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$58.95
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Painter, engraver and printer, designer, collector, stylist, refined craftsman, art gallery manager and exhibition promoter, Piero Fornasetti was an extremely rich and complex personality. He designed and made approximately 13,000 objects and decorations. His world is animated by the rigour of project, of art and craftsmanship, but also by unbridled fantasy, surrealist(...)
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Summary:
Painter, engraver and printer, designer, collector, stylist, refined craftsman, art gallery manager and exhibition promoter, Piero Fornasetti was an extremely rich and complex personality. He designed and made approximately 13,000 objects and decorations. His world is animated by the rigour of project, of art and craftsmanship, but also by unbridled fantasy, surrealist(...)
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Piero Fornasetti: one hundred years of practical madness
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Painter, engraver and printer, designer, collector, stylist, refined craftsman, art gallery manager and exhibition promoter, Piero Fornasetti was an extremely rich and complex personality. He designed and made approximately 13,000 objects and decorations. His world is animated by the rigour of project, of art and craftsmanship, but also by unbridled fantasy, surrealist invention and poetry. This book accompanies the exhibition of the Triennale Design Museum, curated by Barnaba Fornasetti, the first grand and unprecedented exhibition in Italy of the artist’s work.
Piero Fornasetti: one hundred years of practical madness
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Painter, engraver and printer, designer, collector, stylist, refined craftsman, art gallery manager and exhibition promoter, Piero Fornasetti was an extremely rich and complex personality. He designed and made approximately 13,000 objects and decorations. His world is animated by the rigour of project, of art and craftsmanship, but also by unbridled fantasy, surrealist invention and poetry. This book accompanies the exhibition of the Triennale Design Museum, curated by Barnaba Fornasetti, the first grand and unprecedented exhibition in Italy of the artist’s work.
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books
books
Publication:
December 2013
December 2013
Subject:
Design Monographs
Design Monographs
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journals and magazines
journals and magazines
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$100.00
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This edition focuses on work completed between 2002-2013, featuring eighteen exemplary projects, from residences and schools to museums and public buildings. Besides an interview with the architect, an essay by Juan Antonio Cortés explains how territory and landscape play a role in his oeuvre. Notable works include the Lisbon Cruise Terminal, Candeias House, Belém Palace(...)
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This edition focuses on work completed between 2002-2013, featuring eighteen exemplary projects, from residences and schools to museums and public buildings. Besides an interview with the architect, an essay by Juan Antonio Cortés explains how territory and landscape play a role in his oeuvre. Notable works include the Lisbon Cruise Terminal, Candeias House, Belém Palace(...)
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El croquis 170: Joao Luis Carrilho Da Graca
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This edition focuses on work completed between 2002-2013, featuring eighteen exemplary projects, from residences and schools to museums and public buildings. Besides an interview with the architect, an essay by Juan Antonio Cortés explains how territory and landscape play a role in his oeuvre. Notable works include the Lisbon Cruise Terminal, Candeias House, Belém Palace Archive, Carpinteira Pedestrian Bridge and more.
El croquis 170: Joao Luis Carrilho Da Graca
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This edition focuses on work completed between 2002-2013, featuring eighteen exemplary projects, from residences and schools to museums and public buildings. Besides an interview with the architect, an essay by Juan Antonio Cortés explains how territory and landscape play a role in his oeuvre. Notable works include the Lisbon Cruise Terminal, Candeias House, Belém Palace Archive, Carpinteira Pedestrian Bridge and more.
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journals and magazines
journals and magazines
Publication:
January 2014
January 2014
Subject:
El Croquis
El Croquis
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books
books
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$27.50
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A show challenging conventional understandings of public art, Culture in Action in Chicago had a new social agenda, and rethought what an exhibition of contemporary art might be. Through eight projects by artists initiated in the early 1990s and developed in collaboration with local people, the intention was to engage diverse groups over time, in addition to the visiting(...)
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A show challenging conventional understandings of public art, Culture in Action in Chicago had a new social agenda, and rethought what an exhibition of contemporary art might be. Through eight projects by artists initiated in the early 1990s and developed in collaboration with local people, the intention was to engage diverse groups over time, in addition to the visiting(...)
Title:
Exhibition as social intervention: 'culture in action' 1993
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A show challenging conventional understandings of public art, Culture in Action in Chicago had a new social agenda, and rethought what an exhibition of contemporary art might be. Through eight projects by artists initiated in the early 1990s and developed in collaboration with local people, the intention was to engage diverse groups over time, in addition to the visiting public in 1993. In the fifth book in Afterall's Exhibition Histories series, the course of these projects is documented, with critical reappraisal of this important exhibition in newly commissioned essays and interviews, together with reviews from the time.
Exhibition as social intervention: 'culture in action' 1993
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A show challenging conventional understandings of public art, Culture in Action in Chicago had a new social agenda, and rethought what an exhibition of contemporary art might be. Through eight projects by artists initiated in the early 1990s and developed in collaboration with local people, the intention was to engage diverse groups over time, in addition to the visiting public in 1993. In the fifth book in Afterall's Exhibition Histories series, the course of these projects is documented, with critical reappraisal of this important exhibition in newly commissioned essays and interviews, together with reviews from the time.
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books
books
Publication:
April 2014
April 2014
Subject:
Museology
Museology
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books
books
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$86.95
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This catalogue that accompanies the VII edition of the Triennale Design Museum, seeks to explore the creative potential induced by the crisis, ultimately responding to a fundamental question: “what did Italian design do when it found itself operated in a society with ‘its back against the wall’”? The volume focuses its attention on the theme of self-sufficient production(...)
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This catalogue that accompanies the VII edition of the Triennale Design Museum, seeks to explore the creative potential induced by the crisis, ultimately responding to a fundamental question: “what did Italian design do when it found itself operated in a society with ‘its back against the wall’”? The volume focuses its attention on the theme of self-sufficient production(...)
Title:
Italian Design Beyond the Crisis - Autarky, Austerity, Autonomy
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$86.95
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This catalogue that accompanies the VII edition of the Triennale Design Museum, seeks to explore the creative potential induced by the crisis, ultimately responding to a fundamental question: “what did Italian design do when it found itself operated in a society with ‘its back against the wall’”? The volume focuses its attention on the theme of self-sufficient production in three different time periods: the 1930s (From autarky to autonomy), the 1970s (From austerity to participation) and the Noughties (From self-production to self-sufficiency).
Italian Design Beyond the Crisis - Autarky, Austerity, Autonomy
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$86.95
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Summary:
This catalogue that accompanies the VII edition of the Triennale Design Museum, seeks to explore the creative potential induced by the crisis, ultimately responding to a fundamental question: “what did Italian design do when it found itself operated in a society with ‘its back against the wall’”? The volume focuses its attention on the theme of self-sufficient production in three different time periods: the 1930s (From autarky to autonomy), the 1970s (From austerity to participation) and the Noughties (From self-production to self-sufficiency).
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books
books
Publication:
May 2014
May 2014
Subject:
Design, Periods and Styles
Design, Periods and Styles
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books
books
Title:
Mimi Ọnụọha.
Mimi Ọnụọha.
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1 online resource
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[Place of publication not identified] : Secession ; Verlag der Buchhandlung Walther und Franz König, 2025.
[Place of publication not identified] : Secession ; Verlag der Buchhandlung Walther und Franz König, 2025.
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books
books
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[Place of publication not identified] : Secession ; Verlag der Buchhandlung Walther und Franz König, 2025.
[Place of publication not identified] : Secession ; Verlag der Buchhandlung Walther und Franz König, 2025.
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books
books
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[S.l.] : REAL, 2020.
[S.l.] : REAL, 2020.
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books
books
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[S.l.] : REAL, 2020.
[S.l.] : REAL, 2020.
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books
books
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$23.95
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Définir la créativité nécessite de bien s'entourer : plus de 100 personnalités du monde de l'art, du design, de la mode, etc, ont répondu présent pour l'illustrer en 101 mots. Mots élémentaires, mots nécessaires, parfois inopinés, ils démontrent cette faculté d'invention et d'imagination, portée jusqu'à la réalisation. Rendre réel, agir, se risquer, s'exprimer, la(...)
$23.95
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Définir la créativité nécessite de bien s'entourer : plus de 100 personnalités du monde de l'art, du design, de la mode, etc, ont répondu présent pour l'illustrer en 101 mots. Mots élémentaires, mots nécessaires, parfois inopinés, ils démontrent cette faculté d'invention et d'imagination, portée jusqu'à la réalisation. Rendre réel, agir, se risquer, s'exprimer, la(...)
Title:
Les 101 mots de la créativité à l'usage de tous
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Définir la créativité nécessite de bien s'entourer : plus de 100 personnalités du monde de l'art, du design, de la mode, etc, ont répondu présent pour l'illustrer en 101 mots. Mots élémentaires, mots nécessaires, parfois inopinés, ils démontrent cette faculté d'invention et d'imagination, portée jusqu'à la réalisation. Rendre réel, agir, se risquer, s'exprimer, la créativité est un processus actif, renouvelé dans ces pages.
Les 101 mots de la créativité à l'usage de tous
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$23.95
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Définir la créativité nécessite de bien s'entourer : plus de 100 personnalités du monde de l'art, du design, de la mode, etc, ont répondu présent pour l'illustrer en 101 mots. Mots élémentaires, mots nécessaires, parfois inopinés, ils démontrent cette faculté d'invention et d'imagination, portée jusqu'à la réalisation. Rendre réel, agir, se risquer, s'exprimer, la créativité est un processus actif, renouvelé dans ces pages.
Form:
books
books
Publication:
August 2016
August 2016
Subject:
Dictionaries
Dictionaries
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journals and magazines
journals and magazines
Title:
Afterparti.
Afterparti.
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volumes : illustrations (black and white, and colour) ; 24 cm
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volumes : illustrations (black and white, and colour) ; 24 cm
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Publication:
[London] : [Afterparti], [2019]-
[London] : [Afterparti], [2019]-
Title:
Afterparti.
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volumes : illustrations (black and white, and colour) ; 24 cm
Afterparti.
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volumes : illustrations (black and white, and colour) ; 24 cm
Form:
journals and magazines
journals and magazines
Publication:
[London] : [Afterparti], [2019]-
[London] : [Afterparti], [2019]-
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books
books
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$15.95
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De Paris à New York : à la fin des années 1920, la gare Saint- Lazare, reconstruite par Juste Lisch en 1889, est la plus importante gare de Paris par son trafic de banlieue comme par la desserte de destinations lointaines. Aujourd'hui, dans la gare rénovée, les 114 verrières inaugurées en 1930, en verre gravé et peint, dessinées pour la plupart par Charles Sarteur(...)
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De Paris à New York : à la fin des années 1920, la gare Saint- Lazare, reconstruite par Juste Lisch en 1889, est la plus importante gare de Paris par son trafic de banlieue comme par la desserte de destinations lointaines. Aujourd'hui, dans la gare rénovée, les 114 verrières inaugurées en 1930, en verre gravé et peint, dessinées pour la plupart par Charles Sarteur(...)
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Gare Saint-Lazare : les verrières de Paris à New York
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De Paris à New York : à la fin des années 1920, la gare Saint- Lazare, reconstruite par Juste Lisch en 1889, est la plus importante gare de Paris par son trafic de banlieue comme par la desserte de destinations lointaines. Aujourd'hui, dans la gare rénovée, les 114 verrières inaugurées en 1930, en verre gravé et peint, dessinées pour la plupart par Charles Sarteur (1874-1933), ingénieur chargé des travaux et peintre de talent, reprennent leur rôle de vitrine des trésors artistiques de la France de l'entre-deux-guerres. Réalisé avec le concours de SNCF Gares & Connexions, cet ouvrage fait du visiteur, qu'il soit d'un jour ou quotidien, un voyageur : il le guide dans l'espace et l'emmène à travers le temps.
Gare Saint-Lazare : les verrières de Paris à New York
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De Paris à New York : à la fin des années 1920, la gare Saint- Lazare, reconstruite par Juste Lisch en 1889, est la plus importante gare de Paris par son trafic de banlieue comme par la desserte de destinations lointaines. Aujourd'hui, dans la gare rénovée, les 114 verrières inaugurées en 1930, en verre gravé et peint, dessinées pour la plupart par Charles Sarteur (1874-1933), ingénieur chargé des travaux et peintre de talent, reprennent leur rôle de vitrine des trésors artistiques de la France de l'entre-deux-guerres. Réalisé avec le concours de SNCF Gares & Connexions, cet ouvrage fait du visiteur, qu'il soit d'un jour ou quotidien, un voyageur : il le guide dans l'espace et l'emmène à travers le temps.
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books
books
Publication:
June 2012
June 2012
Subject:
History until 1900, France
History until 1900, France
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video
video
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1 online resource (1 video file (47 min., 4 sec.)) : sound, color
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1 online resource (1 video file (47 min., 4 sec.)) : sound, color
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[Montréal] : Canadian Centre for Architecture, [2018]
[Montréal] : Canadian Centre for Architecture, [2018]
Title:
Come and forget with Chus Martínez.
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1 online resource (1 video file (47 min., 4 sec.)) : sound, color
Come and forget with Chus Martínez.
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1 online resource (1 video file (47 min., 4 sec.)) : sound, color
Form:
video
video
Publication:
[Montréal] : Canadian Centre for Architecture, [2018]
[Montréal] : Canadian Centre for Architecture, [2018]
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