilizer, stone, steel, trees, and wood – from seminal public landscapes in New York City, back to where they came from. Drawing from archival documents, photographs, and field trips, the author brings these two separate landscapes – the material’s source and the urban site where the material ended up – together, exploring themes of unequal ecological exchange, labor, and material flows. This book considers the social, political, and ecological entanglements of material practice, challenging readers to think of materials not as inert products but as continuous with land and the people that shape them, and to reimagine forms of construction in solidarity with people, other species, and landscapes elsewhere.
Landscape Theory
books
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In "The Emerald City", Dan Willis takes us on a flight of imagination that paradoxically never strays far from the most tangible, even intimate subjects. His essays range from the Tower of Babel to the Wizard of Oz, from Christo to Christmas trees, from the "lightness of(...)
June 1999, New York
The emerald city and other essays on the architectural imagination
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In "The Emerald City", Dan Willis takes us on a flight of imagination that paradoxically never strays far from the most tangible, even intimate subjects. His essays range from the Tower of Babel to the Wizard of Oz, from Christo to Christmas trees, from the "lightness of being" to the "weight of architecture." This ultimately optimistic book suggests that architecture is as vital as ever. The texts draw equally from literary sources, architectural practice, philosophical analyses, pop culture, and everyday experiences. Willis's perspective as a writer, architect, artist, and teacher informs his work; his texts are at once reflective and proactive, as they challenge readers to rethink their participation in the built environment.
books
June 1999, New York
William Kentridge: No, it is
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No, It Is contains 280 new drawings by William Kentridge (born 1955), selected from a series of approximately 500 drawings made over a three-month period toward the end of 2012. Combining a series of flipbook sequences, it includes self-portraits of the artist sitting down and standing up, contorting himself or dancing; text-based series; geometric blocks of color; and(...)
William Kentridge: No, it is
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No, It Is contains 280 new drawings by William Kentridge (born 1955), selected from a series of approximately 500 drawings made over a three-month period toward the end of 2012. Combining a series of flipbook sequences, it includes self-portraits of the artist sitting down and standing up, contorting himself or dancing; text-based series; geometric blocks of color; and calligraphic renderings of trees that verge on abstraction. As with the artist’s previous book works, all of the drawings are executed on the pages of antiquarian publications. Satisfyingly chunky at 560 pages, and limited to an edition of only 800 copies, No, It Is is the largest flipbook-style publication that Kentridge has yet undertaken.
Contemporary Art Monographs
Janelle Lynch : Barcelone
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Scouring the fallow landscape around the Llobregat river and the Rubí stream near Barcelona with her 8 x 10 camera, Janelle Lynch (born 1969) searches for evidence and omens of nature's life cycles. Her photographs of anthropomorphized trees, walls of litter-strewn vegetation, rocks and disintegrating leaves, all taken during a four-year stay in Barcelona between 2007 and(...)
Janelle Lynch : Barcelone
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Scouring the fallow landscape around the Llobregat river and the Rubí stream near Barcelona with her 8 x 10 camera, Janelle Lynch (born 1969) searches for evidence and omens of nature's life cycles. Her photographs of anthropomorphized trees, walls of litter-strewn vegetation, rocks and disintegrating leaves, all taken during a four-year stay in Barcelona between 2007 and 2011, are informed by three figures whose texts are excerpted in this volume: Roland Barthes, particularly his discussion of mourning in Camera Lucida; Charles Burchfield, whose pantheistic painterly animations of landscape have much inspired Lynch; and Wendell Berry, whose essay on approaching nature with respect and humility helped to further hone her process.
Photography monographs
The art of building
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‘'Simplicity of life is not a misery, but the very foundation of refinement?: a sanded floor and whitewashed walls, and the green trees?; or a grimy palace amid the smoke with a regiment of housemaids always working ; which, think you, is the most refined?’' William Morris (1834–1896) was a poet, designer and political activist. He campaigned against the human and(...)
The art of building
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‘'Simplicity of life is not a misery, but the very foundation of refinement?: a sanded floor and whitewashed walls, and the green trees?; or a grimy palace amid the smoke with a regiment of housemaids always working ; which, think you, is the most refined?’' William Morris (1834–1896) was a poet, designer and political activist. He campaigned against the human and environmental costs of industrial mass production and viewed the arts as central to creating a better society. In these essays, Morris develops his philosophy of simplicity, equality and care for nature in relation to architecture, displaying the integrated vision of culture which has led to Morris being viewed as a forerunner to both the Bauhaus and today’s environmental movements.
Architectural Theory
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In ''Water of the Sky'', artist Miya Ando offers us a beautifully rich, bilingual visual dictionary for rain. Through a collection of 2,000 Japanese words, their English interpretations, and 100 drawings, Ando describes the breadth and diversity of rain’s many expressions: when it falls, how it falls, and how its observer might be transformed physically or emotionally by(...)
Water of the sky: A dictionary of 2000 Japanese rain words
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In ''Water of the Sky'', artist Miya Ando offers us a beautifully rich, bilingual visual dictionary for rain. Through a collection of 2,000 Japanese words, their English interpretations, and 100 drawings, Ando describes the breadth and diversity of rain’s many expressions: when it falls, how it falls, and how its observer might be transformed physically or emotionally by its presence. The words range from prosaic to esoteric, extending from the meteorological (mukaame, or “very fine rain that falls in spring”) to the mystical (bunryuu, or “rain that splits a dragon's body in half”) and from the minute (kisame, or “raindrops that fall off the leaves and branches of trees”) to the vast (takuu, or “blessed rain that quenches all things in the universe”).
Art Theory
Gleis/Track 17
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If you get off the train in Berlin at the Grunewald station, you’ll see a small sign pointing the way to Gleis 17 – Track 17. It’s the platform from which the Nazis deported more than 50,000 Jews between 1941-1945 – now, it has been made into a memorial. The track is planted with trees, and a walkway lists each date of deportation, the number of Jews, and the chilling(...)
Gleis/Track 17
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If you get off the train in Berlin at the Grunewald station, you’ll see a small sign pointing the way to Gleis 17 – Track 17. It’s the platform from which the Nazis deported more than 50,000 Jews between 1941-1945 – now, it has been made into a memorial. The track is planted with trees, and a walkway lists each date of deportation, the number of Jews, and the chilling destination. In this thought provoking book, a group of German artists and thinkers use the Gleis 17 memorial to consider whether it is possible to maintain memory in a monument, with some surprising conclusions. Contributors include NY Columbia University Professor Jorge Otero-Pailos, Diana Schulle, Andrea Wandel, Wolfgang Lorch, Harald Welzer and others.
History since 1900, Reference Books
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International in scope, the book is an A to Z of ideas for the twenty-first century, from a pavilion in Argentina to a forest house in New Zealand, all designed to have minimal architectural traces--made with local materials that harmonize with the surrounding environment. An outdoor care retreat outside Oslo provides space where visitors can benefit from the therapeutic(...)
Into the woods: retreats and dream houses
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International in scope, the book is an A to Z of ideas for the twenty-first century, from a pavilion in Argentina to a forest house in New Zealand, all designed to have minimal architectural traces--made with local materials that harmonize with the surrounding environment. An outdoor care retreat outside Oslo provides space where visitors can benefit from the therapeutic qualities of nature; a residence in Tottori, Japan, adapts with the changing seasons; a treehouse in Cape Town uses cylindrical towers that are elevated on stilts, offering views among the trees; and in Quebec, three geodesic domes were designed as part of an eco-tourism project to highlight the area's natural beauty. Each house is paired with photographs and plans.
books
March 2020
Residential Architecture