Queer forms
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In "Queer forms," Ramzi Fawaz explores how the central values of 1970s movements for women’s and gay liberation-- including consciousness-raising, separatism, and coming out of the closet?were translated into a range of American popular culture forms. Throughout this period, feminist and gay activists fought social and political battles to expand, transform, or wholly(...)
Queer forms
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In "Queer forms," Ramzi Fawaz explores how the central values of 1970s movements for women’s and gay liberation-- including consciousness-raising, separatism, and coming out of the closet?were translated into a range of American popular culture forms. Throughout this period, feminist and gay activists fought social and political battles to expand, transform, or wholly explode definitions of so-called "normal" gender and sexuality. In doing so, they inspired artists, writers, and filmmakers to invent new ways of formally representing, or giving shape to, non-normative genders and sexualities. This included placing women, queers, and gender outlaws of all stripes into exhilarating new environments?from the streets of an increasingly gay San Francisco to a post-apocalyptic commune, from an Upper East Side New York City apartment to an all-female version of Earth-- and finding new ways to formally render queer genders and sexualities by articulating them to figures, outlines, or icons that could be imagined in the mind’s eye and interpreted by diverse publics.
Critical Theory
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Over the millennia, humans have used pigments to decorate, narrate, and instruct. Charred bone, ground earth, stones, bugs, and blood were the first pigments. New pigments were manufactured by simple processes such as corrosion and calcination until the Industrial Revolution introduced colors outside the spectrum of the natural world. "Pigments" brings together leading(...)
Colour Theory and Design
June 2024
Pigments
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Over the millennia, humans have used pigments to decorate, narrate, and instruct. Charred bone, ground earth, stones, bugs, and blood were the first pigments. New pigments were manufactured by simple processes such as corrosion and calcination until the Industrial Revolution introduced colors outside the spectrum of the natural world. "Pigments" brings together leading art historians and conservators to trace the history of the materials used to create color and their invention across diverse cultures and time periods. This richly illustrated book features incisive historical essays and case studies that shed light on the many forms of pigments—the organic and inorganic; the edible and the toxic; and those that are more precious than gold. It shows how pigments were as central to the earliest art forms and global trade networks as they are to commerce, ornamentation, and artistic expression today. The book reveals the innate instability and mutability of most pigments and discusses how few artworks or objects look as they did when they were first created.
Colour Theory and Design
We were promised flying cars
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The debut poetry collection from Arab-American poet Kareem Rahma - formerly of VICE and The New York Times - shows us the future in haiku. Simultaneously a hopeful prayer for change and direct warning to the reader, Rahma makes masterful work of the haiku form to build a very possible future world dominated by corporations, an earth depleted of natural resources, and(...)
We were promised flying cars
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The debut poetry collection from Arab-American poet Kareem Rahma - formerly of VICE and The New York Times - shows us the future in haiku. Simultaneously a hopeful prayer for change and direct warning to the reader, Rahma makes masterful work of the haiku form to build a very possible future world dominated by corporations, an earth depleted of natural resources, and humans turned into zombies, glued to their screens. The future that awaits us is not the one we’ve hoped for or what we were promised, but a terrible culmination of what we’ve done to ourselves. Elegant but caustically humorous, this prophetic vision can be returned to again and again, because even in the darkness, Rahma remains hopeful that we can still keep the promises we made in the past. Paired with Jean-Marc Côté’s nineteenth-century illustrations of an imagined year 2000, ''We Were Promised Flying Cars'' is not just for poetry and science fiction fans, but anyone interested in what tomorrow might look like.
Literature and poetry
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Megan Craig and Edward S. Casey provide a collaborative phenomenological exploration of thought in motion, interspersing lively first-person accounts with broader philosophical inquiry. Their investigation, structured around the four ancient elements—water, air, earth, and fire—ranges across swimming, boats, balloons, planes, cars, trains, and other modes of transport.(...)
Thinking in transit: Explorations of life in motion
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Megan Craig and Edward S. Casey provide a collaborative phenomenological exploration of thought in motion, interspersing lively first-person accounts with broader philosophical inquiry. Their investigation, structured around the four ancient elements—water, air, earth, and fire—ranges across swimming, boats, balloons, planes, cars, trains, and other modes of transport. Craig and Casey invite readers to recall their own experiences of travel and how thinking changes in tandem with shifting environments and whatever conveys a person from place to place. They also consider how changing climates and evolving technologies, with new rhythms and materialities, have shaped human thinking in its many varieties. ''Thinking in Transit'' celebrates forms of movement and motion that carry the body and mind out of their habituated routines. This book urges a change in how philosophers have traditionally framed the setting for serious thought: from the austere, solitary space of a study to populated places of interaction and passage.
Journeys
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In ''The Aesthetics of Ambiguity: Understanding and Addressing Monoculture'' Pascal Gielen and Nav Haq argue that multiculturalism is paradoxically based on monocultural thinking. The publication explores this paradox by exploring monoculture in a variety of contemporary contexts. The book sets out to analyse monoculture using a multifaceted approach, by bringing together(...)
The aesthetics of ambiguity: Understanding and adressing monoculture
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In ''The Aesthetics of Ambiguity: Understanding and Addressing Monoculture'' Pascal Gielen and Nav Haq argue that multiculturalism is paradoxically based on monocultural thinking. The publication explores this paradox by exploring monoculture in a variety of contemporary contexts. The book sets out to analyse monoculture using a multifaceted approach, by bringing together historical, social, cultural and ideological perspectives, using the dual role of art as tool for reconciliation and division in societies. ''The Aesthetics of Ambiguity'' gives stage to artists, thinkers and institutional practices who dare to play with the rules of a broader society and thus generate ambiguity ‘at large’. The book represents a quest for (more) ambiguity in order to avoid rigid borders or black-and-white polarities between cultures, as well as between practices of art and scientific thinking. By doing so, the artists, activists and researchers featured in this book plea for a politics and aesthetics of ambiguity to deal with the complexity of our living together on Earth.
Art Theory
Midwife of the intellect
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How could a Rhineland mystic of the 13th century help us better navigate the 21st? In a provocative reading of the work of Meister Eckhart, Peter Sloterdijk offers a compelling answer: What medieval mysticism teaches us is that all there is doesn’t exist per se—everything only exists in relation. For Eckhart, living on Earth is the same as the Holy Trinity: in a(...)
Midwife of the intellect
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How could a Rhineland mystic of the 13th century help us better navigate the 21st? In a provocative reading of the work of Meister Eckhart, Peter Sloterdijk offers a compelling answer: What medieval mysticism teaches us is that all there is doesn’t exist per se—everything only exists in relation. For Eckhart, living on Earth is the same as the Holy Trinity: in a symbiosis, a form of co-relationship forgotten for too long. The triumph of individualism led to the shared illusion that humans, like everything else on the planet, had an essence, an identity, a being. But nothing could be more false. What everything is, is the others. What everything is, is a shared relationality. We are not alone—we are also all others; we depend on them. In the Anthropocene, when planetary symbiosis has never been more jeopardized, shifting our metaphysics and recalling lessons such as those of Meister Eckhart has become vital.
Critical Theory
The last pictures
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Human civilizations' longest lasting artifacts are not the great Pyramids of Giza, nor the cave paintings at Lascaux, but the communications satellites that circle our planet. In a stationary orbit above the equator, the satellites that broadcast our TV signals, route our phone calls, and process our credit card transactions experience no atmospheric drag. Their inert(...)
The last pictures
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Human civilizations' longest lasting artifacts are not the great Pyramids of Giza, nor the cave paintings at Lascaux, but the communications satellites that circle our planet. In a stationary orbit above the equator, the satellites that broadcast our TV signals, route our phone calls, and process our credit card transactions experience no atmospheric drag. Their inert hulls will continue to drift around Earth until the Sun expands into a red giant and engulfs them about 4.5 billion years from now. he Last Pictures, co-published by Creative Time Books, is rooted in the premise that these communications satellites will ultimately become the cultural and material ruins of the late 20th and early 21st centuries, far outlasting anything else humans have created. Inspired in part by ancient cave paintings, nuclear waste warning signs, and Carl Sagan's Golden Records of the 1970s, artist/geographer and MacArthur "Genius" Fellow Trevor Paglen has developed a collection of one hundred images that will be etched onto an ultra-archival, golden silicon disc.
Art Theory
books
Kai Wiedenhöfer : wall
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"You cannot shake hands across a nine meter wall", says a Palestinian pensioner who lives in the shadow of the Separation Barrier currently being built by the Israeli government. Since October 2003, photographer Kai Wiedenhöfer, who has been documenting the Israeli-Palestinian conflict for more than a decade, has been meeting with inhabitants of the Occupied Palestinian(...)
Kai Wiedenhöfer : wall
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"You cannot shake hands across a nine meter wall", says a Palestinian pensioner who lives in the shadow of the Separation Barrier currently being built by the Israeli government. Since October 2003, photographer Kai Wiedenhöfer, who has been documenting the Israeli-Palestinian conflict for more than a decade, has been meeting with inhabitants of the Occupied Palestinian Territories living in the path of the barrier. Every six months, he has been returning to the territories to document the construction of the 650 kilometers of walls, fences, ditches and earth mounds, which form the border between the State of Israel and a future Palestinian entity. The series of images in this book are all 6 x 17 cm panoramics which depict the wall and fragments of life in its shadow. In 1989, the Berlin-based photographer documented the fall of the wall in his own city. Recent German history has convinced Wiedenhöfer that separation barriers offer no realistic solutions to political conflict.
books
January 2007, Göttingen
Photography monographs
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''Pairs'' is a student-led journal at the Harvard GSD dedicated to conversations about design that are down to earth and unguarded. Each issue is conceptualized by an editorial team that proposes guests and objects to be in dialogue with one another. ''Pairs'' is non-thematic, meant instead for provisional thoughts and ideas in progress. Each issue seeks to organize a(...)
Pairs 01
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''Pairs'' is a student-led journal at the Harvard GSD dedicated to conversations about design that are down to earth and unguarded. Each issue is conceptualized by an editorial team that proposes guests and objects to be in dialogue with one another. ''Pairs'' is non-thematic, meant instead for provisional thoughts and ideas in progress. Each issue seeks to organize a diversity of threads and concerns that are perceived to be relevant to our moment. Thus, ''Pairs'' creates a space for understanding and a greater degree of exchange, both between the design disciplines and with a larger public. This inaugural issue of ''Pairs'' contains conversations with designers, academics and critics that take on the present from a variety of perspectives. There are reflections on major personal, disciplinary, or political turning points. There are reevaluations of moments in the past that shed light on social questions at the top of our minds. There are also discussions on gardening, book-making, publishing, and the conversation itself.
Magazines
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Living on a damaged planet challenges who we are and where we live. This timely anthology calls on twenty eminent humanists and scientists to revitalize curiosity, observation, and transdisciplinary conversation about life on earth. As human-induced environmental change threatens multispecies livability, "Arts of living on a damaged planet" puts forward a bold proposal:(...)
Environment and environmental theory
May 2017
Arts of living on a damaged planet: ghosts of the Anthropocene
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Living on a damaged planet challenges who we are and where we live. This timely anthology calls on twenty eminent humanists and scientists to revitalize curiosity, observation, and transdisciplinary conversation about life on earth. As human-induced environmental change threatens multispecies livability, "Arts of living on a damaged planet" puts forward a bold proposal: entangled histories, situated narratives, and thick descriptions offer urgent "arts of living." Included are essays by scholars in anthropology, ecology, science studies, art, literature, and bioinformatics who posit critical and creative tools for collaborative survival in a more-than-human Anthropocene. The essays are organized around two key figures that also serve as the publication's two openings: Ghosts, or landscapes haunted by the violences of modernity; and Monsters, or interspecies and intraspecies sociality. Ghosts and Monsters are tentacular, windy, and arboreal arts that invite readers to encounter ants, lichen, rocks, electrons, flying foxes, salmon, chestnut trees, mud volcanoes, border zones, graves, radioactive waste--in short, the wonders and terrors of an unintended epoch.
Environment and environmental theory