Kenro Izu: Fuzhou
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Madong Ma’s heroic efforts to save parts of his hometown from flooding included physically disassembling, transporting and rebuilding many of the structures, along with some 10,000 trees, to a resort hundreds of miles away that he was constructing for this very purpose. Kenro Izu undertook to photograph the remaining majestic houses and other traditional structures of the(...)
Kenro Izu: Fuzhou
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Madong Ma’s heroic efforts to save parts of his hometown from flooding included physically disassembling, transporting and rebuilding many of the structures, along with some 10,000 trees, to a resort hundreds of miles away that he was constructing for this very purpose. Kenro Izu undertook to photograph the remaining majestic houses and other traditional structures of the ancient village for posterity. Fuzhou had become symbolic place, giving trace reminders of the life of people before the dam was built. This publication serves as a reminder that many places on Earth could serve as bridges to our past; but often instead are simply been obliterated in the interest of land development. Abandoned villages, ruined houses, and the last remaining residents – these are the monuments of humankind.
Photography monographs
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Created in Berlin around 15 years ago, this large-format collage book by Isa Genzken (born 1948) is both a personal diary and artistic manifesto. In it are portraits of the artist and her friends; clippings from advertisements and glamour magazines; male pinups; illustrations of fences and grates from animal enclosures; mostly bare trees, bushes and forests; columns,(...)
Isa Genzken: Mach dich hübsch!
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Created in Berlin around 15 years ago, this large-format collage book by Isa Genzken (born 1948) is both a personal diary and artistic manifesto. In it are portraits of the artist and her friends; clippings from advertisements and glamour magazines; male pinups; illustrations of fences and grates from animal enclosures; mostly bare trees, bushes and forests; columns, faces and strange details from the artist’s work and installations; postcards of historical paintings and handwritten notes. Genzken uses brown sticky tape and silver textured textile tape; black, blue, red and vibrant green neon papers give the book a dramatic structure, creating windows and doors with views in and out. The format of the pages gradually becomes larger throughout the course of the book, giving it an astounding physicality.
Contemporary Art Monographs
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In 1920, as its population began to explode, Los Angeles was a largely pastoral city of bungalows and palm trees. Thirty years later, choked with smog and traffic, the city had become synonymous with urban sprawl and unplanned growth. Yet Los Angeles was anything but unplanned, as Jeremiah B.C. Axelrod reveals in this compelling, visually oriented history of the(...)
Inventing autopia: dreams and visions of the modern metropolis in Jazz Age Los Angeles
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In 1920, as its population began to explode, Los Angeles was a largely pastoral city of bungalows and palm trees. Thirty years later, choked with smog and traffic, the city had become synonymous with urban sprawl and unplanned growth. Yet Los Angeles was anything but unplanned, as Jeremiah B.C. Axelrod reveals in this compelling, visually oriented history of the metropolis during its formative years. In a deft mix of cultural and intellectual history that brilliantly illuminates the profound relationship between imagination and place, Inventing Autopia shows how the clash of irreconcilable utopian visions and dreams resulted in the invention of an unforeseen new form of urbanism--sprawling, illegible, fractured--that would reshape not only Southern California but much of the nation in the years to come.
Transportation, Tourism, Migration
Birds of Maine
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Long after the demise of humankind, birds roam freely around the Moon complete with fruitful trees, sophisticated fungal networks, and an enviable socialist order. The universal worm feeds all, there are no weekends, and economics is as fantastical a study as unicorn psychology. No concept of money or wealth plagues the thoughts of these free-minded birds. Instead, there(...)
Birds of Maine
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Long after the demise of humankind, birds roam freely around the Moon complete with fruitful trees, sophisticated fungal networks, and an enviable socialist order. The universal worm feeds all, there are no weekends, and economics is as fantastical a study as unicorn psychology. No concept of money or wealth plagues the thoughts of these free-minded birds. Instead, there are angsty teens who form bands to show off their best bird song and other youngsters who yearn to become clothing designers even though clothes are only necessary during war. (The truly honorable professions for most birds are historian or librarian.) These birds are free to crush on hot pelicans and live their best lives until a crash-landed human from Earth threatens to change everything.
Illustration
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Two walls and a roof as a shelter. A home warms the hearts of the ones that live in it and shelters when it rains; it’s the place where one happily returns and where one feels “at home”. Alessandro Sanna’s book re-creates the same atmosphere of warmth and serenity of being at home. Its shape, essential but immediate, appears in each page as starting point of a series of(...)
Alessandro Sanna: A home, my home
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Two walls and a roof as a shelter. A home warms the hearts of the ones that live in it and shelters when it rains; it’s the place where one happily returns and where one feels “at home”. Alessandro Sanna’s book re-creates the same atmosphere of warmth and serenity of being at home. Its shape, essential but immediate, appears in each page as starting point of a series of variations suggested by the image and imagination. The constant black image of home is “fulfilled” by the red illustrations, that create many possible illustrations: "home" turns into a "coffee-maker", or maybe some "trees" or eventually a "kite"...This book is a poem written and drawn right after the earthquake in Abruzzo
Children's Books
Studio Mumbai : praxis
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The workshop of Studio Mumbai, headed by Bijoy Jain, consists of open air spaces in a rustic setting surrounded by trees. There, a variety of skilled craftsmen, architects and engineers collaborate in the same space, engaging in, exercising and practicing architecture in a manner that aspires to transcend its own physicality. In this way, the process and act of(...)
Studio Mumbai : praxis
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The workshop of Studio Mumbai, headed by Bijoy Jain, consists of open air spaces in a rustic setting surrounded by trees. There, a variety of skilled craftsmen, architects and engineers collaborate in the same space, engaging in, exercising and practicing architecture in a manner that aspires to transcend its own physicality. In this way, the process and act of communication has come to characterise the studio, its creative process and its output. An intimate look at the workings, outlook and inspiration of the practice is given, which includes the story of its background and setting, along with an interview with Jain and detailed profiles of significant projects in India: Tara House, Leti 360 Resort, House on Pali Hill and the Copper House, to name a few.
Architecture Monographs
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2 preliminary leaves, iv, 612 pages illustrations, 13 plates (12 columns, including, frontispiece, double map) 29 cm
Paris, Firimin-Didot et cie, 1877.
Sciences & letters au moyen âge et à l'époque de la renaissance, par Paul Lacroix (Bibliophile Jacob) ... ouvrage illustré de treize chromolithographies exécutées par Compère, Daumont, Pralon et Werner et de quatre cents gravures sur bois.
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2 preliminary leaves, iv, 612 pages illustrations, 13 plates (12 columns, including, frontispiece, double map) 29 cm
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Paris, Firimin-Didot et cie, 1877.
Sybren Vanoverberghe: MUSA
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The series MUSA consists of twenty-six works of UV printed photographs on brass. The photographs for these works have been taken at various greenhouses in Morocco, which harvest Banana Trees. On the images we see abstract impressions of green and yellow leaves pressed against the plastic sheeting of the greenhouses. On top of that we see strips of copper wiring that keep(...)
Sybren Vanoverberghe: MUSA
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The series MUSA consists of twenty-six works of UV printed photographs on brass. The photographs for these works have been taken at various greenhouses in Morocco, which harvest Banana Trees. On the images we see abstract impressions of green and yellow leaves pressed against the plastic sheeting of the greenhouses. On top of that we see strips of copper wiring that keep the plastic sheets in position. It is the first series of images in Vanoverberghe’s work that solely puts the focus on the natural aspect of our surroundings. The work is a continuation in Vanoverberghe’s research to the material in which he presents his photographs. The visual atmosphere of the works constantly change due to the light that is captured or reflected by the brass material.
Photography monographs
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The work of landscape architecture firm Lucas & Lucas extends the architecture of the house into the garden through carefully selected elements of design. Each of the ten projects in this volume includes a design narrative that addresses the interconnections between home and land, detailed captions, and a site plan. Readers will learn how to implement features such as(...)
Architectural gardens: inside the landscapes of Lucas & Lucas
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The work of landscape architecture firm Lucas & Lucas extends the architecture of the house into the garden through carefully selected elements of design. Each of the ten projects in this volume includes a design narrative that addresses the interconnections between home and land, detailed captions, and a site plan. Readers will learn how to implement features such as landscape windows, breeze-catching grasses, cascading concrete waterfalls, and trees with thoughtfully cast shadows to transform their landscape. The book includes a roundup of Mike Lucas's favorite plants—those best suited to different types of properties and for different purposes like drought tolerance or fast growth. The featured projects will appeal to garden designers, landscape architects, landscape contractors, architects, and home builders, as well as home gardeners looking for inspiration.
Landscape Architecture, Monographs
Robert Adams: Cottonwoods
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Trees have been a subject of lifelong engagement for acclaimed American photographer Robert Adams (born 1937), and no species has enthralled him more than the cottonwood. Revered by the Plains Indians, native cottonwoods animate the landscape unforgettably but their thirst for water and lack of commercial value have made them common targets for removal by agricultural(...)
Photography monographs
April 2018
Robert Adams: Cottonwoods
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Trees have been a subject of lifelong engagement for acclaimed American photographer Robert Adams (born 1937), and no species has enthralled him more than the cottonwood. Revered by the Plains Indians, native cottonwoods animate the landscape unforgettably but their thirst for water and lack of commercial value have made them common targets for removal by agricultural business and housing developers. Some of Adams’ earliest pictures were of cottonwoods, and he photographed them throughout the 35 years that he lived in Colorado, beginning in 1975. Each of the black-and-white photos in the series was taken within a 50-mile radius of his home in Colorado. Originally published by the Smithsonian in 1994, this new edition of Cottonwoods has been expanded and enlarged to include an interview with Adams by Constance Sullivan.
Photography monographs