Smokehouse Associates
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Between 1968 and 1970, the artist collective Smokehouse Associates transformed Harlem with vibrant, community-oriented abstract murals and sculptures. Established by William T. Williams and including Melvin Edwards, Guy Ciarcia, and Billy Rose, Smokehouse grew to encompass a range of creative practitioners united around the revolutionary potential of public(...)
September 2022
Smokehouse Associates
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Between 1968 and 1970, the artist collective Smokehouse Associates transformed Harlem with vibrant, community-oriented abstract murals and sculptures. Established by William T. Williams and including Melvin Edwards, Guy Ciarcia, and Billy Rose, Smokehouse grew to encompass a range of creative practitioners united around the revolutionary potential of public art. Published over fifty years after the collective’s founding, this volume offers the first critical examination of the group’s work. With previously unpublished images and ephemera and a rich chronology, it serves as a sourcebook that expands the narrative of public art and social practice in the United States to include the contributions of artists of African descent.
Nobuyoshi Araki: road
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For this series, Nobuyoshi Araki photographed the same street corner from his second-storey window during daylight hours and through every season of the year. In so doing, he diligently transfers the slow-paced life of a quiet Japanese neighbourhood into image form. The narrative that unfolds is one of schoolchildren walking home alone or in groups, men and women with(...)
Nobuyoshi Araki: road
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For this series, Nobuyoshi Araki photographed the same street corner from his second-storey window during daylight hours and through every season of the year. In so doing, he diligently transfers the slow-paced life of a quiet Japanese neighbourhood into image form. The narrative that unfolds is one of schoolchildren walking home alone or in groups, men and women with office jobs hurrying to work, utility and delivery trucks, mothers with strollers, loitering grandmothers, joggers, bicycles, dogs, umbrellas, and much more. Sometimes the sun shines, or the pavement is wet, while at other times the street is filled with snow. In short, it is a hypnotic portrait of the everyday.
Photography monographs
Information
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This anthology provides the first art-historical reassessment of information-based art in relation to data structures and exhibition curation. It examines such landmark exhibitions as "Information" at The Museum of Modern Art, New York, in 1970, and the equally influential "Les Immatériaux," initiated by the philosopher Jean-François Lyotard at the Centre Pompidou, Paris,(...)
Information
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This anthology provides the first art-historical reassessment of information-based art in relation to data structures and exhibition curation. It examines such landmark exhibitions as "Information" at The Museum of Modern Art, New York, in 1970, and the equally influential "Les Immatériaux," initiated by the philosopher Jean-François Lyotard at the Centre Pompidou, Paris, in 1984. It reexamines work by artists of the 1960s to early 1980s, from Les Levine and N. E. Thing Co. to General Idea and Jenny Holzer, whose prescient grasp of information's significance resonates today. It also reinscribes into the narrative of art history technologically critical artworks that for years have circulated within new media festivals rather than in galleries.
Art Theory
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''Francesca Woodman: The artist’s books'' collects for the first time every page of all eight of Francesca Woodman’s unique artist’s books in one comprehensive volume, including two newly discovered books which have never been seen before, alongside better-known titles such as ''Some Disordered Interior Geometries''. The basis of these works is in tattered nineteenth- and(...)
Francesca Woodman: The artist's books
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''Francesca Woodman: The artist’s books'' collects for the first time every page of all eight of Francesca Woodman’s unique artist’s books in one comprehensive volume, including two newly discovered books which have never been seen before, alongside better-known titles such as ''Some Disordered Interior Geometries''. The basis of these works is in tattered nineteenth- and early-twentieth-century journals and notebooks that Woodman collected from bookshops and flea markets in Rome in the late 1970s. She later transformed these found volumes, attaching her prints, transparencies, and written annotations to their evocative pages. These books demonstrate a sophisticated relationship to narrative and sequence and offer a new understanding of the scope of Woodman’s engagement with the book form.
Contemporary Art Monographs
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The internationally acclaimed team of architect Boa Baumann and musician/cross-media artist Fritz Hauser has worked together for two decades exploring the tension and interaction between music and architecture. This monograph recounts the story of their collaboration and the environmental installations that result. Active in the areas of improvised music, radio play, film(...)
Architecture music: Boa Baumann and Fritz Hauser
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The internationally acclaimed team of architect Boa Baumann and musician/cross-media artist Fritz Hauser has worked together for two decades exploring the tension and interaction between music and architecture. This monograph recounts the story of their collaboration and the environmental installations that result. Active in the areas of improvised music, radio play, film music, theatre and sound installation, Hauser is a percussionist who is one of Switzerland’s most diverse musicians. He and Baumann have created spaces and performed in New York, Melbourne and throughout the world. Author Hubertus Adam interviews Baumann, Hauser and others, and fashions a narrative text enhanced by large-format images by artists Andreas Fahrni, Christian Lichtenberg and Isabel Bürgin.
Acoustics
Call ampersand response
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Call Ampersand Response is a collaborative artwork made of images exchanged via email. Over a period of several months, Dumontier and Lexier sustained an image-based correspondence by sending each other scans of book covers, found objects, drawings and illustrations belonging to each artist’s respective collection. The project is based on the idea that their collections(...)
Call ampersand response
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Call Ampersand Response is a collaborative artwork made of images exchanged via email. Over a period of several months, Dumontier and Lexier sustained an image-based correspondence by sending each other scans of book covers, found objects, drawings and illustrations belonging to each artist’s respective collection. The project is based on the idea that their collections speak of their shared artistic affinities while informing their practices. Two rules dictated their conduct : each image was to function as a “call” seeking a “response” from the other artist, and the dialogue was to end when an image recalling the project’s opening image emerged, thereby constituting a narrative loop. Their conversation gave rise to a bookwork co-edited by Nieves and Artexte.
Illustration
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Frederick Law Olmsted (1822–1903) is considered the father of landscape architecture in the United States for his creation of several renowned urban parks and park systems around the country. Whether in Central Park in New York, the Emerald Necklace in Boston, or the park systems of Chicago, Milwaukee, Buffalo, Rochester, and Louisville—trees are essential elements of all(...)
Photography monographs
August 2022
Stanley Greenberg: Olmsted trees
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Frederick Law Olmsted (1822–1903) is considered the father of landscape architecture in the United States for his creation of several renowned urban parks and park systems around the country. Whether in Central Park in New York, the Emerald Necklace in Boston, or the park systems of Chicago, Milwaukee, Buffalo, Rochester, and Louisville—trees are essential elements of all of Olmsted’s park designs. Through Stanley Greenberg’s stunning series of black and white photographs of the trees that date to the beginnings of these parks, this volume offers an intimate encounter with Olmsted, his motifs, and his heritage. Three essays by renowned experts on history, sociology, and landscape architecture complement the narrative and present an interdisciplinary vision of Olmsted’s achievement.
Photography monographs
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Solar energy needs a new narrative - one that says goodbye to old perspectives and only talks about the efficiency and the payback time of blue solar panels. This book is divided into three parts: the first part explains how we designed with the sun in the past, providing a visual timeline of the historical development of solar power. The second part discusses the(...)
Solar Futures: How to design a post-fossil world with the sun
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Solar energy needs a new narrative - one that says goodbye to old perspectives and only talks about the efficiency and the payback time of blue solar panels. This book is divided into three parts: the first part explains how we designed with the sun in the past, providing a visual timeline of the historical development of solar power. The second part discusses the present: Where are we now and what is solar design? It provides examples of innovative solar design in architecture, fashion, mobility and product design. Finally, the last part looks at the future and asks how we can ensure solar energy does not become the asbestos of the 21st century.
Green Architecture
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In "Domesticated Land" Susan Lipper navigates an apocalyptic world poised between inertia and the end of mankind, somewhere in the California desert. Uncannily tranquil, the landscape offers a trans-historical litany of monuments, icons and signs from which the author and protagonist constructs a narrative interspersed with the words of historic and contemporary women.(...)
Susan Lipper: Domesticated land
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In "Domesticated Land" Susan Lipper navigates an apocalyptic world poised between inertia and the end of mankind, somewhere in the California desert. Uncannily tranquil, the landscape offers a trans-historical litany of monuments, icons and signs from which the author and protagonist constructs a narrative interspersed with the words of historic and contemporary women. Putting female subjectivity into relief, Lipper obfuscates the romantic notion of the desert as a land of freedom and self-enlightenment. A lone snake, a dilapidated home, the remains of a cinematic stage set, the head of a fallen woman, a military base, barbed wire: such facts create ?ction, and one that serves as an unnerving political admonition concerning the current state of America.
Photography monographs
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Before architectural postmodernism was named as such, the process of postmodernizing architecture had already begun implicating architectural work in the increasingly information-driven logic of the late twentieth century. Though radical, the effects of this process have long been excluded from the predominant histories of postmodernism, which continue to rely on notions(...)
Architecture itself and other postmodernization effects
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Before architectural postmodernism was named as such, the process of postmodernizing architecture had already begun implicating architectural work in the increasingly information-driven logic of the late twentieth century. Though radical, the effects of this process have long been excluded from the predominant histories of postmodernism, which continue to rely on notions of individual and creative genius, architectural autonomy, and stylistic genealogies. Architecture Itself and Other Postmodernization Effects places material devices, such as Pantone chips, research grant applications, questionnaires, Xerography, and travel photography, at the forefront of a counter-narrative that recasts these informatic procedures as fundamentally architectural and as the primary of catalysts of the loose agglomeration of styles that was once called postmodernism.
CCA Publications