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" Techno textiles 2 " explores an exciting area of art, design and technology that defines 21st-century way of life. Here are new textiles for fabrics that shrink or expand to fit; textiles developed from carbon, steel, glass and ceramics; materials that protect the wearer from every environmental extreme, anywhere on earth or in space. So far and so fast has textile(...)
Techno textiles 2 : revolutionary fabrics for fashion and design
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" Techno textiles 2 " explores an exciting area of art, design and technology that defines 21st-century way of life. Here are new textiles for fabrics that shrink or expand to fit; textiles developed from carbon, steel, glass and ceramics; materials that protect the wearer from every environmental extreme, anywhere on earth or in space. So far and so fast has textile technology developed in the last five or so years that many of the ideas flagged in the first edition of " Techno textiles " have now become reality, and countless new ones have been conceived. " Techno Textiles 2 " has been thoroughly revised and updated to showcase the latest developments in the field, and includes 80 per cent new illustrations, all in colour. The book is divided into three sections : "Innovations" which explores how the newest textiles are dreamt up and made. "Applications" – from fashion and design, to architecture and art. "Reference" which includes a glossary, biographies, directories of addresses and public collections, and an extensive bibliography.
Materials and Lighting
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In 1970 Robert Smithson (1938-1973), one of the most innovative and provocative artists of the twentieth century, created the landmark earthwork "Spiral Jetty" at Rozel Point on Utah's Great Salt Lake. This dramatic and highly influential work forms a coil 1,500 feet long and 15 feet wide and stretches out counter-clockwise into the lake's translucent red water. Composed(...)
June 2005, New York
Robert Smithson : Spiral Jetty - true fictions, false realities
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In 1970 Robert Smithson (1938-1973), one of the most innovative and provocative artists of the twentieth century, created the landmark earthwork "Spiral Jetty" at Rozel Point on Utah's Great Salt Lake. This dramatic and highly influential work forms a coil 1,500 feet long and 15 feet wide and stretches out counter-clockwise into the lake's translucent red water. Composed of black basalt rocks and earth, the sculpture comprises the materials of its location: mud, salt crystals, rocks, water. The contributors to this comprehensive publication consider the sculpture in relation to its eponymous companions - a text work and a film. These essays situate this renowned series of works alongside Smithson's critical writings, proposals, drawings, sources, and models. Amply illustrated with archival and new photographs of the Jetty and many comparative illustrations, this book makes evident why Smithson's art and writings have had such a powerful impact on art and art theory for over thirty years.
Queer forms
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In "Queer forms," Ramzi Fawaz explores how the central values of 1970s movements for women’s and gay liberation-- including consciousness-raising, separatism, and coming out of the closet?were translated into a range of American popular culture forms. Throughout this period, feminist and gay activists fought social and political battles to expand, transform, or wholly(...)
Queer forms
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In "Queer forms," Ramzi Fawaz explores how the central values of 1970s movements for women’s and gay liberation-- including consciousness-raising, separatism, and coming out of the closet?were translated into a range of American popular culture forms. Throughout this period, feminist and gay activists fought social and political battles to expand, transform, or wholly explode definitions of so-called "normal" gender and sexuality. In doing so, they inspired artists, writers, and filmmakers to invent new ways of formally representing, or giving shape to, non-normative genders and sexualities. This included placing women, queers, and gender outlaws of all stripes into exhilarating new environments?from the streets of an increasingly gay San Francisco to a post-apocalyptic commune, from an Upper East Side New York City apartment to an all-female version of Earth-- and finding new ways to formally render queer genders and sexualities by articulating them to figures, outlines, or icons that could be imagined in the mind’s eye and interpreted by diverse publics.
Critical Theory
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Over the millennia, humans have used pigments to decorate, narrate, and instruct. Charred bone, ground earth, stones, bugs, and blood were the first pigments. New pigments were manufactured by simple processes such as corrosion and calcination until the Industrial Revolution introduced colors outside the spectrum of the natural world. "Pigments" brings together leading(...)
Colour Theory and Design
June 2024
Pigments
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Over the millennia, humans have used pigments to decorate, narrate, and instruct. Charred bone, ground earth, stones, bugs, and blood were the first pigments. New pigments were manufactured by simple processes such as corrosion and calcination until the Industrial Revolution introduced colors outside the spectrum of the natural world. "Pigments" brings together leading art historians and conservators to trace the history of the materials used to create color and their invention across diverse cultures and time periods. This richly illustrated book features incisive historical essays and case studies that shed light on the many forms of pigments—the organic and inorganic; the edible and the toxic; and those that are more precious than gold. It shows how pigments were as central to the earliest art forms and global trade networks as they are to commerce, ornamentation, and artistic expression today. The book reveals the innate instability and mutability of most pigments and discusses how few artworks or objects look as they did when they were first created.
Colour Theory and Design
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There is a creative explosion of work taking place in architecture and design schools exploring materials such as mycelium, clay/earth, engineered timber, bio-based plastics and algae. This handbook of low- and no-carbon materials for architects and designers focuses on sustainable materials, their sourcing, technical properties and the processes required for their use in(...)
Sustainable and Regenerative Materials for Architecture: A Sourcebook
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There is a creative explosion of work taking place in architecture and design schools exploring materials such as mycelium, clay/earth, engineered timber, bio-based plastics and algae. This handbook of low- and no-carbon materials for architects and designers focuses on sustainable materials, their sourcing, technical properties and the processes required for their use in architecture. The book showcases new and rediscovered processes for material fabrication, responsible sourcing and creative material design. Material properties (structural, thermal, fire, health and life safety) are described and case studies from around the world illustrate the inventive ways in which these materials have been deployed in the built environment. The book is designed as an introduction to the exciting and rapidly changing world of construction materials. With a better understanding of the social, environmental and economic sustainability of any given material - alongside its technical properties - students of architecture can lead the change in responsible and creative material use.
Green Architecture
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The Victorian age is much closer to us in time than we might believe. Yet at that time, in the most technologically advanced nation in the world, people buried meat in fresh earth to prevent mould forming and wrung sheets out in boiling water with their bare hands. Such household drudgery was routinely performed by the grandparents of people still living, but the(...)
Inside the victorian home : a portrait of domestic life in victorian England
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The Victorian age is much closer to us in time than we might believe. Yet at that time, in the most technologically advanced nation in the world, people buried meat in fresh earth to prevent mould forming and wrung sheets out in boiling water with their bare hands. Such household drudgery was routinely performed by the grandparents of people still living, but the knowledge of it has passed as if it had never been. Judith Flanders's book is laid out like a Victorian house, taking you through the story of daily life from room to room. In each space she depicts the home's furnishings and decoration: from childbirth in the master bedroom, through the scullery and kitchen, the separate male and female domains of the drawing room and the parlour, and ending in the sickroom. A rich selection from diaries, letters, advice books, magazines, and paintings fills the rooms with the people and personalities of the age.
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May 2004, New York, London
Architectural Theory
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The renaissance of wood in architecture began in the early 1990s following the Earth Summit in Rio de Janeiro. A lively interest in sustainable materials made wood particularly attractive and it became an important feature in the developing global ecology. Wood as a building material for the home has become independent from the aesthetic designs of a well-known Swedish(...)
Wood houses : spaces for contemporary living and working
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The renaissance of wood in architecture began in the early 1990s following the Earth Summit in Rio de Janeiro. A lively interest in sustainable materials made wood particularly attractive and it became an important feature in the developing global ecology. Wood as a building material for the home has become independent from the aesthetic designs of a well-known Swedish furniture chain, and it now stands for a healthy interior environment, free of harmful toxic substances, with naturally balanced humidity and comfortable, regulated temperatures. This volume documents in full technical detail some 25 timber buildings in three main areas: residential buildings, holiday homes, and living and working. The individual projects cover a large range of sizes, budgets, and types of construction, and they also show wood in combination with such materials as stone, concrete, and steel. The featured work comes from Germany, Austria, Switzerland, France, Belgium, Finland, Ireland, USA, Canada, China, Australia and Brazil, and the architects include Philip Gumuchdjian, Mario Botta, Kengo Kuma and Baumschlager + Eberle.
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October 2004, Basel
Timber Construction
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Living on a damaged planet challenges who we are and where we live. This timely anthology calls on twenty eminent humanists and scientists to revitalize curiosity, observation, and transdisciplinary conversation about life on earth. As human-induced environmental change threatens multispecies livability, "Arts of living on a damaged planet" puts forward a bold proposal:(...)
Environment and environmental theory
May 2017
Arts of living on a damaged planet: ghosts of the Anthropocene
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Living on a damaged planet challenges who we are and where we live. This timely anthology calls on twenty eminent humanists and scientists to revitalize curiosity, observation, and transdisciplinary conversation about life on earth. As human-induced environmental change threatens multispecies livability, "Arts of living on a damaged planet" puts forward a bold proposal: entangled histories, situated narratives, and thick descriptions offer urgent "arts of living." Included are essays by scholars in anthropology, ecology, science studies, art, literature, and bioinformatics who posit critical and creative tools for collaborative survival in a more-than-human Anthropocene. The essays are organized around two key figures that also serve as the publication's two openings: Ghosts, or landscapes haunted by the violences of modernity; and Monsters, or interspecies and intraspecies sociality. Ghosts and Monsters are tentacular, windy, and arboreal arts that invite readers to encounter ants, lichen, rocks, electrons, flying foxes, salmon, chestnut trees, mud volcanoes, border zones, graves, radioactive waste--in short, the wonders and terrors of an unintended epoch.
Environment and environmental theory
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Spanning from 3,500 BCE to the present, and organized along a global timeline, this unique guide was written by experts in their fields who emphasize the connections, contrasts, and influences of architectural movements throughout history and around the world. Fully updated and revised to reflect current scholarship, this third edition features expanded chapter(...)
April 2017
A global history of architecture, third edition
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Spanning from 3,500 BCE to the present, and organized along a global timeline, this unique guide was written by experts in their fields who emphasize the connections, contrasts, and influences of architectural movements throughout history and around the world. Fully updated and revised to reflect current scholarship, this third edition features expanded chapter introductions that set the stage for a global view, as well as: an expanded section on contemporary global architecture, more coverage of non-Western cultures, particularly South Asia, South East Asia Pre-Columbian America, and Africa. New drawings and maps by the iconic Francis D.K. Ching, as well as more stunning photographs. An updated companion website with digital learning tools and Google Earth mapping service coordinates that make it easier to find sites. Art and architecture enthusiasts, and anyone interested in architectural history, will have 5,000 years of the built environment perpetually at their fingertips with "A global history of architecture, third edition".
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In the early 1980s, China launched the greatest building boom in human history, beginning a period of wholesale construction and destruction unlike anything the world has ever seen. There were fewer than two hundred cities in China in the late 1970s; today there are nearly seven hundred. While the United States has nine cities with more than a million residents, China now(...)
Contemporary Asian Architecture
June 2008, New York
The Concrete Dragon: China's urban revolution and what it means for the world
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In the early 1980s, China launched the greatest building boom in human history, beginning a period of wholesale construction and destruction unlike anything the world has ever seen. There were fewer than two hundred cities in China in the late 1970s; today there are nearly seven hundred. While the United States has nine cities with more than a million residents, China now has 102 such cities. And in a single decade more Chinese families have been displaced by redevelopment than by thirty years of urban renewal in the United States. The scale of this urban revolution is breathtaking: China is now home to the largest malls on earth, the biggest airport, many of the planet's tallest buildings and longest bridges, the biggest gated community, the largest bowling alley, and even the worlds largest skateboard park. China's rich urban architectural legacy is being sacrificed to make way for icons of progress and modernity.
Contemporary Asian Architecture